
<p><strong>All Strings Considered </strong><br><strong>A Subjective List of Classical Works & Recordings </strong><br><strong>All Recordings are available from the Lake Oswego Public Library </strong></p><p>These are my faves, your mileage may vary. Bill Baars, Director </p><p></p><ul style="display: flex;"><li style="flex:1"><strong>Composer / Title </strong></li><li style="flex:1"><strong>Performer(s) </strong></li><li style="flex:1"><strong>Comments </strong></li></ul><p></p><p><strong>Middle Ages and Renaissance </strong>Sequentia </p><p>HILDEGARD OF BINGEN Antiphons <br>We carry a lot of plainsong and chant; recordings by the Anonymous 4 are also highly recommended. <br>Various, Renaissance vocal and instrumental collections. <br>King’s Consort, Folger Consort </p><ul style="display: flex;"><li style="flex:1">or </li><li style="flex:1">Baltimore </li></ul><p>Consort </p><p><strong>Baroque Era </strong></p><p>VIVALDI </p><p><em>The Four Seasons </em></p><p>Biondi/Europa Galante or Loveday/Marriner. <br>Vivaldi wrote several hundred concerti; try the concerti for multiple instruments, and the Mandolin concerti. Also, Corelli's op. 6 and Tartini (my fave is his op.96). <br>HANDEL </p><p><em>Messiah </em></p><p>Asch/Scholars Baroque Ensemble, Shaw/Atlanta Symphony Orch. or Jacobs/Freiberg Baroque orch. <br>For more Baroque vocal, Bach’s cantatas - start with 80 & 140, and his Bach B Minor Mass with John Gardiner conducting. And for </p><p>fun, Bach's “Coffee” cantata. </p><p>HANDEL </p><p><em>Water Music Suites </em></p><p>Lamon/Tafelmusik </p><p>For an encore, Handel's “Music for the Royal Fireworks.” </p><p></p><ul style="display: flex;"><li style="flex:1">J.S. BACH </li><li style="flex:1">Akademie für Alte Musik </li><li style="flex:1">Also, the Suites for Orchestra; the Violin and </li></ul><p></p><ul style="display: flex;"><li style="flex:1">Brandenburg Concertos </li><li style="flex:1">Berlin or Koopman, Pinnock, Harpsicord Concerti are delightful, too. </li></ul><p>or Tafelmusik <br>J.S. BACH Works for Lute </p><ul style="display: flex;"><li style="flex:1">Walter Gerwig </li><li style="flex:1">More lute - anything by Paul O'Dette, Ronn </li></ul><p>McFarlane & Jakob Lindberg. Also interesting, the Lute-Harpsichord. <br>J.S. BACH Cello Suites <br>Bylsma on period cellos, Fournier on a modern </p><ul style="display: flex;"><li style="flex:1">instrument; </li><li style="flex:1">Casals' </li></ul><p>recording was the standard DuPre/Barenboim/ECO & Barbirolli/LSO </p><p><strong>Classical Era </strong></p><p>HAYDN Cello Concerti </p><ul style="display: flex;"><li style="flex:1">HAYDN </li><li style="flex:1">Fischer, Davis or Kuijiken </li></ul><p>"London" Symphonies (93-101) </p><ul style="display: flex;"><li style="flex:1">HAYDN </li><li style="flex:1">Mosaiques or Kodaly quartets Or start with opus 9, and take it from there. </li></ul><p>String Quartets op. 20, #2&4 MOZART Clarinet Concerto MOZART Piano Concertos Nos. 19 & 20 MOZART Symphonies Nos. 35-41 </p><p><strong>Romantic Era </strong></p><p>BEETHOVEN <br>Meyer, Brymer or Shifrin. Serkin/Szell <br>Next, try the Clarinet Quintet & the Sinfonia Concertante. Mozart wrote 27 concertos for piano and 5 for