FROM PHOTOGRAPH BY WALERY 1 6 EGE EE w A 4, R NT STR T, PLAYERS OF THE PERIOD . A SERIES OF A NE CD TAL B O , I GRAPHICAL AND O , CRITIC L M A ON OGRAP HS OF THE LEADIN G E N GLISH A CT RS OF THE DA O Y. R U R G O D D RD A T H A , with gumfiuus gfluztm finm BY “ ' LM E D B D L D BRY PHIL MAY A A , FR . ARNAR , A FRE AN , . B D P T IDGE GE GES PILOTELLE j ERNAR AR R , OR , F T W E D Tc H. S E . O N N , , G O F T H B E AN D A G U I PHOTO RAPHS E SU J CTS U TO RAPH Q OTAT ONS . R E SE I S. LO D O : DEAN SON 1 6 0A FL S . N N , , EET TREET 1 8 1 9 . P RE FA TOR Y N O TE . O a ttem t h as ee n m a e h N p b d in t is volu m e to give a qu ite com plete record of th e careers an d im pers on a t n s o th e P a ers o th e P er w th wh m it ea s io f l y f iod i o d l . Su ch a n u n dertak ing wo u ld be beyon d th e s cope an d re n to th e u r s e o th e w rk th e aim o wh ch is fo ig p po f o , f i ra ther th e aid o rem n s cen ces o u ar act rs in , by f i i f pop l o th e r r n c a a rts s u em en te ers n a an d ro i p i ip l p , ppl d by p o l p ess ion al a n ec tes an d ra h ca n tes rtra ts an d f do biog p i l o , po i , ch aracter-s ketches to e ct e n an d en c re re , d pi by p p il p s en tative playe rs in th e rOle s with wh ich they are m os t w e iden ti e a n d s o s t m u ate th e m em r es o a id ly fid, i l o i f pl y oers an d ca u in the r m n s c u n t es s rec ect n s g , ll p i i d o l oll io d th e of pleas an t h ou rs owed to th e arts of th e actor an t e ra m a t s t a n d to th e a m u r o th e m ern s a , d i , gl o f od g m wh ch er ect n o m ech an cal a n d art s t c real s i , by p f io f i i i i etr a n d u s n m rts an e em en t o r m an ce an d p y ill io , i po l f o o P RE FA TOR TE vi Y NO . n t th e r s e o i e an d c m e s u s to ran k th e th eatre as i o p o f lf , o p l th e m s t u ar n te ectu a eas u re o th e er o pop l i ll l pl f p iod. Co n s ideratio n s of space h ave m a de it im pos s ible to in clu de in th is volu m e m any a dm irable actors whos e talen t wo u ld h ave as s u red th em a place in any s u ch work h ad it n ot been deem ed a dv is able to s elect s u b eets n ot n or th e r a t bu t as re res en t n dis f o ly f i biliy, p i g tin ct s chools of acting ; an d a s upplem en ta ry volu m e is in re arat n in wh ch m an a e rs n ow u n av a p p io , i y pl y o id bly b t om itted will e repres en ed. h e du e to M r A re G n s My cordia l t an h s a r . lf d ibbo for h is h in d perm is s io n to reprodu ce a n u m ber of th e a dm ira ble ch aracter-s ketches wh ich origin ally appeared “ ' t W e o th e La s P ct r a o M r . in th e pag s f dy i o i l; . Ingram for s im ila r perm is s io n in regard to th e illu s r r P artr e M r He n i Irv n Be n a . tration by M r. d idg of y i g " as e h s t he es wh ch or n a a eare in th e M p i op l , i igi lly pp d “ to r e n r Irv n Illu s trate d Lo n do n N ews an d M . H y i g for perm is s io n to reprodu ce certa in illu s tratio n s from “ “ th e Lyceu m So u ven irs of Macbeth an d Th e D ead ” Heart. ARTH UR GOD DARD . C O T T N E N S . HEN RY IRV ING . PAGE U D u c n —F r A — gly kli g i s t pp e a ra n c e An Odd Attra e ' n —D d r — — tio i e ot s The o ry Os car VVilde Th e D avid of h D — — — t e ra m a Slayi n g th e Phili s ti n e At Hom e Pre — s r n c T m e s Ga rr c a n d Ge r e II — hi t io i i i k o g . Wh at th e S — tage D oe s Co n tra s ts a n d Ch a s m s U n i ve rs ity H n u — — — o o rs Lo n do n Debu t An Odd Ba dge Th e B e lls —Irvin m a n ia a n d Irvin h ob ia — h a r e s I —Th e g gp C l . — Ps yc hology of Cri m e A Pri n c e of th e Ch u rch ’ — — Acto rs M a n n e ri s m s Th e Chi n e s e Amba s s a dor A — Cla s hi n g of C ritic s Th e Acto r a n d th e Po e t Lau re ate — — A Stu dy of M a lign a n t Se n ility An Exce lle n t Ide a l — — En gage m e n t of Mi s s Ell e n Te rry An U n con ve n — — t ion al Shylock Th e Cor s ica n B r oth ers A Se n s u a l — — Pa ga n Rom e o a n d Be n e di c k A U n iq u e Ban q u e t — — d Ca n A Fa re we ll D e m on s tratio n Complim e n ts a n - — a —A u r s of va s b a c k D u ck s Fu s s ie M lvolio C io ity ' — W a W n e r s P e c a Addre s s Critic i s m M r. illi m i t o ti l ’ — —G e e An c s e d Diplom a cy Golds mith s Ide al o th gli i CONTE NTS. PAG E — — e — A Pe rfe ct M e phi s toph e l e s W r n er Exploiti n g a — ’ Re vol ution Ra ve n s wooa WILSON BARRETT . — — Fi rs t App e a ra n c e A D o u btfu l Pie Rom an ti c He ro e s — — — A Wa s te d Pla y Life a s it is Z ola i s ti c N a tu ra li s m — — “ ’ — Th e Silve r Kin g Th e Spide r s Whi s tl e A — — — To u c hi n g Story Cla u dia n Ch a tter ton A Com — — p re h e n s ibl e Ha m l e t A Q u e e r Exp e ri e n c e fun iu s — Th e Pa s s io n s in Arc a di a A Vill a ge Oth e llo — — — A Ga lla n t Ca va li e r Clito Th e Ide a l Wom an A — — M u s cu la r Ch ri s tia n D a n Mylre a Pla i n Joh n Sa xto n — ’ 772 e P eop le s IdolL-Th e Acto r a t Hom e REE .