PUBLICATIONS the Constitution of Public Intellectual Life Research Project

PUBLICATIONS the Constitution of Public Intellectual Life Research Project

<p>PUBLICATIONS The Constitution of Public Intellectual Life Research Project </p><p>According to the University of the Witwatersrand Research Office figures for 2004, the Graduate School for the Humanities (which comprised the Constitution of Public Intellectual Life Project, the Graduate Programme in Journalism and Media Studies, and the Forced Migration graduate and research programme) had the highest relative publication figures, viz 2.453 (pubs/ftes) and 2.404 (pubs/sles). The next highest in the university was the School of Public Health on 1.758 (pubs/ ftes) and 2.033 (pubs/sles). The University average was 0.629(pubs/ftes) and 0.647 (pubs/sles). Accredited publications only. </p><p>Platform for Public Deliberation Constitution of Public Intellectual Life Research Project </p><p>Publications </p><p>*Designates DNE accredited publications. Please note that as the <em>Public </em>Intellectual Life Project we are committed to publishing in public interest media as well as accredited academic publications. </p><p>Platform for Public Deliberation Constitution of Public Intellectual Life Research Project </p><p>Barstow, O. &amp; Law-Viljoen, B. (eds) <em>Fire Walker: William Kentridge and Gerhard Marx </em></p><p>Fourthwall Books: Johannesburg, 2011. <br>Barstow, O. “The Thinking Machine / Digging in the Rubbish Heap”, <em>Itch Magazine: </em></p><p><em>The Theme is Dead </em>1(5):76-79, 2005. </p><p>Bester<a href="/goto?url=http://www.informaworld.com/smpp/content%7Edb=all%7Econtent=a920016519%7Efrm=titlelink" target="_blank">, R.M. “David Goldblatt</a><a href="/goto?url=http://www.informaworld.com/smpp/content%7Edb=all%7Econtent=a920016519%7Efrm=titlelink" target="_blank">’</a><a href="/goto?url=http://www.informaworld.com/smpp/content%7Edb=all%7Econtent=a920016519%7Efrm=titlelink" target="_blank">s </a><a href="/goto?url=http://www.informaworld.com/smpp/content%7Edb=all%7Econtent=a920016519%7Efrm=titlelink" target="_blank">M</a><a href="/goto?url=http://www.informaworld.com/smpp/content%7Edb=all%7Econtent=a920016519%7Efrm=titlelink" target="_blank">aking Visible: Photographic Strategies of </a><br><a href="/goto?url=http://www.informaworld.com/smpp/content%7Edb=all%7Econtent=a920016519%7Efrm=titlelink" target="_blank">Rumination, Orchestration and Circulation” Social Dynamics 36(1): 153-165, </a>2010. <br>Bester, R.M. “2009 Joburg Art Fair”, <em>Art South Africa </em>7(4):81, 2009. Bester, R.M. “The Bride Stripped Bare for Her Bachelors”, <em>Art South Africa </em>8(1): 44- <br>49, 2009. <br>Bester, R.M. “Between the Wars and Walls”, <em>Art South Africa </em>8(2): 64-69, 2009. Bester, R.M. Knight, N. and Koloane, D. “A Setting Apart” in <em>Ephraim Ngatane: A </em><br><em>Setting Apart </em>Rory Bester (ed) Johannesburg: Blank Books, pp.6-11, 2009. <br>Bester, R.M. “An Unwavering Moral Compass”, <em>Art South Africa </em>7(1):70-74, 2008. Bester, R.M. “Africa Remix: An Immigrant, to be Looked at from the Other Side of </p><p>Reinforced Glass”, <em>Nka: Journal of Contemporary African Art </em>22/23:80-87, 2008. </p><p>Bester, R.M. “Cities in Crisis: Cities, Photography and Research” in <em>Representation </em></p><p><em>and Spatial Practices in Urban South Africa </em>Leora Farber (ed) Johannesburg:&nbsp;Visual </p><p>Identities in Art and Design Research