Koplewicz, Neidich & Clinton

Koplewicz, Neidich & Clinton

www.EDUCATIONUPDATE.com AwardAward Volume XIII, No. 5 • New York City • January 2008 Winner FOR PARENTS, EDUCATORS & STUDENTS KOPLEWICZ, NEIDICH & CLINTON PRESORTED STANDARD THE EDUCATION U.S. POSTAGE UPDATE PAID ADVOCATES FOR SPECIAL EDUCATION EDUCATION UPDATE ■ FOR PARENTS, EDUCATORS & STUDENTS ■ JANUARY 2008 GUEST EDITORIAL THE DEAN’S COLUMN Physician, Heal Thyself! THE BEAUTIFUL MAGIC SQUARE BY SCOTT NOPPE-BRANDON neering, and mathematics) within By DR. ALFRED S. POSAMENTIER •The center 2 by 2 square has a Ah, the golden days—the 50s, our nations schools. In the spirit of the season, we offer you some sum of 34. the 60s, even the early 70s—when Hmmm—where are the arts recreation in mathematics. This should serve to 10 + 11 + 6 + 7 = 34 the arts were firmly ensconced in then, and why am I not just motivate the uninitiated to this beautiful subject! •The sum of the numbers in the the curriculum of public schools enthusiastic but extremely There are entire books written about magic diagonal cells equals the sum of across our nation. It was all so hopeful about the role of the squares* of all kinds. There is one magic square, the numbers in the cells not in the diagonals. much better then, wasn’t it? arts within education? Because however, that stands out from the rest for its 16+10+7+1+4+6+11+13 = Perhaps it is because, as another if you add up all of the above, origin and the many properties it has beyond 3+2+8+12+14+15+9+5 = 68 year winds down, I grow impa- it is clear that we need creative those required for a square matrix of numbers •The sum of the squares of the numbers in the tient with mooning over the past; and imaginative people in the to be considered “magic.” This magic square diagonal cells equals the sum of the squares of perhaps it is because of Allan workforce. Not just a few in even comes to us through art, and not through the numbers not in the diagonal cells. Kozinn’s Christmas Day article the best jobs, but in the jobs the usual mathematical channels. It is depicted 162+102+72+12+42+62+112+132= in The New York Times, which across the economic spectrum. in the background of the famous engraving 32+22+82+122+142+152+92+52=748 pleads for a renewal of arts in I fully subscribe to the notion produced in 1514 by the renowned German art- •The sum of the cubes of the numbers in the education, and briefly mentions that imagination, creativity, ist Albrecht Dürer (1471–1528), who lived in diagonal cells equals the sum of the cubes of the Lincoln Center Institute as one and innovation must be seen as Nürnberg, Germany. numbers not in the diagonal cells. of the organizations doing good essential and basic aspects of 163+103+73+13+43+63+113+133= work in this sphere—but I feel like shouting: the architecture of American society in the cur- 33+23+83+123+143+153+93+53=9,248 “Let’s get it together, already!” rent century. Even the 9/11 Commission, under •The sum of the squares of the numbers in the Yesterday will never be again, but we have all the chapter “Institutionalizing Imagination,” diagonal cells equals the sum of the squares of the the makings of a bright new era in our hands, called for making imagination a skill in the numbers in the first and third rows. and surely this is more exciting than repackaging service of the nation by claiming that it must be 162+102+72+12+42+62+112+132= what once was. At no other time in American routinized, even bureaucratized. Can there be a 162+32+22+132+92+62+72+122=748 history has education experienced the concern, better reality check? •The sum of the squares of the numbers in the ideas, and influence of so many divisions of With all this in mind, allow me to state unequiv- diagonal cells equals the sum of the squares of the our society beyond education itself, including ocally: the progress of our society depends on numbers in the second and fourth rows. politics, economy, and industry. No state of imagination being nurtured as a skill in the class- 162+102+72+12+42+62+112+132= the union—good or bad—throughout the 20th rooms, and the access to the imagination is not 52+102+112+82+42+152+142+12=748 century and into this one has created the present possible if we marginalize the arts. Simple and •The sum of the squares of the numbers in the conditions, in which a dramatic and complete true. The marginalization