RACES at ASCOT HEH JUNGT; , LOVE

RACES at ASCOT HEH JUNGT; , LOVE

491 .June :20l'c1, l ~J3H . THE S.A. JEWISH CHRONCILE . COLO SEUM- PLAZA ALHAMBRA Union Th~at~e~ (Pty.), Ltd. Matlnees Dail. at 3. ightl at 8 .:1& Hea.o.,on omnwncin~ To-Day ut 3 . nn(l 8 .15. MaUne s Daily at :i. ightly at 8.15. ,.,- Metro-Go'ld\vyn- layer's 1\1 rry !\ilystery <'0. ITSG! Thriller. On of those Popular "T_hin Mail" Storie. Ev ryon can enjoy. BOBBY BREEN WARNER BROS. pres nt Rosal incl ussell-Robert .. lontgomery in his latest and very best rrol Flynn- Basil Rathbone FISHERMAN'S WHARF. and Exciting Cast in David Niven with · .. FAST AND LOOSE. H E.NRY AR:\IETTA and r_.Eo ~ARILLO. in the First National Pictur Boole for FRIDAY Next ... A Tale or Whimsical Humour, Fine Pathos and of imple Folk. THE DAWN PATROL. TEA ,TTE _ fa<'DONALD in (R.K.O. Radio). i arJy Booking Imperative. BROADWAY SERENADE. ROYAL "D1e ~lilne r ton Turf Club. (~Irie.,. Co,.uluut•l Tl•••tr••, Lt,.) Union Theatres {Pty.), Ltd. Continuous Performances, 11 a.m. to 11 p.rn . ightly at 8.15. Friday and Satm·<lay. MICKEY ROONEY - WALI_.ACE BEERY DOROTHY LAMOUR-RAY MILLAND in in Paramounl's All Technicolour Drama, STABLEMA TES. RACES at ASCOT HEH JUNGT; , LOVE. A Metro-Goldwyn-Mayer Picture. ON BEHAJ,Ji' 0 LOC'AI.i C'HAlll'.rU~S. fatinee, 8nturdar at :~ }Mn. Action! Thrill;:;! Music! GENE A TRY in Commencing Ionday. YODEl.ilN' IUD FROM PIN~J nmcm. SATURDAY. 24th JUNE. JEANETTE MacDONALD - NELSON EDDY Also Episod 9: '.rhe Yigilants are oming. in :\londay, ·Tnesda;r aD<l \\'ednesday. SWEETHEARTS. fi1JRS'l' RA E, 1.55 p.m. MOISHF, OYSHER (th Jewish Caruso) in A Metro-Goldwyn-Mayer Pictur THI<~ CA .. TOR'S 80 ~ '. Train.: 11.9; 12.47; 12.5 nnd 1.16. JewiHh Die logu - lDnglish Titl H. Plans Op n Daily from 9 to 6. The farewell concert was even more Rosalind Russell arc two light-hearted Two Great on erts by brilliant. he programme was compl tely amateur d tectives who solve the mystery satisfying and the subtle playing of th~ which keeps you guc sing until the end of Arth ubin tein. great pianist in conjunction with the Cape the film. Town Orche tr.a provided a musical treat Commen ·ing next Friday " Broadway eldom before equalled here. The two crenade" is the Plaza's next attraction. Arthur Rubin tein delightl:d Cape oncerto's. Beethoven's Concerto No. 4 Jeanette MacDunaid, who ha been re ­ Town music lovers with his brilliant play­ in G Major, and Tschaikowski' Con - sponsible for some of the grandest successes ing at two very well attended concert certo in B Flat, were presented with an in the history of the screen, excels herself held at the Alhambra Theatre on Thurs­ expressive power and profundity of under- in this picture in which her magnificent day, 15th Jun~. and Monday 19th in t. tanding that held the enormous audience voice is given every scope. The programmes were exceedmgl y interest­ spell-bound with enjoyment. The Orches­ ----·---- ing and stimulating and the genius of the tra, conducted by Geoffrey Miller, evinced artist was in evidence Jt both perform­ their delight in the soloist's performance, ROYAL ances. in their gentle accompaniment. At the first concert Rubinstein devoted In the latter part of the programme A new Jeanette MacDonald and Nelson the first part of the programme to the Rubinstein reverted to pieces for piano Eddy and a new warmth, colour and favourite clas ics: Beethoven' Sonata alone and played to perfection Caesar comedy spirit in musicals makes itself Appasionata Op 5 7 and a group of Franck's magnificent Prelude, Chorale and manifest in "Sweethearts," fifth co-starring Chopin-Two Etudes, Two Preludes. Op. Fugue, Prokofieff's vigorous March. and musical of the famous singing team which 25, Valse, A Flat and Scherzo. C. Sharp Albeniz's graceful Triana. Encores were opens on Monday at the Royal Theatre. Minor. Here was di played his warmth demanded and Rubinstein further satisfied ----e---- of temperament. vitality and intellectual his audience with Chopin's Scherzo in comprehension to the full . B Flat Minor, Chopin's Waltz in A Flat COLOSSEUM. and a charming piece of Ravel. In the second part of the programme, Rubinstein's concerts in Cape Town Rub:nstein gave a number of modern com­ will long be remembered and it is hoped .''The Dawn Patrol." Warner's new posers in widely varying motifs. Stravin­ that the artist will soon return to the aviation story, showing at the Colosseum sky's "Petrouchka," a work dedicated to sub-continent c;n another concert tour. Theatre, is a full-bodied action drama-­ Arthur Rubinstein, with its three move­ it marks the return of Errol Flynn to the ments: (a) Russian Dance, (b) Petrouchka ----·---- adventurous type of role which made him in his room, and (c) Russian Carnival famous. displayed the artist's fine technique in a PLAZA. In addition to Flynn and David Niven, performance of artistic brilliance. With the remarkable all male cast assembled by delightful exuberance he brought the pro­ Presented on ''Thin Man'' story lines, Warner Bros. includes Basil Rathbone, gramme to a close with Granados' " La "Fast and Loose'' now showing at the Donald Crisp, Melville Cooper, Barry Maja y el Rui enor,' " Navarra" by Alber­ Plaza is a clever, witty, murder mystery Fitzgerahl. Carl Esmond, Peter Willes, niz and Liszt's two pieces Funeral and entertainment that cannot fail to please Morton Lowry James Burke and Michael Rhapsody XII. most filmgoers. Robert Montgomery and Brooke (the Earl of Warwick). IN EVERY HOME NO FINER WHISKY GOES INTO AN Y BO TTL E .

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    1 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us