Centre, pp.250 - 253, 2008. <br>Bester, R.M. “The Curatorial Moment”, <em>Art South Africa </em>7(2):90-92, 2008. Bester, R.M. “Luxury in Bound Format”, <em>Art South Africa </em>6(3): 40-42, 2008. Bester, R.M. “Made New, Made Better”, <em>Art South Africa </em>6(3): 54-57, 2008. Bester, R.M. “Thando Mama’s Televisions”, in <em>Flow </em>Kim, C.Y (ed) New York: The <br>Studio Museum in Harlem, pp.82-83, 2008. <br>Bester, R.M. “Joburg Art Fair: Well Done, But…”, <em>Art South Africa </em>6(4): 43, 2008. </p><p>Bester, R.M. “Digging in a Sheet of Paper” in <em>Francki Burger: Belonging </em></p><p>Johannesburg: Eveard&nbsp;Read, pp.8-10, 2008. <br>Bester, R.M. “Reflections on Cities in Crisis”, <em>FADA Research Newsletter </em>10, June, pp.4-5, 2008. <br>Bester, R.M. “From Joburg: David Goldblatt, Pieter Hugo and Santu Mofokeng”, </p><p><em>Camera Austria </em>103-104:113-114, 2008. </p><p>Bester, R.M. “Journeys into Strangeness”, <em>Art South Africa </em>7(1):26-27, 2008. Bester, R.M. “David Goldblatt – Buch für Buch” in <em>David Goldblatt: Südafrikanische </em><br><em>Fotografi en 1952-2006</em>, Christoph Merian Verlag und Fotomuseum Winterhur, pp.11- 24, 2007. <br>Bester, R.M. “Berni Searle: Showing Here, Showing There”, <em>Art South Africa </em>5(3):23- <br>25, 2007.* <br>Bester, R.M. “Down Mahlatini Street”, <em>Art South Africa </em>5(3):60, 2007.* Bester, R.M. “Guy Tillim: Congo Democratic”, <em>Art South Africa </em>5(3):76, 2007.* Bester, R.M. “In Perspective: Recent Exhibitions of South African Photography”, <em>Art </em></p><p><em>South Africa </em>6(1):40-42, 2007.* </p><p>Bester, R.M. “Africa Remix”, <em>Art South Africa </em>6(1):86, 2007.* Bester, R.M. “Deborah Poynton: The Grip of Circumstance”, <em>Art South Africa </em>p.94, <br>2007.* </p><p>Bester, R.M. (ed) <em>Figure/Ground: Reflections on the South African Reserve Bank Art </em></p><p><em>Collection </em>Pretoria: South African Reserve Bank, 252 pp, 2007. <br>Bester, R.M “Claudette Schreuders: After the Pleasure of Carving”, <em>Claudette </em><br><em>Schreuders </em>Pretoria: Modern Art Projects, 2007. <br>Bester, R.M. “The Market Photo Workshop”, <em>Camera Austria </em>100, 2007. Bester, R.M “Lolo Veleko: Mute!Scream!Mute!”, <em>Art South Africa </em>6(2), 2007. Bester, R.M. “Candice Breitz”, <em>Art South Africa </em>5(1):88, 2006.* </p><p>Platform for Public Deliberation Constitution of Public Intellectual Life Research Project </p><p>Bester, R.M. “Pieter Hugo: Outsider/Outsiders”, <em>Portfolio: Contemporary Photography </em></p><p><em>in Britain, </em>2006. </p><p>Bester, R.M. “Hentie van der Merwe: Trappings”, <em>Portfolio: Contemporary </em></p><p><em>Photography in Britain, </em>2006. </p><p>Bester, R.M. “Greg Marinovich: Scars”, <em>Art South Africa </em>5(2), 2006.* Bester, R.M. “Jodi Bieber: Between Dogs and Wolves”, <em>Art South Africa </em>5(2),2006.* Bester, R.M. “Manuel Alvarez Bravo to Pieter Hugo”, <em>Art South Africa </em>5(2), 2006.* Bester, R.M. “Moving and Settling” in <em>Contemporary Commonwealth </em>Green, C. (ed) <br>Melbourne: National Gallery of Victoria, pp.108, 2006. <br>Bester, R.M. “David Goldblatt, One Book at a Time” in <em>David Goldblatt </em>Parr, M. (ed) <br>Milan: Contrasto, pp.11-24, 2006. <br>Bester, R.M. “Sessions eKapa: Revoking the Ethnographic Mode”, <em>Art South Africa </em><br>4(3): 24, 2006.* <br>Bester, R.M. “Lolo Veleko: Archive Against Loneliness”, <em>Art South Africa </em>4(4): 42-45, <br>2006.