9 de*- Mc` LRENFQ ;OVNO ,J S2.50 OCTOBER '981 __1 i ____A____.7 VOLL M E' 2- N U M B E R 5 ENO/NEER /PRNODUCERV .¡iwes;%- .áC..`Ta9r.Trg RELATING RECD DING ART TO iECCRDINC SCIENCE TO RECORJIN3 EQUIDMENT www.americanradiohistory.com IR t EXPAND YOUR HORIZONS To reach the stars in this business you need two things, talent and exceptionally good equipment. The AMEK 2500 is State of the Art design and technology respected worldwide. In the past 12 months alone, we've placed consoles in Los Angeles, Dallas, New York, Nashville, London. Frank- fort, Munich, Paris, Milan, Tokyo, Sidney, Guatemala City, and Johannesberg. When you have a great piece of equipment, word gets around. The "2500" has become an industry standard. It's everything you want in a master recording console, and...with the recent strength of the U.S. dollar versus the British pound, it's currently at a price that's even better than you expected. But why not find out for yourself? You can get all the speci- fications and information with just a phone call to one of our dealers... They'll be happy to help you "EXPAND YOUR HORIZONS." AMEK DEALERS: AMEK SYSTEMS AND CONTROLS, LTD. EVERYTHING AUDIO WESTBROOK AUDIO. INC. Islington Mill. lames Street 16055 Ventura Boulevard, Suite 1001 1 1836 Judd Court, Suite 336 Salford M3 SHW, England Encino, California 91436 Dallas. Texas 75243 Phone 001 -834 6747 Telex 668127 Phone (213) 995- 4175Teles 051485 Phone 1214) 699 -1203 www.americanradiohistory.com - ~ ~ n www.americanradiohistory.com ¡''xJ www.americanradiohistory.com "Obsolete" will never apply to Mitsubishi Digital Audio Equipment. Mitsubishi means flexibil_ty. Fixed Head Design. We've designed ou-S systems with All Mitsubishi Recorders use a you, your budgets, and the future of fixed head design. We believe the Entire recording industry in mind. this is the link betweer Mitsubishi Digital Audio Systems let analog and digital recording. you start out with basic masterirg The fixed head design - equipment and build your system as makes engineering as the need develops. The equipment simple as analog, allows you buy today is state -of- the -art and simultaneous sound is designed to accommodate any monitoring, and is improvements the future may br ng. much more reliable For instance, we've already greatly than the cassette improved the abilities of our rotary head format. 2-channel recorders capabilities. The fixed head design even allows for razor blade Why choose Mitsubishi? editing, as well as sophisticated Selection. electronic editing. THE TRANSPORTABLE X8C We are one of the few companies Also, the fixed head design allows that can offer uncompromised quality for a flat frequency response of up to a Mitsubishi PCM system for your and flexibility in such a wide rangr 23 kHz (optionally) and has a more specific needs. ImmediEte delivery is of PCM equipment. From 2- channel practical design than otter systems. available on most models. Leasing mastering to 32- charnel recorders. And, of course it's highl,' compatible programs are available and we even to advanced electron_c editors, with the CD digital audit disks that Mitsubishi makes them all with the rent systems directly for short term will be available in audio stores in quality that you demand at very projects. the United States next realisti: prices. year. System Design. Come See and Hear the Mitsubishi Digital Audio We will come to you anywhere in North America, allow you to test and Systems. evaluate this recording equipment in Stop by our booth at the AES Show your own studio, and custom design and talk to our designees and system analysts. We'll be in room 699 at the TI-E CONSOLE "PPE X80A Waldorf Astoria Hotel in New York, from Octcbcr 30th to November 2nd. If you can't make it to the AES show, call Lou Dblllenger or Sonny Kawakam_, at 800- 323 -4216 or 312 -982 -9232 (within Illinois), for more detailed information about Mitsubishi Digital Audio Systems. Mitsubishi can't be beat for sound, price, versatility, or servie. Don't even consider another PCM system 'til you've seen and heard Mitsubishi. MITSUBISHI DIGITAL AUDIO SYSTEMS EXPERIENCE the 3rd dimension in sound. 7045 North Ridgeway Avenue, Lincolnwood, IL 60645 For additional information circle =1 Uh tuber I9hl R li www.americanradiohistory.com NCPC pn»1 ii eli 1101111tC.!; C011t111. ia Reco "I/i;1X 5[11(6! I i the 4,f Ill P4 Yolk ;t!iiiit to bi :I the Neve IV i OS Ativatic et L ,kii Reco tftr Cniso A4: www.americanradiohistory.com SCAM Neve Computer Assisted Mixing System Capitol Records First NECAM in North America A &R Recording Pinewood Studios Automated Sound Queen Village Axis Sound RCA Records Damon Productions Ronnie Milsap Eastern Sound RPM Sound Electric Lady Rumbo Recorders Emerald City Skaggs Video Fantasy Records Soundcastle Goodnight L.A. Sound City The Hit Factory Sound Labs Hollywood Sound Sound Stage Studio Lion Share Recording Studio 55 Motown/Hitsville United Sound Muscle Shoals Sound United Western Phil Ramone Universal Recording Pierce Arrow