WORKS CITED THE FILM ATLAS ISSUE 1 WOMEN ON SCREEN 2 3 The Future is Female*: On Queer Futures and Alien “It’s in the Eyes”: Constructed Value of the Feminine Transcendence in Science Fiction Cinema and Beyond Gaze in Amanda Knox By Sophia Larigakis By Katie Elder Amanda Knox. Dir. Rod Blackhurst, Brian McGinn. Netflix, 2016. Berger, John. Ways of Seeing. London: British Broadcasting Corporation and Penguin Books, 1972. “Amanda Knox | “Believe Her” - Trailer [HD] | Netflix.” YouTube, uploaded by Netflix US & Canada, 8 September 2016, https://www.youtube.com/ Cadora, Karen. “Feminist Cyberpunk.” Beyond Cyberpunk: New Critical Perspectives. watch?v=NueLjUNB-GM. Ed. Graham J. Murphy and Sherryl Vint. New York: Routledge, 2010. “Amanda Knox | “Suspect Her” - Trailer [HD] | Netflix.” YouTube, upload Haraway, Donna. “A Cyborg Manifesto: Science, Technology, and Socialist- ed by Netflix US & Canada, 8 September 2016, https://www.youtube. Feminism in the Late Twentieth Century.” Simians, Cyborgs and Women: com/watch?v=9r8LG_lCbac. The Reinvention of Nature. New York: Routledge, 1991. Mulvey, Laura. “Visual Pleasure and Narrative Cinema.” Film Theory and Criti Her. Dir. Spike Jonze. Annapurna Pictures, 2013. cism : Introductory Readings. Eds. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999: 833-44. Kraus, Chris. Aliens and Anorexia. Semiotext(e): 2000. Print. Luciano, Dana. “Nostalgia for an Age Yet to Come: Velvet Goldmine’s Queer Archive.” Queer Times, Queer Becomings. Ed. E.L. McCallum and Mikko Tuhkanen. SUNY Press: 2012. Osterweil, Ara. “Under the Skin: The Perils of Becoming Female.” Film Quarterly, vol. 67, 2014, pp. 44 – 51. Under the Skin. Dir. Jonathan Glazer. British Film Institute, 2013. Yourgrau, Palle. “Introduction.” Aliens and Anorexia , Semiotext(e), 2000 4 5 Malory Archer: Mad Femme Spy Executive of Tomorrow The Life and Times of Kay Francis By Genevieve Citron By Meghan King Archer. Dir. Adam Reed. FX, 2009-17. Basinger, Jeanine. “A Woman’s View: How Hollywood Spoke to Women, 1930- 1960.” New York: Knopf, 1993. Print. How to Lose a Guy in 10 Days. Dir. Donald Petrie. Paramount Pictures, 2003. Kear, Lynn and John Rossman. “Kay Francis: A Passionate Life and Career.” Jef “Jeu Monegasque.” Archer: Season Two, Dir. Adam Reed, FX, 2011. ferson, NC : Mcfarland, 2006. Print. “Mole Hunt.” Archer: Season One, Dir. Adam Reed, FX, 2009. Kear, Lynn and John Rossman. “The Complete Kay Francis Record: All Film, Stage, Radio and Television Appearances.” Jefferson, NC : McFarland, 2008. Print. 6 7 Reservoirs of Embodied Memories in Ikwé: A Reflection on Kill Bill, Tom, Dick, and Harry Ancestral Knowledge Coursing Through the Body By Keara Campos By Jacqueline Holloran Cooper Anderson, Kim. Aboriginal Women, Water and Health: Reflections from Elev- Hopperstand, Gary. “Lethal Weapons: The Gun as Icon in the Popular Urban en First Nations, Inuit, and Métis Grandmothers. Prarie Women’s Vigilante Film.” Beyond the Stars: Locales in American popular film, Fuller, Health Centre of Excellence, Oct. 2010. Web. 18 Oct. 2015. Linda K., Loukides, Paul, Popular Press, 1993, 149-151, Web. 12 Dec 2016. Ikwé. Dir. Caroline Monnet. Perf. Emilie Monnet. 