* <br>Bester, R.M. “Deborah Weber: Art/Media – Media Art”, <em>Art South Africa </em>4(4): 82-84, <br>2006.* <br>Bester, R.M. “Joachim Schonfeldt: Roar”, <em>Art South Africa </em>5(1):13-15, 2006.* </p><p>Bester, R.M. “A Moving City” in <em>Johannesburg Circa Now: Photography and the </em></p><p><em>City </em>Kurgan, T. and Ractliffe, J.(eds)&nbsp;Johannesburg: Terry Kurgan and Jo Ractliffe, pp.10-15, 2005. <br>Bester, R.M. “Conrad Botes”, <em>Art South Africa </em>3(4): 78-79, 2005.* Bester, R.M. “Alison Kearney”, <em>Art South Africa </em>3(4): 80-84, 2005.* </p><p>Bester, R.M. “Goldblatt, Magubane, Ruselo and Schabeberg”, <em>Art South Africa </em><br>4(2):64-67, 2005.* <br>Bester, R.M. “Show Me the Money, Show Me the Media”, <em>Art South Africa </em>4(1): 44- <br>45, 2005.* <br>Bester, R.M. “Sue Williamson”, <em>Art South Africa </em>3(4): 72-74, 2005.* Bester, R.M. “Sokoto to Sihlali”, <em>Art South Africa </em>3(4): 60, 2005.* Bester, R.M. “Hotels and Better Lives”, <em>Art South Africa </em>3(4): 72, 2005.* Bester, R.M. “Portable Hawker’s Museum”, <em>Art South Africa </em>3(4): 80-81, 2005.* Bester, R.M. “Candice Breitz”, <em>Art South Africa </em>4(2): 77-78, 2005.* Bester, R.M. <em>Berni Searle: Float </em>Cape Town: Bell-Roberts Publishing House 72pp, <br>2004. </p><p>Bester, R.M. “Photographer Now”, in <em>Guy Tillim: DaimlerChrysler Award for South </em></p><p><em>African Photography </em>South Africa: DaimlerChrysler pp.101-107, 2004. <br>Bester, R.M. “Living in Linden”, <em>Art South Africa </em>2(3): 24-30, 2004.* </p><p>Bester, R.M. “Nadir to Zenith”, <em>Art South Africa </em>3(1): 26-31, 2004.* Bester, R.M. “Arbrie Fourie”, <em>Art South Africa </em>3(2): 61, 2004.* Bester, R.M. “Anton Karstel”, <em>Art South Africa </em>3(2): 70, 2004.* Bester, R.M. “It’s Sporting Life”, <em>Art South Africa </em>3(2): 36-40, 2004.* Bester, R.M. “Performances of Masculinity”, <em>Art South Africa </em>3(2): 42-47, 2004.* </p><p>Bester, R.M. “Spaces to Stay” in <em>A Decade of Democracy: South African Art 1994- </em></p><p><em>2004 </em>Bedford, E. (ed) Cape Town: Double Storey Books and Iziko Museums, pp.24-33, 2004. <br>Cowling, L. and Hamilton, C. “The Public Life of Reason” in <em>African Intellectuals and </em><br><em>Decolonisation </em>Creary, N. (ed) Athens, OH: Ohio University Press, 2011.* <br>Cowling, L. “Framing essay: The Media and the Production of Public Debate”, <em>Social </em></p><p><em>Dynamics </em>36(1): 78-84, 2010.* </p><p>Cowling, L. “The SABC and the ‘Blacklist’ Controversy: Debate about Debate”, </p><p><em>Rhodes Journalism Review 27</em>(62), 2007. </p><p>Platform for Public Deliberation Constitution of Public Intellectual Life Research Project </p><p>Cowling, L. “The Beloved South African: Alan Paton in America”, <em>Scrutiny </em>2(10):81- <br>92, 2005.* <br>Dramat, N. “The SABC and the ‘Blacklist’ Controversy: Professionalism and </p><p>Resistance”, <em>Rhodes Journalism Review </em>27:62-3, 2007. <br>Finlay, A. (ed) <em>Global Information Society Watch: The Internet, Human Rights and </em><br><em>Social Resistance – Focus on Freedom of Expression and Association. </em>Association </p><p>for Progressive Communications, Humanist Institute for Cooperation with Developing Countries, Montevideo: Hivos. Pending, 2011. <br>Finlay, A. “Staging Performance: Race, Authenticity, and the Right to Speak in Media </p><p>Debate in the Mbeki Era”, <em>Ecquid Novi: