Uva-DARE (Digital Academic Repository)

Uva-DARE (Digital Academic Repository)

UvA-DARE (Digital Academic Repository) Poetry and patronage : literary strategies in the poems of Giannantonio Campano de Beer, S.T.M. Publication date 2007 Link to publication Citation for published version (APA): de Beer, S. T. M. (2007). Poetry and patronage : literary strategies in the poems of Giannantonio Campano. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:07 Oct 2021 Poetry and Patronage Literary Strategies in the Poems of Giannantonio Campano Bibliography & Appendices Susanna de Beer Cover illustration: Ms. Urb. Lat. 338, f. 135r (Città del Vaticano, BAV) Printed by F&N Boekservice, Amsterdam © 2007 Susanna de Beer This publication has been made possible by the financial support of the J.E. Jurriaanse Stichting ISBN: 978907867525 9 BIBLIOGRAPHY Abbamonte, G., “Ricerche sul commento inedito di Perotti alle Silvae di Stazio,” Studi Umanistici Piceni 17 (1997), 9-20 Ahl, F., “The Art of Safe Criticism in Greece and Rome,” American Journal of Philology 105 (1984), 174-208 Albanese, G., “Tra Napoli e Roma. Lo scriptorium e la biblioteca dei re d’Aragona,” Roma nel Rinascimento 14 (1997), 73-86 _____ “Tra Napoli e Roma. Storia e cultura del tardo Quattrocento,” Roma nel Rinascimento 15 (1998), 79-87 Albrecht, M. von, A History of Roman Literature. From Livius Andronicus to Boethius. With special regards to its influence on world literature. 2 vols. (Leiden: Brill, 1997) d’Amico, J., Renaissance Humanism in Papal Rome. Humanists and Churchmen on the Eve of the Reformation (Baltimore: Johns Hopkins, 1983) Ammannati-Piccolomini, J., Lettere (1444—1479) Ed. P. Cherubini, 3 vols. (Roma: Ministero per i beni culturali e ambientali, Ufficio centrale per i beni archivistici, 1997) Arnaldi, F. a.o., eds., Poeti Latini del Quattrocento (Milano & Napoli: Ricciardi, 1964) Avesani, R., “Epaeneticorum ad Pium II Pont. Max. libri V,” in Enea Silvio Piccolomini, papa Pio II. Atti del convegno per il quinto centenario della morte e altri scritti, ed. D. Maffei (Siena: Accademia Senese degli Intronati, 1968), 15-97 _____ “Pio II e la lettera del Campano al cardinale Ammannati Piccolomini,” in Nymphilexis, ed. C. Crescentini & M. Palumbo (Roma: Shakespeare and Company 2, 2005), 123-135 Bandini, A.M., Catalogus Codicum Latinorum Bibliothecae Mediceae Laurentianae. 5 vols. (Firenze: Biblioteca Laurenziana, 1774-1778) Barchiesi, A., The Poet and the Prince. Ovid and Augustan Discourse (Berkeley: California UP, 1997) _____ Speaking Volumes. Narrative and Intertext in Ovid and other Latin poets (London: Duckworth, 2001) Battaglia, F., Enea Silvio Piccolomini e Francesco Patrizi. Due politici senesi del Quattrocento (Siena: Istituto communale d'arte e di storia, 1936) Bauer, S., The Censorship and Fortuna of Platina's Lives of the Popes in the Sixteenth Century (Turnhout: Brepols, 2007) Beer, S. de, “Giannantonio Campano (1429-1477). De circulatie en publicatie van zijn poëzie,” in Publiceren: wat is dat? ed. C. Dauven a.o. (Amsterdam: ICG, 2005), 111-23. _____ “The Roman Academy of Pomponio Leto. From an Informal Cultural Network to the Institution of a Religious ‘sodalitas’,” in Reach of the Republic of Letters. Learned and Literary Societies in Early Modern Europe, ed. A. van Dixhoorn & S. Speakman Sutch (Leiden: Brill, 2007). BIBLIOGRAPHY _____ “The Pointierung of Giannantonio Campano’s Epigrams: Theory and Practice,” in The Neo-Latin Epigram. Towards the Definition of a Genre, ed. S. de Beer, K.A.E. Enenkel and D. Rijser (Leuven: Peeters, forthcoming). Bentley, J.H., Politics and Culture in Renaissance Naples (New Jersey: Princeton UP, 1987) Benzi, F., Sisto IV renovator urbis. Architettura a Roma 1471-1484 (Roma: Officina, 1990) Bernetti, G., Saggi e studi sugli scritti di Enea Silvio Piccolomini, Papa Pio II (1405-1464) (Firenze: Tipolitografia S.T.I.A.V., 1971) Biadego, G., Catalogo descrittivo dei manoscritti della Biblioteca communale di Verona (Verona, Biblioteca Communale, 1892) Bianca, C. & P. Casciano, eds., Scrittura, Biblioteche e Stampa a Roma nel Quattrocento. Atti del seminario, 1-2 Giugno 1979 (Città del Vaticano: Scuola vaticana di paleografia diplomatica e archivistica, 1980) Bianca, C., “L’Accademia del Bessarione tra Roma e Urbino,” in Federico di Montefeltro, ed. Cerboni Baiardi, La cultura, 61-80 _____ “La terza edizione moderna dei Commentarii di Pio II,” Roma nel Rinascimento 12 (1995), 