25TH TUCSON WINTER CHAMBER MUSIC FESTIVAL MARCH 4–11, 2018 PETER REJTO, ARTISTIC DIRECTOR 1 BOARD OF PROGRAM BOOK CONTACT DIRECTORS CREDITS US James Reel Arizona Friends of Editor President Chamber Music Jay Rosenblatt Post Office Box 40845 Paul Kaestle Tucson, Arizona 85717 Vice-President Contributors Robert Gallerani Phone: 520-577-3769 Joseph Tolliver Holly Gardner Email: [email protected] Program Director Nancy Monsman Website: arizonachambermusic.org Helmut Abt Jay Rosenblatt Recording Secretary James Reel Box Office Manager Cathy Anderson Wes Addison Advertising Treasurer Paul Kaestle USHERS Philip Alejo Allan Tractenberg Nancy Bissell Barry & Susan Austin Kaety Byerley Design Lidia DelPiccolo-Morris Michael Coretz Openform Susan Fifer Dagmar Cushing Marilee Mansfield Bryan Daum Printing Lidia Morris Marvin Goldberg West Press Elaine Orman Joan Jacobson Susan Rock Jay Rosenblatt Jane Ruggill Elaine Rousseau Janet Smith Randy Spalding Barbara Turton Paul St. John Diana Warr George Timson Maurice Weinrobe & Trudy Ernst Leslie Tolbert Patricia Wendel Cover: collage of Brenda Semanick paintings 2 FROM THE ARTISTIC DIRECTOR Dear Friends, Growing up in a musical family I was exposed to these “parties” with great frequency and delight. Wow, how time flies! My cellist father, Gabor, was an ardent fan of these Twenty-five years certainly seems to be a significant intimate gatherings, where he became even more milestone when counting festivals. So much so that alive and exuberant than normal. Who might blame it’s rather too easy to imagine that the Winter him when those Santa Barbara parties included the Festival has always been there—an event to be taken Romero family! In my mind I can still feel all of for granted. Just as many people, myself included, those wonderful moments at age twelve, sitting on view the meeting of a life partner as an incredible the floor listening to Pepe play flamenco in our coincidence or fateful encounter, so must I view the living room! How wonderful is it that all these years incredible good fortune that befell me with the later the Romeros and their next generation can join chance meeting with our much beloved former us—a full circle … a recapitulation. I am so grateful AFCM President, Jean-Paul Bierny, on a flight to to all of our artists for taking time out of their very Chicago the day or so after I performed my first busy schedules to spend a week in Tucson celebrating faculty recital at the University of Arizona way back the twenty-fifth anniversary of the Festival. in 1988. Had Jean-Paul not tapped me on the My hope is that you, dear audience, have a taste of shoulder, had the neighboring seat not been vacant, this marvelous unmatched intimate experience had he not attended my recital, had we not over the course of this week. accidentally booked the same flight, had he not listened to my flippant comment about Tucson Thank you as always for your generous and needing some sort of chamber music festival (a unfailing support. comment I had not intended as very serious), had Jean-Paul not stewed on my comment for months— well, I highly doubt we would all be together in this hall today! However, I’ve left out the most important PETER REJTO “had.” Had he not placed incredible faith in the Artistic Director young me to artistically guide this endeavor, my life would have been forever poorer. Thank you Jean- Paul, and thank you Randy Spalding and James Reel, and all the rest of the team for carrying on with such dedication when Jean-Paul decided to hand over the reins. This year’s Festival departs from the normal by way of bringing three different core groups together with just a few ad hoc artists. All three groups are new to these concerts, though not to the hearts of the Tucson audience. My hope is that by changing the usual balance, each group will have more opportunity to play at least part of each program with repertoire they have not specifically rehearsed in Tucson. My second goal was to invite guest artists with whom the groups had previously collaborated. And my final goal was to make the whole affair more like a giant chamber music party! Consequently some of the concerts are a little bit longer than Founders of the Tucson Winter Chamber Music Festival, Jean-Paul Bierny and Peter Rejto. normal but I hope full of variety. 3 2018–19 SEASON We are pleased to announce the concerts for next January 23, 2019 season. Save the dates. Tickets will be available Chamber Music Society of Lincoln Center shortly upon issue of the Season Brochure. 