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UMI, Ann Arbor, Mich (1989). 65. Hills, M.: Fan Cultures. Routledge, London (2002). 66. Hodkinson, P.: Goth: Identity, Style and Subculture. Berg, Oxford (2002). 67. Laing, D.: One Chord Wonders: Power and Meaning in Punk Rock. Open U.P., Milton Keynes (1985). 68. Kelly, K., McDonnell, E., Dia Center for the Arts (New York, N.Y.): Thinking with music. In: Stars don’t stand still in the sky: music and myth. New York University Press, New York 9/77 10/05/21 Post-Punk Britain 1975-present - V1420 - Lucy Robinson | Sussex University (1999). 69. Tanner, J.: Pop, punk and subcultural solutions. Popular Music and Society. 6, 68–71 (1978). https://doi.org/10.1080/03007767808591111. 70. The Subcultures Network ed: Subcultures, Popular Music and Social Change. Cambridge Scholars Publishing, Newcastle upon Tyne (2014). 71. The Subcultures Network ed: Subcultures, Popular Music and Social Change. Cambridge Scholars Publishing, Newcastle upon Tyne (2014). 72. The Subcultures Network ed: Subcultures, Popular Music and Social Change. Cambridge Scholars Publishing, Newcastle upon Tyne (2014). 73. The Subcultures Network ed: Subcultures, Popular Music and Social Change. Cambridge Scholars Publishing, Newcastle upon Tyne (2014). 74. Harriman, A., Bontje, M.: Some Wear Leather, Some Wear Lace: the Worldwide Compendium of Postpunk and Goth in the 1980s. Intellect Books, Bristol (2014). 75. Robinson, L.: Putting the charity back into charity singles: charity singles in Britain 1984–1995. Contemporary British History. 26, 405–425 (2012). https://doi.org/10.1080/13619462.2012.703026. 10/77 10/05/21 Post-Punk Britain 1975-present - V1420 - Lucy Robinson | Sussex University 76.
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