NAWM composers found in Our Collections: Special Collections Research Center (SCRC), 2nd floor Fenwick Library Note: the asterisks are for items of composers not featured in the Norton Anthology. Medieval/Renaissance i. Directorivm chori: ad vsvm omnivm ecclesiarvm cathedralium & collegiatarum M2153.2 .C36 1665 Notes: A Catholic service book, vocal music in neume notation. Includes music by Giovanni Pierluigi da Palestrina. ii. *Osculetor me osculo oris sui* NE671.16 .V58 1610 Notes: Motet, chorus. In mensural notation. iii. *Vellum manuscript leaf from a choir book in Latin* M2147 XVI .M4 Notes: Illuminated manuscript, in neume notation. From some time between 1475 and 1525; published in Italy, from a Catholic choir book – Mass celebrating nativity of Blessed Virgin Mary. iv. *Antiphonal: fragment* M2147 XV .M3 Notes: Illuminated vellum manuscript, in neume notation – c. 1500, published in Spain or Italy. From a large antiphonal (antiphonary). v. *Bifolium from the Missale Brixinense with the Lord’s Prayer in Gothic musical notation* BX2015 .A2 1493 Notes: Catholic Missal in neume notation. Printed by Erhard Ratdolt in 1493. vi. *Wind instruments: 16th century woodcut* ML931 .A66 1568 Notes: Engraved by the Swiss artist Jost Amman for his Ständebuch (Book of trades). Published in Frankfurt. 1 Baroque i. *Antonio Cesti – Il Pomo D’Oro* SCA C0215 Notes: Lithograph of a scene from his opera, in the Performing Arts Graphic Material Collection ii. XII sonatas in three parts: six of which are for two violins and a bass, three for two German flutes, and three for a hautboy & common flute, with a bass for the violoncello and a thorough bass for the harpsichord. M311 .L645 op.2 1725 Notes: Jean-Baptiste Lœillet (John Lœillet of London). Published in London, by John Walsh. 12 trio sonatas, Op. 2, in parts. iii. *Le triomphe de la raison sur l’amour: pastorale* M1530.L85 T7 1697 Notes: Pastorale (vocal work) by Jean-Baptiste Lully fils, second son of Jean-Baptiste Lully. iv. Harmonia sacra, or, Select anthems in score for one, two, and three voices. M2062.P985 A68 1730 Notes: Henry Purcell. v. The Fairy queen: an opera, represented at the Queen’s theatre by Their Majesties servants. ML50.2.F145 P92 1692 Notes: Henry Purcell. vi. Twelve sonatas or solo’s for the German flute, hautboy and violin: published about the year 1724 M178.H24 T94 Notes: Georg Friedrich Händel. vii. The celebrated water musick: in score: composed in the year 1716 M1003.H22 W3 1788 Notes: Georg Friedrich Händel. viii. L’Allegro, il Pensieroso, ed il Moderato: the words taken from Milton: the musick composed in the year 1739 M2000.H22 A55 1795 Notes: Georg Friedrich Händel. 2 ix. Susanna: an oratorio M2000.H22 S87 1749 Notes: Georg Friedrich Händel. x. Fables of Mr. John Gay: with an Italian translation PR3473 .F3 1773 Notes: By the composer of The Beggar’s Opera, John Gay. xi. *Sinfonie a tre e concerti a quatro: opera quinta* M1101 .T59 op.5 1710 Notes: Giuseppe Torelli, parts. xii. Le Clavecin bien tempéré: préludes et fugues dans tous les tons majeurs et mineurs M22.B11 BWV 846-893 1855 Notes: Johann Sebastian Bach, Well-Tempered Clavier. xiii. *Rule Britannia* M1526.A76 R85 1760 Notes: Thomas Augustine Arne (“Dr. Arne”). From The Masque of Alfred for