7:30 pm, Leo Rich Theater If you’d like to receive a Season Brochure by mail, January 31, 2019 leave your name and address with the Box Office. Te Amo, Argentina 7:30 pm, Leo Rich Theater June 13, 2018 Lauren Roth, violin; John Milbauer, piano February 13, 2009 7:00 pm, Holsclaw Recital Hall Alexander String Quartet with pianist Joyce Yang July 18, 2018 7:30 pm, Leo Rich Theater Johanna Lundy, horn; David Barford, oboe; Elena Miraztchiyska, piano February 21, 2019 7:00 pm, Holsclaw Recital Hall Portals – Tim Fain, violin 7:30 pm, Fox Tucson Theatre August 22, 2018 Gary Steigerwalt and Dana Muller, piano March 3–10, 2019 7:00 pm, Holsclaw Recital Hall 26th Tucson Winter Chamber Music Festival Leo Rich Theater October 14, 2018 Blake Pouliot, violin FESTIVAL MUSICIANS 3:00 pm, Leo Rich Theater Escher Quartet Ani Kavafian,violin October 24, 2018 Axel Strauss, violin St. Lawrence String Quartet Ettore Causa, viola 7:30 pm, Leo Rich Theater Edward Arron, cello Philip Alejo, double bass November 14, 2018 Amy Dickson, saxophone Modigliani Quartet Bernadette Harvey, piano with pianist Fabio Bidini James Giles, piano 7:30 pm, Leo Rich Theater April 3, 2019 December 5, 2018 Jerusalem Quartet Juilliard String Quartet 7:30 pm, Leo Rich Theater 7:30 pm, Leo Rich Theater April 11, 2019 December 16, 2018 ZOFO Piano Duet Daniel Hsu, piano 7:30 pm, Tucson Museum of Art 3:00 pm, Leo Rich Theater 4 FESTIVAL EVENTS YOUTH CONCERT MASTER CLASS FOR PIANO Thursday, March 8, 10:30 am Bernadette Harvey Leo Rich Theater 4:00 pm – 5:00 pm Saturday, March 10 Performance of excerpts from prior concerts Leo Rich Theater with commentary by Festival musicians. Special thanks to our Youth Concert sponsors, Featuring students of Professors Tannis Gibson, listed on page 49 of this program. John Milbauer, and Rex Woods of the University of Arizona, Fred Fox School of Music. OPEN DRESS REHEARSALS — Attendance at the master classes is free and open LEO RICH THEATER to the public. 9:00 am – 12 noon Tuesday, March 6 GALA DINNER AND CONCERT Wednesday, March 7 AT THE ARIZONA INN Friday, March 9 Saturday, March 10, Evening Sunday, March 11 6:00 pm – Cocktails Dress rehearsals are free for ticket holders. 7:00 pm – Musical selections by Festival musicians For non ticket holders, a donation is requested. 8:00 pm – Dinner Call 577-3769 for reservations. PRE-CONCERT CONVERSATIONS Conducted by James Reel and Francis Harvey RECORDED BROADCAST (March 11) a half hour before each concert. If you miss a Festival concert or simply want to hear Sunday, March 4, at 2:30 pm one again, please note that Classical KUAT-FM will Tuesday, March 6, at 7:00 pm broadcast recorded performances on 90.5/89.7 FM. Wednesday, March 7, at 7:00 pm Festival performances are often featured in the Friday, March 9, at 7:00 pm station’s Musical Calendar. Sunday, March 11, at 2:30 pm See https://radio.azpm.org/classical/. MASTER CLASS FOR GUITAR Lito and Celino Romero 3:00 pm – 4:00 pm Saturday, March 10 Leo Rich Theater Featuring students of Professor Tom Patterson of the University of Arizona, Fred Fox School of Music. 5 TUCSON WINTER CHAMBER MUSIC FESTIVAL SUNDAY, MARCH 4 3:00 PM 6 SUNDAY, MARCH 4 3:00 PM Pre-Concert Conversation with James Reel, 2:30 pm THIS AFTERNOON’S PROGRAM ALEXANDER VON ZEMLINSKY (1871–1942) String Quartet No. 2, Op. 15 JOSEF SUK (1874–1935) Sehr mäßig—Heftig und leidenschaftlich Four Pieces for Violin and Piano, Op. 17 Moderato—Andante mosso—Allegretto—Adagio Schnell Quasi ballata Andante—Mit energischer Entschlossenheit— Appassionato Allegro molto—Langsam—Andante Un poco triste Burleska Dover Quartet Yura Lee, violin Bernadette Harvey, piano This afternoon’s concert is PIERRE JALBERT (b. 1967) sponsored by the generous Piano Trio No. 2 contributions of Nancy Bissell Mysterious, nocturnal, desolate and Randy Spalding. Agitated, relentless Morgenstern Piano Trio RUPERTO CHAPÍ (1851–1909) Prelude to La Revoltosa (arranged for four guitars by Lorenzo Palomo) Romero Guitar Quartet ANTONIO VIVALDI (1678–1741) Concerto in B Minor, Op. 3, no. 10 (arranged for four guitars and string quartet by Pepe Romero) Allegro Largo e spiccato Allegro Romero Guitar Quartet Dover Quartet Stefan Hempel, violin Yura Lee, viola Emanuel Wehse, cello INTERMISSION 7 PROGRAM NOTES THE FAVORITE PUPIL of Antonín Dvorˇák and Orchestra, and Music in the Loft in Chicago. He eventually his son-in-law, Josef Suk is honored as has been commissioned and performed by violinist one of the most significant Czech post-romantic Midori, the Los Angeles Chamber Orchestra, the composers. By the age of twenty-two he had Houston Symphony, and the Budapest Symphony, attracted the attention of the influential Johannes among many others. His chamber works include Brahms, who recommended publication of Suk’s commissions from the Emerson, Ying, Borromeo, recent works with the venerable Berlin-based Maia, Enso¯, Chiara, and Escher String Quartets. Simrock firm.