Robert Smithson’s Library Anthropology and Archaeology Burland, C. A. The Gods of Mexico. London: Eyre & Spottiswoode, 1967. Ceram, C. W. The First American: A Study of North American Archaeology. Translated by Richard Winston and Clara Winston. New York: Harcourt Brace Jovanovich, 1971. Charbonnier, Georges, ed. Conversations with Claude Lévi-Strauss. Translated by John Weightman and Doreen Weightman. London: Jonathan Cape, 1969. Coe, Michael D. The Maya. Mexico City: Ediciones Lara, 1966. Colton, Harold S. Hopi Kachina Dolls. Albuquerque: University of New Mexico Press, 1959. Daniel, Glyn. The Megalith Builders of Western Europe. Baltimore: Penguin, 1962. Douglas, Mary. Purity and Danger: An Analysis of Concepts of Pollution and Taboo. Harmondsworth: Penguin, 1970. Dragoo, Don W. Mounds for the Dead: An Analysis of the Adena Culture. Pittsburgh: Carnegie Museum, 1963. Edwards, I. E. S. The Pyramids of Egypt. Harmondsworth: Penguin, 1947. Heizer, Robert F., ed. Man’s Discovery of His Past: Literary Landmarks in Archaeology. Englewood Cliffs, NJ: Prentice-Hall, 1962. Lévi-Strauss, Claude. The Elementary Structures of Kinship. Boston: Beacon Press, 1969. Lévi-Strauss, Claude. The Savage Mind. Chicago: University of Chicago Press, 1966. Lévi-Strauss, Claude. Totemism. Translated by Rodney Needham. Boston: Beacon Press, 1963. Lévi-Strauss, Claude. Tristes Tropiques. Translated by John Russell. New York: Atheneum, 1967. Malinowski, Bronislaw. The Language of Magic and Gardening. Vol. 2 of Coral Gardens and Their Magic. Bloomington: Indiana University Press, 1965. Mason, John Alden. The Ancient Civilization of Peru. Harmondsworth: Penguin, 1957. Reiche, Maria. Mystery on the Desert. Stuttgart: Self-published, 1968. Simpson, Ruth DeEtte. The Hopi Indians. Los Angeles: Southwest Museum, 1953. Stephens, John Lloyd. Incidents of Travel in Yucatan. Vol. 1. 1841. Reprint, New York: Dover, 1963. Thomas, William L., ed. Man’s Role in Changing the Face of the Earth. 2 vols. Edited in collaboration with Carl O. Sauer, Marston Bates, and Lewis Mumford. Chicago: University of Chicago Press for the Wenner-Gren Foundation for Anthropological Research and the National Science Foundation, 1956. Thompson, Edward Herbert. The People of the Serpent: Life and Adventure among the Mayas. New York: Capricorn Books, 1965. Von Hagen, Victor W. The Aztec: Man and Tribe. New York: New American Library, 1961. Waters, Frank. Masked Gods: Navaho and Pueblo Ceremonialism. New York: Ballantine Books, 1973. Wormington, H. M. Prehistoric Indians of the Southwest. Denver: Denver Museum of Natural History, 1947. Worsley, Peter. The Trumpet Shall Sound: A Study of “Cargo” Cults in Melanesia (2d ed.). New York: Schocken Books, 1968. Art and Architecture Ackerman, James S. The Architecture of Michelangelo. Baltimore: Penguin, 1971. Adams, Henry. Mont-Saint-Michel and Chartres. New York: New American Library, 1961. Aldrich, Virgil C. Philosophy of Art. Englewood Cliffs, NJ: Prentice-Hall, 1963. Arnheim, Rudolph. Art and Visual Perception: A Psychology of the Creative Eye. Berkeley: University of California Press, 1966. Arnheim, Rudolph. Entropy and Art: An Essay on Disorder and Order. Berkeley: University of California Press, 1971. Baglin, Douglass, and Barbara Mullins. Aboriginal Art of Australia. Belrose, NSW: Mulavon, 1972. Battcock, Gregory, ed. The New Art: A Critical Anthology. New York: Dutton, 1966. Bauer, Hermann. Il rococò tedesco nella Cattedrale di Weis. Milan: Fratelli Fabbri, 1965. Becher, Bernd, and Hilla Becher. Anonyme Skulpturen: Eine Typologie Technischer Bauten. Düsseldorf: Art-Press Verlag, 1970. Behrman, S. N. Duveen. New York: Vintage, 1952. Bell, Clive. Art. New York: Capricorn Books, 1958. Belli Barsali, Isa. European Enamels. London: Paul Hamlyn, 1966. Blunt, Anthony. Artistic Theory in Italy, 1450–1600. Oxford: Clarendon Press, 1962. Boatto, Alert, ed. Lichtenstein. Rome: Fantazaria, 1966. Bosman, Anthony. Hieronymus Bosch. New York: Barnes & Noble, 1962. Bosman, Anthony. Oskar Kokoschka. New York: Barnes & Noble, 1964. Bowie, Theodore, ed. The Arts of Thailand: A Handbook of the Architecture, Sculpture, and Painting of Thailand (Siam). Bloomington: Indiana University Press, 1960. Bowness, Alan. Matisse and the Nude. New York: New American Library, 1968. Robert Smithson’s Library Briganti, Guiliano. Italian Mannerism. Leipzig: VEB Verlag, 1962. Burnham, Sophy. The Art Crowd. New York: McKay, 1973. Calas, Nicolas. Confound the Wise. New York: Arrow Editions, 1942. Carli, Enzo. The Maestà, Duccio di Buoninsegna. Milan: Martello, 1969. Carli, Enzo. Raffaello. Milan: Electa, 1952. Cassou, Jean. Art and Confrontation: The Arts in an Age of Change. Greenwich, CT: New York Graphic Society, 1968. Celant, Germano. Arte Povera. Milan: Gabriele