Ti Friday, March 4, 1933 Daily Nebraskan Computer's influence ITCie Conversation' showin on art is examined flmtematiomal The computer's influence on art Bangert, an artist from Lawrence, benefit will be two-da- y Amnesty examined at a sympos- Kan., Jeffrey Charles Bangert, super- ium at Sheldon Art Gallery, March 31 visor of graphics at the Academic Special benefit showing of a Francis ual man, as a representation of contem- 2. and to April Computing Center at the University Ford Coppola film, "The Conversation," porary society as an original integra- Titled 'The Computer and its of Kansas at Lawrence; Manfred Mohr, starring Gene Hackman, will be presented tion of sound with image and both with Influence on Art and Design," the an artist from New YorkStuttgart; at the Sheldon Film Theatre Saturday at story and theme." symposium is aimed at a general audi- Joan Truckenbrod, who works with 3, 7 and 9:15 p.m. The showing will Amnesty International is the worldwide ence and will examine the aesthetic computer tapestries in the Art Depart- benefit Amnesty International. human rights organization that works on use of in art and the relat- men computers ment at the University of Northern "The Conversation" has long been behalf of prisoners of conscience - ionship between Illinois at Nelson and women who are for their computer technology DeKalb; Potter, regarded as the best one of many Coppola imprisoned and art. In addition, a four-wee- k exhibi- chairman of the UNL ethnic or religion, and Philosophy films, as good or better than his hit films, beliefs, color, origin tion of computer art will appear with Department; Noreen Christon, an Oma- who have neither used nor advocated the "Godfather," "The Godfather, Part II" symposium. ha artist; Robert Nunley, also from and Now." violence. Robert Mallary of the of in Kan. "Apocalypse University computer graphics Lawrence, In conjunction with the film, the local Massachusetts at Amherst will be the and Bob from the California Critic Pauline Kael described the film Gotsch, Amnesty International chapter will host a speaker. will address of Arts and in Oak- as "the case of a wire keynote Mallary College Graphics freezing history special reception with refreshments in the on whether art land. and questions computer tapping bugging expert, wonderfully Sheldon Art Gallery Great Hall from can convey the wealth of feelings that Gene Hackman as a man riddled Demonstrations of computer hard- played by 8:30 to 9:45 p.m. more traditional art conveys, whether a with Catholic and contin- ware and software will also be avail- guilt depleted by The price of benefit tickets with the computer program can incorporate the ual secrecy and self-deception-." able. is student tickets with quirks and flashes of inspiration that reception S10; Film Professor June the are S5. Tickets for the film go into a masterpiece, whether the use To register for the symposium, UNL Studies reception said it is a film is "successful are S3. Tickets can be chased from of computers will displace artists and contact the department of Conferences Levine that only pui whether the aesthetic value of a work and Institutes, Nebraska Center for on many levels; as a complicated and Amnesty International chapter members and Hold-reg- e as a of an unus or at the door. is dependent upon the means by which Continuing Education, 33rd satisfactory plot, portrait it is created. streets, Lincoln, 68503. The fee is SI 5. Other speakers at the symposium registration include Aaron Marcus, from Lawrence Funding has been given by the NEBRASKA CHORAL ARTS SOCIETY computer graphics in Lawrence, Kan.; Nebraska Committee for Humanities, at the the Nebraska Arts Council and the Berkeley Laboratory University Dr. of California at Berkeley; Lance Wi- UNL colleges of Engineering and Thomas A. Bran tig an lliams, a video filmmaker at the New Technology, Arts and Sciences and Music Director York Institute of Technology; Colette Architecture. prcscn t s ST. JOHN'S PASSION Glasswork, photography by J.S. Bach MARCH 6. 