SAUL BASS: A LIFE IN FILM & DESIGN DOWNLOAD FREE BOOK Jennifer Bass, Pat Kirkham, Martin Scorsese | 440 pages | 04 Apr 2012 | Laurence King Publishing | 9781856697521 | English | London, United Kingdom Saul Bass: A Life in Film & Design With the opening to Spartacusshe was directing and producing title sequences, and in the couple married, beginning more than 30 years of close collaboration. In more human terms, this means that whenever you buy a book on Amazon from a link on here, I receive a small percentage of its price. Retrieved 13 June Original Title. The average lifespan of a Bass logo is more than 34 years. Saul Bass made me love opening titles, and he's probably responsible for the fact that I always sit through the end credits of a film. Hardcoverpages. Bass decided to create an innovative title sequence to match the film's controversial subject. With more than 1, illustrations, many of them never published before and written by the leading design historian Pat Kirkham, this is the definitive study that design and film enthusi This is the first book to be published on one of the greatest American designers of Saul Bass: A Life in Film & Design 20th Century, who was as famous for his work in film as for his corporate identity and graphic work. Saturday Night Shelves: to-read-again. A spread from the chapter on Hunt Foods after it took over W. Laurence King Publishing. He chose the arm as the central image, as it is a strong image relating to heroin addiction. Not Coming to a Theater Near You notcoming. Aug 30, Tim Lapetino rated it it was amazing. You see tributes to the graphic designer everywhere. A spread from the chapter on Bonjour Tristesse, directed by Otto Preminger, I can't read anything that small any more and won't try, without a magnifying glass and nothing else in the world to do for a year. Some recent examples include the theatrical release poster for Burn After Reading which incorporates Bass's typography and style of figurative minimalism, [24] and a poster for Precious which includes Saul Bass: A Life in Film & Design from several of Bass's posters, including Anatomy of a Murder. Classic Saul Bass. Inthis film was selected for the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". Download as PDF Printable version. The comic book artist J. Growing up in the Depression, he had to leave school at 16 to work in an advertising agency, attending art classes in the evening. To convince Hitchcock that the scene would work as planned, eight days before shooting of the final shower scene, Bass used a newsreel camera and Janet Leigh's stand-in Marli Renfro to shoot footage on the set to plan the shots in more detail. Publisher Laurence King put together this epic Saul Bass: A Life in Film & Design of the making of the book, to give you a sense of the scale and ambition of the project:. Having extended the remit of graphic design to include film titles, he went on to transform the genre. Just thinking of those titles makes you want to hide beneath the covers. Tone Poems of Color album cover, Their live- action opening title sequences often served as prologues to their films and transitioned seamlessly into their opening scenes. A spread of from the chapter on United Airlines advertisements, As he hoped, it caused quite a sensation. Full of insights and fascinating details. Later, he would produce logos for a number of Saul Bass: A Life in Film & Design companies as well. London: Phaidon Press. Enabling JavaScript in your browser will allow you to experience all the features of our site. I want everything we do to be beautiful. He was uneasy about it. Media Tie In. This later work with Martin Scorsese saw the Basses move away from the optical techniques that Saul had pioneered and move into the use of computerized effects. Having extended the remit of graphic design to include film titles, he went on to transform the genre. Of course, this new tome has its fair share of images too, more than a thousand of them, in fact: old photographs, product labels and movie posters in that unmistakably jerky style. His insights on creativity and advice on doing quality work are also a timeless treat for any creator. Examples of this or what he described as "making the ordinary extraordinary" can be seen in Walk on the Wild Side where an ordinary cat becomes a mysterious prowling predator, and in Nine Hours to Rama where the interior workings of a clock become an expansive new landscape. Welcome back. Saul Bass: A Life in Film and Design The much-awaited monumental monograph of the Saul Bass: A Life in Film & Design graphic designer of all time. His film titles -- still arresting. Other editions. Saul Bass: A Life in Film and Design