1349 CANNABIS CORPSE VOYAGER GIDEON COUNTERPARTS THE INFERNAL PATHWAY NUG SO VILE COLOURS IN THE SUN OUT OF CONTROL NOTHING LEFT TO LOVE SEASON OF MIST SEASON OF MIST SEASON OF MIST EQUAL VISION RECORDS PURE NOISE Norwegian black metal titans 1349 return with their Cannabis Corpse’s new album, Nug So Vile, is an If there is one word to describe Voyager’s most From a very early age, most of us are molded by the “I know I’ve said this for every record we’ve long awaited seventh full-length, The Infernal Pathway. onslaught of dank death that stands on the shoulders current form, it is colorful. After years of evolution and traditions of our upbringing. Growing up in the deep ever released but... Nothing Left to Love is best Following-up 2014’s Massive Cauldron of Chaos, The of the US metal giants that precede them. Featuring amassing worldwide influences that mold the Perth south, the members of Gideon spent years letting Counterparts record,” says vocalist Brendan Murphy. Infernal Pathway promises a journey through chaos and Phil “Landphil” Hall (Municipal Waste), the trio wield quintet’s unique sound, Voyager have truly come into these mental fences dictate their creative direction. On “But as we grow and progress we just get better at madness, darkness and peril, terror and annihilation. 420-ton riffs like weapons of iron and steel. Each track their own, crafting a path of success both on and off their aptly titled fifth full-length album, Out of Control, writing Counterparts songs, and that’s all we’ve wanted After performing a fiery show at Norway’s Inferno unfolds deranged fables of stoner horror. Illicit grass stage. With Colours in the Sun, the genre-transfiguring the band is no longer allowing themselves to be put to do.” Nothing Left To Love muses on many things, but festival in 2019, 1349 started recording in Amper Tone forfeiture, alien pot forms, interstellar greenhouse act blend new-romantic and 80’s inspired vocals, in a box, sonically or topically, to fit what is expected life’s darkness – namely self-destructive tendencies and studios and Studio Nyhagen with engineer Jarrett planets, murderous THC zombies, and supernatural keytar solos, technical yet melodic fretwork, groovy of them. Enhanced by its eclectic array of musical the self-flagellation they beget – are front-and-center. Pritchard. Thus, The Infernal Pathway was born, a smoke sessions are delivered by crushing hits like bass and bombastic drumming efforts – all of which influences such as a heavy dose of 90’s and 2000’s Produced by Will Putney (Every Time I Die, The Acacia sonic parallel to summoning and unleashing the beast “Cylinders of Madness,” “Blunt Force Domain,” and make Voyager the pop/prog/power/rock/metal force nü-metal, clear inflections of outlaw country, and hip Strain), Nothing Left To Love shows the band moving of the abyss in all its fearsome, ferocious and powerful “Dawn of Weed Possession.” Cannabis Corpse that they are renowned as today. “Colours in the Sun hop, Out of Control is a powerful statement regarding their uniquely captivating sound forward without losing splendor. habitually raises their pot-inspired madness with each is the most transcendent, layered, and effervescent who the members of Gideon really are and where they the musical DNA that set them apart. Think of it as a album, and the classic death metal assault of Nug So album we have written and recorded,” says frontman come from. musical tour through the band’s history, where melodic Vile is another new high! Danny Estrin. “It’s poppy, but still holds weight with elements sharply swerve into caustic breakdowns crunchy, powerful riffs. It’s a true reflection of Voyager.” reminiscent of their debut album, 2010’s Prophets. INGESTED SIGNS OF THE SWARM SCHAMMASCH DAWN RAY’D ANGEL WITCH SURPASSING THE BOUNDARIES OF HUMAN SUFFERING VITAL DEPRIVATION HEARTS OF NO LIGHT BEHOLD SEDITION PLAINSONG ANGEL OF LIGHT UNIQUE LEADER UNIQUE LEADER PROSTHETIC PROSTHETIC METAL BLADE Released on June 22nd, 2009, Ingested’s Surpassing Vital Deprivation is the sophomore album from US Since their inception in 2009, Switzerland’s Two years after the release of their debut album, The Angel Witch‘s 1980 eponymous debut on Bronze The Boundaries of Human Suffering became an instant deathcore titans Signs of the Swarm – and the first Schammasch have blazed a path of creative evolution. Unlawful Assembly, British black metal trio, Dawn records created shockwaves that would resonate brutal death metal classic with tracks such as “Skinned to feature new vocalist David John Simonich. “From Expanded as a five-piece, the band presents their Ray’d, return with Behold Sedition Plainsong – a call throughout the nascent realm of thrash, doom and and Fucked” and “Anal Evisceration” establishing the the