Introduction to Music Mu1001 Review Sheet #2 Review the following terms and concepts for the test on April 18. Please remember you are responsible for all the information in the assigned text as well as the accompanying CD’s. Rococo Mannheim Crescendo Style galant Mannheim Rocket French Rococo composers Movements of a Symphony François Couperin Franz Joseph Haydn Jean-Philippe Rameau “London” Symphonies Empfindsankeit Style of Haydn’s Music C. P. E. Bach Ludwig Van Beethoven Opera Buffa Modified patronage system Opera Seria Periods of Beethoven’s music Singspiel The “Eroica” Symphony Intermezzo Napoleon Bonaparte Theme Friedrich von Schiller movement Motive and Motivic development Thematic development Classical Concerto Absolute Music Cadenza Sonata-allegro form Ritornello Exposition Classical Sonata Development Classical Opera Recapitulation “Trouser roll” Coda Common Traits of Romanticism Theme and variations Romanticism in Music Minuet and Trio Exoticism Scherzo Romantic Style Characteristics Rondo Musicians in the Romantic period Classical ideas Musicians as educators Classicalism vs. Romanticism 19th-Century song structures Patronage during the Classical Era Strophic form The Esterhazys Through-composed form Viennese School Modified strophic form Main Elements of the Classical Style The Lied Classical musical genres Song Cycle Chamber Music Johann Wolgang von Goethe String Quartet Heinrich Heine Divertimentos and Serenades Franz Schubert Wolfgang Amadeus Mozart Erlkönig Lorenzo Da Ponte Robert Schumann “Requiem” Die neue Zeitschrift für Musik Ludwig Köchel Clara Wieck Schumann Opus number Dichterliebe Symphony The piano in the Romantic period Italian Overture Four-hand piano music Monothematic Frédéric Chopin The Classical Orchestra Aurore Dudevant (George Sand) Mannheim School Mazurka, Nocturne, Impromptu, Johann Stamitz Prelude, Etude, Waltzes Polonaise Fanny Mendelssohn Hensel Rubato Johannes Brahms Louis Gottschalk Opera in the Romantic period Program Music Grand Opera Concert Overture Opéra Comique Incidental Music Lyric Opera Program Symphony Bel canto style Symphonic Poem Giuseppe Verdi Hector Berlioz Richard Wagner Harriet Smithson Music drama Symphony Fantastique The Ring of Nibelung Orchestration Bayreuth Ideé Fixe Endless melody Nationalism in Music Leitmotifs Antonin Dvořák Giacomo Puccini New World Symphony Ballet Bedřich Smetana Serge Diaghilev Felix Mendelssohn Peter Ilyich Tchaikovsky Romantic Choral Music Nadezhda von Meck Part songs Listening Mozart: Eine kleine Nachtmusik, K. 525 Movements I and III Haydn: Symphony No. 94 in G major (Surprise), second movement Beethoven: Symphony No. 5 in C minor, Op. 67 Mozart: Piano Concerto in G major, K. 453, first movement Beethoven: Piano Sonata in C sharp minor, Op. 27, no. 2 (Moonlight), first and second movements Mozart: The Marriage of Figaro, Act I, scenes 6 and 7 Schubert: Erlkönig Schumann: "In the Lovely Month of May" from Dichterliebe Chopin: Polonaise in A Major, Op. 40, No. 1 (Military) Clara Schumann: Nocturne from Soirees musicales, Op. 6 Gottschalk: The Banjo Berlioz: Symphonie Fantastique, fourth movement Smetana: The Moldau Brahms: Symphony No. 3 in F major, third movement Brahms: A German Requiem, fourth movement Verdi: Rigoletto, Act III excerpt Wagner: Die Walküre Act III, Opening Puccini: “Un bel di” from Madame Butterfly, Act II Tchaikovsky: March from The Nutcracker .
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