U.S. SHEET MUSIC COLLECTION SUB-GROUP I, SERIES 4, SUB-SERIES A (INSTRUMENTAL) Consists of instrumental sheet music published between 1861 and 1890. Titles are arranged in alphabetical order by surname of known composer or arranger; anonymous compositions are inserted in alphabetical order by title. ______________________________________________________________________________ Box 134 Abbot, John M. The vesper bell mazurka. For solo piano. Boston: Oliver Ditson & Co., 1863. Abbot, John M. The vesper bell mazurka. For solo piano. New York: Firth, Son & Co., 1863. Abecasis, S. Duchess of Albany gavotte. For solo piano. Boston: Oliver Ditson & Co., 1883. Adams, O. S. Daily exercises for piano students. New York: Wm. A. Pond & Co., 1874. Adams, O. S. Polka caprice. For solo piano. New York: Wm. A. Pond & Co., 1880. Adams, Oliver S. Une fleur de printemps (Spring flower) mazurka. For solo piano. New York: Wm. A. Pond & Co., 1864. Adelstein, Samuel. “Bella” mazurka. Violin obbligato. Also includes arrangement for guitar solo by L. B. Douglass. [s.l.]: J. P. Broder & Co., 1889. Agosty, Florian. Orphee aux enfers gallop. No. 5 in “Hitchcock’s Ten Cent or Dime Series of Select Music for the Million,” vol. 1. New York: Benjamin W. Hitchcock, 1869. Cover features lithograph. Alard, D. Berceuse, op. 49, no. 2. For violin and piano. No. 9 in “Repertoire del’Artiste for Violin and Piano.” Baltimore: George Willig & Co., [s.d.]. Alard, D. La fille du regiment. For violin and piano. In “Eight Easy Operatic Fantasies.” Boston: Oliver Ditson & Co., [between 1858 and 1876]. Allen, Geo. W. Waltz quadrille. With a complete description of the figures. For solo piano. New York: Wm. Pond & Co., 1875. 2 copies. Allen, N. H., arr. Two andantes, no. 1. From W. Goldner’s Suites, op. 39 & 40. Arranged for the organ. New York: G. Schirmer, 1889. Allen, N. H., arr. Two andantes, no. 2. From W. Goldner’s Suites, op. 39 & 40. Arranged for the organ. New York: G. Schirmer, 1889. 1 U.S. Sheet Music Collection Ruth T. Watanabe Special Collections, Sibley Music Library Sub-Group I, Series 4A Anderson, Green H. Archie Cook march. For solo guitar. In “Four Little Gems for the Guitar.” Louisville, KY: Louis Tripp, 1869. Andrés, Henry G. La fringante: mazurka de salon. For solo piano. New York: J. L. Peters, 1870. Angelo, D., arr. Beautiful dreamer. Melody by [Stephen] Foster. Arranged for solo piano. No. 48 in “Musical Photographs: A Collection of the Most Popular and Beautiful Melodies of the Day, Arranged as Teaching Pieces.” New York: Wm. A. Pond & Co., 1864. Angelo, D., arr. Come where my love lies dreaming. Melody by [Stephen] Foster. Arranged for piano duet (four hands). No. 39 in “Musical Photographs: A Selection of the Most Popular Melodies of the Day, Arranged for the Pianoforte for Two Performers.” New York: William A. Pond, 1866. Angelo, D., arr. Concert march. Melody by [Hermann Adolf] Wollenhaupt. Arranged for solo piano. No. 54 in “Musical Photographs: A Collection of the Most Popular and Beautiful Melodies of the Day, Arranged as Teaching Pieces.” New York: William A. Pond & Co., 1864. Angelo, D., arr. Concert march. Melody by [Hermann Adolf] Wollenhaupt. Arranged for piano duet (four hands). No. 15 in “Musical Photographs: A Selection of the Most Popular Melodies of the Day, Arranged for the Pianoforte for Two Performers.” New York: William A. Pond, 1866. Angelo, D., arr. Danish dance. For solo piano. No. 17 in “Musical Photographs: A Collection of the Most Popular and Beautiful Melodies of the Day, Arranged as Teaching Pieces.” New York: Wm. A. Pond & Co., 1864. Angelo, D., arr. Ella Leene. Melody by Frederick Buckley. Arranged for solo piano. No. 27 in “Musical Photographs: A Collection of the Most Popular and Beautiful Melodies of the Day, Arranged as Teaching Pieces.” New York: Wm. A. Pond & Co., 1864. Angelo, D., arr. The flower song. Melody from Gounod’s “Faust.” Arranged for piano duet (four hands). No. 2 in “Musical Photographs: A Selection of the Most Popular Melodies of the Day, Arranged for the Pianoforte for Two Performers.” New York: William A. Pond, 1866. Angelo, D., arr. Guards waltz. Melody by Godfrey. Arranged for piano duet (four hands). No. 19 in “Musical Photographs: A Selection of the Most Popular Melodies of the Day, Arranged for the Pianoforte for Two Performers.” New York: William A. Pond, 1866. Angelo, D., arr. Home of my heart. Melody by R. F. Harvey. No. 29 in “Musical Photographs: A Collection of Teaching Pieces,” second series. New York: Wm. A. Pond & Co., 1868. Angelo, D., arr. The long, long weary day. Arranged from a German melody. No. 36 in “Musical Photographs: A Collection of the Most Popular and Beautiful Melodies of the Day, Arranged as Teaching Pieces.” New York: Wm. A. Pond & Co., 1864. 