African Journalism Studies</em>, 32(3): 34-44, </p><p>2011. <br>Finlay, A. “Making Space: The Counterpublics of Post-apartheid Independent Literary <br>Journals, 1994-2004<em>”, Social Dynamics</em>,36( 1):166-178, 2010. <br>Finlay, A. <em>Pushing from the Riverbank </em>Johannesburg: Dye Hard Press, 2010. Finlay, A. “Shaping the Conflict: Factors Influencing the Coverage of Conflict around <br>HIV/Aids Policy in the South African Press” Book Chapter. Johannesburg: Jacana, 2010. <br>Finlay, A. “Guinea Pigs and the Frantic Search for the AIDS Vaccine Gel!!” Media <br>Monitoring Africa; Book Chapter. Johannesburg: Jacana, 2010. </p><p>Finlay, A. (ed) <em>Global Information Society Watch. Focus on IC T s a nd Environmental </em></p><p><em>Sustainabilit y . </em>Association for Progressive Communications, Humanist Institute for Cooperation with Developing Countries, Montevideo: Hivos, 2010. <br>Finlay, A. “Introduction: (Re)claiming the Environment” in <em>Global Information Society </em><br><em>Watch </em>Association for Progressive Communications, Humanist Institute for Cooperation with Developing Countries, Montevideo: Hivos, pp. 59-60, 2010. </p><p>Finlay, A. (ed) <em>Global Information Society Watch: Access to online information and knowledge – advancing human rights and democracy </em>Association for Progressive </p><p>Communications, Humanist Institute for Cooperation with Developing Countries, Montevideo: Hivos, 2009. <br>Finlay, A. “Introduction: Unsettling the ‘information society’…..” <em>Global Information </em><br><em>Society Watch </em>Association for Progressive Communications, Humanist Institute for Cooperation with Developing Countries, Montevideo: Hivos, pp. 61-62, 2009. <br>Finlay, A. “Review: The Beat Hotel exhibition” in <em>Who was Sinclair Beiles? </em><br>Cummiskey, G. and Kowalska, E. (eds) Dye Hard Press: Johannesburg, pp. 101- 105, 2009. </p><p>Finlay, A. (ed) <em>Global Information Society Watch: Access to Infrastructure </em>Association </p><p>for Progressive Communications, Humanist Institute for Cooperation with Developing Countries, Montevideo: Hivos, 2008. <br>Finlay, A., James, T. and Jensen, M. “Public Access to Information Venues in South <br>Africa” Book chapter. Center for Information &amp; Society, University of Washington, 2008. <br>Finlay, A. with Siochru, O. et al. (eds) “Global Information Society Watch 2007: Focus on Participation” Melville: APC; Uruguay: ITeM, 2007. </p><p>Finlay, A. “The SANGONeT Story (1987-2007): 20 Years of Linking Civil Society through ICTs”, Johannesburg: SANGONeT, 2007. <br>Finlay, A. “A Vulnerable Art”, <em>Rhodes Journalism Review </em>26: 28-29, 2006. Finlay, A., Lombard,R., Schluep, M. and Widmer, R. “From National Policy Planning to <br>Local Green E-Waste Channel Action - Responsible E-Waste Management in South Africa”, Cape Town: WasteCon, 2006. </p><p>Platform for Public Deliberation Constitution of Public Intellectual Life Research Project </p><p>Finlay, A. “E-waste: South Africa Case Study.” Melville: APC. Included in the research track for the SANGONeT ICTs for Civil Society Conference, March 7-9, 2006, Johannesburg. <br>Finlay, A. “Bootstraps, Slingshots and Angels: Engaging the Private Sector in Africa – the CATIA&nbsp;Experience”, London: CATIA, 2006. <br>Finlay, A. “Breaking New Ground Towards Each Other: Working in Multi-Stakeholder <br>Environments in ICT Policy Development in Africa – the CATIA Experience”, CATIA, London, 2006. <br>Finlay, A. “‘Spits and Spurts’: ICT Advocacy and the Media in Africa – the CATIA <br>Experience”, London: CATIA, 2005. <br>Finlay, A. “Shaping the Conflict: Factors Influencing the Representation of Conflict around HIV/AIDS Policy in the South African Press”, <em>Communicare </em>23(2): 68-93, 2004.