Coast Salish Art Bibliography Abbott, Donald 1981 The World is as Sharp as a Knife: An Anthology in Honour of Wilson Duff. Victoria: B.C. Provincial Museum; 1981: 175-200. Amoss, Pamela. 1978 Coast Salish Spirit Dancing. Seattle: University of Washington Press. Arima, Eugene Y. 1983 The West Coast People: The Nootka of Vancouver Island and Cape Flattery. Victoria: British Columbia Provincial Museum Special Publication #67. Baillargeon, Pat 1977 “Arts Interview: Marvin Oliver,” Puget Soundings (April): 30-31. Barnett, H. G. 1955 The Coast Salish of British Columbia. University of Oregon Press. 1957 Indian Shakers: A Messianic Cult of the Pacific Northwest. Carbondale: Southern Illinois University Press. Bierwert, Criska *1982 Sahoyaleekw: Weaver’s Art. Seattle: Burke Museum. 1999 Brushed by Cedar, Living by the River: Coast Salish Figures of Power. University of Arizona Press. Black, Martha 1997 Bella Bella: A Season of Heiltsuk Art. Toronto and Seattle: Royal Ontario Museum, Douglas and McIntyre, and University of Washington Press. 1999 Huupukwanum Tupaat: Out of the Mist: Treasures of the Nuu-chah-nulth Chiefs. Victoria: Royal British Columbia Museum. Blanchard, Rebecca and Nancy Davenport (eds) 2005 Contemporary Coast Salish Art. Seattle: Stonington Gallery and University of Washington Press. Brotherton, Barbara (ed). 2008 S'abadeb, The Gifts - Pacific Coast Salish Art and Artists. Seattle: Seattle Art Museum and University of Washington Press. Brown, Steven C. 2001 “Norman Feder and the Central Coast Salish Art Style,” in Feest (ed) Studies in American Indian Art: A Memorial Tribute to Norman Feder, Altenstadt: European Review of Native American Studies: 33-41. 1994 "In the Shadow of the Wrangell Master: Photo Documentation of the Work of Two Nineteenth Century Tlingit Artists," American Indian Art Magazine. 19 (4): 74-85, 104. 1997 "Formlines Changing Form: Northwest Coast Art as an Evolving Tradition," American Indian Art Magazine. 22 (2): 62-73, 81, 83. 1998 Native Visions: Evolution in Northwest Coast Art from the Eighteenth through the Twentieth Century. Seattle: Seattle Art Museum and University of Washington Press. 2000 “Turning the Tables: The Influence of Nineteenth-Century Southern Design Styles on the Northern Northwest Coast,” American Indian Art Magazine 25 (3) Summer: 48-55. 2000 Spirits of the Water: Native Art Collected on Expeditions to Alaska and British Columbia, 1774-1910. Seattle: University of Washington Press. 2005 Brown, Steven C. “A Tale of Two Carvers: The Rain Wall Screen of the Whale House, Klukwan, Alaska,” American Indian Art Magazine 30 (4) Autumn: 48-59. Calkins, Harry 1977 “Art Legacy of the Coast Salish,” Puget Soundings (April): 27-29. Carlson, Roy 1983 Indian Art Traditions of the Northwest Coast. Simon Fraser University. Codere, Helen. 1948 "The Swai'xwe Myth of the Middle Fraser River," Journal of American Folklore 61: 1-18. Cole, Douglas and Ira Chaikin. 1990 An Iron Hand Upon the People: The Law Against the Potlatch on the Northwest Coast. Seattle: University of Washington Press. Duff, Wilson 1956 Prehistoric Stone Sculpture of the Fraser River and Gulf of Georgia Anthropology in British Columbia, No. 5. Victoria: British Columbia Provincial Museum, Anthropology in British Columbia, No. 5. 1975 Images Stone B.C.: Thirty Centuries of Northwest Coast Indian Sculpture. Saanichton: Hancock House Publishers. Duffek, Karen 1993 “Northwest Coast Indian Art from 1950 to the Present,” in Canadian Museum of Civilization, In The Shadow of the Sun: Perspectives on Contemporary Native Art, Canadian Ethnology Service Mercury Series Paper 124. Hull: Canadian Museum of Civilization. Feest, Christian F. 2001 Studies in American Indian Art: A Memorial to Norman Feder. Altenstadt, Germany: European Review of Native American Studies, Seattle: University of Washington Press. Feder, Norman 1983 "Incised Relief Carving of the Halkomelem and Straits Salish," American Indian Art Magazine. 8 (2): 46-55. Fitzhugh, William W. 1988 Crossroads of Continents: Cultures of Siberia and Alaska. Washington, D.C.: Smithsonian Institution Press. Gerber, Peter R. and Vanina Katz-Lahaigue 1989 Susan A. Point, Joe David, Lawrence Paul: Indianische Kunstler der Westkuste Kanadas, Native Artists from the Northwest Coast. Zurich: Volkerkundemuseum der Universitat. Gumboot Productions 2007 Killer Whale and Crocodile. DVD video. Vancouver: Gumboot Productions and Arthur Holbrook Productions, Inc. Gustafson, Paula 1980 Salish Weaving. Vancouver and Seattle: Doublas and McIntyre and Univeristy of Washington Press. Haeberlin, Herman. 1918 "SbEtEtda'q, A Shamanistic Performance of the Coast Salish," American Anthropologist n. s. 20 (2). 