ORIGINAL ARTWORKS: CAN DO: Photographs and other Set of orginal artworks commissioned 1 2 3 4 5 6 material from the Women’s Art 1 2 3 4 5 by the Women’s Art Magazine under Library Magazine Archive the editorship of Sally Townsend to appear on the covers of 6 9 13 1. Sandra Blow, Christmas 93, 1993, 22 x 18.5 cm (Magazine 8 11 12 No. 55) issues 55 to 61 (excluding the special LIST OF WORKS 10 19 2. Virginia Ryan Izzo, Sarajevo drawing, 1993, 22.5 x 19 cm photography issure 59 whose cover 7 (Magazine No. 56) 3. Eileen Cooper, Storyteller, 1994, 22 x 18.5 cm (Magazine featured the work of Cindy Sherman). 15 No. 57) 16 20 4. Rose Gerrard, Reconstructing the “Man”-Stream: See 14 17 18 Paradise, 1994, 22 x 18.5 cm (Magazine No. 58) PANEL 1: PROTEST 5. Chila Burman, Untitled, 22 x 18.5 cm (Magazine No. 60) 6. Jenny Saville in collaboration with Glen Luchford, Untitled, 22 x 18.5 cm (Magazine No. 61) 1. Loraine Leeson and Peter Dunn, What’s Going On 3, 1982. 9. Lorna Green, Water, Earth into Growth, 1988, sculpture, Docklands Community Poster Project. Third image of the first green bottles. Exhibition: Islington Green, London. sequence of photo-murals exploring issues surrounding the 10. Roxane Permar, Extraction, 1991, installation (detail): re-development of the London Docklands from the viewpoint Brixton Art Gallery, London. of local communities. 11. Gabriella Miller, Power of Powerlessness, no date, tapestry. 2. Joyce Agee, Balloons, Primrose Hill Fair, 1980. Exhibition: 12. Terri Bullen, Untitled, no date, quilt, VITRINE 1: PAGE LAYOUTS Women’s Image of Men, ICA, London. 13. Nancy Spero, Notes on Time, Part II, 1990. Installation: Selection of page layouts for No. 13 3. Mary Ellen Mark, Unidentified: Women Unite for People’s Four Cities Project, Television South West and South West Arts of the Women’s Artists Slide Library Power, no date. (TSWA), Derry, Northern Ireland. 4. Alison Marchant, Close to Home, 1987, photograph. 14. Francis Young, Sampler, embroidery, 1819. Exhibition: Journal, 1986. 5. Island Women Working on Wall Hanging (Isle of Dogs), The Subversion Stitch, The Whitworth Art Gallery, Manchester. 1988. Exhibition: Identity: An exhibition from an open sub- 15. Beryl Graham, diptych, detail ,1988, photograph and mission by 60 girls and women living or working in the London stitch. Exhibition: The Subversive Stitch, The Whitworth Art Borough of Tower Hamlets, Chisenhale Gallery, London. Gallery, Manchester. 6.Loraine Leeson and Peter Dunn, Docklands Development, 16. Hannah Bennett Lee, Greenham Common, no date. 1981 – 1990: Docklands Community Poster Project, London. 17. Hannah Bennett Lee, Greenham Common. 7. Susan Montford, Washing and Washing Away the Pain, 18. Hannah Bennett Lee, Greenham Common. 1990, voice, text, projection and construction. Installation: 19. Pamela Bosanquet, Black South American Woman, 1985, Herstories of Glasgow Women’s Aid, August 1990. etching. 8. Catherine Tate, When I’m not lying in cars, I’m a brain sur- 20. Hannah Bennett Lee, Greenham Common, no date. VITRINE 2: geon, 1985, graffiti. ARCHIVAL SELECTION BY 1 2 3 ALTHEA GREENAN PANEL 2: PERFORMANCE 4 10 8 5 1. Christa Biedermann, Dame/Aufsteigen vor und hinter der 11 10 7 6 kamera, [Lady/Stepping Up in Front of and Behind the Cam- 3 1 2 6 10 era], 1985. 