* </p><p>Garman. A.C. “Global Resonance, Local Amplification: Antjie Krog on a World <br>Stage”, <em>Social Dynamics </em>36(1): 187-200, 2010. </p><p>Garman. A.C. “Book Review of <em>There was this Goat </em>by Antjie Krog, Kopano Ratele </p><p>and Nosisi Mpolweni”, <em>Safundi: The Journal of South African and American </em></p><p><em>Studies </em>11(1-2): 190-193, 2010. </p><p>Garman, A.C. “The Mass Subject in Antjie Krog’s <em>Country of My Skull</em>” in <em>Powe r , </em><br><em>Politics and Identity in the South African Media </em>Hadland, A. et al (eds) HSRC Press: </p><p>Cape Town, 2008. </p><p>Garman. A.C. “Book Review of Xolela Mangcu’s <em>T o t he Brink: South African </em><br><em>Democracy at the Crossroads</em>”, <em>Safundi: The Journal of South African and American Studies </em>9(4): 475-485, 2008. </p><p>Garman. A.C. “Less Worry More W<a href="/goto?url=http://www.thoughtleader.co.za/winterschool/2008/07/03/less-worry-more-wake-up/" target="_blank">ake-Up”, http://www.thoughtleader.co.za/ </a><a href="/goto?url=http://www.thoughtleader.co.za/winterschool/2008/07/03/less-worry-more-wake-up/" target="_blank">winterschool/2008/07/03/less-worry-more-wake-up/, 3 July 2008. </a><br><a href="/goto?url=http://www.thoughtleader.co.za/winterschool/2008/07/01/in-need-of-a-little-inspiration/" target="_blank">Garman. A.C. “In Need of a Little… Inspiration”, http://www.thoughtleade</a><a href="/goto?url=http://www.thoughtleader.co.za/winterschool/2008/07/01/in-need-of-a-little-inspiration/" target="_blank">r</a><a href="/goto?url=http://www.thoughtleader.co.za/winterschool/2008/07/01/in-need-of-a-little-inspiration/" target="_blank">.</a><a href="/goto?url=http://www.thoughtleader.co.za/winterschool/2008/07/01/in-need-of-a-little-inspiration/" target="_blank">co.za/ </a><a href="/goto?url=http://www.thoughtleader.co.za/winterschool/2008/07/01/in-need-of-a-little-inspiration/" target="_blank">winterschool/2008/07/01/in-need-of-a-little-inspiration/, 1 July 2008. </a><br><a href="/goto?url=http://www.thoughtleader.co.za/winterschool/2008/06/29/stand-up-and-be-a-citizen/" target="_blank">Garman. A.C. “Stand Up and Be a Citizen”, http://www.thoughtleader.co.za/ </a><a href="/goto?url=http://www.thoughtleader.co.za/winterschool/2008/06/29/stand-up-and-be-a-citizen/" target="_blank">winterschool/2008/06/29/stand-up-and-be-a-citizen/, 29 June 2008. </a><br>Garman. A.C. “T<a href="/goto?url=http://www.thoughtleader.co.za/winterschool/2008/06/29/talking-maybe-not-an-art-but-a-necessity/" target="_blank">alking Maybe Not an Art but a Necessity”, http://www. </a><a href="/goto?url=http://www.thoughtleader.co.za/winterschool/2008/06/29/talking-maybe-not-an-art-but-a-necessity/" target="_blank">thoughtleade</a><a href="/goto?url=http://www.thoughtleader.co.za/winterschool/2008/06/29/talking-maybe-not-an-art-but-a-necessity/" target="_blank">r</a><a href="/goto?url=http://www.thoughtleader.co.za/winterschool/2008/06/29/talking-maybe-not-an-art-but-a-necessity/" target="_blank">.