must not happen and it diagonal cells equals the sum of the squares of the rethinking of the basic values that frame our edu- certainly will not happen if we in the arts make numbers in the first and third columns. cational discussion is both needed and possible. sure that our work is relevant, even essential, to 162+102+72+12+42+62+112+132= And that includes, perhaps for the first time in the educational needs of today. By that I mean 162+52+92+42+22+112+72+142=748 any real way, the role of the arts. that our focus must be the student, not the cultural The sum of the squares of the numbers in the It is a quaint legend that in those good old days institutions, the unions, or the elected officials. If diagonal cells equals the sum of the squares of the everyone loved how the arts were taught in the it is a fact that the students are the future, then numbers in the second and fourth columns. schools. During my 20 years at Lincoln Center surely education must be instrumental in the 162+102+72+12+42+62+112+132= Institute, countless business leaders, elected offi- building of that future if it is to be a part of it. 32+102+62+152+132+82+122+12=748 cials, and philanthropists have confided, in an What can be done to make the arts part of educa- •Notice the following beautiful symmetries: informal moment and with a sheepish grin, “you tion, relevant and productive? First, dispense with 2 + 8 + 9 + 15 = 3 + 5 + 12 + 14 = 34 know, I hated being forced to play an instrument. short-term feel-good work and audience develop- 22+82+92+152=32+52+122+142=374 Gosh, I stunk at it!” Yet it is true—and extremely ment dressed as education: make the work truly 23+83+93+153=33+53+123+143=4624 important—that the arts became a major part of educational and clearly understandable to all. We •The sum of each adjacent upper and lower the lives of these same men and women. In other must define its educational and philosophical A magic square is a square matrix of num- pair of numbers (vertically) produces a pleasing words, teaching a student to play an instrument roots just as every other subject in education is bers, where the sum of the numbers in each of symmetry: is one thing (no, Lincoln Center Institute does required to be. TERC math, Whole Language, its columns, rows, and diagonals is the same. 16+5 = 1 3+10 = 13 2+11= 13 13+8 = 1 not do that); teaching all students, not just those Phonics, Lucy Caulkins, multiple intelligences, Just for practice, you might have your stu- 9+4 = 13 6+15 = 1 7+14= 1 12+1 = 13 who are already interested in the arts, that dance, backward mapping—all of these and other edu- dents try to construct a 3 by 3 magic square. music, theater, painting, and all other art forms cational methods have a stated mission that both Here is the solution (for your convenience). •The sum of each adjacent upper and lower pair open unsuspected doors to a life well lived, is explains and defends its structure. Only in the 4 9 of numbers (horizontally) produces a pleasing another: and yes, Lincoln Center Institute does arts do we—schools, policy makers, cultural 3 5 7 symmetry: do that. That is why I feel such excitement for organizations, etc.—believe it is sufficient to just 8 1 6 16+3 = 19 2+13 = 15 the chance that the arts will finally be recognized do it. We are not a field or a profession. We do not You might then ask them to construct a 4 by 4 5+10 = 15 11+8 = 19 for their vital role within our lives, be it in school build on the work of others. So arts group after magic square**. After they have had ample time 9+ 6 = 15 7+12 = 19 or out of school. arts group has a contract to provide “services” to to try to construct this magic square, begin the 4+15 = 19 14+1 = 15 We are witnessing a unique convergence of the schools. It is not good enough to be a service discussion of the Dürer square. Most of Dürer’s factors that can make this come true. The single provider; we must be educational partners and works were signed by him with his initials, one Can your students find some other patterns in greatest transition of teaching and administrative concept definers, so that the partnership can truly over the other with the year in which the work this beautiful magic square? The hunt will surely staff in education within the past 50 years, and be a joined arts-and-education effort.

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