7 8 2. Muriel Magenta, Coiffure Carnival, 1990, video – colour, 4 sound, single frame. 11 13 3. Laurie Anderson, United States, 1979-83, performance. 9 10 5 12 4. Laurie Anderson, United States, 1979-83. 14 1. Unpublished articles, proposals & drafts for the Women’s Art 5. Laurie Anderson, United States, 1979-83. 6. Jayne Parker, The Pool, 1991, 16mm film, single frame. 17 18 19 20 21 Magazine/MAKE 16 2. Press release sent to MAKE from DOO-COT for their 10 year 7. Annie Sprinkle and Maria Beatty, Annie-Mated, 1993. The 15 anniversary and launch of a new website (with fortune cookie Sluts And Goddesses Video Workshop Or How To Be A Sex 23 24 25 26 and wristband) Goddess, Cinematheque, Bad Girls exhibition, ICA, London. 22 3. MAKE no. 87, March-May 2000, with ephemera from 8. Susan Hiller, Out of Bounds, 1983. Installation: ICA, Lon- Exhibition Parlour presented in paper bag don. 4. Invitation to private view sent to MAKE for Daniella Clayton 9. Fran Cottell and Jan Hawarth, Passing Through, 1987, per- 16. Sutapa Biswas, Synapse II, 1991, photograph. Exhibition: exhibition, Spitz Gallery, August-September 2000 formance: lights, cloth, distress/signalling flares, rowing boats, Synapse, Leeds City Art Gallery, Leeds. 5. Invitate to private view sent to the Women’s Art Magazine florescent fishing floats, slide projection, nets, mirrors, hand 17. Angeles Marco, Serie Suplemento, 1993, performance: for exhibition Looking for Sheba, The Pavillion, July 1990 torches, music composed for the event, misc. props. Photo by iron and negatives. 6. Press Release sent to MAKE, Modern Artists: The Series, Claire Dove. 18. Ans Swart, Sound Painting,1986 – 87, performance. Sarah Lucas, Tate, 2002 10. Francoise Sergy, Self-Portrait from The Rebelonging, 1991, 19. Ans Swart, Sound Painting, 1986 – 87, performance. 7. Fanny Adams Award for The Women’s Art Magazine, 1992 performance/live art. 20. Ans Swart, Sound Painting, 1986 – 87, performance. 8. Edible press release from 54 The Gallery, Shepherd Market, 11. Shirley Cameron and Evelyn Silver, Silver and Gold, circa 21. Ans Swart, Sound Painting, 1986 – 87, performance. May 13 2002 1991. Performance: Tate Gallery, London. 22. Susan Taylor, Play with Freedom. no date. 9. Invitation to private view for exhibition DARK INTO LIGHT, 12. Sara Facio, Crossing of Cultures: 4 Women in Argentina, 23. Rosa Sanchez and Konic Theatre, Natura Morta, 1991: The Central Space, London, June-July 1992 SLIDE PROJECTOR: 1930 – 1970: Fotofest, Brown Convention Centre, Houston. Serpentine Gallery, London. 10. Material submitted for the back cover of a publication 13. Bobby Baker, Cooks Dems, 1990, performance. Photo by 24. Tina Keane, The Diver, 1987 – 90, live performance, photo 11. Form letter used until 1996 The Women’s Art Library Slide Pack, Andrew Whittuck. by Peter Barker. a selection of 20 slides used as a 14. Tansy Spinks, Untitled, 1992. Exhibition: F-Stop Photogra- 25. Tina Keane, The Diver, 1988. Performance: Ironmonger phy. Row Swimming Pool, London. teaching aid, curated by Althea 15. Chila Kumari Burman, Wild Woman Beyond Two Cultures, 26. Tower Hamlets Women’s Art Festival, 1986: London, pho- Greenan. 