PUBLICATIONS The Constitution of Public Intellectual Life Research Project According to the University of the Witwatersrand Research Office figures for 2004, the Graduate School for the Humanities (which comprised the Constitution of Public Intellectual Life Project, the Graduate Programme in Journalism and Media Studies, and the Forced Migration graduate and research programme) had the highest relative publication figures, viz 2.453 (pubs/ftes) and 2.404 (pubs/sles). The next highest in the university was the School of Public Health on 1.758 (pubs/ ftes) and 2.033 (pubs/sles). The University average was 0.629(pubs/ftes) and 0.647 (pubs/sles). Accredited publications only. Platform for Public Deliberation Constitution of Public Intellectual Life Research Project Publications *Designates DNE accredited publications. Please note that as the Public Intellectual Life Project we are committed to publishing in public interest media as well as accredited academic publications. Platform for Public Deliberation Constitution of Public Intellectual Life Research Project Barstow, O. & Law-Viljoen, B. (eds) Fire Walker: William Kentridge and Gerhard Marx Fourthwall Books: Johannesburg, 2011. Barstow, O. “The Thinking Machine / Digging in the Rubbish Heap”, Itch Magazine: The Theme is Dead 1(5):76-79, 2005. Bester, R.M. “David Goldblatt’s Making Visible: Photographic Strategies of Rumination, Orchestration and Circulation” Social Dynamics 36(1): 153-165, 2010. Bester, R.M. “2009 Joburg Art Fair”, Art South Africa 7(4):81, 2009. Bester, R.M. “The Bride Stripped Bare for Her Bachelors”, Art South Africa 8(1): 44- 49, 2009. Bester, R.M. “Between the Wars and Walls”, Art South Africa 8(2): 64-69, 2009. Bester, R.M. Knight, N. and Koloane, D. “A Setting Apart” in Ephraim Ngatane: A Setting Apart Rory Bester (ed) Johannesburg: Blank Books, pp.6-11, 2009. Bester, R.M. “An Unwavering Moral Compass”, Art South Africa 7(1):70-74, 2008. Bester, R.M. “Africa Remix: An Immigrant, to be Looked at from the Other Side of Reinforced Glass”, Nka: Journal of Contemporary African Art 22/23:80-87, 2008. Bester, R.M. “Cities in Crisis: Cities, Photography and Research” in Representation and Spatial Practices in Urban South Africa Leora Farber (ed) Johannesburg: Visual Identities in Art and Design Research Centre, pp.250 - 253, 2008. Bester, R.M. “The Curatorial Moment”, Art South Africa 7(2):90-92, 2008. Bester, R.M. “Luxury in Bound Format”, Art South Africa 6(3): 40-42, 2008. Bester, R.M. “Made New, Made Better”, Art South Africa 6(3): 54-57, 2008. Bester, R.M. “Thando Mama’s Televisions”, in Flow Kim, C.Y (ed) New York: The Studio Museum in Harlem, pp.82-83, 2008. Bester, R.M. “Joburg Art Fair: Well Done, But…”, Art South Africa 6(4): 43, 2008. Bester, R.M. “Digging in a Sheet of Paper” in Francki Burger: Belonging Johannesburg: Eveard Read, pp.8-10, 2008. Bester, R.M. “Reflections on Cities in Crisis”, FADA Research Newsletter 10, June, pp.4-5, 2008. Bester, R.M. “From Joburg: David Goldblatt, Pieter Hugo and Santu Mofokeng”, Camera Austria 103-104:113-114, 2008. Bester, R.M. “Journeys into Strangeness”, Art South Africa 7(1):26-27, 2008. Bester, R.M. “David Goldblatt – Buch für Buch” in David Goldblatt: Südafrikanische Fotografi en 1952-2006, Christoph Merian Verlag und Fotomuseum Winterhur, pp.11- 24, 2007. Bester, R.M. “Berni Searle: Showing Here, Showing There”, Art South Africa 5(3):23- 25, 2007.