beginning we had a sound in mind that was more fourth full-length album Hearts Of No Light. Whilst to arms and a potential catalyst for positive radical death metal. Now, nearly four decades later, the band template for modern slam. Surpassing the Boundaries aggressive and fast paced, but equally as brutal as our many would be daunted at the challenge of following change. Behold Sedition Plainsong was recorded remain custodians of a style that transcends era and of Human Suffering launched Ingested into the previous releases,” says the band. “We’ve covered a lot such a monolithic piece as ‘Triangle’, the new album in May 2019 with renowned producer, Jaime Gomez archetype with Angel of Light. Angel Witch’s current extreme metal pantheon and set the highly influential of ground in just under 40 minutes. Some of the album finds Schammasch at the zenith of their formative Arellano (Paradise Lost, Altar of Plagues, Myrkur). line-up delivered 2012′s critically acclaimed album, As group on their current path toward world domination. may be what you expect to hear from us, and hopefully powers. Presented over nine challenging tracks, Confident that he would understand the atmosphere Above, So Below. This time around, the band decided A decade later, Surpassing The Boundaries of Human some may not. David Simonich is a powerhouse of a Hearts Of No Light lays its foundation in the heights they sought to create, it took a little over a week to to record with producer James Atkinson (Gentleman’s Suffering sounds no less brutal (and its song titles just vocalist bringing a whole new range of motion to the of their past work while presenting their most flowing record, and was mixed and mastered a month later. Pistols / Voorhees). The results speak for themselves: as charming). In celebration, the Manchester, England band’s spectrum. His lyrical content and cadence bring and organic approach to date – jet-black at its core Despite a slick production, their abrasive edges Angel of Light is a revelation! This is sound of Angel band are embarking on a world tour to play the album a more emotional and poetic energy to Signs while whilst vast and expansive in experimentation. Classical are elevated and celebrated rather than smoothed Witch is reborn and more powerful than ever – in its entirety (in addition to other rarities and fan retaining the aggression he’s become known for.” pianist Lillian Liu added new dimensions to two pieces away. The result is an anthology of incandescence – retaining every iota of the melodious finesse and favorites), so it’s a perfect time to [re]acquaint yourself on the album, whilst ‘I Burn With You’ features lyrics / manifesting in an unrelenting 45 minutes, aerated only metaphysical intrigue that elevated them above their with this classic slammer. vocals from Aldrahn (Dodheimsgard / Thorns). by the comparatively gentle violin-led interludes. contemporaries from day one. NORMA JEAN ABD WOLVES JINJER NILE ALL HAIL N.A.T.I.O.N. MACRO VILE NILOTIC RITES SOLID STATE 11-7 RECORDING NAPALM NUCLEAR BLAST Atlanta, Georgia’s Norma Jean returns with eighth Bad Wolves have proven to be the unprecedented Ukrainian progressive groove metal wrecking machine There’s death metal and then there’s Nile. For their studio album, All Hail. The disc was recorded earlier global breakthrough rock act of 2018 and aim to Jinjer return with their long awaited new album, ninth studio effort, Vile Nilotic Rites, the mantra was, this year with producer Will Putney (Every Time I Die; continue that momentum with its sophomore album, Macro, and once again prove why the unique blend “If it’s not right for the song, it gets cut.” If a part was Body Count) at his Graphic Nature Audio studio in N.A.T.I.O.N. The stunning 12-track follow-up to their of singer Tatiana Shmaylyuk‘s beautifully aggressive savage but didn’t fit, out the door it went. But if it was Belleville, New Jersey. The follow-up to 2016’s Polar debut album, “Disobey”, is a bit of a departure — harmonies and vocal hooks, and the bands sheer merciless and fit into the overall design of the song, it Similar marks the final Norma Jean album to feature staying in the same realm musically, but breaking technical brilliance and precision have set them apart was kept and curated. The end result of Nile’s extreme guitarist Jeff Hickey. Since that album, Norma Jean beyond. As vocalist Tommy Vext explains: “We’ve from the pack. From Macro’s opening track “On The musical vetting was 11 songs, sharp as obsidian blades, have experienced a major lineup overhaul following honed it in and really delivered a more focused version Top,” which showcases all of their trademark sounds heavy as nine Nubian pyramids. Songs like “Oxford the departure of four members, leaving vocalist Cory of Bad Wolves’ sound.