1983 at 3:00 P.M. Plymouth Congregational Church omi display at Sheldon Gallery 20th and D Streets Tickets are available at Dirt An exhibition of works canvas. He in- Brandeis, Cheap unique glass gradually incorporated glass Records in Lincoln, and at the door. by artist Larry Bell, which will help prove to canvas and then moved into glass alone. that seeing is not necessarily believing, Bell's early glass works in the 1960s MffiMB nsbraska choral arts is on display at Sheldon Art Gallery are said to have shaped the conception society through April 3. of what is referred to as L.A. art. Three major Bell works in gallery-size- d His work is in major publications in proportions are on display. They are made Europe and Australia, as well as in dozens up of a number of interchangeable glass of major art museums and galleries in the BJ0TO3 PEIHFOI2T.3ABJCES... n panels which create deceiving images, United States. 'imp - AN ENGROSSING CONTETIPOnAnY STOHY according to Donald Doe, assistant director at the gallery. More than 50 photographs by reknown OF SEX AND THE SINGLE GEIL... MATURED Bell was in Lincoln to assemble the photographer Andre Kertesz are hanging BY FOANKNESS, HITCZOn AND HEAnT.,lJudah Crist pieces, a process which "is very much a at Sheldon through March 20. part of the work itself," Doe said. 'The These photographs span Kertesz's career resultant pieces of art are dictated by the from 1914 to 1972, and are on loan from "DinEcron vincent iias doon HHST-OAT- E physical space and lighting conditions of the Hallmark Photographic Collection in PEEIFOHIHANCES FEDM each gallery." Kansas City. EES VEOY ATTOACTPE AND TALENTED CAST... Doe said there is no specific blueprint, "Kertesz is, without a doubt, one of the AN INTELLIGENT HOVIE." "but every installation is unique and most influential forces behind Norma McLain Stoop, After Dark designed in response to the gallery space he 20th-centur- y photography," Doe said. is working with. The end results are Kertesz, a native Hungarian, was one of "STYII02I... extremely illusive." the first photographers to explore the po- SYKTflllETIC These glass works are "experiences tential of the small hand-hel- d camera, scenes Buda- rather than objects," he said. and photographed from early Bruce Williamson Playboy One of Bell's pieces can be assembled pest, Paris, New York, Mexico and Japan. in different "His work from . intimate 40,000 statistically ways, ranges "AN EXTHETrZLY Doe added. glimpses of people in their daily lives to 17ELL ACTED DHAF2A Considered one of the most innovative extraordinary formal images of urban and Bell streets, village and mining ... ur.'CEnconnD i ( American artists sculptors, began housetops ...CLASSY!" his artistic career in oils and acrylics on towns," Doe said. Variety " ft "A LANDHARX 13TH & "P" 475-596- 9 TONIGHT: 7:00 & 9:30 rionoN PICTUHE" WEEKEND MATINEES Show Business n n Magazine i Jessica Lange is 0 ThsAnicriscn fjuimum Pictures n - Her srory is present j shocking, disfurbino. ramnellinb... Chuck Vincent's m r " ( "5!'. - I' '1t -' J Mi' Lrt--1 JLj nr. rim' 3 TONIGHT: 7 45 & 9 :45 r FRIDAY & SATURDAY NIGHTS rFirst it controls AT 12:00 MIDNIGHT vnur mind... 1 if S3 EACH Then it "P" SI. 477-12- 34 SEPARATE ADMISSIONS destroys 12th and your Doay Li PloSi-A-FUcsS- x our frcm s TT n bA UNIVE ill -4. 2 Starring SAMANTHA FOX VERONICA HART KELLY NICHOLS mxTx m iwiwiliii ill JAMIE GILLIS GLORIA LEONARD JERRY BUTLER BOBBY ASTYR JACK WRANGLER 1415 "O" ST. 476-155- 6 LARRY REVENE RICK MARX and CHUCK VINCENT 2 MOVIE FOR 1 PRICE Director of Photography Screenplay by TONIGHT AT 7 :30 ONLY Executive Producer BILL SLOBODIAN Music Composed by JONATHAN HANNAH WEEKENDS: 3 :20 & 7 30 PRODUCED and DIRECTED by CHUCK VINCENT NO ONE UNDER 18 ADMITTED JACKIE CLEASON TUB A PLATINUM PICTURES. INC RELEASE 1982 STING Roommates 10:00,12:55,3:50,6:45,9:40,12:35 ? Late Show FridaV and Saturday 2:10 PLUS TON1UHT AT W 35 "That Lucky Stiff 1 15-- 5 Stiff WEEKEND: 25 Starring LuckV 9 :35 5:20 MEL SIGOURNEY Kelly Nichols 11:30, 2:25. 8:15. 11:10 GIBSON WEAVER Kandy Barber 'Ll'LlP 2. ' ' f!- - Samanthe Fox -- The EMBASSY ' .J'l . ' I 1730 "O" 476-604- 2.