Taiko: An Ancient Modern Art Welcome! The art of taiko drumming is a dynamic most beautifully decorated of all Japanese combination of choreography, fluidity, power instruments. and rhythm; an incredible experience that allows one to meet and interact with people It is speculated that taiko existed in Japan while having fun and relieving stress. and the playing style was influenced by the impact of Chinese culture and the entrance of Taiko groups all around the world are Buddhism. After the country became isolated contributing to what is quickly becoming a once again, development was attributed to global art form. It is estimated that there are native craftsmen to shape what is now a over 8000 taiko groups in Japan alone, and uniquely Japanese instrument. Until the 20th many more worldwide (There are more than century, taiko playing was generally limited a dozen Canadian groups). to ceremonies (shiki 式) and festivals (matsuri 祭り). We are the Midnight Taiko Kai, a group in Calgary devoted to improving ourselves, Modern Taiko History having fun, and bringing our love of Taiko to In 1951, jazz drummer Daihachi Oguchi the audiences who watch us perform. happened upon an old taiko piece and decided to play it in ensemble, building upon the base beat and kumi-daiko as we know it History of Taiko Drumming was born. In the 1970s the Japanese Kumi-daiko as an art form is relatively new, government gave communities money to but the taiko drum has a long history in preserve the intangible cultural assets that Japan. It is difficult to say when the first taiko were slowly disappearing in the post-war era. drums were used, but it is speculated they Many towns and villages used this money to were used as a signal for villages to help purchase taiko and start community taiko coordinate the activities of their daily lives. It groups. Some use the local taiko rhythms was believed that gods inhabited the drum, used in festivals; and others had pieces and the taiko therefore became a critical written for them. element in the Japanese religious landscape. Taiko were found only in Buddhist temples or Taiko has proven popular in North America, Shinto shrines, and only holy men were first introduced by Japanese-Americans in the allowed to beat them on special occasions. early 1900s. Following the war, and much cultural and racial tension, taiko lost its Taiko were also used as the drums of war, as following in the North America until 1968, their sound carries far and wide, effective for when Seiichi Tanaka brought the concept of issuing commands and coordinating kumi-daiko to the United States to form the movement. In addition to this, taiko were first North American taiko group - the San also used as court instruments. Gagaku (雅楽, Francisco Taiko Dojo. There, it immediately imperial court music) is played using the began to thrive, inspiring other groups, and is © 2006-2014 Ruth Ablett, Midnight Taiko Kai, www.midnight-taiko.ca now at the point where the art has evolved so daiko (lit. Shrine taiko), or wadaiko 和太鼓 (lit. that each of the many groups has its own Japanese taiko). unique style. There are also taiko groups all over the world. Chū-daiko 中太鼓 (lit. middle taiko) On the larger end of the nagado-daiko range, The most famous taiko group is Kodō, whose anywhere from 2-3 shaku in diameter. members train like Olympians on their private island called Sado. Their world tours bring Ko-daiko小太鼓 (lit. little taiko) The smaller taiko to all parts of the globe. drums in the nagado-daiko range, between 0.8 and 1.5 shaku in diameter. Here in Alberta there are a few groups, notably Kita no Taiko and Booming Tree in Ōdaiko 大太鼓 (lit. big taiko) A large drum, Edmonton, Hibikiya in Lethbridge, and with a diameter over 3 shaku. Midnight Taiko Kai here in Calgary. Shime-daiko締太鼓 (lit. rope-tensioned taiko) Playing Taiko A smaller taiko, usually 30-40cm in diameter As expressed above, there is far more to with a short body. It is tightened with rope or taiko drumming than simply hitting a drum bolts. Its tone is very sharp. with a stick. A piece must have a certain flow to it and the group must bring the piece alive Ō-shime-daiko大締太鼓 (lit. big rope- together. If one member is out of sync, the tensioned taiko) A very long-bodied shime- entire piece falls apart as the audience daiko. It is tightened with rope. Its tone is concentrates their attention on that one very sharp yet booming, used as a backup member, thus losing the flow of the piece. beat, often in place of an Ōdaiko. A piece consists of the base beat, usually