Exceptional Image Quality… Definitive Control… Professional Functionality. Canon’s XL H1S and XL H1A High Definition HDV, shoulder- mount camcorders stand out in the most demanding environ- ments. Decades of Canon leadership in the design and manufacture of cameras and lenses for broadcast and still photography ensure optical excellence and superb image quality, while Canon’s technical prowess delivers industry standard connectivity and an extraordinary level of custom control. Exceptional Image Quality Only Canon Can Deliver Genuine Canon 20x HD Video Zoom Lens III Canon Interchangeable XL Lens Mount The XL H1S and XL H1A feature the XL mount system that offers the added range and flexibility of using optional interchangeable lenses, including the wide- angle Canon 6x HD Video Zoom XL 3.4–20.4mm L lens (35mm equivalent 24.5–147mm), ideal for applications requiring a wider field-of-view. This L-series lens captures in Full HD clarity and incorporates all of Canon’s leg- endary optical superiority. The XL lens mount also enables the use of the Extender XL 1.6x, which increases the focal length by 1.6x and the EF Adapter XL, which enables users to attach a wide array of Canon photographic EF Extender lenses (only L-series is XL 1.6x EF Adapter XL recommended)—for specialized image capture. The XL H1S and XL H1A have all the advantages of Canon’s proven leadership in optical technology and optics drive HD SuperRange Optical Image Stabilizer image quality. The interchangeable Genuine Canon 20x HD Video Zoom Lens III (35mm Steady images are ensured with Canon’s equivalent 38.9–778mm) is a new high-performance L-series lens, specifically designed for HD Optical Image Stabilizer. The system production. Now in its third iteration, this redesigned lens incorporates two aspherical lenses, continuously compensates for shake and Canon’s world-renowned fluorite glass and SR multi-coating technologies that produce superior image jitter by activating a Vari-Angle prism when the quality with excellent resolution, contrast and minimal chromatic aberration. The L-series designation that is gyroscopic sensors detect camera movement. The identified by the distinctive red ring has become the symbol of professional lenses worldwide for its unmatched XL H1S and XL H1A can correct a wide range of reputation as the choice of industry professionals the world over. The lens also features a new manual iris vibration because the cameras’ 20x HD Video Zoom ring in 1/16-stop increments for exceptional exposure control and two built-in ND (Neutral Density) Lens III incorporates Canon’s SuperRange Optical filters that reduce exposure by 1/6 (2 stops) or 1/32 (5 stops). Focus and zoom operations have also Image Stabilizer technology to analyze the image at been improved so that they allow manual focusing during zooming. Design and ergonomics have further the CCD sensor. The result is extraordinary camera been improved such as a weightier zoom ring and an adjustable rotational angle for the zoom ring, shake correction, even at long focal lengths. contributing to a lens feel that many professionals prefer. Lens Presets also allow the operator to store any given focus or zoom point and return to that position with a single touch of a button. Three 1/3" Native 16:9 CCDs (1440 x 1080) Fast, Responsive, Versatile Zoom Comprehensive Focus Control Its sophisticated 3CCD design With a newly designed ring shape and increased The XL H1S and XL H1A deliver HD, which demands gives each primary color a dedicated speed, the camera’s zoom starts and stops with precise focus. The highly responsive, independ- native 16:9 sensor. Each sensor has exceptional smoothness and provides a comprehen- ently functioning focus ring (with selectable oper- approx. 1.67 million pixels (1440 x 1080), giving sive array of options. The zoom can be controlled in ational direction) allows the videographer to focus the XL H1S and XL H1A a high pixel count (equal to three different ways—the lens zoom ring, grip zoom manually even while zooming—in both Manual Focus 800 TV lines of horizontal resolution). Color is ren- lever or handle zoom lever (for low-angle shots). It and AF mode. 4 selectable preset focus speeds dered with exceptional accuracy, in a wide dynamic features three widely ranging zoom speeds, and are available along with three settings of sensitivity range and with virtually no color noise. 