Maggotta Editore, 1969. Clark, Kenneth. Landscape into Art. Boston: Beacon Press, 1961. Clark, Kenneth. The Nude: A Study in Ideal Form. Garden City, NY: Doubleday, 1956. Coletti, Luigi. Il Tintoretto. Bergamo: Instituto Italiano D’arti Grafiche, [1944]. Combe, Jacquet. Jerome Bosch. Paris: Tisné; New York: Universe, 1957. Conant, Howard, ed. Seminar on Elementary and Secondary School Education in the Visual Arts: Report. New York: New York University Press, 1965. Coomaraswamy, Ananda Kentish. The Dance of Shiva: Fourteen Indian Essays. New York: Noon- day, 1957. Coomaraswamy, Ananda Kentish. The Transformation of Nature in Art. New York: Dover, 1934. Cremona, Carlo. I Peccati del Curato (2d ed.). Milan: Istituto di propaganda libraria, 1961. Creswell, K. A. C. A Short Account of Early Muslim Architecture. Harmondsworth: Penguin, 1958. Daix, Pierre. Picasso. New York: Praeger, 1965. Delevoy, Robert L. Bruegel: Historical and Critical Study. Geneva: Skira, 1959. Didron, Adolphe Napoléon. Christian Iconography, or The History of Christian Art in the Middle Ages. Vol. 2. London: Bell, 1891. Dietterlin, Wendel. The Fantastic Engravings of Wendel Dietterlin. Introduction by Adolf K. Placzek. New York: Dover, 1968. Duchamp, Marcel. The Bride Stripped Bare by Her Bachelors, Even. A Typographic Version by Richard Hamilton of Marcel Duchamp’s Green Box. New York: Wittenborn, 1960. Eastlake, Charles Lock, Sir. Methods and Materials of Painting of the Great Schools and Masters. New York: Dover, 1960. Ecology in Design. Philadelphia: Graduate School of Fine Arts, University of Pennsylvania, 1968. Egbert, Donald Drew. Socialism and American Art in the Light of European Utopianism, Marxism, and Anarchism. Princeton: Princeton University Press, 1967. Ehrenzweig, Anton. The Hidden Order of Art: A Study in the Psychology of Artistic Imagination. Berkeley: University of California Press, 1971. Eiseley, Loren. The Invisible Pyramid. New York: Scribner, 1970. Fischer, Ernst. Art against Ideology. New York: Braziller, 1969. Fischer, Ernst. The Necessity of Art: A Marxist Approach. Harmondsworth: Penguin, 1963. Fowlie, Wallace. Age of Surrealism. Bloomington: Indiana University Press, 1960. Fox, Helen M. André Le Nôtre, Garden Architect to Kings. New York: Crown, 1962. Franger, Wilhelm. The Millennium of Hieronymus Bosch: Outlines of a New Interpretation. Chicago: University of Chicago Press, 1951. Friedman, B. H. Jackson Pollock: Energy Made Visible. New York: McGraw-Hill, 1972. Galli di Bibiena, Guiseppe. Architectural and Perspective Designs Dedicated to His Majesty Charles IV, Holy Roman Emperor. New York: Dover, 1964. Gauguin, Paul. Paul Gauguin’s Intimate Journals. Bloomington: Indiana University Press, 1949. Genaille, Robert. Rembrandt: Self-Portraits. New York: Tudor, 1963. Ghyka, Matila. The Geometry of Art and Life. New York: Sheed & Ward, 1966. Gins, Madeline. Word Rain: Or, A Discursive Introduction to the Intimate Philosophical Investigation of G, R, E, T, A, G, A, R, B, O, It Says. New York: Grossman, 1969. Girouard, Mark. Robert Smythson and the Architecture of the Elizabethan Era. South Brunswick, NJ: Barnes, 1967. Goldscheider, Ludwig. Michelangelo: Paintings, Sculptures, Architecture. London: Phaidon, 1954. Grant, Campbell. Rock Art of the American Indian. New York: Crowell, 1967. Greenberg, Clement. Art and Culture. Boston: Beacon Press, 1961. Grünewald, Matthias. Grünewald: Le Retable d’Issenheim. Paris: Les Éditions Braun, 1951. Halverson, Marvin. Great Religious Paintings. New York: Abrams, 1954. Hamilton, George Heard. Manet and His Critics. New Haven: Yale University Press, 1954. Harris, Neil. The Artist in American Society: The Formative Years, 1790–1860. New York: Simon & Schuster, 1970. Hauser, Arnold. Mannerism: The Crisis of the Renaissance and the Origin of Modern Art. 2 vols. Translated by Erich Mosbacher in collaboration with the author. New York: Knopf, 1965. Robert Smithson’s Library Hauser, Arnold. The Social History of Art. 4 vols. New York: Vintage, 1958. Hayes, Bartlett H. The Naked Truth and Personal Vision: A Discussion about the Length of the Artistic Road. Andover, MA: Addison Gallery of American Art, Phillips Academy, 1955. Helwig, Werner. Di Chirico: Metaphysical Paintings. New York: Tudor, 1962. Herdeg, Walter. The Sun in Art: Sun Symbolism, from the Past to the Present, in Pagan and Christian Art, Popular Art, Fine Art and Applied Art. Zurich: Graphics Press, 1962. Hess, Thomas, ed. The Grand Eccentrics: Five Centuries of Artists Outside the Main Currents of Art History. New York: Macmillan, 1966. Hillier, Bevis. Art Deco of the 20s and 30s. London: Studio Vista; New York: Dutton, 1968. Hirsch, Wolfgang, ed. Hieronymus Bosch: The Garden of Delights. London: Longmans, Green, 1954. Holt,