Chapter Title: List of Figures Book Title: Climbing the Charts Book Subtitle: What Radio Airplay Tells Us About the Diffusion Of

Chapter Title: List of Figures Book Title: Climbing the Charts Book Subtitle: What Radio Airplay Tells Us About the Diffusion Of

Chapter Title: List of Figures Book Title: Climbing the Charts Book Subtitle: What Radio Airplay Tells Us about the Diffusion of Innovation Book Author(s): Gabriel Rossman Published by: Princeton University Press. (2012) Stable URL: http://www.jstor.org/stable/j.ctt7t9dj.3 JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Princeton University Press is collaborating with JSTOR to digitize, preserve and extend access to Climbing the Charts This content downloaded from 137.110.167.119 on Fri, 02 Dec 2016 21:53:47 UTC All use subject to http://about.jstor.org/terms April 12, 2012 Time: 07:27pm fm.tex FIGURES 1.1 The Two Ideal Diffusion Curves 3 1.2 The Hirsch Gatekeeping Model 6 2.1 Diffusion Curve for “Umbrella’’ by Rihanna on Top 40 Stations 12 2.2 Diffusion Curves for Singles on the Rihanna Album Good Girl Gone Bad on Top 40 Stations 13 2.3 Hazards for Singles on the Rihanna Album Good Girl Gone Bad on Top 40 Stations 14 2.4 Illustration of the Corporate “Single Playlist’’ Hypothesis 17 2.5 Diffusion Curves for “Umbrella’’ by Rihanna for Top 40 Stations Owned by Various Chains 18 2.6 Distribution of Song Adoption Time Clustering by Corporate Owner 20 3.1 Stories on “Payola’’ and “Radio’’ in the New York Times 25 3.2 Exogenous Diffusion Coefficient by Quarter 37 4.1 Distribution of Nominations for Top 40 Stations 49 4.2 Social Network of Top 40 Stations 50 4.3 Typical Adoption Time as a Function of Nominations for Top 40 Stations 52 4.4 Diffusion Curves for Singles on the Black Eyed Peas Album Monkey Business on Top 40 Stations 54 4.5 Top 40 Stations in Social Network Space with Filled Dots for Those Having Played “My Humps’’ 57 5.1 Daily Spins of Dixie Chicks Songs on Country Stations 60 5.2 Daily Spins of Dixie Chicks Songs on Country Stations by Chain 62 This content downloaded from 137.110.167.119 on Fri, 02 Dec 2016 21:53:47 UTC All use subject to http://about.jstor.org/terms April 12, 2012 Time: 07:27pm fm.tex LIST OF FIGURES 5.3 Daily Spins of Dixie Chicks Songs on Country Stations by 2000 Presidential Vote 66 5.4 Daily Spins of Dixie Chicks Songs by Station Format 69 6.1 Diffusion Curve for “Love Song’’ by Sara Bareilles in AAA, Hot AC, Mainstream AC, and Top 40 Radio 78 6.2 Diffusion Curve for “Oye Mi Canto’’ by N.O.R.E., Nina Sky, and Daddy Yankee 82 6.3 Growth in Reggaetón Airplay (with Bootstrapped Confidence Intervals), 2004–2005 84 6.4 Trade Advertisement for the Sí TV Cable Channel 87 6.5 Diffusion Curve for “Rompe’’ by Daddy Yankee on Latin and Hip-Hop Radio 89 B.1 Diffusion Curves for Singles on the Rihanna Album Good Girl Gone Bad on Top 40 Stations with Varying Definitions of an “Add’’ 128 B.2 Top 40 Stations in Social Network Space with Filled Dots for Those Playing “My Humps’’ at Least Five Times in the Stated Week 129 viii This content downloaded from 137.110.167.119 on Fri, 02 Dec 2016 21:53:47 UTC All use subject to http://about.jstor.org/terms.

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