BAM 2014 Next Wave Festival #OnBehalfofNature Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Karen Brooks Hopkins, President On Behalf Joseph V. Melillo, Executive Producer of Nature Meredith Monk & Vocal Ensemble BAM Harvey Theater Dec 3—6 at 7:30pm; Dec 7 at 3pm Running time: one hour and 15 minutes, no intermission Music and direction by Meredith Monk Lighting design by Elaine Buckholtz Sound design by Jody Elff Costumes and scenography by Yoshio Yabara With Sidney Chen, Ellen Fisher, Katie Geissinger, Meredith Monk, Bruce Rameker, Allison Sniffin voices Bohdan Hilash winds John Hollenbeck percussion Allison Sniffin keyboards, violin, French horn Production manager Philip Sandström Season Sponsor: Technical director Johnny Chanthavong Assistant technical director Jess Malcolm Sound engineer Dave Cook Time Warner is the BAM 2014 Score preparation/Music director Allison Sniffin Next Wave Festival Sponsor Video editing Meredith Monk and Michael Grenadier Viacom is the BAM 2014 Music Sponsor Production coordinator/Company manager Peter Sciscioli Leadership support for music at BAM provided by: Frances Bermanzohn & Alan Roseman Pablo J. Salame On Behalf of Nature As I began working on On Behalf of Nature, I asked myself the question: “how would one create an ecological art work that didn’t make more waste in the world?” Live performances leave no traces except, hopefully, in the minds of audience members. This ephemeral aspect is both poignant and exhilarating. Sometimes though, the desire for novelty and surface excitement leads to buying a lot of new things, spending a great deal of money for an experience that lasts only a few hours. I wondered how one could make an alternative to that. I started thinking about the French anthropologist Claude Lévi-Strauss and his notion of “bricolage”: the process of assembling or making something from what is already at hand. In pre-industrial societ- ies, one object could function in many different ways by an act of imagination. We now speak of this process as re-purposing. Yoshio Yabara, the costume designer for On Behalf of Nature, implemented this concept by creating new garments with unique shapes for each performer, fashioned from his or her old clothing. Each costume inherently included aspects of that performer’s personal history contained in the original garments. This idea of spiraling around to the past to make something com- pletely new is also a way of appreciating what is here in the present and working with what we have. The same principle extends to other elements in On Behalf of Nature. One of the early inspirations for On Behalf of Nature was an essay by the poet, Gary Snyder, entitled “Writers and the War Against Nature.” In it he writes about the role of an artist being that of a “spokesperson for non-human entities communicating to the human realm through dance or song.” This act of compassion, of “speaking on behalf of nature,” embodies and gives voice to those forces that often go unrecognized. On Behalf of Nature is a meditation on our intimate connection to nature, its inner structures, the fragility of its ecology and our interdependence. —Meredith Monk All music compositions © Meredith Monk 2012 (ASCAP) Meredith Monk. Photo: Julieta Cervantes Who’s Who MEREDITH MONK (composer, director, instruments, with commissions from Michael performer) is a composer, singer, director/ Tilson Thomas/San Francisco Symphony and choreographer, and creator of new opera, New World Symphony, Kronos Quartet, St. Louis music-theater works, films, and installations. A Symphony Orchestra, and Los Angeles Master pioneer in what is now called “extended vocal Chorale, among others. technique” and “interdisciplinary performance,” Monk creates works that thrive at the intersection Since graduating from Sarah Lawrence College of music and movement, image and object, in 1964, Monk has received numerous honors and light and sound in an effort to discover and including the prestigious MacArthur Fellowship, weave together new modes of perception. Her two Guggenheim Fellowships, three Obie Awards groundbreaking exploration of the voice as an (including an award for Sustained Achievement), instrument, as an eloquent language in and and two Bessie Awards for Sustained Creative of itself, expands the boundaries of musical Achievement. She holds honorary Doctor of composition, creating landscapes of sound that Arts degrees from Bard College, the University unearth feelings, energies, and memories for of the Arts, the Juilliard School, San Francisco which there are no words. Over the last five Art Institute, and the Boston Conservatory. decades, she has been hailed as “a magician Monk has made more than a dozen recordings, of the voice” and “one of America’s coolest most of which are on the ECM New Series composers.” Celebrated