voices, chorus and orchestra. Classical i. Die Schöpfung: ein musikalisches Oratorium M2003.H42 S52 1800 Notes: Franz Joseph Haydn’s The Creation, vocal score. ii. *Les fausses apparences, ou l’amant jaloux: opera en 3 actes* M1500.G8 F38 1778 Notes: André Ernest Modeste Grétry, score. iii. Ouverture de Dom Juan M35.M68 D56 1804 Notes: Wolfgang Amadeus Mozart. Piano arrangement, excerpts. iv. Douze nouveaux quintetti pour deux violons, deux violoncelles et alto: œuvre 37 M551.B66 Q7 1798 Notes: Luigi Boccherini, parts. 3 Romantic i. Grand concert pour le piano-forté avec accompagnement de toutes les parties d’orchestre (on peut aussi l’exécuter a 6. parties) M1010 .B41 op.15 1802 Notes: Ludwig van Beethoven, Piano concerto No.1, Op. 15. ii. Ah perfido M1617.B4 A5 1913 Notes: Ludwig van Beethoven, vocal score with piano. iii. Grand quintetto per due violini, due viole, e violoncello M552 .B4 op.29 1817 Notes: Ludwig van Beethoven. Op. 29, String Quintet in C Major. iv. Fidelio: Oper in zwei Aufzügen M1503.B419 F5 1815 Notes: Ludwig van Beethoven. v. Paulus: Oratorium nach Worten der heiligen Schrift: Opus 36 M2003.M53 P42 1837 Notes: Felix Mendelssohn-Bartholdy. Also known as St. Paul (oratorio). vi. Music from the library of Julia Ward Howe. German Lieder. M1621 .M975 1840 Notes: Includes music by Felix Mendelssohn-Bartholdy. vii. Music from the library of Julia Ward Howe. Works by Robert Schumann, Clara Schumann, Mendelssohn, etc. M1621 .M98 1850 Notes: Includes music by Felix Mendelssohn-Bartholdy, Clara Wieck-Schumann, and Robert Schumann. viii. *Goethe and Mendelssohn.: (1821-1831)* ML410.M5 M5 Notes: Written by one of F. Mendelssohn’s sons, Karl Mendelssohn-Bartholdy. English translation. ix. A travers chants: études musicales, adorations, boutades et critiques ML410.B5 A543 1862 Notes: Hector Berlioz. 4 x. Les soirées de l’orchestre ML410.B5 A583 1854 Notes: Hector Berlioz. xi. Aschenbrödel = Cenerentola: Oper in zwey Aufzügen: für 2 Violinen, Viola und Violoncello M1506.R835 C4 1820 Notes: Gioachino Antonio Rossini’s Cinderella. xii. Il Mosè in Egitto: opera seria in tre atti M1503.R835 M89 1829 Notes: Gioachino Antonio Rossini’s Moses in Egypt, vocal score. xiii. Semiramide: gran melodramma tragico M1503.R835 S38 1820z Notes: Gioachino Antonio Rossini. xiv. Il Barbiere di Siviglia: opera buffa in due atti = Der Barbier von Sevilla: komische Oper in zwei Aufzügen M1503.R835 B22 1823 Notes: Gioachino Antonio Rossini’s The Barber of Seville. xv. Program of M’lle Jenny Lind’s concert at Tripler Hall. ML42.N4 W56 1850 Notes: Including Gioachino Antonio Rossini. xvi. Music from the library of Julia Ward Howe. 19th century sheet music M1621 .M96 1850z Notes: Includes Vincenzo Bellini, Gioachino Antonio Rossini, Gaetano Donizetti, and Giuseppe Verdi. xvii. Walzer für das Pianoforte zu vier Händen M204 .B72 op.39 1866 Notes: Johannes Brahms xviii. Waltzes, op. 39: arranged for the piano by the composer from the original for piano, four- hands M38 .B7 op.39 1916 Notes: Johannes Brahms. xix. *Pipetown Sandy* PS3537.O83 P5 1905 Notes: John Philip Sousa, book. 5 xx. *Gems of Strauss: a collection of dance music for the piano: consisting of the most beautiful of the waltzes, polkas, galops, quadrilles and polka mazurkas* M32.S87 G4 