</a><a href="/goto?url=http://www.thoughtleader.co.za/winterschool/2008/06/29/talking-maybe-not-an-art-but-a-necessity/" target="_blank">co.za/winterschool/2008/06/29/talking-maybe-not-an-art-but-a- </a><a href="/goto?url=http://www.thoughtleader.co.za/winterschool/2008/06/29/talking-maybe-not-an-art-but-a-necessity/" target="_blank">necessity/, 29 June 2008. </a><br>Garman. A.C. “We’ve Got a Lot to Worry About: Winter School Speakers Call for <br>Citizens to Wake Up and Save SA’s Precious Institutions from a Government Turned Party”, <em>Cue </em>4 July 2008: 9. <br>Garman. A.C.”Yak, Yak, Yak… it’s Under Attack”, <em>Cue </em>27 June 2008: 8. Garman, A.C. “Antjie Krog and the Accumulation of ‘Media Meta-Capital’”, <em>Current </em><br><em>Writing </em>19(2): 1-23, 2007.* </p><p>Garman, A.C. “The Copier, the Thief, the Plagiarist and the Dishonest Academic”, <br><em>Cue </em>2 July: 6, 2006. <br>Garman, A.C. “Confessions and Public Life in Post-apartheid South Africa: A </p><p>Foucauldian Reading of Antje Krog’s <em>Country of My Skull</em>”, <em>Journal of Literary </em></p><p><em>Studies </em>22(3/4):323-45, 2006.* <br>Garman, A.C. “Vloeking Vlok and Looking for Truth”, <em>Grocott’s Mail </em>1 December: 7, <br>2006. </p><p>Garman, A.C. Co-reviewer for “Franz Kruger’s <em>Black, White and Grey: Ethics in South </em><br><em>African Journalism”, Ecquid Novi </em>26(1): 134-136, 2005. </p><p>Garman, A.C. and Leshilo, T. “SANEF CD Spreading the News: South African Media in the First Decade of Democracy” Seminar 4 – Page 177; <em>Three Media Debates</em>, Grahamstown, Rhodes University, September 20, 2005. </p><p>Platform for Public Deliberation Constitution of Public Intellectual Life Research Project </p><p>Garman, A. C. and Leshilo, T. “Debate on Media and Public Intellectuals: Dumbing <br>Down: A Decade of Media Denigrating Intellectuals” <em>Spreading the News: South </em></p><p><em>African Media in the First Decade of Democracy</em>. South African National Editors </p><p>Forum CD, Seminar 4 – Page 177; Three media debates, Grahamstown, Rhodes University, September 20, 2005.Garman, A.C. “Teaching to Produce ‘Interpretive Communities’ Rather Than Just ‘Professionals’” in <em>T e aching South African Journalists 1994-2015</em>: the proceedings of two colloquia on journalism education held at Rhodes University 2004 and in <em>Rhodes Journalism Review </em>25 September, 2005. <br>Garman, A.C. “Teaching to Produce ‘Interpretive Communities’ Rather than just <br>‘Professionals’”, <em>Ecquid Novi </em>26 (2): pp. 61-73, 2005. </p><p>Garman, A.C. “Book Review on Motsei, M. <em>Hearing Visions, Seeing Voices</em>”, <em>Agenda </em></p><p>61: 26-28, 2004.* <br>Greslé, Y.M. “Exhibition Review: Berni Searle”, <em>Art South Africa </em>5(3):70, 2007.* Greslé, Y.M. “Artist Profile: Karel Nel”, <em>Art South Africa, </em>2007. Greslé, Y.M. “Exhibition Review: Penny Siopis”, <em>Art South Africa </em>4(3): 79-80, 2006.* Greslé, Y.M. “Exhibition Review: Colbert Mashile”, <em>Art South Africa </em>4(4):80-81, <br>2006.* <br>Greslé, Y.M. “Exhibition Review: Painting- Methven to Mashile”, <em>Art South Africa </em><br>5(1): 70, 2006.* <br>Greslé, Y.M. “Artist Profile: Luan Nel”, <em>Contempo </em>1:18, 2006. Greslé, Y.M. “Foucault’s Las Meninas and Art- Historical Methods”, <em>Journal of Literary </em><br><em>Studies </em>22(3/4): 211-228, 2006.* </p><p>Greslé, Y.M. “Dreams, Desires and Aspirations”, <em>Rhodes Journalism Review &nbsp;</em>26:13, <br>2006. <br>Greslé, Y.M. “Exhibition Review: Johannes Pokela”, <em>Art South Africa </em>5(2):67, 2006. Greslé, Y.M. “Exhibition Review: Sam Nhlengethwa”, <em>Art South Africa </em>5(2):79, <br>2006.