by Okedo-daiko桶胴太鼓 (lit. barrel taiko) A an odaiko or o-shime-daiko. The shimedaiko longer, thinner, lighter, black-bodied drum, and chanchiki, with their high-pitched with skins held on both ends by an defining beats, play the jiuchi. Other rhythms elaborately tied crisscrossing rope. from different players and instruments layer Sometimes played while being held under the on top of this, weaving a complex pattern of arm (Okinawa style). beats and interconnecting rhythms that play off each other. Combine this with the Uchiwa-daiko 団扇太鼓 (lit. fan taiko) The dynamics of each strike and even the smallest of the skinned drums, it consists of a simplest rhythm can become complex and single piece of hide sewn onto a circular pleasing to the ear. metal frame, about 10cm in diameter and attached to a handle. It is held in one hand The icing on the cake, however, is the and struck with a bachi held in the other. choreography. The actions that accompany the beats are as important, if not more, than Kane 鉦 A gong or large bell, but can also the sound. The choreography, be it hand- refer to any instrument that produces a crossing, pointing, leaping, or simply metallic sound. bouncing, makes a piece spectacular. When all members of the group look identical and Hira-daiko 平太鼓 (lit. flat drum) Hira-daiko perform the proper beats with the correct are short and wide. Sometimes played choreography, the piece comes truly alive, horizontally on an angled stand, or hung from becoming a feast for the eyes and the ears. a frame and played vertically. Types of instruments Hyōshigi 拍子木 (lit. clapping wood) This Nagadō-daiko 長胴太鼓 (lit. long-bodied instrument usually consists of two wooden or taiko) The most common type of taiko. A bamboo blocks that are connected with a thin medium sized drum, anywhere from 1.5-3 ornamental rope. They can be struck against shaku in diameter. Also known as a miya- the ground, wall, each other, or any other similar surface. While traditionally it has been © 2006-2014 Ruth Ablett, Midnight Taiko Kai, www.midnight-taiko.ca used to announce the start of a traditional Raised horizontal (kagami-uchi 鏡打ち) This Japanese theatre performance, it is also a stand is usually used for Odaiko. The drum is wonderful addition to many taiko pieces. place horizontally on top of the stand, usually four or five feet high. Both sides of the drum Atarigane 当り鉦 (lit. metal for striking) This can be played in this position. small round instrument is made entirely out of metal, usually brass. It is in the shape of a Materials round bowl with a steep sides. It is struck Nagado-daiko 長胴太鼓 (lit. long-bodied taiko) with a small mallet (shumoku 撞木), made are taiko carved from a single piece of wood, usually of deer antler for a high, quick, and usually keyaki (zelkovia). The body is round delicate-sounding metallic tone. It is also and barrel-shaped, and the length is usually known as a chanchiki チャンチキ. equal to the playing surface of the drum. Many drums now have a trunk made from Chappa チャッパ A chappa consists of two paneled pine or oak (like a barrel), and are six-inch cymbal-like instruments that are hit therefore less expensive. The skin on the together in a similar fashion. Usually used drums is usually cowhide. while performing a dance. Also referred to as tebyōshi 手拍子 (lit. hand clapper). There are many different types of wood used to make taiko: 松（まつ）Pine, 樫（かし）Kashi Fue 笛 (also, shinobue, shakuhachi) Refers to (evergreen oak), 檜（ひのき）Hinoki a horizontal bamboo flute. Most have six or (Japanese cypress), 欅（けやき）Keyaki seven holes. Different styles are held (zelkovia), or 栴（せん）Sen (maple) horizontally or vertically. Parts of a Drum Shakuhachi 尺八 A large, vertical Japanese Byō 鋲－Tacks to hold the skin on the drum. recorder, usually made from bamboo. Drums with their skins held on with them are called byou-daiko. Taiko stands (dai 台) Angular (naname-dai 斜め台) An angular Hara 腹 (lit. belly) The round playable stand that places the drum about a foot off surfaces of the drum. Every drum has two. the ground at a 45 degree angle. The pitch depends on the tautness of the hide on both sides, as well as the size and depth Flat (beta-uchi 下手打ち) The drum is played of the body. either on a slightly raised stand or just on the floor. Dōu 胴 (lit. trunk) The body of the drum. This can be hit, resulting in a noticeably defined Square (shikaku-dai 四角台) This kind of stand sound. lifts the drum slightly off the floor, sometimes with a 5 or 10 degree slant. Kan かんThe ring-shaped handles on the sides of the drum.