Power of the Gods

Power of the Gods

Power of the Gods By Jeffrey Smart Performance Rights It is an infringement of the federal copyright law to copy or reproduce this script in any manner or to perform this play without royalty payment. All rights are controlled by Eldridge Publishing Co., Inc. Call the publisher for additional scripts and further licensing information. The authors’ name must appear on all programs and advertising with the notice: “Produced by special arrangement with Eldridge Publishing Company.” PUBLISHED BY ELDRIDGE PUBLISHING COMPANY www.histage.com © 1997 by Jeffrey Smart Download your complete script from Eldridge Publishing http://www.histage.com/playdetails.asp?PID=121 Power of the Gods -2- STORY OF THE PLAY Ashley, a novice dryad, or tree sprite, makes her first visit to Mt. Olympus to meet the powerful pantheon of gods and goddesses of Ancient Greece. She is overwhelmed by the way the Great Olympians live and the power that they wield, and wants to grab a little of the glory for herself. She becomes friends with Persephone, the maiden of spring, who is running away from her brooding husband, Hades. Together the women set off on an ambitious odyssey to steal Zeus’ lightning bolts, Poseidon’s trident, and Hades’ helmet of invisibility and take over Mt. Olympus! They are pursued by the vengeful goddess, Hera, and eventually learn an important lesson about the balance of power. Power of the Gods -3- CAST OF CHARACTERS (4 m, 6 w, many extras) OLYMPIANS ARTEMIS: A goddess of three forms: the hunt (Artemis); the moon (Selene) and of mystery (Hecate). ASHLEY: A dryad. HESTIA: Goddess of the Hearth. ZEUS: God of Thunder. POSEIDON: God of the Ocean. HADES: God of the Underworld. HERA: Goddess of Marriage. HERMES: Messenger of the Gods. PERSEPHONE: Maiden of Spring. OLIVE: Another dryad. LESSER GODS (any number) WOMEN MAENADS DRYADS OREADS NAIADS MEN DACTYLS CORYBANTS TRITONS 4 FEMALE DANCERS (non-speaking) DANAE, EUROPA, LO, and LEDA EXTRAS: Other gods and goddesses may be represented by their appropriate props and serve as background in the crowd scenes (i.e. Apollo, a sun crest or lyre; Athena, an owl and a helmet; Ares a sword and shield; Demeter, a cornucopia or sheaf of wheat.) Power of the Gods -4- SYNOPSIS OF SCENES ACT I Scene 1: The Great Hall of Olympus Scene 2: The Underworld Scene 3: The Sacred Grove Scene 4: Zeus’ bedchamber on Olympus Scene 5: The Sacred Grove Scene 6: Under the sea Scene 7: Upon a shore ACT II Scene 1: The Sacred Grove Scene 2: The Hall of Wonders in the Underworld Scene 3: The Great Hall of Olympus SETTING The basic setting consists of heavily pleated curtains, layered on top of one another at stately angles. In front of them are a few classical columns, some standing, some fallen over. Large doors are on each side. Thrones and other furniture may be brought on as needed. On the curtains are projected appropriate gobos: clouds for Olympus, leaves for the Sacred Grove, etc. Power of the Gods -5- PROPS ZEUS: Thunderbolts. POSEIDON: Flower that squirts water, trident, big flippers. HESTIA: Trays and goblets, nectar and ambrosia. ARTEMIS: Bow and arrows, large crescent moon, lantern, long cloak with hood, knife. HERMES: Several scrolls (one of pink parchment), small casket with golden rose and diamond pendant necklace. OREADS and TRITONS: Bathing caps, swim fins, snorkles. HALL OF WONDERS: Helmet, golden lyre. COSTUMES In general, the characters all wear togas or long tunics of varying lengths (longer for the older gods, shorter for Ashley and the younger demi-gods). Color can be used to separate the groups, or they might simply wear jeans and T-shirts printed with Dryad, Oread, Triton etc. ... with a toga slung over one shoulder. Additional pieces, like Hermes’ sandals and winged helmet, can further delineate characters. These items could be traditional, or modern such as sneakers and a ball cap with wings attached. Poseiden wears jams and a Hawaiian print shirt under