MUS 204: Theory and Musicianship IV Test 1 Study Guide I. Form (14 pts) A) Be prepared to draw a diagram, including typical keys in the Classical era, for the following forms: 5-part rondo 7-part rondo sonata form sonatina sonata-rondo sonata-concerto B) Be prepared to describe the differences between standard sonata form and its three variants (i.e. sonatina, sonata- rondo, sonata-concerto). II. Terms (20 pts) Be prepared to match definitions with the following terms: refrain episode retransition coda exposition development recapitulation transition codetta dominant preparation introduction double exposition cadenza III. Form Analysis (30 pts) Be prepared to identify both large scale and small scale formal features in a given piece of music, along with the key of each section. Two movements will Be selected from the following pieces studied in class and/or assigned as homework. One additional movement not covered in class will also Be included. RONDO: Murray Example XVI.1.1 Beethoven – Sonata No. 8 Op. 13 (Pathétique), mvt. 2 Murray Exercises XVI.1.2 Mozart – String Quartet in B¯, K. 159, mvt. 3 AMA Example 29-1 Couperin – “La princesse de Sens” AMA Example 29-2 Haydn – Piano Sonata in D, Hob. XVI:37, mvt. 3 AMA Example 29-3 Bartók – “Evening in Transylvania” SONATA: Murray Example XVI.2.1 (also AMA Example 29-7) Clementi – Sonatina in C, op. 36, no. 3, mvt. 1 Murray Exercises XVI.2.2 Clementi – Sonatina in D, op. 36, no. 6, mvt. 1 AMA Example 29-4 Beethoven – Sonata in G, op. 49, no. 2, mvt. 1 AMA Example 29-5 Ries – Piano Sonatina in F, op. 5, no. 2, mvt. 1 AMA Example 29-6 Mozart – Piano Sonata in F, K. 280, mvt. 2 SONATA VARIANT: Murray Example XVI.3.1 Mozart – Sonata in F, K. 332, mvt. 2 Murray Exercises XVI.3.1 Beethoven – Sonata No. 8 Op. 13 (Pathétique), mvt. 3 IV. Harmonic Analysis (36 pts) Be prepared to identify the key and laBel selected harmonies with Roman numerals or other appropriate symBols. These will Be from the same movements as those used in Part III. .