5-16 _____ “I poeti del secondo Quattrocento romano,” in Poesia umanistica latina in distici elegiaci. Atti del convegno internazionale, Assisi 1998, ed. G. Catanzaro & F. Santucci (Assisi: Accademia Properziana del Subasio, 1999), 183-198 _____ “I poeti e la dieta di Mantova,” in Il sogno di Pio II e il viaggio da Roma a Mantova, ed. A. Calzona (Firenze: Olschki, 2003), 579-590 Bianchi, R., “Per la Biblioteca di Angelo Colocci,” Rinascimento 30 (1990), 271-82 _____ Intorno a Pio II. Un mercante e tre poeti (Messina: Sicania, 1988) _____ Paolo Spinoso e l’umanesimo romano nel secondo Quattrocento (Roma: Edizioni di Storia e Letteratura, 2004) Bianconi, C. “Il patrono come amicus e come dominus in Marziale,” MAIA 57 (2005), 65- 93 Biemans, J.A.A.M., “Handschrift en Druk in de Nederlanden rond 1500,” in Geschreven en Gedrukt. Boekproductie van handschrift naar druk in de overgang van de Middeleeuwen naar moderne tijd, ed. H.M. Pleij & J. Reynaert (Gent: Academia Press, 2004), 19-46 _____ Het begrijpen van de vorm. Rede uitgesproken bij de aanvaarding van het ambt van bijzonder hoogleraar …, vrijdag 15 april 2005 (Amsterdam: Vossiuspers UvA, 2005) Biondo Flavio, Italy illuminated. Vol. 1. Books I-IV. Ed. by J.A. White (Cambridge MA: Harvard UP, 2005) _____ Rome restored. Ed. by M. Laureys & M. McCuaig (Cambridge MA: Harvard UP, forthcoming) Bisticci, Vespasiano da, Le Vite. Ed. critica con introd. E comm. di A. Greco. 2 vols. (Firenze: Istituto Palazzo Strozzi, 1970) 332 BIBLIOGRAPHY Black, R. Humanism and Education in medieval and Renaissance Italy. Tradition and Innovation in Latin Schools from the twelfth to the fifteenth Century (Cambridge: Cambridge UP, 2001) Blasio, M.G., “Il De Honesta Voluptate et Valitudine di Bartolomeo Platina,” Roma nel Rinascimento 16 (1999), 7-28 Blondin, J.E., “Power made Visible. Pope Sixtus IV as Urbis Restaurator in Quattrocento Rome,” The Catholic Historical Review 90 (2005), 1-25 Blusch, J. “Enea Silvio Piccolomini und Giannantonio Campano. Die unterschiedlichen Darstellungsprinzipien in ihren Türkenreden,” Humanistica Lovaniensia 28 (1979), 78-138 _____ “Zur Rezeption der Germania des Tacitus bei Giannantonio Campano und Enea Silvio Piccolomini,” Humanistica Lovaniensia 32 (1983), 75-106 Boese, H., Die lateinischen Handschriften der Sammlung Hamilton zu Berlin (Wiesbaden: Harrasowitz, 1966) Boissevain, J., “Patronage in Sicily,” Man 1 (1966), 18-33 _____ Friends of Friends. Networks, Manipulators and Coalitions (Oxford: Oxford UP, 1974) Botfield, B., Prefaces to the first Editions of the Greek and Roman Classics and of the Sacred Scriptures. Praefationes et epistolae editionibus principibus auctorum veterum praepositae (London: Bohm, 1861) Bourdieu, P., Outline of a Theory of Practice (Cambridge: Cambridge UP, 1977) Bowditch, P.L., Horace and the Gift Economy of Patronage (Berkeley: California UP, 2001) Braber, H. den, Geven om te krijgen. Literair mecenaat in Nederland tussen 1900 en 1940 (Nijmegen: Vantilt, 2002) Bracke, W., Fare la epistola nella Roma nel Quattrocento (Roma: Roma nel Rinascimento, 1992) Brennan, M., Literary Patronage in the English Renaissance. The Pembroke Family (London: Routledge, 1988) Brezzi, P., ed. Umanesimo a Roma nel Quattrocento. Atti del convegno, New York 1-4 dicembre 1981 (Roma: Istituto di Studi Romani, 1984) Buehler, C.F., The Fifteenth-Century Book. The Scribes. The Printers. The Decorators (Philadelphia: University of Pennsylvania Press, 1960) Burgess, T.C., Epideictic Literature (Chicago: University of Chicago Press, 1902) Burke, P., The Italian Renaissance. Culture and Society in Italy (Cambridge: Polity Press, 1999) Cairns, F., Generic composition in Greek and Roman poetry (Edinburgh: Edinburgh UP, 1972) _____ Sextus Propertius. The Augustan Elegist (Cambridge: Cambridge UP, 2006) Calamari, G., Il confidente di Pio II. Card. Iacopo Ammannati-Piccolomini (1422-1479), 2 vols. (Roma: Augustea, 1932). 333 BIBLIOGRAPHY Campana, A. & P. Medioli Masotti, eds., Bartolomeo Sacchi il Platina. Atti del Convegno (Padova: Antenore, 1986). Campanelli, M., Polemiche e filologia ai primordi della stampa. Le observationes di Domizio Calderini (Roma: Edizioni di Storia e Letteratura, 2002) Canter, H.V., “The Paraklausithyron as a Literary Theme,” The American Journal of Philology 41 (1920), 355-368 Carafa,

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    146 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us