* Bester, R.M. “Down Mahlatini Street”, Art South Africa 5(3):60, 2007.* Bester, R.M. “Guy Tillim: Congo Democratic”, Art South Africa 5(3):76, 2007.* Bester, R.M. “In Perspective: Recent Exhibitions of South African Photography”, Art South Africa 6(1):40-42, 2007.* Bester, R.M. “Africa Remix”, Art South Africa 6(1):86, 2007.* Bester, R.M. “Deborah Poynton: The Grip of Circumstance”, Art South Africa p.94, 2007.* Bester, R.M. (ed) Figure/Ground: Reflections on the South African Reserve Bank Art Collection Pretoria: South African Reserve Bank, 252 pp, 2007. Bester, R.M “Claudette Schreuders: After the Pleasure of Carving”, Claudette Schreuders Pretoria: Modern Art Projects, 2007. Bester, R.M. “The Market Photo Workshop”, Camera Austria 100, 2007. Bester, R.M “Lolo Veleko: Mute!Scream!Mute!”, Art South Africa 6(2), 2007. Bester, R.M. “Candice Breitz”, Art South Africa 5(1):88, 2006.* Platform for Public Deliberation Constitution of Public Intellectual Life Research Project Bester, R.M. “Pieter Hugo: Outsider/Outsiders”, Portfolio: Contemporary Photography in Britain, 2006. Bester, R.M. “Hentie van der Merwe: Trappings”, Portfolio: Contemporary Photography in Britain, 2006. Bester, R.M. “Greg Marinovich: Scars”, Art South Africa 5(2), 2006.* Bester, R.M. “Jodi Bieber: Between Dogs and Wolves”, Art South Africa 5(2),2006.* Bester, R.M. “Manuel Alvarez Bravo to Pieter Hugo”, Art South Africa 5(2), 2006.* Bester, R.M. “Moving and Settling” in Contemporary Commonwealth Green, C. (ed) Melbourne: National Gallery of Victoria, pp.108, 2006. Bester, R.M. “David Goldblatt, One Book at a Time” in David Goldblatt Parr, M. (ed) Milan: Contrasto, pp.11-24, 2006. Bester, R.M. “Sessions eKapa: Revoking the Ethnographic Mode”, Art South Africa 4(3): 24, 2006.* Bester, R.M. “Lolo Veleko: Archive Against Loneliness”, Art South Africa 4(4): 42-45, 2006.* Bester, R.M. “Deborah Weber: Art/Media – Media Art”, Art South Africa 4(4): 82-84, 2006.* Bester, R.M. “Joachim Schonfeldt: Roar”, Art South Africa 5(1):13-15, 2006.* Bester, R.M. “A Moving City” in Johannesburg Circa Now: Photography and the City Kurgan, T. and Ractliffe, J.(eds) Johannesburg: Terry Kurgan and Jo Ractliffe, pp.10-15, 2005. Bester, R.M. “Conrad Botes”, Art South Africa 3(4): 78-79, 2005.* Bester, R.M. “Alison Kearney”, Art South Africa 3(4): 80-84, 2005.* Bester, R.M. “Goldblatt, Magubane, Ruselo and Schabeberg”, Art South Africa 4(2):64-67, 2005.* Bester, R.M. “Show Me the Money, Show Me the Media”, Art South Africa 4(1): 44- 45, 2005.* Bester, R.M. “Sue Williamson”, Art South Africa 3(4): 72-74, 2005.* Bester, R.M. “Sokoto to Sihlali”, Art South Africa 3(4): 60, 2005.* Bester, R.M. “Hotels and Better Lives”, Art South Africa 3(4): 72, 2005.* Bester, R.M. “Portable Hawker’s Museum”, Art South Africa 3(4): 80-81, 2005.* Bester, R.M. “Candice Breitz”, Art South Africa 4(2): 77-78, 2005.* Bester, R.M. Berni Searle: Float Cape Town: Bell-Roberts Publishing House 72pp, 2004. Bester, R.M. “Photographer Now”, in Guy Tillim: DaimlerChrysler Award for South African Photography South Africa: DaimlerChrysler pp.101-107, 2004. Bester, R.M. “Living in Linden”, Art South Africa 2(3): 24-30, 2004.