his toga, as well as flippers. Hera can have an optional terry cloth toga and towel turban for after she gets drenched. Above all, the costumes should be fun and can be as anachronistic as you can imagine. Power of the Gods -6- ACT I Scene 1 (AT RISE: The Great Hall of Olympus. Three great thrones dominate a dais. ARTEMIS enters trying to control the CROWD behind her.) ARTEMIS: All right, could I have the naiads, the oreads, the maenads, the dryads please stay in your groups. Dactyls, demi-gods, corybants, tritons, could you catch up, please? (GROUPS move appropriately.) Thank you. All right, here we are in the Great Hall of Mt. Olympus. It is here that the twelve Olympians live and love. It’s not every day we lesser deities get to peek inside. Now - are there any question so far? (Silence.) Good. (SHE is about to move on when ASHLEY interrupts.) ASHLEY: Yeah, I have a question. What are these chairs? ARTEMIS: Don’t touch those! Those are the thrones of the Great Olympians. ASHLEY: Which one’s yours? ARTEMIS: Well, I’m second generation. I just sit on the dais. Don’t sit there! ASHLEY: Gee, I thought when you got to be a Great Olympian you at least got a chair. (HESTIA, a plump, motherly goddess, enters.) HESTIA: What’s all the noise? ARTEMIS: Oh! Uh, everyone, this is one of the Great Olympians, Hestia, goddess of the hearth. (Applause.) HESTIA: Oh, stop, stop. Artemis, aren’t you going to introduce them to me? (ARTEMIS looks at THEM all, then at HESTIA, who laughs.) You’re the new gods, aren’t you? ASHLEY: The lesser spirits of the earth, ma’am. HESTIA: Oh, pish-tush. A god is a god. We all have pretty much the same power. Just different ... specialties. Where are the maenads and corybants? (Hands up.) Power of the Gods -7- HESTIA: (Continued.) Lovely. Could you help me with the nectar and ambrosia? The gods are coming and I know how you love to serve! (Buzz: The gods are coming!) ARTEMIS: The gods are coming? HESTIA: (Exiting.) Petition day! (SHE EXITS with some of the CHORUS.) ARTEMIS: All right, everyone, please, move to the back of the Great Hall. Move to the back of the Great Hall. ASHLEY: Why? ARTEMIS: Why? What is your name? ASHLEY: I’m Ashley. I’m a dryad. I’m the spirit of the ash trees. ARTEMIS: Have you ever seen what one of my silver arrows does to an ash tree? ASHLEY: No. ARTEMIS: You don’t want to. Move to the back of the hall. (The Great Olympians, ZEUS, POSEIDON, HADES, HERA, PERSEPHONE and OTHERS, ENTER. UNNAMED GODS should be recognizable by their symbols of power. Zeus stops to talk to one of the more attractive new goddesses.) ZEUS: Hi, there. I’m Zeus, king of the gods. (NEW GODDESS drops her jaw and says nothing.) Trying to catch a few flies? HERA: (Noticing ZEUS’ absence crosses over to him, grabbing him firmly by the arm.) Really! (SHE gives a withering look to the NEW GODDESS as the procession continues to the dais. ZEUS, POSEIDON, and HADES settle into their thrones while the OTHER GREAT GODS stand or sit around the dais.) ZEUS: Hermes! Bring us the petitions of the mortals. HERMES: (Runs in and stops, a little out of breath.) Here you are, my lord. (HE hands petitions to ZEUS.) ZEUS: Thank you. We shall now read the petitions of the mortals and grant them our favor - or not - as we see fit. End of Freeview Download your complete script from Eldridge Publishing http://www.histage.com/playdetails.asp?PID=121 Eldridge Publishing, a leading drama play publisher since 1906, offers more than a thousand full-length plays, one-act plays, melodramas, holiday plays, religious plays, children's theatre plays and musicals of all kinds. For more than a hundred years, our family-owned business has had the privilege of publishing some of the finest playwrights, allowing their work to come alive on stages worldwide. We look forward to being a part of your next theatrical production. Eldridge Publishing... for the start of your theatre experience!.

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