Acting I 1338 M,W 8am-9:30am 9:30am-11am-- Fall 2009 Course: THEA 1338 Core Ensemble University of Houston School of Theatre & Dance Instructor: Jackie deMontmollin -- office hours by appointment Preferred Contact: [email protected] Page 1 of 6 Course Description The Core Ensemble Student will be able to: o Practice preparatory exercises for rehearsal and performance o Develop and practice a fitness routine o Practice rehearsal and audience etiquette o Develop a duet scene o Organize an audition binder with ten monologues & two songs that you could perform o Create/maintain a resume o Develop two contrasting, age appropriate monologues o Write, develop and apply varied character objectives, obstacles and tactics o Apply elements of action to monologue/scene work o Notate blocking o Self evaluate scene work and monologues o Create truthful characters and relationships for rehearsal and performance o Identify areas of the stage and body positions immediately, notate all blocking properly o Respond to direction based on specific vocabulary and concepts covered in class and in readings o Constructively evaluate elements of a production as an audience member Course Requirements: Materials Needed: o Proper Attire (outlined below) o Sign in on time every day (you must sign yourself in). o Script at every class o Two sharpened pencils o Two- two inch binders with dividers for script, notes and analysis & for your Monologue Book. o Paper for notes o Bottle of water Required Texts: The Stanislavsky System by Sonia Moore Moore, Sonia The Stanislavsky System Penguin Books, NY Amazon.com Link to this text: http://www.amazon.com/Stanislavski-System-Professional-Training- Handbooks/dp/0140466606/ref=sr_1_1?ie=UTF8&s=books&qid=1243884440&sr=1-1 “Up” by Bridget Carpenter Samuel French link to purchase this script: http://www.samuelfrench.com/store/product_info.php/products_id/7210 Shurtleff, Michael (2003) Audition: Everything an Actor Needs to Know to Get the Part. Walker & Co. NY Amazon.com link to this text: deMontmollin 1338/1111 1 http://www.amazon.com/Audition-Everything-Actor-Needs- Know/dp/0802772404/ref=sr_1_1?ie=UTF8&s=books&qid=1243884379&sr=1-1 It is highly recommended that you purchase the following books now and use them as a reference throughout your four years here at The University of Houston: Caldarone, Marina (2004) Actions, The Actor’s Thesaurus Drama Publishers, CA Amazon link: http://www.amazon.com/Actions-Actors-Thesaurus-Marina- Caldarone/dp/0896762521/ref=sr_1_1?ie=UTF8&s=books&qid=1249942689&sr=1-1 Phillips, Bill (1999) Body for Life Amazon link: http://www.amazon.com/Body-Life-Mental-Physical- Strength/dp/0060193395/ref=sr_1_1?ie=UTF8&s=books&qid=1249942728&sr=1-1 Participation: Clothing for classes and rehearsal: You need to be dressed out in “neutral” work out clothing and ready to work at the top of class (prior to roll) – you must wear clothing that covers your torso and at least 3/4 length “sweats” or tights and no shorts– o Comfortable clothing to move in no fabrics that make swooshy sounds as you move please (such as wind material) o Sweats, not too baggy (need to be able to see subtle body movements) or Leggings- avoid flared pants please (tripping hazard) o Dressing in layers is helpful as room temperature varies o No jewelry o Hair off face (Hair tie or tight fitting cap/scarf that will not fall off) o We will work barefoot at times– you must have clean feet before you enter the room. If we are working in shoes, wear only tennis shoes, sports shoes or dance shoes (character or jazz). No street shoes, sandals, clogs, flip flops, etc. should be worn to class/rehearsal. o Bring capped bottle of water to every class. Begin getting your rehearsal wardrobe in place: Women: • Rehearsal skirt: in making the rehearsal skirt, look for a fabric with solid weight for a floor length skirt (leave extra room in the hem so you can adjust for different heel height), on a drawstring, with a panel you can add for a train or to go over a bustle or other period additions. • Character shoes with 1" heel (other shoes with heels of varying heights would be good too). • For the future: look for corsets, hats, gloves, ballet slippers, black tights/leotards, accessories (compact, lorgnette, cig holder etc). Gentlemen: • Black leather dress shoes (with real soles—not rubber). • Dark, well-fitting suit • White dress shirt (with a neck size that is truly deMontmollin 1338/1111 2 comfortable for you!) This suit is one you won't mind getting sweaty in, or working through the fight scene where the lapels get grabbed again and again in rehearsal. • Tie • For the future: look for are ballet shoes, boots with a decent heel (cowboy boots are ok, but you could use a square-toed pair that might