2009. Kill Bill: Volume 1. Dir. Quentin Tarantino. Perf. Uma Thurman. Miramax, 2003. Wood, Houston. “Dimensions of Difference in Indigenous Films.” Native Fea Kill Bill: Volume 2. Dir. Quentin Tarantino. Perf. Uma Thurman. Miramax, 2004. tures: Indigenous Films from Around the World. New York: Blooms bury Academic, 2008. 86-104. Print. Lauzen, Martha M. “It’s a Main’s (Celluloid) World: Portrayals of Female Charac ters in the Top 100 Films of 2015.” Center for the Study of Women in Television and Film Study, 2015-2016. Accessed 5 Dec 2016. Lavin, Maud. Push Comes to Shove : New Images of Aggressive Women. Cam bridge, US: MIT Press, 2012. ProQuest ebrary. Web. 6 Dec 2016. Machiyama, Tomohiro. “Quentin Tarantino Reveals Almost Everything That Inspired Kill Bill.” Conversations with Filmmakers Series : Quentin Tarantino: Interviews, Revised and Updated, Peary Gerald, University Press of Missis- sippi, 2003, 118-126. Web. 6 Dec 2016. Roth, Timothy Dean. “A Sword of Righteousness: Kill Bill and the Ethics of Vengeance.” Popular Culture and Philosophy: Quentin Tarantino and Philosophy: How to Philosophize with a Pair of Pliers and a Blowtorch, Greene, Richard, Mohammad, K. Silem, Open Court, 2007, 85-96. Web. 4 Dec 2016. 8 9 Player 1 Disconnected: Exploring Virtual Sites of Marriage as Marxist Perversion: Manipulation and Control in Subaltern Agency in Virginia David Fincher’s Gone Girl By David Leblanc By Pam Austin Bennett, Tony, et al. New Keywords: A Revised Vocabulary of Culture and Society. Gone Girl. Dir. David Fincher. Perf. Ben Affleck, Rosamund Pike. 20th Century Malden, MA: Blackwell Pub., 2005. Print. Fox, 2014. Blue Velvet. Dir. David Lynch. De Laurentiis Entertainment Group, 1986. Hartmann, Heidi. “The Unhappy Marriage of Marxism and Feminism” in Wom- en and the Revolution, ed. Lydia Sargent. Boston, MA.1981. 1-41. Print. Eyes Wide Shut. Dir. Stanley Kubrick. Warner Brothers, 1999. Spivak, Guyatri Charkavorty. “Can the Subaltern Speak?” in Marxism and the Foucault, Michel. “Of Other Spaces: Utopias and Heterotopias.” Trans. Jay Interpretation of Culture. Ed. Cary Nelson, Lawrence Grossberg. Chiga Miskowiec. Architecture/Movement/Continuité, October 1984, 9p. go, IL. 1988 University of Illinois Press. 271-313. Print. Louai, El Habib. “Retracing the concept of the subaltern from Gramsci to Spiak: Historical developments and new applications.” African Journal of History and Culture (AJHC), Vol. 4 (1), January 2012, pp. 4-8. The Outer Limits. Leslie Stevens, creator. Showtime, 1995-2000. Silence of the Lambs. Dir. Jonathan Demme. Orion Pictures, 1991. Stam, Robert, Richard Porton, and Leo Goldsmith. Keywords in Subversive Film/Media Aesthethics. Chichester, West Sussex, UK; 4: Malden, MA, 2015. Print. Twin Peaks. David Lynch and Mark Frost, creators. ABC. 1990-1. Twin Peaks: Fire Walk with Me. Dir. David Lynch. New Line Cinema, 1993. Virginia. Variable State. Publisher 505 Games. Microsoft Windows, 2016. The X-Files. Chris Carter, creator. Twentieth Century Fox Home Entertainment. 1993. 10 The Cost of a Good Cry: A Meditative Refl ection on Femininity and Power By Sam Yoannou CRYHARD. Dir. Sam Yoannou. 2015. THE FILM ATLAS © The Film Atlas. 2017. All rights reserved..