ON STAGE The Spring 2009 newsletter of Vol.10 No.4 ‘One of the best theatres in Australia. Full stop.’ Actor Sandy Gore sums-up one of Australia’s newest regional theatres, and she should know. Frank Van Straten reports… orget best in Australia— ‘ regional The long awaited first night came after The story of what is now officially termed I think it is one of the best theatres years of community antipathy and acrimony, the Glasshouse Arts, Conference and Fin Australia. Full stop.’ building delays and frightening cost over- Entertainment Centre started in 2002 when That’s how distinguished actor Sandy runs—all of which led to the government of Port Macquarie–Hastings council decided Gore described Port Macquarie’s new NSW sacking the local council and replacing to build a facility which, said former Mayor Glasshouse Theatre. Gore was in Bell it with an administrator (see ON STAGE, Rob Drew, would ‘take our community Shakespeare’s touring production of The Autumn 2008). 30 years into the future’. * Taming of the Shrew, which opened the controversial venue on 3 July. The complex—with its two theatres, The Theatre ties to other locations within the complex. Just weeks before Willan released his Council administrator Gary Payne says back wall and comes back and hits you in galleries, meeting spaces and café—was The main Glasshouse theatre has 606 The Ross Family Studio report, council voted ‘behind closed doors’ the council currently has a $2 million deficit, the forehead. It’s very, very hard to get estimated to cost $6 million, a figure that has comfortable wool-covered seats spread over to accept a $1.8 million tender for supply and he is unsure how it will pay the $6 million theatres with good acoustics. It’s very hard This is a ‘black box’ facility adjoining the since blown out to more than $60m. ‘I still stalls and dress circle. and installation of specialist stage, sound and it will cost to run the Glasshouse each year. to build them and it’s very hard to find them lower foyer. An intimate, fully acoustically see it as a responsible decision,’ says Mayor The stage has a full fly-tower with a lighting equipment—about $1 million higher ‘We’re looking internally at our cost to work in as an actor. isolated performance and rehearsal space, it Drew; Sandy Gore agrees: ‘OK, it cost much Powerfly automated flying system, and an than estimates. structures right across the council. We’ll do ‘When we arrived we were aware that is suitable for dance, drama and choral more than it should have, but then, so did orchestra pit with Serapid lift automation. Willan concluded that councillors had that during the next 12 months, and then we were opening a new theatre and our first events, as well as exhibitions, meetings, the Sydney Opera House.’ Backstage there are dressing rooms, a ‘ignored and misled consultants…were we’ll have to develop some type of strategy thought was: “I hope it’s not another presentations and other activities. Locals objected, first, to the selected site musicians’ room with secure piano and warned from 2002 that it could not meet for our funding position,’ he says. concrete cavernous space.” We were aware The space has a 12m by 12m performance on the Port Macquarie waterfront, next to the instrument storage, warm-up spaces, storage budget,’ and ‘failed to exercise prudent ‘It’s not just due to the Glasshouse, but that there had been friction about this area, with seating for up to 123 either on a major shopping centre where parking is at a for props and equipment, a wardrobe room, financial management, until costs blew out other factors as well. We’ll go back to basics. building, but no idea of the extent of the flat floor or on tiered, raked banks. A flexible premium and costs are higher. Some objectors green room, technicians’ and general to $39 million’. We’ll provide the basic services, but we controversy, and I’m wondering why. I think porta-stage provides for raised stages, drew up their own plans for alternative sites, workshops and a scene dock. The NSW Local Government Minister won’t be getting involved in those things it will do so much for Port Macquarie and catwalks or choir risers. deriding council’s dream as a local version of The loading dock has direct access to the accepted Willan’s recommendation to sack that are not essential or basic to council’s surrounding areas. The walls are lined with timber and the Sydney Opera House. In many ways, they auditorium and other areas. the council and install an administrator. By core services.’ ‘With something of this quality you bring velveteen. There are removable ballet were right. After that, almost every council The auditorium features acoustic design then the cost had exploded from an initial in quality shows. They’ll come not only from barres, a dressing room and backstage Beautiful and brilliant decision delivered dissension. by Arup, an international firm that has $6 million to at least $40 million. With around Australia, but from overseas, because assembly area. Eventually council appointed noted Sydney worked on the world’s greatest opera houses interest payments, the true cost could be as But all this was at least temporarily forgotten you can offer them absolutely every facility Equipment includes a full lighting grid architects Tonkin Zulaikha Greer. The design and concert halls. It has a 48-channel sound high as $66 million. on 3 July, when the drama switched from here. Not only the theatre, which is with 48 channels of dimming and patch team was led by Tim Greer, whose other system with full tie capabilities. It is fully The continual cost over-runs have the council chambers to the splendid new physically beautiful and acoustically brilliant, facilities. The 16-channel sound system is recent projects include Carriage Works patched throughout and has automated contributed to the Port Macquarie–Hastings Glasshouse stage. but you’ve got that heritage area downstairs, fully patched. Contemporary Performing Arts Centre at damper adjustment to provide optimum council going into deficit, and other facilities Everyone was impressed, especially which quite frankly brought tears to my eyes. Eveleigh, NSW, the Verona Cinema in acoustic properties. Money, money, money and projects across the local government when the range of forthcoming attractions And the Ross Family Studio is beautifully Paddington and the Norton Street Cinema Lighting comes via a 256-channel Despite the euphoria on opening night, area being delayed, suspended or abandoned. was revealed—everything from singers Simon sprung. It’s fabulous for dance; it’s fabulous in Leichhardt. lighting control with 300 patch locations, many in the community still have Gallaher and Julie Anthony, illusionist for intimate plays. Greer is currently working on the Black complemented by two fully accessible light misgivings, remembering the project’s Raymond Crowe, comedians Arj Barker and ‘Forget best in regional Australia—I think Theatre project in Redfern. bridges with two follow spot locations on the difficult birth. Akmal, guitar virtuoso Joe Robinson, to the it is one of the best theatres in Australia. Despite the convoluted construction rear bridge, a lighting rail on the balcony, In 2007 the NSW Government touring Gypsy Fire company and Circus Oz. ‘Full stop.’ process, Greer’s design has delivered a box booms and extensive provision of appointed commissioner Frank Willan to Sandy Gore shared her enthusiasm with smart, functional, compact centre. rigging points. There are full CAT 6 and head a public enquiry into the council’s listeners to ABC local radio: ‘It is one of the Building on history RGBHV patch facilities throughout, with handling of the project. most beautiful spaces I’ve ever worked in,’ The Glasshouse stands on Port Macquarie’s she said, ‘and with 35 years’ experience first street, built by convicts in the 1820s. Previous page: The auditorium of Port Macquarie’s new doing theatre that’s something. During excavation archaeologists Glasshouse auditorium. ‘I can’t think of any other that’s as discovered the brick footings of several This page: The Glasshouse’s striking street façade. beautiful and complete as this complex. It’s overseers’ cottages, built in 1824. Adjacent were a brick barrel drain in remarkably Architect Tim Greer extraordinary: the warmth of the theatre, the Right: The Ross Family Studio has a 12m2 performance area and acoustics. Your voice literally goes to the good condition and a timber-lined cess pit. seating for up to 123. Another part of the site contained the timber stumps of the 1884 School of Arts and the brick footings of the 1892 Town Hall. Both buildings were demolished in the early 1970s. A selection of the archaeological remains and artifacts have been conserved and are displayed in the new building’s lower level. Links: www.glasshouse.org.au www.tzg.com. au With thanks to ABC Regional Radio, Peter Burgis, Port Macquarie News, Prof. Ross Thorne and to the Glasshouse architects, Tonkin Zulaikha Greer. n Page 2 ON STAGE Spring 2009 Page 3 Karnak Playhouse is on Upper Rainforest culture Whyanbeel Road, Whyanbeel Valley, Miallo, North Queensland 4873. Amidst a tropical paradise, spectacular scenery, exotic birds, flowers and butterflies, Peter Pinne finds one of Australia’s iconic theatres. A snake in the cast Oz Opera’s presentation of Madame Butterfly at the Karnak Playhouse could have ended in disaster. Dressed in traditional Japanese costume, tenor Jason Wasley was making his way from the stage to the dressing room when he encountered a particularly unfriendly snake. Although the snake struck at Jason’s ankle, the thickness of the fabric fortunately prevented the fangs from sinking into his skin.