1872 Notes: Johann Strauss II. Late 19th - 21st Century i. *Hamlet: opéra en cinq actes* M1503.T453 H26 1868 Notes: Ambroise Thomas, adaptation, vocal score. ii. Overture in C (in memoriam): for orchestra M1004.S95 I6 1890 Notes: Arthur Sullivan. iii. Overture di ballo M1004.S95 O9 1889 Notes: Arthur Sullivan. iv. The music to Shakespeare’s play The tempest M1510.S95 T46 1891 Notes: Arthur Sullivan, incidental music. v. The Sorcerer ML50.S96 S67 1898 Notes: William Schwenck Gilbert and Arthur Sullivan, libretto. vi. The sorcerer: an original modern comic opera, in two acts. M1503.S924 S6 1920 Notes: William Schwenck Gilbert and Arthur Sullivan, vocal score. vii. Vocal score of Trial by jury M1503.S924 T7 1911 Notes: William Schwenck Gilbert and Arthur Sullivan. viii. H.M.S. Pinafore, or, The lass that loved a sailor ML50.S96 H57 1899 Notes: William Schwenck Gilbert and Arthur Sullivan, libretto. 6 ix. H.M.S. Pinafore, or, The lass that loved a sailor M1503.S924 H45 1920 Notes: William Schwenck Gilbert and Arthur Sullivan, vocal score. x. Cox and Box: or, The long-lost brothers: a comic opera in one act M1503.S924 C72 1900z Notes: Arthur Sullivan, vocal score. xi. A treasury of Gilbert and Sullivan M1507.S95 T7 Notes: Songs/vocal score with piano. xii. The “Bab” ballads PR4713 .B325 1900 Notes: William Schwenck Gilbert, miniature book of poetry. xiii. Vocal score of The pirates of Penzance: or, The slave of duty M1503.S924 P5 1900z Notes: William Schwenck Gilbert and Arthur Sullivan. xiv. The pirates of Penzance, or, The slave of duty ML50.S96 P57 1932 Notes: William Schwenck Gilbert and Arthur Sullivan, libretto. xv. Pulcinella: proof copy. M1526.S92 P8 1920 Notes: Igor Fyodorovich Stravinsky, vocal score. xvi. Der Rosenkavalier = The rose bearer: comedy for music in three acts ML50.S918 R6 1912c Notes: Richard Strauss, libretto. xvii. Candide: a comic operetta based on Voltaire’s satire ML50.B529 C3 Notes: Leonard Bernstein, libretto. xviii. *Songs from Top hat* M1508.B465 T66 1935 Notes: Irving Berlin, vocal score with piano. xix. *Façade: an entertainment* M1625.W3 F3 1972 Notes: William Walton. 7 Spanning several centuries, with other items of interest i. Music from the library of Julia Ward Howe. 28 nineteenth century American musical imprints of vocal music, songs and operatic arias. M1621 .M97 1840 Notes: Vincenzo Bellini, Domenico Cimarosa, Georg Friedrich Händel, Franz Joseph Haydn, Ignace Joseph Pleyel, Gioachino Antonio Rossini, and Franz Peter Schubert. ii. Sammelband of 37 pieces of Civil War era sheet music M20.C58 S36 1800z Notes: Includes Friedrich von Flotow, Georg Friedrich Händel, and Carl Maria von Weber. iii. The Victrola book of the opera: stories of the operas MT150 .R697 1919 Notes: By Samuel Holland Rous, Victor Talking Machine Company. iv. A favorite ancient canon: for three voices M1503.J25 L67 Notes: By Charles Knyvett (17th to 18th centuries). v. Missa choralis unison: 18th century musical manuscript. M2013.5 .M58 1700z Notes: A sort of hybrid neume-mensural notation. Diamond-head (black, filled in) notes and clef akin to neume C clef. Published in Bavaria, Germany. vi. Maritana: an opera in three acts, performed at the Theatre Royal, Drury Lane M1503.W24 M37 1846 Notes: William Vincent Wallace.