09/29/21 HA3465 Seriality | readinglists@leicester HA3465 Seriality View Online 1. Chadwick, J. et al. First episode. Bleak House (2006). 2. Geraghty, C. Serialisation and Soaps: Chapter. in Bleak house vol. BFI TV classics 19–31 (BFI, 2012). 3. Geraghty, C. The Continuous Serial - A Definition. in 9–26 (1981). 4. Geraghty, C. Women and soap opera: a study of prime time soaps. (Polity Press, 1990). 5. Dickens, C. Bleak house. (Electric Book Co, 2001). 6. Hayward, J. Introduction: Chapter. in Consuming pleasures: active audiences and serial fictions from Dickens to the soap opera 1–20 (University Press of Kentucky, 1997). 7. 1/15 09/29/21 HA3465 Seriality | readinglists@leicester Giddings, R. & Selby, K. The classic serial on television and radio. (Palgrave, 2001). 8. Giddings, R. Soft Soaping Dickens: Andres Davies, BBC-1 and ‘Bleak House’. http://charlesdickenspage.com/Soft_Soaping_Dickens.html. 9. Dickens Journals Online. http://www.djo.org.uk/. 10. Page, A. et al. Middlemarch. (2001). 11. Davis, C. et al. Pride and prejudice. (2005). 12. Vincent, J. A Woman in Grey. (1919). 13. Holmes, H. & McGowan, J. P. The Hazards of Helen, Episode 26, in More treasures from American film archives 1894-1931: Program 1 /[ curated by Scott Simmon, music curated by Martin Marks]. More treasures from American film archives 1894-1931: Program 1 /[ curated by Scott Simmon, music curated by Martin Marks] (1915). 14. Hagedorn, R. Doubtless to be Continued: A Brief History of Serial Narrative: Chapter. in To be continued: soap operas around the world 27–48 (Routledge, 1995). 15. 2/15 09/29/21 HA3465 Seriality | readinglists@leicester Singer, B. Serials, Chapter. in The Oxford history of world cinema 105–111 (Oxford University Press, 1996). 16. Canjels, R. Distributing silent film serials: local practices, changing forms, cultural transformation. vol. Routledge advances in film studies (Routledge, 2010). 17. Dahlquist, M. Exporting Perilous Pauline: Pearl White and the serial film craze. vol. Women and film history international (University of Illinois Press, 2013). 18. Enstad, Nan. Dressed for adventure: working women and silent movie serials in the 1910s. Feminist Studies 21, 67–90. 19. Gardner, J. Serial Pleasures, 1907-1938’ Chapter. in Projections: comics and the history of twenty-first-century storytelling vol. Post 45 29–67 (Stanford University Press, 2012). 20. Lambert, Josh. "Wait for the Next Pictures”: Intertextuality and Cliffhanger Continuity in Early Cinema and Comic Strips. Cinema Journal; Winter 48, 3–25 (2009). 21. Rainey, B. Serials and series: a world filmography, 1912-1956. (McFarland, 2010). 22. Singer, B. Melodrama and modernity: early sensational cinema and its contexts. vol. Film and culture (Columbia University Press, 2001). 3/15 09/29/21 HA3465 Seriality | readinglists@leicester 23. Stamp, S. Movie-struck girls: women and motion picture culture after the nickelodeon. (Princeton University Press, 2000). 24. White, P., Gasnier, L. J. & MacKenzie, D. The perils of Pauline. (1914). 25. Feuillade, L., Breon, E., Navarre, R., Allain, M. & Souvestre, P. Fantômas. vol. Artificial eye. 26. Feuillade, L., Mathé, É. & Musidora. Les vampires: Disc 1: Episodes 1-5. vol. Artificial eye. 27. Feuillade, L., Mathé, É. & Musidora. Les vampires: Disc 2: Episodes 6-8. vol. Artificial eye. 28. Feuillade, L., Mathé, É. & Musidora. Les vampires: Disc 3: Episodes 9-10 [plus short films]. vol. Artificial eye. 29. Schaeffer, A. & McGowan, J. P. The Hurricane Express, The John Wayne cliffhanger collection. The John Wayne cliffhanger collection (1932). 30. Stephani, F., Crabbe, B., Rogers, J. & Middleton, C. Flash Gordon. vol. Flash Gordon (1999). 4/15 09/29/21 HA3465 Seriality | readinglists@leicester 31. Higgins, S. Seriality’s Ludic Promise: Film Serials and the Pre-History of Digital Gaming. Eludamos. Journal for Computer Game Culture 8, (2014). 32. Barefoot, G. Who Watched that Masked Man? Hollywood’s Serial Audiences in the 1930S. Historical Journal of Film, Radio and Television 31, 167–190 (2011). 33. Cline, W. C. In the nick of time: motion picture sound serials. (McFarland, 1998). 34. Cline, W. C. Serials-ly speaking: essays on cliffhangers. (McFarland, 1994). 35. Higgins, S. Suspenseful Situations: Melodramatic Narrative and the Contemporary Action Film. Cinema Journal 47, 74–96 (2007). 36. Hurst, R. M. Republic Studios: between poverty row and the majors. (Scarecrow Press, 2007). 37. Kinnard, R., Crnkovich, T. & Vitone, R. J. The Flash Gordon serials, 1936-1940: a heavily illustrated guide. (McFarland, 2011). 38. Kuhn, A. Jam Jars and Cliffhangers: Chapter. in An everyday magic: cinema and cultural 5/15 09/29/21 HA3465 Seriality | readinglists@leicester memory vol. Cinema and society 38–65 (I.B. Tauris, 2002). 