internationally, Monk’s label, including the 2008 Grammy-nominated work has been presented by BAM, Lincoln impermanence, the highly acclaimed Songs of Center Festival, Houston Grand Opera, London’s Ascension (2011), and Piano Songs (2014). Barbican Centre, and at major venues in She has been working with the publisher Boosey countries from Brazil to Syria. Among her many & Hawkes since 2001. accolades, she was recently named an Officer of the Order of Arts and Letters by the Republic In October 1999 Monk performed A Vocal of France, and the 2012 Composer of the Year Offering for His Holiness, the Dalai Lama as by Musical America. Monk is also one of NPR’s part of the World Festival of Sacred Music in 50 Great Voices, and has received a 2012 Doris Los Angeles. Her 40th year of performing and Duke Artist Award and a 2011 Yoko Ono Lennon creating new music was celebrated in 2005 by Courage Award for the Arts. a four-hour marathon at Carnegie’s Zankel Hall, with additional performances throughout New In 1968 Monk founded The House, a company York City. In February 2012 she was honored dedicated to an interdisciplinary approach to with a remix and interpretations CD, MONK performance. In 1978 she founded Meredith MIX, featuring 25 artists from the jazz, pop, Monk & Vocal Ensemble to expand her musical DJ, and new music worlds. In March 2012, textures and forms. As a pioneer in site-specific she premiered Realm Variations for six voices performance, she has created such works as and small ensemble, commissioned by the San Juice: A Theatre Cantata In 3 Installments Francisco Symphony, and performed in John (1969) and Ascension Variations (2009) for the Cage’s Song Books as part of the Symphony’s Guggenheim Museum, and American Archeology American Mavericks Festival. Meredith Monk #1: Roosevelt Island (1994). Monk’s award- is currently celebrating her 50th season as a winning films, including Ellis Island (1981) and creator and performer. Recognized as one of her first feature, Book of Days (1988), have the most unique and influential artists of her been seen throughout the world. Her music generation, she has been appointed the 2014- can also be heard in films by such directors as 2015 Richard and Barbara Debs Composer’s Jean-Luc Godard and the Coen Brothers, and on Chair at Carnegie Hall. the HBO series, True Detective. In addition to her numerous vocal pieces, music-theater works and SIDNEY CHEN (performer) is a founding operas, Monk has created vital new repertoire member of The M6, a vocal sextet dedicated to for orchestra, chamber ensembles, and solo Meredith Monk’s music. On Behalf of Nature Who’s Who is his first production as a member of Meredith of Ascension (all released by ECM), receiving Monk & Vocal Ensemble, after performing a Bessie Award for The Politics of Quiet. She in Monk’s Realm Variations with the San premiered Bang on a Can’s Obie-winning Francisco Symphony. Previously, Chen sang The Carbon Copy Building (Canteloupe), and in the Meredith Monk Young Artists Concert performed in the second world tour of Philip at Carnegie’s Zankel Hall in 2006, and in Glass and Robert Wilson’s Einstein on the Songs of Ascension at BAM in 2009. He has Beach (Elektra Nonesuch), which was revived also performed Monk’s music for solo voice at in concert at Carnegie Hall. Other Carnegie Hall Oakland’s Garden of Memory. More recently, appearances include Bach’s Magnificat with Chen performed in the 45th-anniversary the Orpheus Chamber Orchestra, the Witch in celebration of Terry Riley’s In C organized by the Honegger’s Le Roi David, and Osvaldo Golijov’s Kronos Quartet at Carnegie Hall, and a staged Ainadamar. Geissinger has also appeared in production of David Lang’s the little match girl Jonathan Miller’s staged productions of Bach’s passion by San Francisco Lyric Opera which St. Matthew Passion at BAM, in John Tavener’s toured to Denmark. This season he performs The Veil of the Temple at Lincoln Center, in Berio’s Sinfonia for 8 soloists and orchestra with Julia Wolfe’s Steel Hammer at the Winter the San Francisco new-music ensemble Volti. He Garden, and in Ann Hamilton’s the event of a has recorded with The M6 and Meredith Monk & thread, with music by David Lang, at the Park Vocal Ensemble on Songs of Ascension. Avenue Armory. Her Broadway credits include Baz Luhrmann’s production of La Bohème and ELLEN FISHER (performer) is an Coram Boy, and Off-Broadway she has appeared interdisciplinary artist whose work combines in many Gilbert and Sullivan operettas. She dance with visual components. She began has premiered many new music-theater pieces, performing with Meredith Monk/The House including Mark Mulcahy and Ben Katchor’s The in the ‘70s, in such works as The Plateau Rosenbach Company and Philip Miller’s The Series and Recent Ruins, and more recently Hottentot Venus at MASS MoCA.