298744 Karin Zackari

298744 Karin Zackari

Framing the Subjects Human Rights and Photography in Contemporary Thai History Hongsaton Zackari, Karin 2020 Document Version: Publisher's PDF, also known as Version of record Link to publication Citation for published version (APA): Hongsaton Zackari, K. (2020). Framing the Subjects: Human Rights and Photography in Contemporary Thai History. (1 ed.). MediaTryck Lund. Total number of authors: 1 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 Framing the Subjects Human Rights and Photography in Contemporary Thai History KARIN ZACKARI JOINT FACULTIES OF HUMANITIES AND THEOLOGY | LUND UNIVERSITY Joint Faculties of Humanities and Theology 213166 Department of History Human Rights Studies 789189 ISBN 978-91-89213-16-6 9 Framing the Subjects Human Rights and Photography in Contemporary Thai History Karin Zackari DOCTORAL DISSERTATION with due permission of the Joint Faculties of Humanities and Theology, Lund University, Sweden. To be defended at LUX C121 on 25 September 2020 at 13.15. Faculty opponent Dr. Tyrell Haberkorn 2)#/+9#4+0/ 0%5.'/4/#.'<0A<?.96@@2?A.A6<; '!'!($%&) <6;A.0B9A62@<3B:.;6A62@.;1 #4'0(+335' &52<9<4F BA5<?.?6;<;[email protected]<;*.08.?6 %=<;@<?6;4<?4.;6G.A6<; !+4-'#/&35$4+4-'?.:6;4A52%B/720A@B:.;$645A@.;1#5<A<4?.=5F6;<;A2:=<?.?F&5.66@A<?F $342#%4 &56@16@@2?A.A6<;.;.9F@2@=5<A<4?.=5FD6A56;.5B:.;?645A@16@0<B?@26;&5.69.;1@A.?A6;46;A52 @ 2:.;06=.A<?F.;A6:696A.?6@A.;A66:=2?6.96@A.;1@<961.?6AF:<C2:2;A?.D6;4<;@AB162@<[email protected]=<D2? .;1.A?<06AF=5<A<4?.=5F.0?6A60.9.==?<.05A<[email protected]@<3=5<A<4?.=5FD6A56;5B:.;[email protected]@: .;15B:.;?645A@@AB162@6@12C29<=21F0<;02=AB.96G6;45B:.;?645A@.@16@@2;@B@=<96A60@A52 16@@2?A.A6<;A.82@6@@B2D6A5A52<?62@<3=<D2?A5.A12=<96A606G2A52=<@@6/92@B/720A@<35B:.;?645A@&52 >B2@A6<;[email protected]=<A2;A6.96@3<?=5<A<4?.=5602;4.42:2;A@6;3?.:6;4A52@B/720A<35B:.;?645A@.@ D299.@5B:.;?645A@.@.=<96A60.93<?02&5216@@2?A.A6<;=?<C612@.:2A5<13<?5<DA<@AB1F=5<A<4?.=5F 6;?29.A6<;A<56@A<?F.;1:2:<[email protected]<;A?6/BA6<;A</<A55B:.;?645A@@AB162@.;1&5.6@AB162@ &52@<B?02:.A2?6.9@.?2=?6;A21=B/960.A6<;@.@D299.@2E56/6A6<;@:<;B:2;A@.;1:B@2B:@#6206;4 A<42A52?6;3<?:.A6<;3?<:C.?6<B@?2=<@6A<?62@6;@612.;1<BA@612<3&5.69.;15.@/22;.?2@2.?05A.@86; 6A@293<;16A6<;@3<?=?2@2?C.A6<;.;1.?056C6;46;&5.69.;196:6AA52=<@@6/696AF<3=?<1B06;4:2:<?62@.;1 .00<B;A@<356@A<[email protected]<;A?.160A@A521<:6;.;A;.A6<;.96@A;.??.A6C2&52=5<A<4?.=560.;.9F@6@6@ /.@21<;A52<;A<9<460.9=<@6A6<;A5.A=5<A<4?.=5F6@.;2C2;AA5.A/246;@/23<?2A52=5<A<[email protected]; .;16;C<9C2@2C2?F<;2D5<2;0<B;A2?@A52=5<A<4?.=5.;146C2@:2.;6;4A<6A&56@=<@6A6<;6;C6A2@A52 5B:.;?645A@?2@2.?052?A<B;12?@A.;1A52?246:2@<3C6<92;026;D5605A52=5<A<4?.=5@<36;16C61B.9 C6<9.A6<;@.?22:/2112102;A?.9.?4B:2;[email protected]=<D2?<3=5<A<[email protected];A52@2 2;4.42:2;A@D6A5=5<A<4?.=5FA5.A?2;24<A6.A2A52:2.;6;4<3A52=5<A<4?.=5212C2;A &52A52@6@0<:=?6@2@3<B?<?646;.9.?A6092@?A60926;[email protected]@A5242;[email protected]@<3=5<A<4?.=5F.:<;4 @<06.9.;1=<96A60.9:<C2:2;A@6;&5.69.;1A<3B?A52?5B:.;[email protected]@2@A@5<D@5<D.0A6C6@AB@2<3 =5<A<4?.=5F0<;A?6/BA2@A<56@A<?60.90<;@06<B@;2@@.;1A520<;@A?B0A6<;<30<9920A6C2:2:<?F?A6092 =?<[email protected]@A<?60.9.;1=<96A60.90<;A2EA3<?0<;@A?B6;4.