1993. Exhibition: Transition of Riches, Birmingham City Muse- to by Shirley Read. um & Art Gallery, Birmingham. PANEL 3: PORTRAIT PANEL 5: THE BODY 2 3 4 1 5 2 3 4 5 1 7 9 10 11 6 9 10 15 7 8 8 6 17 19 14 12 13 16 13 15 16 14 18 11 12 18 17 19 1. Bridget Riley in her studio, 1992. Photo by Bill Warhurst. 10. Mary Kelly, Photo of Mary Kelly producing ‘Interim’, 1984- 2. Sonia Boyce, Talking Presence, 1988, mixed media on 89. paper. Exhibition: Imaging Women. 11. Rita Keegan in her studio in Gunnersbury Mansion, 1987. 1. Dorothy Cross, Dish Cover, 1993, silver plated Victorian 10. Ludmila Seefried Matejkova, Mirror, 1979, wood, polyes- 3. Suzanne Treister with the Bath Contemporary Art Fair [Painting Hommage to Frida Kahlo] dish cover and cow’s udder. Exhibition: Bad Girls, ICA, London. ter, metal. Photo by P. Barrie. Image ‘Three Video Games’, 1989. 12. Wilma Eaton, Wilma Eaton Sculpting in Cammell Coal for 2. Kiki Smith, Untitled (Hanging Woman), 1992, papi- 11. Obioma Ahuruonye, colour photograph, no title, no date. 4. Jamoula Mc Kean, In Search of Self, 1994. Exhibition: Scottish Trade Union Congress Commission, 1997. er-mâché, ink. Exhibition: Anthony d’Offay Gallery, London. 12. Eugenia Vargas, Aperto, 1993. Performance: Esposizione Photofusion Gallery,London. 13. Rachel Whiteread creating Ghost, 1990. 3. Annette Messager, Histoires Des Robes, 1990, dress and Internazionale D’Arte, Venice. 5. Rita Keegan, Rise Sally Rise, no date, colour photo mon- 14. Liliane Lijn, Dragon’s Dance, 1994, cast bronze. Site: photographs. 13. Ursula Bayer, no title, circa 1984, painting, oil on paper. tage. Culverhouse, Cardiff. 4. Melanie Manchot, Installation, 1993. Exhibition: Photofusion 14. Lois Williams, Objects and Ashes, 1995, wool, mixed me- 6. Race Representation Panel, 1986. Black Visual Artists 15. Dorothy Cross, Portrait of the artist with sculpture, no Gallery, London. dia, wax. Forum, ICA, London, 25 – 26 Oct 1986. Photo by Rhona Har- date. Exhibition: Women Artists Diary. 5. Claire Collison, Untitled, 1996, photograph. Self-Portrait 15. Michelle Deignan, Worship, 1993. Exhibition: The Hugh riette. Left to right: Semeena Khanum, Devdan Sen, Maxine 16. Jo Spence with ‘Matters of Concern’, collaborative images exhibition, Women’s Art Slide Library, London. Lane Municipal Gallery of Modern Art, Dublin. Walker, Brenda Agard, David A. Bailey. with Rosy Martin, 1982 -1992. Photo by Tracy Jackson. 6. Kit Anderson, from Birth-Days, 1989-91, performance/live 16. Pauline Cummins and Louise Walsh, Sounding Depths, 7. Alexis Hunter, Portrait of the Artist in her Studio, 1987. 17. Fiona Rae in her studio, 1991. Photograph taken at the art. 1992, collaborative installation: video and photographs. Instal- Photo by Chris Dorley-Brom. time of the Turner Prize exhibition at Tate Britain, London in 7. Hannah Bennett Lee, black and white photograph, no title, lation: Irish Museum of Modern Art, Dublin. 8. Carolee Schneemann, Cat Scan, 1985, Exhibition: Edge, 1991 when Rae was shortlisted. no date. 17. Linda Wilson Green, Self Portrait in a Found Body, 1987, 1988. 18. Niki de Saint-Phalle, Artist with Cecil, 1964. 8. Kit Anderson, Vessel, from Birth-days, 1990, performance/ photograph. 9. Alexis Hunter, Identity Crisis, 1974, Exhibition: Towards a 19. Portrait of Laura Godfrey Isaacs.