* Bester, R.M. “Nadir to Zenith”, Art South Africa 3(1): 26-31, 2004.* Bester, R.M. “Arbrie Fourie”, Art South Africa 3(2): 61, 2004.* Bester, R.M. “Anton Karstel”, Art South Africa 3(2): 70, 2004.* Bester, R.M. “It’s Sporting Life”, Art South Africa 3(2): 36-40, 2004.* Bester, R.M. “Performances of Masculinity”, Art South Africa 3(2): 42-47, 2004.* Bester, R.M. “Spaces to Stay” in A Decade of Democracy: South African Art 1994- 2004 Bedford, E. (ed) Cape Town: Double Storey Books and Iziko Museums, pp.24-33, 2004. Cowling, L. and Hamilton, C. “The Public Life of Reason” in African Intellectuals and Decolonisation Creary, N. (ed) Athens, OH: Ohio University Press, 2011.* Cowling, L. “Framing essay: The Media and the Production of Public Debate”, Social Dynamics 36(1): 78-84, 2010.* Cowling, L. “The SABC and the ‘Blacklist’ Controversy: Debate about Debate”, Rhodes Journalism Review 27(62), 2007. Platform for Public Deliberation Constitution of Public Intellectual Life Research Project Cowling, L. “The Beloved South African: Alan Paton in America”, Scrutiny 2(10):81- 92, 2005.* Dramat, N. “The SABC and the ‘Blacklist’ Controversy: Professionalism and Resistance”, Rhodes Journalism Review 27:62-3, 2007. Finlay, A. (ed) Global Information Society Watch: The Internet, Human Rights and Social Resistance – Focus on Freedom of Expression and Association. Association for Progressive Communications, Humanist Institute for Cooperation with Developing Countries, Montevideo: Hivos. Pending, 2011. Finlay, A. “Staging Performance: Race, Authenticity, and the Right to Speak in Media Debate in the Mbeki Era”, Ecquid Novi: African Journalism Studies, 32(3): 34-44, 2011. Finlay, A. “Making Space: The Counterpublics of Post-apartheid Independent Literary Journals, 1994-2004”, Social Dynamics,36( 1):166-178, 2010. Finlay, A. Pushing from the Riverbank Johannesburg: Dye Hard Press, 2010. Finlay, A. “Shaping the Conflict: Factors Influencing the Coverage of Conflict around HIV/Aids Policy in the South African Press” Book Chapter. Johannesburg: Jacana, 2010. Finlay, A. “Guinea Pigs and the Frantic Search for the AIDS Vaccine Gel!!” Media Monitoring Africa; Book Chapter. Johannesburg: Jacana, 2010. Finlay, A. (ed) Global Information Society Watch. Focus on ICTs and Environmental Sustainability. Association for Progressive Communications, Humanist Institute for Cooperation with Developing Countries, Montevideo: Hivos, 2010. Finlay, A. “Introduction: (Re)claiming the Environment” in Global Information Society Watch Association for Progressive Communications, Humanist Institute for Cooperation with Developing Countries, Montevideo: Hivos, pp. 59-60, 2010. Finlay, A. (ed) Global Information Society Watch: Access to online information and knowledge – advancing human rights and democracy Association for Progressive Communications, Humanist Institute for Cooperation with Developing Countries, Montevideo: Hivos, 2009. Finlay, A. “Introduction: Unsettling the ‘information society’…..” Global Information Society Watch Association for Progressive Communications, Humanist Institute for Cooperation with Developing Countries, Montevideo: Hivos, pp. 61-62, 2009. Finlay, A. “Review: The Beat Hotel exhibition” in Who was Sinclair Beiles? Cummiskey, G. and Kowalska, E. (eds) Dye Hard Press: Johannesburg, pp. 101- 105, 2009. Finlay, A.