Combinations of Achromatic Doublets

Combinations of Achromatic Doublets

Combinations of achromatic doublets Introduction to aberrations OPTI 518 Prof. Jose Sasian Copyright © 2019 Plano convex lens N-BK7 : Petzval radius -151.7 mm 1 CPetzval IV Petzval n Prof. Jose Sasian Copyright © 2019 Wollaston meniscus lens WW222/0.8 220P • Artificially flattening the field • Periscopic lenses Prof. Jose Sasian Copyright © 2019 Periskop lens • Principle of symmetry • No distortion Prof. Jose Sasian Copyright © 2019 Field curvature • Old achromat • New achromat N-BK7 : Petzval radius -151.7 mm N-BK7 and N-F2: Petzval radius -139.99 mm (+139.99 for negative doublet) N-BAK1 and N-LLF6: Petzval radius -185 mm 1 12 vv 12 CPetzval IV Petzval nn12 vvnn 1212 Prof. Jose Sasian Copyright © 2019 Chevalier landscape lens WW222/0.8 220P • F/5 telescope doublet used in reverse and with an aperture stop in front Prof. Jose Sasian Copyright © 2019 Rapid rectilinear • F/8 • Glass selection is key to minimize spherical aberration while artificially flattening the field RMS spot size Prof. Jose Sasian Copyright © 2019 Lister microscope objective • Telecentric y 1 B 2 IA IB 0 22 22 IIA IIB II Ayy A IIA B B IIB y2 B IIA2 IIB III11yy B B IIB 0 1 yB *2 SSIII III2 SSSS II I Prof. Jose Sasian Copyright © 2019 Lister microscope objective Practical solution • RMS spot size in waves • Two identical doublets • Spherical aberration and coma are corrected • Astigmatism is small • Telecentric • Less vignetting Prof. Jose Sasian Copyright © 2019 Aplanatic concentric meniscus lens • Optical speed is increased by an N factor Prof. Jose Sasian Copyright © 2019 Petzval portrait objective f’=144 mm; F/3.7; FOV=+/- 16.5⁰. WW222/0.8 220P • Chromatic aberration and spherical aberration corrected at each doublet • Positive coma in the first doublet corrected with negative coma of aberration of the second doublet • Negative astigmatism introduced by the negative coma of the second doublet to artificially flatten the field of view. SS*22 SSSS Prof. Jose Sasian III III II I Copyright © 2019 Concentric lens • Use of new glasses • Reduced Petzval sum • Nearly flat field • Surfaces nearly concentric • Limited by spherical aberration due to strong curvatures. N-BAK1 and N-LLF6: Petzval radius -185 mm 1 12 vv 12 CPetzval IV Petzval nn12 vvnn 1212 Prof. Jose Sasian Copyright © 2019 Anastigmatic lens RMS spot size • Corrected for spherical aberration, coma, astigmatism, and field curvature • Distortion is negligible • Combination of an old achromat and a new achromat Prof. Jose Sasian Copyright © 2019 Anastigmatic lens RMS spot size • Corrected for spherical aberration, coma, astigmatism, and field curvature • Distortion is negligible • Combination of an old achromat and a new achromat Prof. Jose Sasian Copyright © 2019 Telephoto lens Telephoto lens with BK7 and SF5 glasses. f’=100 mm, F/4, FOV=+/- 6.2⁰, TTL/F=0.8. *2 SSIII III2 SSSS II I *22 SSIII IIIЖЖ B IIIB B AB 1 2 WWЖ u 131 311 2 • Corrected for spherical aberration, coma, astigmatism, and field curvature • Distortion is not corrected • Telephoto ratio=TTL/f Prof. Jose Sasian Copyright © 2019 Telephoto lens Telephoto lens with BK7 and F6 glasses. f’=100 mm, F/4, FOV=+/- 6.2⁰, TTL/F=0.8 • Corrected for spherical aberration, coma, astigmatism, and field curvature • Distortion is also corrected Prof. Jose Sasian Copyright © 2019 Reverse telephoto lens Reverse telephoto lens with BK7 and SF5 glasses. f’=100 mm, BFL=200 mm, TTL= 324 mm, FOV=+/-12⁰, F/4 • Corrected for spherical aberration, coma, astigmatism, and field curvature • Distortion is small ~-1.5% • Large back focal length/distance Prof. Jose Sasian Copyright © 2019.

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    17 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us