Soundtracks: Music, Tourism and Travel, 6-9 July 2012, Liverpool, UK 1 Accepted Abstracts A Barbara Alge and Andrea Zittlau, University of Music and Drama Rostock, Germany Sound and Souvenir: Re-thinking the Tourist Object Ruxandra Ana University of Warsaw, Poland CUBAN RUMBA BEYOND “THE TOURIST GAZE” Kumar Ashutosh, University of Delhi, India Music Tourism in India: A CASE STUDY OF KHAJURAHO DANCE FESTIVAL IN INDIA B J. Ballantyne, R. Ballantyn and J. Parker, University of Queensland, Australia Designing transformative music festival experiences to enhance visitor psychological and social benefits. Emília Barna, University of Szeged, Hungary Internalising the tourist gaze: the strange union of folk music and alternative rock in Hungary Jacob Meir Barsky, University of Hawaii Manoa, USA Musical Pilgrimage to the Japanese Periphery: A Case Study of the National and All-Japan Tsugaru Shamisen Contests of Aomori Prefecture. Linda Braun, Johns Hopkins University, USA “Every National Nuance Removed from Their Dances”? Dance Tourism in Germany, France, and Great Britain (1900-1930s) Georg Braunschweig, University of Cologne, Germany Performing alternative authenticities: cover bands in Balinese tourist bars Gilles Briand, Mission Bassin Minier Nord - Pas de Calais, France Music as intangible heritage: touring through minors musical tradition : The ‘Chain of Musical Practices’. A program aiming at preserving the coalfield musical heritage of the mining culture through an innovative and unique touristic experience. Joshua Brown University of California, Riverside, USA Flamenco Público: Tourism, Performance and Interactivity in Seville, Spain Grzegorz Brzozowski University of Warsaw, Poland Music as a part of ritual-like performance: the case of European festivity Soundtracks: Music, Tourism and Travel, 6-9 July 2012, Liverpool, UK 2 Accepted Abstracts Sarah Buckler, Durham University, UK Discordant Communities – musical tensions in imagining the future of marginalised communities. David Buckley, Tuvalu Academy of Further Education, New Zealand Kate Payne, Auckland University of Technology, New Zealand Opera as a Tourist Activity – Worthy of Research? C Marco Camilli, Nelia Consulting, Italy Umbria Jazz: how a music festival can emphasize the spirit of a destination Marc-Antoine Camp, Lucerne University of Applied Sciences and Arts, Switzerland Negotiating cultural and touristic valorisation of music in the making of the Swiss inventory of intangible cultural heritage David Cashman, Southern Cross University, Australia Music by Design: Implementing Tourist Music on Cruise Ships Malcolm A. Cooper, Glasgow Caledonian University, UK The Place of Music in Britain Maria João Cordeiro, Beja Polytechnic Higher Institute, Portugal Music and the city: Fado in the tourist representation of Lisbon Diane L. Cormany, University of Minnesota, USA Coachella Fans and the Co-Production of an Affective Destination D Nico Daswani, Asian American Arts Alliance, USA "Tradition, Artistic Transmission and Foreign Learners in Bali: The Making of Intercultural Heritage" Astrid D’Eredità, Italy Like frogs around a pond: Μεσόγειος/Mediterranean Anabela Dinis and Margarida Vaz, University of Beira Interior, Portugal Regional Portuguese Music: A (tourist) journey with Michael Giacometti Mauro Dujmović and Aljoša Vitasović, University of Juraj Dobrila, Croatia Music Tourism and Commodification of Tourism Spaces Soundtracks: Music, Tourism and Travel, 6-9 July 2012, Liverpool, UK 3 Accepted Abstracts E Juan Pedro Escudero Díaz, University of Extremadura, Spain FLAMENCO: SINCE CULTURAL HERITAGE TO TOURIST ATTRACTION F Felicite Fairer-Wessels, University of Pretoria, South Africa “The Domba Dance” as cultural ritual of the Venda tribe in South Africa Katarina Feodorovic, University of Arts in Belgrade, Serbia CULTURAL HERITAGE AND TRADITIONS IN CHOIR FESTIVALS. Case studies The Llangollen International Musical Eisteddfod - Wales and The Days of Mokranjac - Serbia Katarina Feodorovic, University of Arts in Belgrade, Serbia Touristic potential of the International Music Competition"Davorin Jenko" for the development of cultural tourism in the municipality Rakovica -City of Belgrade Robert Fry, Vanderbilt University, USA Becoming a "True Blues Fan: Blues Tourism and Performances of Loyalty at the King Biscuit Blues Festival" Rinko Fujita, University of Vienna, Austria To the Musical Metropolis! : A Case Study of Japanese Music Tourism in Vienna G Guy Galazka, Sorbonne University (Paris IV), France Songs of the Redeemed: The Role of Music in Nineteenth-Century Christian Pilgrimages to the Holy Land Damiano Gallinaro, Italy Following Pearl Jam: A matter of Love and Trust Savannah Ganster, Louisiana State University, USA Harmony, Discord, and Jazz: The Intersections