2 U.S. Sheet Music Collection Ruth T. Watanabe Special Collections, Sibley Music Library Sub-Group I, Series 4A Angelo, D., arr. Santa Lucia: Neapolitan song. Arranged for piano duet (four hands). No. 8 in “Musical Photographs: A Selection of the Most Popular Melodies of the Day, Arranged for the Pianoforte for Two Performers.” New York: William A. Pond, 1866. Angelo, D., arr. Soldier’s Chorus. Melody from Gounod’s “Faust.” Arranged for piano duet (four hands). No. 14 in “Musical Photographs: A Selection of the Most Popular Melodies of the Day, Arranged for the Pianoforte for Two Performers.” New York: William A. Pond, 1866. Angelo, D., arr. Waltz. Melody from Gounod’s “Faust.” Arranged for solo piano. No. 1 in “Musical Photographs.” [New York: Wm. A. Pond & Co., 1864]. Missing cover. Angelo, D., arr. Wildfang galopp. Melody by Carl Faust. Arranged for piano duet (four hands). No. 21 in “Musical Photographs: A Selection of the Most Popular Melodies of the Day, Arranged for the Pianoforte for Two Performers.” New York: William A. Pond, 1866. Angelroth, H. Brosius reigen march. Milwaukee, WI: H. Angelroth, 1877. Cover features lithograph printed by American Oleograph Co. Ansorge, Conrad. Erinnerung. For solo piano. No. 1 in “Traumbilder für pianoforte.” New York: Edward Schuberth & Co., 1889. Arditi, L. Il bacio waltz (The kiss). Arranged for piano duet (four hands) by Theo. Oesten. Philadelphia: G. André & Co., [s.d.]. Cover features lithograph by Kaulbach, printed by M. H. Traubel. Arditi, L. Il bacio waltz (The kiss). Arranged for piano solo. New York: S. T. Gordon, [between 1858 and 1872]. Arditi, L. Il bacio waltz (The kiss). Transcription for the piano by the author. New York: Wm. A. Pond & Co., 1862. 2 copies. Arditi, Luigi. L’estasi: valse brillante. For solo piano. Philadelphia: Chas. W. A. Trumpler, [s.d.]. Arditi, L. L’ingénue: morceau á la gavotte. For solo piano. New York: Wm. A. Pond & Co., [s.d.]. Armstrong, Thos. J. Sensation polka. For solo banjo. No. 4 in “Thomas J. Armstrong’s Popular Banjo Gems.” Philadelphia: S. S. Stewart, 1890. Aronson, Rud. La coquette waltz, op. 15. For solo piano. New York: C. H. Ditson & Co., 1874. Aronson, Rud. Just in time gallop (Zur rechten Zeit), op. 24. For solo piano. [Boston]: Oliver Ditson & Co., 1875. Publication information on printed score covered with pasted slip indicating publication in New York: Edward Aronson, 1875. Aronson, Rudolph. Sweet sixteen waltz, op. 55. For solo piano. New York: Edward Aronson & Co., 1880. 3 U.S. Sheet Music Collection Ruth T. Watanabe Special Collections, Sibley Music Library Sub-Group I, Series 4A Artot, J. Souvenirs de Bellini: fantaisie brillante, op. 4. For solo violin with piano accompaniment. In “Select Violin Solos.” New York: Carl Fischer, 1888. Artus, Alexander. Triumphal march. From the play “Michael Strogoff.” For solo piano. [s.l.: s.n., between 1861 and 1890]. Back cover features advertisement for popular sheet music published by Samuel M. Delano. 2 copies. Artus, Alexander. Triumphal march. From “Michael Strogoff.” For solo piano. Boston: W. H. Sibley & Co., [1870]. 4 U.S. Sheet Music Collection Ruth T. Watanabe Special Collections, Sibley Music Library Sub-Group I, Series 4A Box 135 Ascher, G., arr. Lanigan’s ball: a favorite dance. For solo piano. New York: S. T. Gordon, 1864. Ascher, J. Alice: romance. For solo piano. Philadelphia: Lee & Walker, [between 1872 and 1875]. Ascher, J. Alice: romance. For solo piano. Chicago: National Music Co., [s.d.]. Ascher, J. Alice: romance. For solo piano. In “Oeuvre mosäique.” Philadelphia: Chas. W. A. Trumpler, [between 1866 and 1872]. Ascher, J. Andante de salon: sur le final de la “Lucie de Lammermoor,” op. 27. For solo piano. In “Favorite Piano Works of J. Ascher.” Boston: Oliver Ditson & Co., [between 1864 and 1878]. Ascher, J. Call me thine own (L’éclair nocturne), op. 71. For solo piano. In “Oeuvres pour piano par Ascher.” Baltimore: George Willig & Co., [s.d.]. Ascher, J. La cascade des roses, op. 80. For solo piano. In “Favorite Piano Works of J. Ascher.” Boston: Oliver Ditson & Co., [s.d.]. Ascher, J. Polka sur l’opera “Le Carnaval de Venise” d’Ambroise Thomas. For piano duet. Cleveland: S. Brainard & Co., [s.d.]. Ascher, Joseph. Danse espagnole, op. 24. For solo piano. In “Wm. A. Pond & Co.’s Library of Piano-Forte Music.” New York: Wm. A. Pond & Co., [s.d.]. Ascher, Joseph. Danse espagnole, op. 24. For solo piano. In “Compositions pour Piano.” Chicago: Root & Cady, [s.d.]. Ascher, Joseph. Dozia: mazurka mélodie, op. 23. For solo piano. [s.l.]: G. A. & Co., [between 1861 and 1890]. Missing front cover. Ascher, J. L’éclair: mazurka originale, op. 41. For solo piano. In “Piano-Forte Album.” Boston: Oliver Ditson & Co. Ascher, J. Fanfare militaire. For solo piano. In “European Melodies.” Louisville, KY: D. P. Faulds, [between 1862 and 1864]. Ascher, J. Les fifers de la garde (The fifers of the guard): second polka militaire, op.