Memorial Museum of Terrorism"

Memorial Museum of Terrorism"

13, place Vendôme – 75042 Paris Cedex 01 Telephone: 01 44 77 25 75 www.justice.gouv.fr 2 3 THE MEMORIAL MUSEUM OF SOCIETIES FACING TERRORISM Preparatory assignment Report to the Prime Minister Henry Rousso and Myriam Achari, Rachid Azizi, Rachid Azzouz, Alice Bombardier, Valérie Brisard, Clifford Chanin, Isabelle Chaudieu, Marc Crépon, Jacques Fredj, Olivier Grémont, Emmanuelle Iardella-Blanc, Élisabeth Pelsez, Denis Peschanski, Jenny Raflik-Grenouilleau, Adeline Rispal, Esther Shalev-Gerz, Brigitte Sion, Michel Wieviorka March 2020 4 CONTENTS PRIME MINISTER’S ENGAGEMENT LETTER ........................................................................................................ 7 SUMMARY AND RECOMMENDATIONS ............................................................................................................. 9 I. INTRODUCTION ..................................................................................................................................... 13 A. WHY A MEMORIAL MUSEUM? ........................................................................................................................ 13 B. DEFINING TERRORISM ................................................................................................................................... 15 1. The appearance of the term ............................................................................................................... 15 2. The legal definitions ........................................................................................................................... 16 3. The scientific definitions ..................................................................................................................... 18 4. A working definition ........................................................................................................................... 19 C. TERRORISM IN FRANCE ................................................................................................................................. 20 II. THE PREPARATORY PROJECT ................................................................................................................. 27 A. THE ORIGINS OF THE PROJECT ......................................................................................................................... 27 B. PROJECT MANAGEMENT AND PARTNER INSTITUTIONS .......................................................................................... 30 C. THE COMPOSITION OF THE PROJECT TEAM......................................................................................................... 30 D. THE ROLE OF VICTIM ASSOCIATIONS ................................................................................................................. 32 E. WORKING METHODS .................................................................................................................................... 33 III. MUSEUMS AND MEMORIALS DEDICATED TO TERRORISM .................................................................... 37 A. MEMORIALS AROUND THE WORLD .................................................................................................................. 37 B. THE SITES VISITED......................................................................................................................................... 48 C. FRENCH MEMORIALS .................................................................................................................................... 54 IV. THE GENERAL CONCEPT: A UNIQUE PLACE ............................................................................................ 63 A. LOCATION .................................................................................................................................................. 63 B. AUDIENCES AND USES ................................................................................................................................... 64 C. A MUSEUM ON THE HISTORY OF THE PRESENT TIME ............................................................................................ 65 D. A NATIONAL, INTERNATIONAL AND UNIVERSAL SITE ............................................................................................. 66 E. AN APPROACH BASED ON TRUTH AND DISTANCE ................................................................................................. 67 F. A WINDOW TO THE FUTURE ........................................................................................................................... 68 V. THE MEMORIAL ..................................................................................................................................... 69 VI. THE MUSEUM OF HISTORY AND SOCIETY .............................................................................................. 71 A. THE MUSEUM’S THEMES ............................................................................................................................... 73 1. The history of terrorism since the late 1960s ..................................................................................... 74 2. Societal responses and consequences ................................................................................................ 75 3. The new focus on the victim ............................................................................................................... 76 4. The emergence of an era of remembrance since the 1970s .............................................................. 79 B. THE COLLECTIONS ........................................................................................................................................ 80 1. The principles ..................................................................................................................................... 80 2. Partners .............................................................................................................................................. 81 3. Content ............................................................................................................................................... 87 VII. PLACE OF TRANSMISSION ................................................................................................................. 95 A. CULTURAL PROGRAMMING ............................................................................................................................ 95 B. EDUCATIONAL ACTIVITIES .............................................................................................................................. 96 C. RESEARCH CENTRE ....................................................................................................................................... 97 D. TRAINING CENTRE ........................................................................................................................................ 98 E. RESOURCE CENTRE ....................................................................................................................................... 99 F. NATIONAL AND INTERNATIONAL NETWORK ..................................................................................................... 100 5 VIII. PREPARATION AFTER MARCH 2020 ................................................................................................ 101 A. COMMUNICATION POLICY ............................................................................................................................ 101 B. PREPARATORY ACTIVITIES ............................................................................................................................ 101 IX. FROM CONCEPT TO EXECUTION: RESOURCES ..................................................................................... 103 A. THE BUILDING ........................................................................................................................................... 103 1. Initial scoping of activity and surface area requirements ................................................................ 103 2. Location: initial prospecting ............................................................................................................. 106 3. The environmental approach ........................................................................................................... 107 B. PROJECT PROCESS ...................................................................................................................................... 107 C. THE FOUNDATIONAL PROJECT ....................................................................................................................... 109 1. New working arrangements............................................................................................................. 109 2. Operating resources before the opening ......................................................................................... 111 3. The resources required for the real estate project ........................................................................... 112 APPENDIX 1: GENERAL PROJECT SCHEDULE ................................................................................................. 115 APPENDIX 2: BIBLIOGRAPHY ........................................................................................................................ 119 TABLE OF ACRONYMS (TRANSLATED) ........................................................................................................... 123 6 7 Prime Minister’s Engagement

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    123 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us