* <br>Greslé, Y.M. “Same”, <em>Art South Africa </em>4(1): 83-84, 2005.* Greslé, Y.M. “Exhibition Review: Everard Read Art Award”, <em>Art South Africa </em>4(1): 81- <br>82, 2005.* <br>Greslé, Y.M. “Hobby Heroes: Recent Works of Luan Nel”, <em>Exhibition Catalogue, Bell- </em><br><em>Roberts</em>, Cape Town, pp.2-3, 2005. <br>Greslé, Y.M. “Artist profile: Things Left Unsaid”, <em>Art South Africa </em>4(2): 51, 2005.* Greslé, Y.M. “To Dust: Leaves of Paradise and Castle in the Bone”, <em>Art South Africa </em>p.83-84, 2005.* <br>Greslé, Y.M. “Exhibition Review: Nina Romm”, <em>Art South Africa </em>4(1): 83-84, 2005.* Greslé, Y.M. “Feature Article: Performances of Masculinity”, <em>Art South Africa </em>3(2): <br>42-47, 2004.* <br>Greslé, Y.M. “Exhibition Review: Noiyindoda! Initiation as a Rite of Passage”, <em>Art </em><br><em>South Africa</em>, 3(1): 62-63, 2004.* <br>Greslé, Y.M. “Local”, <em>Art South Africa </em>3(1): 82, 2004.* Greslé, Y.M. “Exhibition Review: Paul Emmanuel”, <em>Art South Africa </em>3(1): 61, 2004.* Greslé, Y.M. “Strategies of Veiling Same-Sex Desire and its Public Consumption”, <em>De </em></p><p><em>Art: Journal of the Department of Art histor y , Visual arts and musicology</em>. UNISA </p><p>70: 22-41, 2004.* <br>Hall, S. and Hamilton, C. “Cultural Inheritances and the Making of Identity-based <br>Social Categories in south Africa, c. 1700-1840”, <em>Journal of Southern African Studies</em>, accepted, 2011. <br>Hamilton, C. and Leibhammer, N. “Salutes, Labels and other Archival Artefacts” in <br><em>Curature, </em>Hamilton, C. and Skotnes, P. (eds) Jacana Press, accepted, 2011. </p><p>Platform for Public Deliberation Constitution of Public Intellectual Life Research Project </p><p>Hamilton, C. and Skotnes, P. (eds) <em>Curature </em>Jacana Press, accepted, 2011. Hamilton, C. “Backstory, Biography and the Life of the James Stuart Archive”, <em>History </em></p><p><em>in Africa</em>, in press, 2011. </p><p>Hamilton, C., Harris, V. and Hatang, S. “Fashioning Legacy in South Africa: Power, <br>Pasts, and the Promotion of Social Cohesion” in <em>Heritage, Regional Development and Social Cohesion, </em>Kearns, P., Kling, S. and Wistman, C. (eds), Östersund, Sweden, Jamtli Förlag/Jamtli Publishing house, in press, 2011. <br>Hamilton, C. “Why Archive Matters: Archive, Public Deliberation and Citizenship” in </p><p><em>Becoming Worthy Ancestors: Archive, Identity and Public Deliberation in South </em></p><p><em>Africa, </em>Mangcu, X. (ed), Johannesburg: Wits University Press, 2011. <br>Hamilton, C. and Cowling, L. “Thinking Aloud/Allowed: Pursuing the Public Interest in Radio Debate”, <em>Social Dynamics </em>36(1):85-98, 2010. <br>Hamilton, C. “In the Shadows of the Convened Public Sphere: Public Silences and <br>Disavowed Debate”, <em>Social Dynamics </em>36(1): 3-10, 2010. <br>Hamilton, C., Cowling, L. and Hofmeyr, I.. Editors’ Introduction: “Symposium: <br>Exceeding Public Spheres I”, <em>Social Dynamics </em>35(2), and “Symposium: Exceeding Public Spheres II”, <em>Social Dynamics </em>36(1), 2009-2010. <br>Hamilton, C. “Uncertain Citizenship and Public Deliberation in Post-apartheid South <br>Africa”, <em>Social Dynamics </em>35(2): 355-374, 2009. <br>Hamilton, C. and Modisane, L. “The Public Lives of Historical Films: <em>Zulu</em>(1964) </p>

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