Editor-in-Chief Online Editor Copy Editor Nuart Journal Martyn Reed, Erik Sæter Jørgensen, Daniël de Jongh (NL) Nytorget 17 Nuart, Stavanger (NO) Sæter Jørgensen 4013 Stavanger Contemporary (NO/FR) Graphic Design Norway Editor Studio Bergini Susan Hansen, Middlesex London (UK) Editorial Correspondence University, London (UK) [email protected] International Advisory Board Alison Young, University of Melbourne (AU) Lu Pan, Hong Kong Polytechnic University (CN) Bahia Shehab, American University in Cairo (EG) Mike Watson, John Cabot University (IT) David Pinder, Roskilde University (DK) Minna Valjakka, National University of Singapore (SG) Erik Hannerz, Lund University (SE) Myrto Tsilimpounidi, Institute for Sociology Jacob Kimvall, Stockholm University (SE) of the Slovak Academy of Sciences (SK) Jeff Ferrell, Texas Christian University (US) Pedro Soares Neves, University of Lisbon (PT) Julia Tulke, University of Rochester (US) Sabina Andron, The Bartlett Lachlan MacDowall, University of Melbourne (AU) School of Architecture, UCL (UK) Laima Nomeikaite, The Norwegian Institute for Cultural Heritage Research (NO) Nuart Journal operates under the Creative Commons Licence CC-BY-NC-ND. This allows for the reproduction of all articles, free of charge, for non-commercial use, and with appropriate citation. The copyright of all articles remains with the author of the articles. However, the copyright of the layout and design of articles published in the Nuart Journal remains with the Nuart Journal and may not be used in any other publications. Produced with the support of Drago Publishing NUART JOURNAL 2019 VOLUME 1 NUMBER 2 5–6 NUART JOURNAL 2019 VOLUME 1 NUMBER 2 5–6 nuart 2019 Volume 1 Number 2 ISSN 2535-549X journal Editor-in-ChiefEditor-in-Chief Online EditorOnline Editor Copy EditorCopy Editor Nuart JournalNuart Journal Martyn Reed,Martyn Reed, Erik SæterErik Jørgensen, Sæter Jørgensen, Daniël deDaniël Jongh de (NL) Jongh (NL) NytorgetNytorget 17 17 Nuart, StavangerNuart, Stavanger (NO) (NO)Sæter JørgensenSæter Jørgensen 4013 Stavanger4013 Stavanger ContemporaryContemporary (NO/FR) (NO/FR)Graphic GraphicDesign Design Norway Norway Editor Editor Studio BerginiStudio Bergini Susan Hansen,Susan Hansen,Middlesex Middlesex London (UK)London (UK) EditorialEditorial Correspondence Correspondence University,University, London (UK)London Eloquent(UK) [email protected]@nuartjournal.com Eloquent Vandals InternationalInternational Advisory Advisory Board Board Alison Young,Alison University Young, University of Melbourne of Melbourne (AU) (AU) Lu Pan, HongLu Pan, Kong Hong Polytechnic Kong Polytechnic University University (CN) (CN) Bahia Shehab,Bahia Shehab,American American University University in Cairo (EG)in Cairo (EG) Mike Watson,Mike Watson,John Cabot John University Cabot University (IT) (IT) David Pinder,David Roskilde Pinder, Roskilde University University (DK) (DK) Minna Valjakka,Minna Valjakka, National NationalUniversity University of Singapore of Singapore (SG) (SG) Erik Hannerz,Erik Hannerz, Lund University Lund University (SE) (SE) Myrto Tsilimpounidi,Myrto Tsilimpounidi, Institute Institutefor Sociology for Sociology Jacob Kimvall,Jacob Kimvall,Stockholm Stockholm University University (SE) (SE) of the Slovakof the Academy Slovak Academy of Sciences of Sciences (SK) (SK) Volume Editorial: Editorial: Jeff Ferrell,JeffMartyn Texas Ferrell, Christian Reed Texas Christian University University (US) (US) Pedro SoaresPedro Neves, Soares University Neves, University of Lisbon of (PT) Lisbon (PT) Martyn Reed Julia Tulke,JuliaEditor-In-Chief University Tulke, University of Rochester of Rochester (US) (US) Sabina Andron,Sabina Andron,The Bartlett The Bartlett Editor-In-Chief Lachlan MacDowall,LachlanNuart MacDowall, Journal University University of Melbourne of Melbourne (AU) (AU) School ofSchool Architecture, of Architecture, UCL (UK) UCL (UK) Nuart Journal 1 Laima Nomeikaite,Laima Nomeikaite, The Norwegian The Norwegian Institute Institute for Culturalfor HeritageCultural Heritage Research Research (NO) (NO) Editor-in-Chief Online Editor Copy Editor Nuart Journal Martyn Reed, Erik Sæter Jørgensen, Daniël de Jongh (NL) Nytorget 17 Nuart JournalNuart operatesJournalNuart, Stavanger operates under the (NO) under Creative the Creative CommonsSæter Jørgensen Commons Licence CC-BY-NC-ND.Licence CC-BY-NC-ND. 4013 Stavanger This allowsThis for allows the reproduction for the reproduction of all articles, of Contemporaryall articles,free of charge, free (NO/FR) of forcharge, non-commercial Graphicfor non-commercial Design use, use, Norway Editor Studio Bergini and with andappropriate with Theappropriate citation. theme of citation.The Issue copyright II The– ELOQUENT copyright of all articles ofVANDALS all