of Music Tourism, Cultural Practices, and Histories in New Orleans Steven Garabedian, Marist College, USA “Blues Historiography and White Pilgrimage” Denese Gascho, York University, Canada Dancehall Queen: Junko Kado and The Reggae Transnation Soundtracks: Music, Tourism and Travel, 6-9 July 2012, Liverpool, UK 4 Accepted Abstracts Jan Gooren, Conservatory Maastricht & Zuyd University of Applied Sciences, The Netherlands The role of music in contemplative tourism Ivana Paula Gortan-Carlin and Ivona Orlić, Juraj Dobrila University of Pula, Croatia Musical and Tourist Brand of the "Istrian Music Road" Anna Grega, Australia Music Mementos: back to a Rusyn future Ivana Greguric MADE-UP ROCKERS, THE MEDIA AND TECHNO CULTURE Paula Guerra, Faculty of Arts of the University of Porto, Portugal Following the scene! The pop rock music festivals as spaces of extended transactions in Portugal Silvia Guglielmini, University College Dublin, Ireland Traditional music, Irish identity, and tourism at the Galway Arts Festival Murat GÜREL, Gazi University, Turkey Music Institutions of Bursa that is Turkey’s Culture and Tourism City-Contributions of the Institutions to City and Country Tourism in terms Music Communities Andrew Gurian, USA A NIGHT AT THE OPERA: A two-screen video projection featuring opera al fresco, New York City’s Fleet Week, and Brooklyn’s Cherry Blossom Festival H Jennifer Haack, Germany Rockin' all over the world: music tourism and the rock'n'roll tourist Thorbjorg Daphne Hall, Iceland Academy of the Arts, Iceland The Music Festival Iceland Airwaves – A Key to Music Tourism in Iceland? Daniel Hartley, The University of Liverpool, UK “Avoiding Proper Work for 41 years”: Probe Plus Records and Transition away from Formalised Space in Commercial Narratives Jone M. Hernández, University of the Basque Country, Spain Look at “bertsolaritza” and feel the emocional word. The Bertsolari film: opening the Basque heritage up to the World. Soundtracks: Music, Tourism and Travel, 6-9 July 2012, Liverpool, UK 5 Accepted Abstracts Thomas Herscht, Mediacult: International Research Institute for Media, Communication and Cultural Development, Austria Austropop as Cultural Heritage Rob Horrocks, Birmingham Centre for Media and Cultural Research/ Home of Metal, UK The Internet as a resource for histories of music that give rise to tourist opportunities. Simon Hudson, University of South Carolina, USA Stefanie Benjamin, University of Calgary, Canada The influence of music videos on tourism Simon Hudson, University of South Carolina, USA Rupert Hudson, University of Calgary, Canada The use of social media to attract and engage with music tourists I Incoronata Inserra, University of Hawaii, USA ‘Tourist Noise’ in Southern Italian Folk Music and Dance Festivals Fatme Ismailova, University of Derby, UK Why music matters? Impacts of music tourism on local communities and niche music festivals J Rémy Jadinon, Royal Museum for Central Africa, Belgium The tourism initiation of bwiti in Gabon K Lars Kaijser, Stockholm University, Sweden Fragments in motion Panagiotis Karampampas, Panteion University of Social and Political Sciences, Greece The Gothic pilgrimage: visit the “roots” and get back famous. Amane Kasai, Tokyo University of the Arts, Japan Music and Tourism in Early Modern Japan: Hot Spring Resorts as Tourists’ Musical Community. Adam Kaul, Augustana College, USA Music on the Edge: Traditional Irish Music at The Cliffs of Moher and the Commodification of a Musical Landscape Soundtracks: Music, Tourism and Travel, 6-9 July 2012, Liverpool, UK 6 Accepted Abstracts Tony Kiely, Dublin Institute of Technology, Ireland “Staying small - staying alive”: the preservation of a sean-nós traditional music festival in the west of Ireland Melinda Klausz and Ágnes Raffay, University of Pannonia, Hungary Characteristics of purposive social media and Facebook usage of Hungarian popular music festivals Sanda Kočevar, The Municipal Museum of Karlovac & Karlovac University of Applied Sciences, Croatia THE FIRST CROATIAN CHOIR ZORA IN KARLOVAC – KEEPING MUSICAL MEMORY AND CREATING TOURISTIC EXPERIENCE Martinette Kruger and Melville Saayman, North-West University, South Africa DO MARKETS REALLY DIFFER FROM CITY TO CITY? EVIDENCE OF LIVE MUSIC PERFORMANCES Martinette Kruger and Melville Saayman, North-West University, South Africa SHOW ME THE BAND AND I WILL SHOW YOU THE MARKET L Krisztina Lajosi, University of Amsterdam, The Netherlands Album d’un voyageur: travelling through Europe with Liszt Brett Lashua, Leeds Metropolitan University, UK The city of musical memory: Liverpool 8 – A case study Chantal Laws, University of Gloucestershire, UK Putting music on the map: creativity, emerging place narratives and the potential for music tourism in Cheltenham