violin; all are worth seeking out. <br>Karl Böhm/Berlin Philharmonic </p><p>Rudolf Serkin. <br>Piano Sonatas Nos. 8, 14 and 23. </p><ul style="display: flex;"><li style="flex:1">BEETHOVEN </li><li style="flex:1">Mosaiques, Lindsay quartet. Start with the opus 18s and work your way </li></ul><p>The String Quartets BEETHOVEN up from there. <br>Hanover Band <br>Symphony No. 3 </p><ul style="display: flex;"><li style="flex:1">BEETHOVEN </li><li style="flex:1">Perlman/Giulini or </li></ul><p>Violin Concerto BEETHOVEN <br>Heifetz/Reiner Carlos Kleiber/Vienna <br>Symphony No. 5 in c minor, Op. Philharmonic 67 </p><ul style="display: flex;"><li style="flex:1">BEETHOVEN </li><li style="flex:1">Bruno Walter </li></ul><p>Symphony No. 6 BEETHOVEN Piano Concerto #5 </p><ul style="display: flex;"><li style="flex:1">Arrau/Davis </li><li style="flex:1">All 5 have moments of great beauty, as does </li></ul><p></p><p>the “Triple” concerto, often on cd with </p><p>Brahms' Double concerto. <br>BEETHOVEN </p><p>Piano trio op.97, “Archduke” </p><p>Istomin/Schneider/Casals, Kempf/Szeryng/Fournier or Immerseel/Beths/Bylsma Curzon/Vienna or or <br>SCHUBERT </p><p>“Trout” Quintet </p><p>Serkin/Laredo/Naegele/Parna s/Levine <br>SCHUBERT </p><p>Symphony No. 8, “Unfinished” </p><p>Walter/Columbia Symphony Orch. <br>BEETHOVEN Symphony No. 9 SCHUBERT <br>Walter/Columbia Symphony Orch. Murray Perahia <br>Impromptus </p><ul style="display: flex;"><li style="flex:1">SCHUBERT </li><li style="flex:1">Szell/Cleveland </li></ul><p></p><p>Symphony #no. 9, “The Great” </p><p></p><ul style="display: flex;"><li style="flex:1">BERLIOZ </li><li style="flex:1">Colin Davis/ London </li></ul><p>Symphony Orchestra Mackerras/Orchestra of the Age of Enlghtenment Timmerman/Davis or Lincer/Bernstein <br>A psychedelic symphony if ever there was one. </p><p>Also<em>. A Midsummer Night's Dream </em>Overture </p><p>Op. 21 & Incidental Music Op. 61 </p><p><em>Symphonie Fantastique </em></p><p>MENDELSSOHN Symphony No. 4 "Italian" BERLIOZ Harold in Italy STRAUSS (Johann II) Waltzes <br>Boskovsky </p><ul style="display: flex;"><li style="flex:1">MUSSORGSKY </li><li style="flex:1">Richter, for piano solo </li><li style="flex:1">And who can forget the recording by </li></ul><p></p><ul style="display: flex;"><li style="flex:1">Pictures at an Exhibition </li><li style="flex:1">Solti or Maazel for orchestral Emerson, Lake & Palmer? </li></ul><p></p><ul style="display: flex;"><li style="flex:1">BRAHMS </li><li style="flex:1">Abbado/Berlin Philharmonic </li><li style="flex:1">And Symphony No. 2. And 3. And 4 </li></ul><p>Symphony No. 1 BORODIN String quartet No. 2 <br>Borodin quartet Emerson quartet <br>Check out his Polovtsian Dances, too. And his Symphony No. 2 </p><ul style="display: flex;"><li style="flex:1">BRAHMS </li><li style="flex:1">Jascha Heifetz/Reiner/ChicagoAlso try his version of the Beethoven, </li></ul><p></p><ul style="display: flex;"><li style="flex:1">Violin Concerto in D, Op. 77 </li><li style="flex:1">Symphony </li><li style="flex:1">Mendelssohn and Tchaikovsky violin </li></ul><p>concerti. </p><ul style="display: flex;"><li style="flex:1">MAHLER </li><li style="flex:1">Fischer-Dieskau </li><li