@B/720A<35B:.;?645A@D6A56;A52&[email protected] ?A6092=?2@2;A@.;.;.9F@6@<[email protected]<;<356@A<?60.9.;10<;A6;B<B@@A.A2C6<92;02.;16:=B;6AF6; &5.69.;1A6;[email protected]@A52?<92<3=5<A<4?.=5F6;=9.02<[email protected];02<3C6<92;026;?29.A6<;A</<A5 49</.9.;1&5.6=5<A<4?.=560=?.0A602@.;1.0A6C6@AB@2@<3=5<A<4?.=5FA@5<D@5<[email protected]=5<A<4?.=5F =?<1B021.3A2?.;2C2;A<3C6<92;020.;3B;0A6<;.@56@A<?60.9?20<?1@.;1@2?C2.@:.A2?6.9/.@6@3<? 0<9920A6C2.;16;16C61B.9:2:<?F?A6092(6@=?6:.?69F0<;02?;21D6A5A52?2=?<1B0A6<;@<3=5<A<4?.=5@ 3?<:A52 "0A</2? B=?6@6;4.;1A52"0A</2? :.@@.0?26;.;48<8F0<:=.?6;4 =B/960.A6<;@<C2?3<B?120.12@6A6@092.?5<D=5<A<4?.=5F46C2@:2.;6;4A<.;1?23?.:2@A522C2;A@ "0A</2? .==2.?@6;A52=5<A<4?.=560?2=?<1B0A6<;[email protected]@A@A?B4492D6A56;.;.A6<;.96@A16@0<[email protected] .AA52@.:2A6:2</@0B?2@[email protected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raming the Subjects Human Rights and Photography in Contemporary Thai History Karin Zackari 28)43,262;",%- %6,1)953%3)4 23:4-+,633- %4-1$%'.%4- %3)4 ; ",%00%5%62741%/2*-5624: %3)4 ; !34-1+)4%674) %3)4 ; %035,-4)2//)+)-',-+%17&/-5,-1+ %3)4 ; !!#1-8)45-6:2*21(21 2-16%'7/6-)52*70%1-6-)5%1(",)2/2+: )3%460)162*-5624: 70%1 -+,65!67(-)5 ! (print) ! (ebook) 4-16)(-1!9)()1&:)(-%"4:'. 71(#1-8)45-6:71( For my children, who are the future. "%&/)2*216)165 List of Original Articles iii Note on Thai language and transliteration iv Acknowledgements v Introduction 1 Aims and Scope 2 State Violence, Nationalism, and Human Rights as Dissensus Politics 4 From Sitthi to Human Rights 10 Visual Power and Violence 15 The Disposition of the Thesis 19 1. Thailand and Human Rights Histories 21 Cold War Authoritarianism and Mass Social Movements 22 Political Violence and the First Human Rights Groups 28 Human Rights as an Anti-imperialist Language 35 The End of the Cold War and Towards a Democratic Narrative 42 2. Sources, Method, and Methodology 45 In Search for an Ethics of “Looking” 46 Collecting Source Material 50 The Role of 14 October 1973 and 6 October 1976 55 Analytical Method 58 The “Event of Photography” as Ontological Position 65 3. Photography and Human Rights in History and Memory Production 69 The Political Power of Photography 70 Photography in History and Memory of Human Rights 77 The Human Rights Archive 84 Summaries of the Articles 89 Article I 89 Article II 89 Article III 90 Article IV 91 References 92 The Original Articles 105 List of Original Articles This thesis is based on the following publications, referred to by their Roman numerals. I. Zackari, K. “Writing Rights into Thailand's History with Photography.” Thammasat Journal of History 2, no. 1 (2015): 201-47. II. Zackari, K. “Violence on the Periphery of the Thai State and Nationhood.” In State Terror, State Violence: Global Perspectives, edited by Bettina Koch, 71-92. Springer Fachmedien Wiesbaden, 2016. III. Zackari, K. H. “Visualizing Impunity: Photography and State Violence in Thailand.” Trans-Asia Photography Review 10, no.1 (2019). http://hdl.handle.net/2027/spo.7977573.0010.105 IV. Zackari, K. H. “Photography in the History of the 14 October 1973 and 6 October 1976 Events.” Accepted for publication in South East Asia Research.

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    121 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us