Glas Slovenije Voice of Slovenia

Glas Slovenije Voice of Slovenia

The voice- Of Slovenia Year 2 No 24 August 2002 Tom Kovac Slovenian, internationally recognised and acclaimed architect Tom Kovac, from Melbourne & Venice Biennale. Venice, Italy from 8 September until 3 November 2002 Venice Biennale 2002 – 8th International Architecture Exhibition - NEXT Tom Kovac, internationally recognised and acclaimed architect and RMIT lecturer, will exhibit in three areas of this year’s prestigious international architecture exhibition – The Venice Biennale. The exhibition will be held at the historical site of the Giardini di Castello and the Arsenale area, Venice, Italy from 8 September until 3 November 2002. His innovative works, to be displayed in an international arena of excellence in architecture and design, have all been developed within RMIT’s Interactive Information Institute (I- cubed), using the latest advanced software systems in digital modelling and in the Spatial Information Architecture Laboratory (SIAL) where the physical model of his Alessi prototype was manufactured using the latest technology. The exhibition entitled “NEXT” will present over 130 individual projects by leading international architects including Frank O. Gehry, Rem Koolhaas and Jean Nouvel, and by other young, emerging talent all selected by the director Deyan Sudjic and an international panel of critics. NEXT will allow the unique opportunity to explore the shape of architecture around the world in the decade to come. It will be divided into sections; each of which will be dedicated to a particular form of construction or architectural theme: Housing, Museums, Transport (Communications), Education, Created at RMIT University’s Interactive Information Skyscrapers (Towers), the Workplace (Work), Shops (Shopping), Institute (I-cubed), using advanced software systems. Kovac and Free time (Performance), Public and Religious sites (Church/State), his team mapped the complex organisational and human Town plans (Masterplans). interrelationships of the previous World Trade Center, into dynamic Kovac was invited by Deyan Sudjic to exhibit, in the spiralling inclining spatial interfaces, which challenges Education section of NEXT, his design for the proposed Digital conventional geometrical definitions. Tom Kovac explains the Design Gallery, commissioned by RMIT University for the Digital scheme as “A continuing changing surface, all of which is unique Design Precinct, a proposed collaboration between RMIT and the in its shape and size and endless in its variation There is an State Government of Victoria. The exhibit comprises both the interaction between complex raw data of the previous WTC digital modellings and physical model of the project, developed complex, its thousands of victims and its re-articulation into new within RMIT’s Interactive Information Institute (I-cubed). The spatial potentials which are now opening possibilities in sub-terrain structure was designed to be a centre of excellence to architecture. The project proposes a public response that is not showcase contemporary architecture and design and the latest in monolithic but is rather permeated with public space and programs digital technology. at its base. Our aim was to create a memorial to loss so that the In the US Pavilion, Giardini di Castello, Kovac, the first memories being honoured are retained and kept alive long after Australian architect to have been invited to exhibit in the US the events of September 11 pass into history.” Pavilion, will be exhibiting his design for the New World Trade Center. The design proposal was unveiled earlier this year at Max Within the Italian Pavilion, Giardini di Castello, Kovac’s Protetch Gallery in Manhattan, New York, along with the designs design for the Alessi Tea and Coffee Piazza 2002 collection will be of other influential names in international architecture including launched together with 19 other internationally renowned Daniel Libeskind, Michael Graves and Zaha Hadid. architects’ designs commissioned by the Italian innovative Explaining his work, Kovac says, “Digital technologies are manufacturer Alessi. Other designers and architects of the range profoundly impacting on all aspects of culture, and this has a direct include Jean Nouvel, Herzog de Meuron and Rem Koolhaas. The response on how these new tools are used, and how they are exhibition of prototypes aims to explore future design scenarios transforming urbanism, and the notion of cities themselves. In our and possibilities, proposing the synergies and relationships between work we recognise that architecture and cities are process oriented architecture and industrial design through experimental methods, fluid environments, which are redefining our lives, and our thoughts styles and forms. The final collection will be launched in New about conception of the environment.” York in April 2003. 2 August 2002 An interview with Jerry Linenger, american astronaut Dr. Linenger, as we Slovenians with whom if you are serious about going to space - I to particularly impress by such commu- you share your roots contemplate your would recommend taking plenty of math nication? unique accomplishments in space, Yuri and science coures in school. Gagarin’s anecdote inevitably comes to You know, even after all of my great adven- mind. When asked about his experience tures off the planet - I realize more than in space, he responded that God was no- It’s well known that we newsmen are usu- ever that the most important thing in life is where to be seen. What were your own ally very curious people. Does it seem to family. You do not need to blast off in a feelings up there? you that curiosity is also one of the essen- rocket in order to participate in the greatest tial traits which a person must have in thrill in life: watching your own children order to be enticed into space adventures progress. As far as the letters to my son: to such as yours? What else is needed? be honest, there were times that I was not sure that I would be making it back home Curiosity is a great motivator—and is prob- (during the onboard fire for example). I ably the characteristic that dominates my wanted my boy to know what I thought of personality. Go out there and explore! Try him, that I loved him, and would always be new things! Other good traits to have are watching over him no matter what. self discipline, the ability to finish what you start, and of course, good health and eye- sight. When things get rough, as they did We laymen imagine that space flights are throughout my mission on Mir, faith in your the most carefully programed activities own abilities and faith in God help to get in the world. Yet, while you were in touch you through the days... with a different way of thinking in Rus- Knowledge which you so ardently accu- sia and then during your adventure on mulated by studying medicine and so Mir you were also confronted by various many other fields, was probably very human errors, shortcomings, and difficul- helpful to you. You yourself also discuss ties. Did you think about various human in your book the psychic and physical frailties, shortcomings, prejudices, or condition which is indispensable for an downright viciousness while in space? astronaut. Was religion, too, helpful in the What could be done to combat them? preparation and execution of such an ex- Yes, we do have our frailties - but I can tell you, God gave us two great blessings that When looking down at earth from the heav- allow us to overcome any difficulty: the abil- ens - there was no doubt, absolutely none, ity to adapt and change, and the ability to that it was the work of our Creator. God is rise to any occasion, given a passion for everywhere. I might add that my Russian what you are doing. I learned a lot about crewmates had some religious icons with my frailties up there—I have never felt so them, and I feel that they felt the same way isolated and cut off in my life—but I also that I did. learned that there is something within each of us that allows us to overcome any obstacle,any hardship... Your book, Off the Planet, is full of sus- What was the hardest thing for you in pense, as you vividly describe adventures space? Was it loneliness or something that very few, if any, persons have ever else? experienced. Why did you decide to write this book? ceptional feat as your space flight? Just being away from other people. I will never take my family, friends, collegues for Mainly, so that I could leave something be- My faith was very important to me. Also granted again. None of us should... hind for my children; so that they know knowing that people back on earth were More than once you faced the danger of what their dad stood for, what I sacrificed, praying for me,pulling for me, keeping me imminent death (e.g., during the fire on and what I believe in. I keep a chest for each in their thoughts. I actually had a tape of a Mir). In your book you mention how by of my four children. In each one is a copy Mass that was offered up for me in Florida being exposed to such dangers you have of the book inscribed with a very personal just before my launch. I was able to play learned things about human nature that note to them. It is my way of being able to the tape every Sunday morning and in a you would otherwise never notice. How leave something behind for them... sense “go to church.” What better place? do you look at this today? Is death the Up in the heavens, close to God, and cel- end or the beginning? Among the questions I should ask is also ebrating Mass. I am a very fortunate per- the classical one, Why did you become son..

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    4 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us