1924 "Mythology of Puget Sound," Journal of American Folklore, vol. 37. Hall, Edwin; Blackman, Margaret; Rickard, Vin 1981 Northwest Coast Indian Graphics. Seattle: UW Press. Hilbert, Vi. 1985 Haboo: Native American Stories from Puget Sound. Seattle: University of Washington Press. Holm, Bill 1965 Northwest Coast Indian Art: An Analysis of Form. Seattle: UW Press. 1983 Box of Daylight: Northwest Coast Indian Art. Seattle: Seattle Art Museum, University of Washington Press. 1983 Smoky-Top: The Art and Times of Willie Seaweed. Seattle: University of Washington Press. 1987 Spirit and Ancestor: A Century of Northwest Coast Indian Art at the Burke Museum. Seattle: Burke Museum and University of Washington Press. 1997 "Variations on a Theme: Northern Northwest Coast Painted Boxes," American Indian Art Magazine. 22 (2): 52-61. Kastner, Carolyn (ed) 2002 Fusing Traditions: Transformations in Glass by Native American Artists. San Francisco: Museum of Craft and Folk Art. Kew, J.E. Michael 1980 Sculpture and Engraving of the Central Coast Salish Indians. Museum Note No. 9, Vancouver: UBC Museum of Anthropology. Kirk, Ruth and Richard D. Daugherty 1978 Exploring Washington Archaeology. Seattle: UW Press. *Lincoln, Leslie 1992 Cedar Canoes of the Coast Salish Indians. Seattle: Center for Wooden Boats. Macnair, Peter, Alan Hoover and Kevin Neary 1980 The Legacy: Continuing Traditions of Canadian Northwest Coast Indian Art. BC Provincial Museum; (The Legacy: Tradition and Innovation in Canadian Northwest Coast Indian Art; UW Press 1984). Macnair, Peter and Alan Hoover 1984 The Magic Leaves: A History of Haida Argillite Carving. Victoria: BC Provincial Museum. Macnair, Peter, Robert Joseph and Bruce Grenville. 1998 Down from the Shimmering Sky: Masks of the Northwest Coast. Vancouver and Seattle: Douglas & McIntyre, Vancouver Art Gallery, University of Washington Press. Marr, Carolyn J. 1984 "Salish Baskets from the Wilkes Expedition," American Indian Art Magazine. 9 (3): 44-51, 71. McFadden, David and Ellen Napiura Taubman. 2005 Changing Hands: Art Without Reservations 2, Contemporary Native North American Art from the West, Northwest & Pacific. New York: Museum of Arts and Design. McLennan, Bill and Karen Duffek 2000 The Transforming Image: Painted Arts of Northwest Coast First Nations. Vancouver: University of British Columbia Press. Meikle, Margaret 1987 Cowichan Indian Knitting. UBC Museum of Anthropology, Museum Note No. 21, Vancouver: University of British Columbia Museum of Anthropology. Miller, Bruce 2007 Be of Good Mind: Essays on the Coast Salish. Vancouver: UBC Press. Miller, Jay 1988 Shamanic Odyssey: The Lushootseed Salish Journey to the Land of the Dead. Menlo Park, CA: Ballena Press. Monthan, Guy and Doris 1977 Marvin Oliver. A Northwest Coast Artist, American Indian Art Magazine 3 (2 Winter): 62-67. Neel, David 1995 The Great Canoes: Reviving a Northwest Coast Tradition, Vancouver and Seattle: Douglas & McIntyre and UW Press. Nemiroff, Diana, Robert Houle and Charlotte Townsend-Gault 1992 Land Spirit Power: First Nations at the National Gallery of Canada. Ottawa: National Gallery of Canada. Norris, Karen and Ralph Norris 2010 Contemporary Art on the Northwest Coast: Salish, Nuu-chah-nulth and Makah. Atglen, PA: Schiffer Publications. Oleksijczuk, Denise 1991 Lost Illusions: Recent Landscape Art: Renee Green, Hachivi Edgar Heap of Birds, John Miller, Eleanor Bond, Lawrence Paul Yuxweluptun, Jeff Wall, Rasheed Araeen, Rodney Graham, Deborah Bright. Vancouver: Vancouver Art Gallery. Olsen, Sylvia. 2010 Working with Wool: a Coast Salish legacy and the Cowichan Sweater. Winlaw, BC: Sono Nis Press. Olson, Ron. 1936 The Quinault Indians. Seattle: University of Washington Publications in Anthropology, 6 (1) November. Paul, Lawrence, Dana Claxton, Selwyn J Jacob, National Film Board of Canada 2006 Yuxweluptun: Man of Masks. DVD video. Powell, Jay and Vickie Jensen. 1976 Quileute: An Introduction to the Indians of La Push. Seattle: University of Washington Press. Ruby, Robert H. and John A. Brown 1976 Myron Eells and the Puget Sound Indians. Seattle: Superior Publishing Company. Ryan, Allan 1999 The Trickster Shift: Humour and Irony in Contemporary Native Art. Vancouver: UBC Press. Seattle Art Museum. 1995 The Spirit Within: Northwest Coast Native Art from the John H. Hauberg Collection. Seattle and New York: Seattle Art Museum and Rizzoli. Simon Fraser Gallery 1992 “Simon Charlie: Master Salish Carver of Our Time,” in Simon Charlie: Salish Carver from the Todd Collection, A Catalogue of an Exhibition Curated by Simon Fraser Gallery. Burnaby: Simon Fraser University:10- 31. Stein, Julie K. 2000 Exploring Coast Salish Prehistory: The Archaeology of San Juan Island. Seattle: Burke Museum and UW Press. Suquamish Museum 1985. The Eyes of Chief Seattle. Suquamish: The Suquamish Museum. Suttles, Wayne 1977