LUCRETIUS II ‘xxxxxxxxxxxx’ xxxxxxxxx xxxxxxxxx xxxxxx THOMAS NAIL xxxxxxx AN ETHICS OF MOTION Thomas Nail Cover image: Primavera, Sandro Botticelli, 1482 LUCRETIUS II Cover design: www.paulsmithdesign.com AN ETHICS OF MOTION ISBN 978-1-4744-6663-9 Thomas Nail edinburghuniversitypress.com Lucretius II An Ethics of Motion Thomas Nail Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting-edge scholarship with high editorial and production values to produce academic works of lasting importance. For more information visit our website: edinburghuniversitypress.com © Thomas Nail, 2020 Edinburgh University Press Ltd The Tun – Holyrood Road, 12(2f) Jackson’s Entry, Edinburgh EH8 8PJ Typeset in 10.5/ 13pt Monotype Baskerville by Servis Filmsetting Ltd, Stockport, Cheshire, and printed and bound in Great Britain. A CIP record for this book is available from the British Library ISBN 978 1 4744 6663 9 (hardback) ISBN 978 1 4744 6665 3 (webready PDF) ISBN 978 1 4744 6664 6 (paperback) ISBN 978 1 4744 6666 0 (epub) The right of Thomas Nail to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988, and the Copyright and Related Rights Regulations 2003 (SI No. 2498). Contents A Note on the Translation and Text vi Acknowledgements vii Preface viii Introduction 1 Book III 1. A Matter of Desire 15 2. Kinophobia 44 3. Critique of Kinetic Reason 64 4. Dark Materialism 85 5. The Ethics of Motion 112 Book IV 6. Ethics of the Simulacrum 147 7. All Perceptions are True 169 8. The Material Unconscious 191 Conclusion 211 Index 216 vi Lucretius II A Note on the Translation and Text All quotations and citations from De Rerum Natura are cited from the Latin by book and line number. For English translations of the Latin I have followed Walter Englert’s translation, Lucretius: On the Nature of Things (Newburyport, MA: Focus Publishing, 2003), sometimes modi- fying it slightly, and in some cases I have left the Latin words entirely untranslated. For example, in most places I keep the Latin word corpora instead of using the English translation ‘atom’. For the Latin text I used the online edition at the Perseus Digital Library and the Loeb edition, Carus T. Lucretius, De Rerum Natura (Cambridge, MA: Harvard University Press, 1992). In my own translations and commentary I have followed P. G. Glare, Oxford Latin Dictionary (Oxford: Clarendon Press, 1982), and Charlton T. Lewis and Charles Short, A Latin Dictionary: Founded on Andrews’ Edition of Freund’s Latin Dictionary (Oxford: Clarendon Press, 1879). viii Lucretius II Preface A new Lucretius is coming into view today. Every great historical epoch returns to him like bees returning to their flower fields in search of nour- ishment. Each time, though, our return is different – like the expanding arc of a spiral. We bring new questions, find new answers, and make Lucretius speak to us again as if for the first time. We make Lucretius’ epic poem De Rerum Natura into the mellifluous honey of a liquid antiq- uity that has always coursed through the veins of modernity like a spring of fresh meaning and inspiration.1 We thus return to Lucretius not as though he were an unchanging figure carved in stone but as if he were a rush of new life at the cutting edge of the twenty-first century. We stand in front of Lucretius’ breath- taking and revolutionary poem not as passive students of unchanging relics in a museum but as active participants in a history of our present. Today, we are asking Lucretius again to tell us something about nature.2 I first returned to Lucretius in 2014, when I taught Book II ofDe Rerum Natura for a class on the philosophy of movement. I added Lucretius to the syllabus because he was an overlooked figure in the history of phi- losophy who wrote about motion. I was excited about the text, but I was also sceptical that anyone who believed in ‘eternal unchanging atoms’ could have motion as their philosophical starting point. What I encoun- tered, however, absolutely shocked me. There were no atoms. I scoured the whole Latin text. Lucretius never used the word ‘atom’ or a Latinised version of this word – not even once. Translators added the word ‘atom’. Just as shockingly, I could not find the great isolated swerve in the rain of atoms, for which he is so well known. In Book II, Lucretius says instead that matter is always ‘in the habit of swerving’ [declinare solerent] (2.221) and if it were not [nisi], ‘all would fall like raindrops’ [caderent] (2.222). The solitary swerve and the rain of matter are counterfactual claims. Lucretius never said there was Preface ix a rain and then one atom swerved. He says that matter is in the ‘habit’ [solerent] of swerving, meaning