serve any number of periods), other suit coats (dbl breasted, 3/4/5 button, etc.) hats, gloves, canes, bowties, cummerbund, poet shirt, accessories (flask, cig case, etc). Note: We are NOT ADVOCATING BUYING ANY OF THIS NEW; thrift stores are a good place to begin your collection. Other Important Notes: o Be Prompt (to class on time – you must be in the room while roll is being taken – you are “late” to class if you show up after roll call). Be sure to sign in upon arrival; do not disrupt the work. Tardiness for two classes is considered an absence and can impact your grade and the jury process. o Do not bring food into the theatre. o Fully commit. Watch, listen, and fully contribute in all exercises and discussions. Come to class every day with an open heart and an open mind. o Make a habit of checking the callboard and TD Net twice daily o Participate in required departmental Casting Assessments (August and November) o Prepare and perform two contrasting monologues and song if required o Dress in appropriate audition attire o Arrive on time and display a professional and friendly demeanor o Complete all necessary paperwork on time, accurately and legibly o Schedule a meeting following each casting assessment with your assigned mentor. It is your responsibility to meet with your mentor. o Be sure your resume and headshot are updated and placed in the book in the administrative offices each semester. o You will be required to attend every main stage production in The School of Theatre & Dance and write a review. You will also be required to attend strike for every mainstage show. o Required strike attire includes: . Closed toe work shoes (no heels) . Pants . No jewelry . Hair tied back . Fitted work clothes that can accept some “wear and tear” . Have a “can-do” attitude at strike. We do not appreciate “helpless actors” in this program. Class/Rehearsal Environment/Expectations: Be attentive and respectful toward your classmates and director at all times. o Arrive on time ready to work o Silence cell phones during class o Have a pencil, script and paper for notes at all rehearsals/classes deMontmollin 1338/1111 3 o Notate all blocking, write down all notes o Stay focused on the work; Refrain from side conversations o Take all direction the first time it is given; listen to all direction as other’s notes can impact you and you can learn from them. Good actors are good listeners. o Refrain from “directing” your peers unless asked by the instructor to do so. o Keep outside material stored away including material from other classes, ipods, etc. o Leave “personal baggage” at the door o Exhibit an “attitude of gratitude.” o Represent yourself and The School of Theatre & Dance well at all times o Respect this space and leave it better than you found it Absence and Lateness: This course follows the UH School of Theatre & Dance policy regarding absence and lateness. Three absences = one full letter grade deduction (i.e. a "B" becomes a "C"). Four absences = two full letters grade deduction. Five absences = automatic "F" grade for the course. Entering class after the roll has been called constitutes lateness. Lateness for two classes = one absence. Rehearsal: You will need rehearse and prepare outside of class, individually and with your performance partners. Assignments/Deadlines: Performance assignments must be fully rehearsed and ready to present. Written assignments must be turned in on the due date. “The Show Must Go On” is an Ethic that we adhere to in The School of Theatre & Dance and in this course. You will Perform: • Two contrasting contemporary monologues • One duet scene from the play “Up” You will Create: • A personal audition source book in a three ring binder containing ten monologues and two 16 bar segments of music from songs within your range; one from a contemporary musical, one from a classic musical. You will Write: o Six two page, double spaced, reflection papers o Three two page, double spaced, play reviews (Earnest, Rocky and either Hedda, Landscape, Emerging Choreographer’s Showcase or Pageant) o One Final Exam You will Read & analyze: • At least three full length plays (Up, plus the plays your monologues are from). You will Attend: • The Rec Center once per week for thirty minutes • All Mainstage productions at UH • Strike for all UH productions Guidelines for monologue assignment: Locate and Xerox TEN monologues from a variety of plays that you will assemble into a book. The monologues must meet these requirements: Monologues should be cut to a maximum of 60 seconds each. Monologues less than 45 seconds will not be accepted. • Don’t use pieces that require an accent. • Avoid monologues with telephone calls. • Choose contemporary pieces from plays published after 1910.