39. Telotte, J. P. A Charming Interlude: Of Serials and Hollow Men, Chapter. in Replications: a robotic history of the science fiction film 91–110 (University of Illinois Press, 1995). 40. Tuska, J. The vanishing legion: a history of Mascot Pictures, 1927-1935. vol. McFarland classics (McFarland, 2000). 41. Beebe, F., Goodkind, S. A. & Crabbe, B. Buck Rogers. (2003). 42. Beebe, F., Crabbe, B., Rogers, J. & Middleton, C. Flash Gordon’s trip to Mars. vol. Flash Gordon (2000). 43. Beebe, F., Taylor, R., Crabbe, B., Hughes, C. & Middleton, C. Flash Gordon conquers the universe. vol. Flash Gordon (2000). 44. Brower, O. et al. The science fiction cliffhanger collection. (2006). 45. Lugosi, B., Herman, A. & Clark, C. The whispering shadow. vol. Classic movie serials (2004). 46. 6/15 09/29/21 HA3465 Seriality | readinglists@leicester English, J., Witney, W. & Hadley, R. Zorro’s fighting legion. (2004). 47. Fforde, J. The Eyre affair: a novel. (Hodder and Stoughton, 2003). 48. Wells, J. An Eyre-Less Affair: Jasper Fforde’s Seeming Ellision of Jane, Chapter. in A breath of fresh Eyre: intertextual and intermedial reworkings of Jane Eyre vol. Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft 195–208 (Rodopi, 2007). 49. Criminal Appropriations of Shakespeare in Jasper Fforde’s Something Rotten. College Literature 37, 23–41 (2010). 50. Hateley, E. The End of The Eyre Affair: Jane Eyre, Parody, and Popular Culture. The Journal of Popular Culture 38, 1022–1036 (2005). 51. Rubik, M. ‘Frames and Framing in Jasper Fforde’s The Eyre Affair’: Chapter. in Framing borders in literature and other media vol. Studies in intermediality (SIM) 341–358 (Rodopi, 2006). 52. Rubik, M. Invasions into Literary Texts, Re-plotting and Trans-fictional Migration in Jasper Fforde’s The Eyre Affair, Chapter. in A breath of fresh Eyre: intertextual and intermedial reworkings of Jane Eyre vol. Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft 167–195 (Rodopi, 2007). 53. 7/15 09/29/21 HA3465 Seriality | readinglists@leicester Reiner, J. et al. Friday night lights: Season 1. (2012). 54. Newman, M. Z. ‘From Beats to Arcs: Towards a Poetics of Television Narrative’. (2006). 55. Booth, P. ‘Memories, Temporalities, Fictions: Temporal displacement in Contemporary Television’. (2011). 56. Geraghty, C. ‘Aesthetics and quality in popular television drama’ International Journal of Cultural Studies 6,. 25–45 http://ics.sagepub.com.ezproxy4.lib.le.ac.uk/content/6/1/25.full.pdf+html (2003). 57. Mittell, J. Genre and television: from cop shows to cartoons in American culture. (Routledge, 2004). 58. Mittell, J. ‘Previously On: Prime Time Serials and the Mechanics of Memory’. (2009). 59. Creeber, G. Taking our personal lives seriously”: intimacy, continuity and memory in the television drama serial". (2001). 60. Johnson, C. ‘Tele-branding in TVIII: the network as brand and the programme as brand’. (2007). 8/15 09/29/21 HA3465 Seriality | readinglists@leicester 61. Corner, J. ‘Narrative’ in Critical ideas in television studies. in vol. Oxford television studies (Oxford University Press, 1998). 62. Creeber, G. ‘Analysing Television: Issues and Methods in Textual Analysis’ in Tele-visions: an introduction to studying television. (BFI, 2006). 63. Campion, J. Top of the Lake. (2013). 64. Hills, M. ‘From the box in the corner to the box set on the shelf’: TVIII and the cultural/textual valorisations of the DVD’. (2007). 65. Hills, M. ‘Television Aesthetics: A Pre-structuralist Danger?’ (2011). 66. Spigel, L. & Olsson, J. Television After TV: Essays on a Medium in Transition. (Duke University Press., 2004). 67. Kompare, D. ‘Publishing flow: DVD box sets and the reconception of television’. (2006). 68. Holdsworth, A. ‘Televisual Memory’. (2010). 69. 9/15 09/29/21 HA3465 Seriality | readinglists@leicester Kackman, M. ‘Quality Television, Melodrama, and Cultural Complexity’. (2008). 70. Mittell, J. ‘Authorship, intentionality and intelligent design’. (2009). 71. Walters, J. ‘Repeat Viewings: Television Analysis in the DVD Age’. in Film and Television After DVD (ed. Bennett, J.) (Routledge, 2008). 72. Jacobs, J. ‘Issues of Judgement and Value in Television Studies’ International Journal of Cultural Studies. 427–447 http://ics.sagepub.com.ezproxy4.lib.le.ac.uk/content/4/4/427.full.pdf+html (2001). 73. Lynch, D., Frost, M., MacLachlan, K. & Ontkean, M. Twin Peaks: the first season. (2008). 74. Dolan, M. The Peaks and Valleys of Serial Creativity: Chapter. in Full of secrets: critical approaches to ‘Twin Peaks’ vol. Contemporary film and television series 30–50 (Wayne State University Press, 1995). 75. Ledwon, L. Twin Peaks and the Television Gothic: Article. Literature/film quarterly 260–270. 76. Lynch, D. & Rodley, C. 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