16 levels of speed control. With the new Genuine for the focus ring allowing you to set the respon- Canon 20x HD Video Zoom Lens III attached, zooming siveness to your liking. Push AF control lets you Canon DIGIC DV II speeds from wide to tele range in speeds from 5 min- temporarily override manual focus to quickly find HD Image Processor utes to an astounding 1.2 sec. at the fastest setting. critical focus, while a Focus Limit function (selec- Engineered and Variable zoom speed operation with 16 levels of speed table to on or off) limits the focusing range of the manufactured control is also possible through the pressure-sensitive lens such as when shooting macro. To further assist exclusively by zoom lever (rocker). Or choose from one of the 16 in focusing, dedicated Peaking and Magnifying Canon and specifically for HD, the latest generation levels and set it so that zooming is done at a constant controls are available. For Peaking, frequency (edge DIGIC DV II HD Image Processor delivers optimal pace. Furthermore, starting and stopping of zoom thickness) and gain (edge density) levels are image quality at the highest operating speeds. movement is “ramped,” avoiding “zoom shock” in adjustable. Two settings can be stored and accessed The DIGIC DV II HD Image Processor is designed for your videos or broadcasts for a more natural effect. quickly with a touch of a button. By attaching the HD, operating at 1440 x 1080 pixels with 4:2:2 color included external monitor cable to the component sampling. Color reproduction is exquisitely natural, SLOW Approx. 4.3 sec. (speed: 16x) to approx. 5 min. (speed: 1x) NORMAL Approx. 2.0 sec. (speed: 16x) to approx. 3 min. (speed: 1x) terminal of a monitor, the operator can also use especially in skin tones and in dark or light scenes. FAST Approx. 1.2 sec. (speed: 16x) to approx. 60 sec. (speed: 1x) peaking and magnify controls to check manual focus A hybrid noise reduction system employs dual Zoom speed can be set to NORMAL, SLOW or FAST via C.Fn-02 on a larger screen rather than in the finder. processes to create brilliantly clear HD images. Professional Functionality for Today’s Production Environments Flexible Audio Control HD-SDI, Genlock and Time Code Connection Terminals (XL H1S only) The Canon XL H1S is ready for any professional application with HD-SDI, Genlock and Time Code Connections (BNC). SDI outputs conform to industry standards HD-SDI (SMPTE 299M) or SD-SDI (SMPTE 272M. The XL H1S includes embedded audio and time code. The HD-SDI output provides an uncom- pressed 1.485 Gbps 60i signal at 1920 x 1080 resolution with 4:2:2 color sampling. Because a single industry standard connection carries video, audio and SMPTE (LTC) Time Code, cabling com- plexity is significantly reduced. This enables longer cable runs, improves the operator’s mobility, and simplifies the cabling process. Genlock input enables synchronization of a multi-camera, live- switched production environment in the studio or on location. When shooting HD, it can accept either an SD (blackburst) or HD (tri-level) sync signal. A separate SMPTE Time Code Input and Output The XL H1S and XL H1A allow for advanced control over all aspects of audio during recording. The camcorder is terminal accommodates time code requirements equipped with 2 built-in XLR terminals, each with an individual sensitivity setting. Sensitivity for the XLR line in multi-camera shoots, or when synching with input manual operation has been increased as well as the amplitude of the audio line output level being other devices. switchable between 1 Vrms and 2 Vrms at full scale for added audio quality. This allows for audio output at a maximum +6 dBV when video 2 Channel Recording via supplied microphone and XLR inputs Superior Connectivity is recorded at the standard +4 dBu Additional standard con- input setting. XLR and microphone nectors include a resilient sensitivity selections include +12 6-pin IEEE1394 terminal dB, +6 dB, 0 dB, -6 dB and -12 dB. which provides a more 2-channel recording is possible via robust connection to simultaneous use of the supplied external hardware, com- microphone and XLR inputs. ponent analog video out- Automatic level control settings put (1080/60i or 480/60i for both XLR channels can be set to connection), S-Video XLR input sensitivity can be set for Channel Use the supplied microphone and XLR input at link or remain independent to each 1/2 individually the same time input/output, composite other. The camcorder is also equipped with a 3.5mm terminal for a camera microphone, 3.5mm stereo video output and LANC mini-phono jack, and a rugged headphone terminal with level control. Additional audio controls include terminal. The XL H1S and an audio limiter function (manual recording mode) to prevent distortion in audio signals due to sudden XL H1A are also equipped loud noises, a 1 kHz Reference Tone (selectable to -12 dB, -18 dB or -20 dB), and monitor output selec- with a Flash Accessory Shoe for use with Canon tions of LR/LL/RR/monaural. EX-series Speedlites. Audio and Connections Sensitivity for the XLR line has been increased; output at a maximum +6 dBV Supplied microphone is possible when recorded at the 6-pin IEEE1394 terminal for standard +4 dBu HDV/DV input/output; LANC terminal 2 built-in XLR terminals allow for 2-channel S-Video input/output; recording via simulta- composite video; audio neous use of the sup- input/output (RCA) plied microphone and XLR inputs.