style="flex:1">Songs of a Wayfarer. </li></ul><p>Lieder eines fahrenden Gesellen </p><ul style="display: flex;"><li style="flex:1">MAHLER </li><li style="flex:1">Abbado/Berlin Philharmonic </li></ul><p>Symphony No. 1 RIMSKY-KORSAKOV Schererazade <br>Beecham/Royal Philharmonic Orchestra </p><ul style="display: flex;"><li style="flex:1">DVORÁK </li><li style="flex:1">Emerson String Quartet </li><li style="flex:1">The Bagatelles are fabulous, too. </li></ul><p>String Quartet, op. 96, </p><p>“American” </p><p>DVORAK Serenade for Strings <br>Marriner/Academy of St. Martin in the Fields <br>While you're at it, Dvorak's Serenade for Winds is wonderful, too; so is Tchaikovsky's Serenade for Strings. </p><ul style="display: flex;"><li style="flex:1">DVORAK </li><li style="flex:1">Kertesz/London Symphony </li><li style="flex:1">7 and 8 are great, too. </li></ul><p>Symphony No. 9, “From the New Orchestra </p><p>World” </p><p>DVORÁK Cello Concerto in B minor, Op. <br>Fournier/Szell/Berlin Philharmonic <br>Often combined on cd with Tchaikovsky's splendid Rococo Variations. <br>104 PUCCINI La Bohème <br>DelosAngeles/Björling/Corena Opera – It's not as bad as it sounds. Really. /Merrill/Tozzi RCA /Beecham <br>RAVEL Introduction and Allegro <br>Martinon/Chicago Symphony Also worth checking out - Ma Mere L'Oye, Tokyo Strinq Quartet/Galway Bolero. et al. </p><p><strong>Modern Era </strong></p><p>STRAVINSKY <br>Stravinsky/Columbia Symphony <br>Other great Stravinsky ballets - The Firebird, Apollo. </p><p><em>The Rite of Spring </em></p><p>VAUGHAM-WILLIAMS The Lark Ascending <br>Ozawa/Boston Symphony Bean/Boult/New Philharmonia And if you like this, try his Fantasia on a </p><ul style="display: flex;"><li style="flex:1">Orch. </li><li style="flex:1">Theme by Thomas Tallis and his Fantasia on </li></ul><p>Greensleeves. <br>RESPIGHI Pines of Rome <br>Lane/Atlanta Symphony Orch. And Fountains of Rome, Roman Festivals, DePriest/Oregon Symphony The Birds, Ancient Airs and Dances. Dutoit/Montreal Symphony </p><ul style="display: flex;"><li style="flex:1">ELGAR </li><li style="flex:1">Jacqueline DuPre/Barbirolli </li></ul><p></p><p>Elgar's “Enigma” Variations are fascinating. </p><p>And his violin concerto, too. For the non-vocal Pulcinella Suite, Neville Marriner. Follow with Dumbarton Oaks <br>Cello concerto STRAVINSKY Pulcinella <br>Stravinsky/Columbia Symphony </p><ul style="display: flex;"><li style="flex:1">GERSHWIN </li><li style="flex:1">Leonard Bernstein/Columbia </li></ul><p>Symphony Orch. Tilson Thomas/Los Angeles Philharmonic </p><p><em>Rhapsody in Blue </em></p><p>PROKOFIEV Lieutenant Kije Suite RODRIGO </p><p>Symphony #1, “Classical;” and Peter and </p><p>the Wolf. </p><ul style="display: flex;"><li style="flex:1">Also, Fantasia para un gentilhombre </li><li style="flex:1">Bonnell/Dutoit </li></ul><p>Concierto de Aranjuez COPLAND </p><p><em>Appalachian Spring </em></p><p>HEATH <br>Tilson Thomas/San Francisco Rodeo Sym. Warren-Green/London Chamber Orchestra <br>This cd is a good introduction to Glass, </p><ul style="display: flex;"><li style="flex:1">Adams and the minimalist school. </li><li style="flex:1">Frontier </li></ul><p></p>
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