remainsarticles – is remainswith a thecities authorwith thatthe of author Polothe has of the visited as part of Khan’s expanding The theme of Issue II – ELOQUENT VANDALS – is a cities that Polo has visited as part of Khan’s expanding articles. articles.However,Susan However, the Hansen, copyright the Middlesex copyright of the layout of the and layout design and of design articles of publishedarticlesLondon published (UK)in the Nuart in the NuartEditorial Correspondence provocativeUniversity, link London to street (UK) art and urban culture’s delinquent empire, these are [email protected] by Polo to Khan himself. Towards provocative link to street art and urban culture’s delinquent empire, these are narrated by Polo to Khan himself. Towards Journal remainsJournalroots remainsandwith the the ‘creative Nuartwith the Journal joyNuart of destruction’andJournal may and not –maybe evidenced used not inbe any used most other in any publications.the other end, publications.Khan prods Polo to tell him of the one city he has roots and the ‘creative joy of destruction’ – evidenced most the end, Khan prods Polo to tell him of the one city he has recently in Banksy and Blu’s high profile acts of auto- never mentioned directly – his hometown Venice. Polo’s recently in Banksy and Blu’s high profile acts of auto- never mentioned directly – his hometown Venice. Polo’s iconoclasm, but also present in a plethora of quotidian, response: ‘Every time I describe a city I am describing iconoclasm, but also present in a plethora of quotidian, response: ‘Every time I describe a city I am describing human scale, unsanctioned urban interventions. The rise Venice’. In effect, Polo has been going home each time and human scale, unsanctioned urban interventions. The rise Venice’. In effect, Polo has been going home each time and Produced withProduced theof support festival-sponsored withInternational of the Drago support Publishing of Drago Advisory Publishing neoliberal Board muralism sits uneasily imagining the possibilities of what a city might be. of festival-sponsored neoliberal muralism sits uneasily imagining the possibilities of what a city might be. with theseAlison Young,ungovernable University forms of Melbourne of urban (AU) creativity. Issue Lu Pan, HongMany Kong of Polytechnic Polo’s descriptions University (CN) can be read as eloquent with these ungovernable forms of urban creativity. Issue Many of Polo’s descriptions can be read as eloquent II contains contributions that celebrate the work of street meditations on the city, culture, language, time, memory, II contains contributions that celebrate the work of street meditations on the city, culture, language, time, memory, Number Bahia Shehab, American University in Cairo (EG) Mike Watson, John Cabot University (IT) art’s Davideloquent Pinder, vandals, Roskilde and University papers (DK) that critically examine Minnaor Valjakka,the general National nature University of human of Singapore experience (SG) in relation to art’s eloquent vandals, and papers that critically examine or the general nature of human experience in relation to attemptsErik Hannerz, to cultivate, Lund University instrumentalise, (SE) commodify, and Myrtoplace. Tsilimpounidi, What can Institute we collectively for Sociology imagine? Perhaps the attempts to cultivate, instrumentalise, commodify, and place. What can we collectively imagine? Perhaps the ‘protect’Jacob the Kimvall, art of Stockholmthe streets. University (SE) of theimaginable Slovak Academy is not of so Sciences ridiculous (SK) and fanciful as it sometimes ‘protect’ the art of the streets. imaginable is not so ridiculous and fanciful as it sometimes Jeff Ferrell, Texas Christian University (US) Pedro Soares Neves, University of Lisbon (PT) 2 Eloquent vandals are integral to a critical street art. sounds, maybe we already have the resources we need to Eloquent vandals are integral to a critical street art. sounds, maybe we already have the resources we need to Julia Tulke, University of Rochester (US) Sabina Andron, The Bartlett We needLachlan to recognise MacDowall, that University ‘vandals’ of Melbourne and those (AU) associated Schoolshape of Architecture, and create UCLthe environments (UK) we want to pass through We need to recognise that ‘vandals’ and those associated shape and create the environments we want to pass through with actsLaima of Nomeikaite, creative crime The Norwegian and resistance Institute are also capable and live in. with acts of creative crime and resistance are also capable and live in. of positioningfor Cultural and Heritage understanding Research (NO) their work in relation to The lead visual article for this issue, Jeff Ferrell’s of positioning and understanding their work in relation to The lead visual