that swerving happens regularly. This, he says, is the only way to avoid the problem of assuming that something comes from nothing: matter must have always been swerving. This small but significant discrepancy made me wonder what else had been left out of translations and interpretations. Could it be pos- sible that there was a whole hidden Lucretius buried beneath the paving stones of Greek atomism? If there are no solid atoms and no solitary swerve in Lucretius, can we still make sense of the rest of the book? In 2016 I decided to find out. I dedicated a whole seminar just to Book I of De Rerum Natura read in Latin. To my delight a whole new view on this foundational text emerged that year. I published the results of this study in 2018 as Lucretius I: An Ontology of Motion. Around this time I also began to notice an increasing number of major differences between Lucretius and Epicurus. One of the reasons I thought I would find atoms and isolated swerves in Lucretius was because of a long history of interpretation that conflated the two thinkers, just as earlier scholars had errantly done with Democritus and Epicurus.3 There is no doubt that Lucretius studied and followed Epicurus, just as Epicurus had followed Democritus.4 However, between the three thinkers there are worlds of difference that have not been sufficiently understood. Not all students merely imitate their masters. Sometimes imitation functions as a mask for a student to put forward her or his own ideas – which is what Lucretius did.5 I thus began to unravel the ‘Epicurean myth of Lucretius’.6 Lucretius did something very strange. He wrote Epicurean philoso- phy in the style and method of Homeric poetry and in doing so ended up completely changing the meaning of both.7 Just like an ancient satyr play, Lucretius’ poem has numerous invocations of bacchanalian intoxi- cation,8 sexual imagery, desire,9 and deceptive invocations of gods he does not believe in (Venus and Mars), all affirmed joyfully alongside the destructive power of nature itself: death. This is in stark contrast with the contemplative, serious, pessimistic, and aloof style of Epicurus and his followers. Epicurus had many Greek and Roman followers who wrote and pro- moted Epicurean doctrine,10 but Lucretius did something no one had ever done before. He espoused a version of Epicurean philosophy in a book of Latin poetry written in Homeric hexameter. Why? For pleas- ure. He wanted to make something new by mixing the old traditions. x Lucretius II Lucretius performed a bewildering hybrid of two completely opposed figures and traditions (Homer and Epicurus) and made something novel: something uniquely Roman. However, De Rerum Natura has largely been treated as a Homeric poem about Epicurean philosophy, but in this book I argue that there is also a hidden Epicurean philosophy of Homeric myth. In the end this is where the real brilliance and originality of Lucretius lies: not in Homer or Epicurus but in their perverse and twisted entanglement. There is thus a becoming Homer of Epicurus. It is a genuine injustice to reduce such a radical enterprise to mere Epicurean ‘doctrine’. The idea of philosophical poetry is a satyr’s slap in the face to the entire Greek tradition of philosophy from Thales to Aristotle, includ- ing Epicurus.11 With few exceptions, Greek philosophers systematically reduced Homeric poetry to irrational and sensuous mythology in order to define their new abstractions and idealisms against the straw man of the oral tradition. This was a founding moment of exclusion that has stayed with the Western tradition up to the present – contributing to a perceived inferiority of oral and indigenous knowledge. It is there- fore completely unsurprising that today, when Lucretius is invoked as a philosopher, he is treated as completely reducible to the real Greek master: Epicurus. By doing so, the Western reception of Lucretius has reproduced the same Grecocentric and idealist tradition that vilified pre-Greek and Homeric poetry and archaic materialism. This is the same Western tradition that continues to devalorise oral knowledge and non-Western mythologies today. Most Western philosophy, even in its most materialist moments, has in one way or another hated matter and the body. 12 Lucretius was the first from within this tradition to produce a true and radical materialism of sensation and the body. However, like Homer, Lucretius also paid the ultimate price for his materialist sins and was largely exiled from the discipline of philosophy. Either Lucretius was treated as a skilled poet of the Latin tongue or he was treated as a slavish imitator of the great master Epicurus.