Recorders The Village Recorder Waterstreet CBS Records Latest NECAM in New York Still Number One And determined to keep it that way! Neve introduced the NECAM Computer Assisted Mixing System in 1976, to be immediately accepted by the recording industry as the only practical computer assisted mixdown system available. And in 1931, 5 years later, NECAM is not only maintaining but rather advancing its lead on the competition with the recent introduction of NECAM II. Ask the artists, the producers, the mixing engineers. Most of the top professionals in our industry agree NECAM is still the only practical automation system around. And it is fully compatible with video sound production facilities. Advance with NECAM, and join the Neve world of Excellence. Some of the unique NECAM features: Exclusive instinctive update Store and recall up to 999 mixes Time independent Full auto locate to anywhere on the tape by 999 point memory Compatible studio to studio SMPTE time code based No multiple pass delay Merge mixes /tracks Unlimited grouping Auto -mute on wind/rewind Auto pre -roll Up to 64 circuits with 999 programmable events for trigger of external effects and functions Programmable roll -back and repeat Memorized track muting N Neve Rupert Neve Incorporated Berkshire Industrial Park, Bethel, Connecticut 06801 Tel: (203)744 -6230 Telex: 969638 Rupert Neve Incorporated 7533 Sunset Blvd., Hollywood, California 90046 Tel: (213)874 -8124 Telex: 194942 Rupert Neve Incorporated P.O. Box 120907, Nashville, Tennessee 37212 Tel: (615)385 -2090 Rupert Neve of Canada. Ltd. 2721 Rena Road, Malton, Ontario L4T 31(1, Canada Tel: (416)677 -6611 Telex: 983502 Neve Electronics International, Ltd. Cambridge House, Melbourn, Royston, Hertfordshire, SG8 6ALI England Tel: (0763)60776 Rupert Neve GmbH 6100 Darmstadt Bismarckstrasse 114, West Germany Tel: (06151)81764 October 1981 R-e/p 7 www.americanradiohistory.com October 1981 Volume 12 - Number 5 - Contents - Production Viewpoint - RE00/47/ The Production and Musical Perspective of HUMBERTO GATICA fNO/NffR Ri?DUCfR' by Robert Carr - page 56 - the magazine to exclusively serve the Audio Systems Engineering - RECORDING STUDIO and CONCERT SOUND TIME DOMAIN IN MONITOR LOUDSPEAKERS industries ... those whose work involves the Blauert and Laws Criteria Applied engineering and production of commercially by John Eargle page 68 marketable product for: - - Records and Tape Concert Sound Reinforcement - - Film THE CHICAGOFEST - Live Performance - Video and Broadcast A Unique Musical Festival ... Second to None by Gary Davis - page 72 - the magazine produced to relate recording ART ... to recording SCIENCE ... to recording Computing in EQUIPMENT. Audio - USING MINICOMPUTERS FOR AUDIO SYSTEM ANALYSIS sa.N111118 s by Chris Foreman - page 84 ® i Radio Production Techniques - THE KING BISCUIT FLOWER HOUR Editor /Publisher MARTIN GALLAY Recording and Producing for Broadcast Syndication Editor at Large MEL LAMBERT by Paul Lehrman - page 88 Feature Writer ROBERT CARR - Consulting Editors - Audio/Video Recording - PETER BUTT ... Technical Operations THE GREENE-CROWE MOBILE MARTIN POLON ... Video Audio Requirements for Remote TV Production DOUGLAS HOWLAND ... Broadcast by Winn Schwartau page 100 Film - STEVEN BARNETT ... Audio /Video Perspectives by Martin Polon page 100 Staff Illustrator HOLLY FERGUSON - Advertising Service Manager PATTY COLLINS Recording and Studio Techniques - Circulation /Subscription RECORDING ACOUSTIC GUITAR Manager SANDY ST. CLAIRE by Robert Carr - page 112 Studio Operations - o ELECTRONICS, TROUBLESHOOTING AND MAINTENANCE for the Less Than Technical Studio Personnel by Ethan Winer - page 124 "RECORDING Engineer /Producer" (USPS 768 -840) Digital Recording - is published six times a year by GALLAY EDITING WITH THE SONY ROTARY -HEAD SYSTEM COMMUNICATIONS, INC., 1850 Whitley by Rick Plushner - page 134 Avenue, Hollywood, California 90028, and is EDITING WITH THE MITSUBISHI STATIONARY -HEAD SYSTEM sent to qualified recipients in the United States. by Lou Dollenger - page 134 One year (six issues) subscriptions may be purchased at the following rates: The Business Side of Production - United States (Surface Mail) $15.00 SUCCESSFULLY NEGOTIATING THE United States (First Class) $20.00 Canada $20.00 RECORD PRODUCER'S AGREEMENT Foreign $25.00 by Neville L. Johnson (Foreign subscriptions payable in U.S. funds and Daniel Webb Lang - page 144 only by bank or money order.) - Departments - Views: Studio Ultra -A Flight into 2000 ... and Beyond, by Jim Shifflett - page 12; Production Microphone Techniques, by Jack Douglas - page 26; State of the Direct -to -Disk - Power on Sheffield Labs, page 44 Cl 156 11 Tower of by Larry Brown - New Products - page Classified - page 174 Studio Update - page 177 News - page 190 Advertiser's Index page 190 RECORDING Engineer /Producer is not - for any by any person based responsible claim The Cover on the publication by RECORDING Engineer/ - - - Producer of material submitted for publication.