RESTORING a NATIONAL HISTORIC LANDMARK St

RESTORING a NATIONAL HISTORIC LANDMARK St

ST. BARTHOLOMEW’S CONSERVANCY RESTORING A NATIONAL HISTORIC LANDMARK St. Bartholomew’s Church and Community House ST. BARTHOLOMEW’S CONSERVANCY RESTORING A NATIONAL HISTORIC LANDMARK St. Bartholomew’s Church and Community House St. Bartholomew’s Conservancy, Inc. 485 Madison Avenue, 7th Floor New York, NY 10022 212-710-9694 stbconservancy.org Photo Credits Cover: courtesy of Hilton Worldwide. Title Page: John French, III. Page 3 photo details 1: Millard Cook; 2: Percy Preston, Jr.; 3 and 4: C. Evans; 5: Millard Cook. Page 4 upper: John French, III; lower: Linda Moggio. Pages 5 and 6: Millard Cook. Page 7 upper: Acheson Doyle Partners Architects; lower: drawing, Bertram Goodhue, 1916. Pages 8 and 9: Millard Cook. Page 10 up per: C. Evans; lower: Waldorf Astoria. Page 11 left and center: James Salzano; right: Peter Abraham. Page12: C. Evans. Page13 upper: EarthCam, Inc.©; lower: C. Evans. Page14: Irving Underhill, 1918. Page15: Millard Cook. Page16: Acheson Doyle Partners Architects. Page17: James Salazano. Page18 left and lower right: Millard Cook; upper right: Acheson Doyle Partners Architects. Page19 lef t: Bob Johnson; upper right: Millard Cook; lower right: Peter Abraham. Page 20: Millard Cook. Page 21 left: Etsegenet Messele Kebede; right: Millard Cook. Page 22: St. Bartholomew’s Church Archives. Page 23 left and right: C. Evans. Pages 24 - 29: drawings, Acheson Doyle Partners Architects. Page 30 1835, 1872, 1888, 1901: St. Bartholomew’s Church Archives; 1905: unknown. Page 31 1914: Ne braska Historical Society. Page 31 1918 and 1927: St. Bartholomew’s Church Archives; 1930: Acheson Doyle Partners Architects; 1967: New York City Landmarks Commission; 1980: National Register of Historic Places; 1980s: New York Magazine. Page 32 1992: Joleen Weiss; 2008: Millard Cook; 2011: St. Bartholomew’s Conservancy; 2015: Christopher Little; 2016: Millard Cook; 2017: Ben Asen Photogra phy. Copyright © 2017 by St. Bartholomew’s Conservancy. All rights reserved. Consultant: Eric Latzky Culture | Communications NY Publication Design: Susan Skoorka, Skoorka Design, New York City Photo Editor: Constance Evans This book was produced as a Certified Carbon Neutral publication by Green Earth Enterprise. Front Cover: Aerial View of St. Bartholomew’s Church and the Waldorf Astoria Hotel Title Page: The St. Bartholomew’s Site from the 35th Floor, Mutual of America Building, 2017 ST. BARTHOLOMEW’S CONSERVANCY TABLE OF CONTENTS Page 4 FROM THE PRESIDENT AND THE EXECUTIVE DIRECTOR Carole Bailey French and Constance Evans Page 6 THE SITE St. Bartholomew’s Church and Community House, New York City Page 10 HISTORIC LANDMARK DESIGNATIONS National Historic Landmark National Register of Historic Places New York City Landmark Page 12 ST. BARTHOLOMEW’S CONSERVANCY Our Mission, Our Focus, Our Goals Page 15 RESTORATION AND PRESERVATION PLANS Brick and Limestone Facades Stained Glass Windows Stanford White “Triple Portal” The Gardens Page 24 RESTORATION COST ESTIMATES Page 30 HISTORICAL TIMELINE: 1835 - 2017 3 ST. BARTHOLOMEW’S CONSERVANCY ST. BARTHOLOMEW’S CONSERVANCY From the President and the Executive Director ny great and complex building of a past era requires care and consideration, Abut one that bears the imprimatur of designation as a National Historic Landmark, a New York City Landmark, and listing on the National Register of Historic Places, demands n Inside Park on the Great Terrace at St. Bartholomew’s Church. a special kind of attention and guardianship. Moreover, when in such a situation a group of concerned and involved individuals finds itself preserve the Site’s exterior elevations and gardens. community, offering an array of social, cultural and at that highly sensitive point between serious Having already worked to build a lean but effective public services, including a highly regarded pre-school, current need and long-term historic preservation administration, establish priorities, and secure initial a summer camp, and a popular restaurant. opportunity, the quest for broadly based public funding, including funding to complete the restoration We are well aware of the challenging task we have support can become a passionate commitment. and preservation of the Church Building’s iconic Great undertaken (see pages 15-29, Restoration and Preser- St. Bartholomew’s Church and Community Dome, we believe the Conservancy is now ready to vation Plans, for details of the Site’s exterior restoration House sit at a crossroads of Midtown Manhattan’s move forward with appropriate speed and intent to needs and their estimated costs). Hence, it is with dynamic business district, offering an unexpected achieve all its goals. gratitude to our generous initial donors—individuals, oasis, open to all, amidst Park Avenue’s dense It is important to emphasize that the