The comic book artist J. In an interview with film historian Pat KirkhamBass recalled, "Having designed and storyboarded the shower sequence, I showed it to Hitch. About Saul Bass: A Life in Film & Design Author Jennifer Bass is a graphic designer and artist. Hitchcock had asked Bass to design and produce storyboards for the shower murder scene and for some other scenes in the film. The answer proved to be film-making: imaginative documentaries, a single feature film the rarely seen SF picture Phase IVmade in Britain inand pre-eminently title sequences for other directors' work on which he sometimes received the credit of "visual consultant". Showing Product Details About the Author. Pat Kirkham. His identity work -- still astounding and groundbreaking. There is no single word to sum up the work of graphic designer Saul Basswho so succinctly defined entire movies with just one image. Academy Film Archive. As visual consultant, his role has also been the subject of controversy, most significantly over Saul Bass: A Life in Film & Design shower sequence in Psychowhich many now see as substantially, though not entirely, Bass's work. Bass once described his main goal for his title sequences as being to "try to reach for a simple, visual phrase that tells you what the picture is all about and evokes the essence of the story". Read more For those who can read the tiny type, and are graphic design students or admirers, the many illustrations that show the road to a finished project are invaluable. His career rapidly took off in a city that was emerging as a vital centre of modernism in architecture and design, awash with rich clients and sponsors. I particularly love his use of typography and image. Saul Bass May 8, —April 25, is one of the most iconic and influential visual communicators of the 20th century — possibly the most famous graphic Saul Bass: A Life in Film & Design of all time — having broken out of the conformity of the s to shape the aesthetic of generations of designers and animators with his bold and lively film title sequences and graphic design. Saul Bass. A spread from the chapter on Hunt Foods after it took over W. London: Phaidon Press. Designer Art Sims claimed that it was made as an homage, but Bass regarded it as theft. A spread with the poster and idea sketches from the chapter on Seconds, directed by John Frankenheimer, Friend Reviews. Sign Up. The Independent. Designed by Jennifer Bass, Saul Bass's daughter and written by distinguished design historian Pat Kirkham who knew Saul Bass personally, this book is full of Saul Bass: A Life in Film & Design from the Bass archive, providing an in depth account of one of the leading graphic artists of the 20th century. Bass became widely known in the film industry after creating the title sequence for Otto Preminger 's The Man with the Golden Arm Film books reviews. His film titles -- still arresting. Saul Bass: A Life in Film & Design by Jennifer Bass and Pat Kirkham – review Get A Copy. Jennifer Bass. American graphic designer. Working with Hitchcock's editor George TomasiniSaul Bass: A Life in Film & Design edited this footage following the storyboards to show Hitchcock how the scene could work. Apr 19, Chelsea Parrish rated it liked Saul Bass: A Life in Film & Design. Bass's posters, however, typically developed simplified, symbolic designs that visually communicated key essential elements of the film. Saul Bass designed emblematic movie posters that transformed the visuals of film advertising. June 17, Topics Design The Observer. In addition to movie posters, Bass designed numerous posters for film festivals, and several magazine, book, and album covers. All Rights Reserved. Return to Book Page. Their live-action opening title sequences often served as prologues to their films and transitioned seamlessly into their opening scenes. Overview This is the first book to be published on one of the greatest American designers of the 20th Century, who was as famous for his work in film as for his corporate identity and graphic work. The average lifespan of a Bass logo is more than 34 years. There are no discussion topics on this book yet. Uh-oh, it looks like your Internet Explorer is out of date. Advertising Age. Saul Bass: A Life in Film & Designthis film was selected for the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". To see what your friends thought of this book, please sign up. A spread from the chapter on Anatomy of a Murder, directed by Otto Preminger, In particular, title sequences for some recent movies and television series, especially those whose setting is during the s, have purposely emulated the graphic style of Saul Bass's animated sequences from the s.