Conservancy foundations, and key corporate partners—that we corridor of soaring commercial towers. While has no involvement with the religious mission of now embark on the project’s pivotal phase. Please join the Landmark Site provides a welcoming respite St. Bart’s Church. Our focus is on exterior restoration us in this long-overdue effort to restore and preserve from the city’s hustle and bustle, its Romanesque n Upper: Carole Bailey French, and preservation and on fundraising exclusively for one of the nation’s great architectural treasures and structure, Byzantine features, and elaborate de- President, Board of Directors; that purpose. That said, many of our donors, including one of New York City’s most unique historic assets. coration give it not only architectural distinction Lower: Constance Evans, Executive Director, St. Bartholomew’s those who typically refrain from supporting projects but also stunning visual presence. Conservancy even remotely associated with a religious institution, With thanks and appreciation to all, Beginning in 2011, the St. Bartholomew’s have been pleased to learn that the St. Bartholomew’s Conservancy, an independent, non-profit tax- Site, in addition to being a national architectural exempt 501(c)(3) organization, committed itself treasure, is also the home of a vibrant spiritual Carole Bailey French Constance Evans to raising the funds necessary to restore and 4 5 ST. BARTHOLOMEW’S CONSERVANCY ST. BARTHOLOMEW’S CONSERVANCY From the President and the Executive Director ny great and complex building of a past era requires care and consideration, Abut one that bears the imprimatur of designation as a National Historic Landmark, a New York City Landmark, and listing on the National Register of Historic Places, demands n Inside Park on the Great Terrace at St. Bartholomew’s Church. a special kind of attention and guardianship. Moreover, when in such a situation a group of concerned and involved individuals finds itself preserve the Site’s exterior elevations and gardens. community, offering an array of social, cultural and at that highly sensitive point between serious Having already worked to build a lean but effective public services, including a highly regarded pre-school, current need and long-term historic preservation administration, establish priorities, and secure initial a summer camp, and a popular restaurant. opportunity, the quest for broadly based public funding, including funding to complete the restoration We are well aware of the challenging task we have support can become a passionate commitment. and preservation of the Church Building’s iconic Great undertaken (see pages 15-29, Restoration and Preser- St. Bartholomew’s Church and Community Dome, we believe the Conservancy is now ready to vation Plans, for details of the Site’s exterior restoration House sit at a crossroads of Midtown Manhattan’s move forward with appropriate speed and intent to needs and their estimated costs). Hence, it is with dynamic business district, offering an unexpected achieve all its goals. gratitude to our generous initial donors—individuals, oasis, open to all, amidst Park Avenue’s dense It is important to emphasize that the Conservancy foundations, and key corporate partners—that we corridor of soaring commercial towers. While has no involvement with the religious mission of now embark on the project’s pivotal phase. Please join the Landmark Site provides a welcoming respite St. Bart’s Church. Our focus is on exterior restoration us in this long-overdue effort to restore and preserve from the city’s hustle and bustle, its Romanesque n Upper: Carole Bailey French, and preservation and on fundraising exclusively for one of the nation’s great architectural treasures and structure, Byzantine features, and elaborate de- President, Board of Directors; that purpose. That said, many of our donors, including one of New York City’s most unique historic assets. coration give it not only architectural distinction Lower: Constance Evans, Executive Director, St. Bartholomew’s those who typically refrain from supporting projects but also stunning visual presence. Conservancy even remotely associated with a religious institution, With thanks and appreciation to all, Beginning in 2011, the St. Bartholomew’s have been pleased to learn that the St. Bartholomew’s Conservancy, an independent, non-profit tax- Site, in addition to being a national architectural exempt 501(c)(3) organization, committed itself treasure, is also the home of a vibrant spiritual Carole Bailey French Constance Evans to raising the funds necessary to restore and 4 5 ST. BARTHOLOMEW’S CONSERVANCY ST. BARTHOLOMEW’S CONSERVANCY THE SITE St. Bartholomew’s Church and Community House, New York City he St. Bartholomew’s

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    34 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us