W O R K S Triple Duo (1982–83) Elliott Carter Collection, Paul Sacher Foundation Basel ORCHESTRA Adagio tenebroso (1994) ............................................................ 20’ (H) 3(II, III=picc).2.corA.2(II=Ebcl).bcl.2.dbn-4.3.3.1-timp.perc(4):BD/ 4bongos/glsp/4tpl.bl/cowbells/vib/2susp.cym/2tom-t/2wdbl/SD/xyl/ tam-t/marimba/wood drum/2metal block-pft-strings (also see Symphonia: sum fluxae pretium spei) Allegro scorrevole (1996) ........................................................... 11’ (H) 2.picc.2.corA.2(II=Ebcl).bcl.2.dbn-4.3.3.1-perc(4):timp/glsp/xyl/vib/ 4bongos/SD/2tom-t/wdbl/3susp.cym/2cowbells/guiro/2metal blocks/ 4tpl.bl/BD/marimba-harp-pft-strings (also see Symphonia: sum fluxae pretium spei) Anniversary (1989) ....................................................................... 6’ (H) 3(III=picc).2.corA.2.bcl.2.dbn-4.3.3.1-timp.perc(2):vib/marimba/xyl/ 3susp.cym-pft(=cel)-strings(16.14.12.10.8) (also see Three Occasions for Orchestra) Boston Concerto (2002) .............................................................. 19’ (H) 3(II,III=picc).2.corA.3(III=bcl).3(III=dbn)-4.3.3.1-perc(3):I=xyl/vib/log dr/4bongos/high SD/susp.cym/wood chime; II=marimba/log dr/ 4tpl.bl/2cowbells/susp.cym; III=BD/tom-t/4wdbls/guiro/susp.cym/ maracas/med SD-harp-pft-strings A Celebration of Some 100 x 150 Notes (1986) ....................... 3’ (H) 2.picc.2.corA.2.bcl.2.dbn-4.3.3.1-timp.perc(1):glsp/vib-pft(=cel)- strings(16.14.12.10.8) (also see Three Occasions for Orchestra) Concerto for Orchestra (1969) ................................................... 23’ (AMP) 3(II, II=picc).3(III=corA).3(II=bcl, III=Ebcl).3(III=dbn)-4.3(III=Dtpt).3.1- timp.6perc[+2]-harp-pft-strings(min:7.6.5.4.3 max:9.8.6.6.5) Fons Juventatis (2004) ................................................................. 3’ (H) 1.2(II=picc).2.corA.2.bcl.3(III=dbn)-4.3.3.0-perc(3):I=xylorimba; II=guiro; III=small SD/maracas-harp-pft-strings (also see Three Illusions for Orchestra) Holiday Overture (1944/61) ....................................................... 10’ (AMP) 3.3.3.3-4.3.3.1-timp.perc-pft-strings Micomicón (2002) ......................................................................... 3’ (H) 2.picc.2.corA.1.bcl.dbcl.2.dbn-4.3.3.1-timp.perc(2):susp.cym/3tom-t/ BD/marimba/cyms/xyl-harp-pft-strings (also see Three Illusions for Orchestra) The Minotaur (1947) ................................................................... 33’ (AMP) 2(II=picc).2(II=corA).2(II=bcl).2-4.2.2.0-timp.perc-pft-strings The Minotaur, Suite from the Ballet (1947) ........................... 25’ (AMP) 2(II=picc).2(II=corA).2(II=bcl).2-4.2.2.0-timp.perc-pft-strings More’s Utopia (2004) ................................................................... 3’ (H) 1.2picc.2.corA.2.dbcl.2.dbn-4.3.3.1-perc(3):I=log dr/tpl.bl/wdbls/lg slap stick/xylorimba; II=tam-t/gong/4susp.cym/vib; III=BD/tom-t- pft-strings (also see Three Illusions for Orchestra) Partita (1993) ................................................................................ 17’ (H) 2(II=picc).picc(=fl).2.corA.2(II=Ebcl).bcl.2.dbn.-4.3.3.1- timp.perc(4):2metal bl/2cowbells/2susp.cym/2wdbl/4tpl.bl/wood dr/gavel/guiro/4bongos/2tom-t/SD/BD/glsp/vib/xyl/marimba-harp- pft-strings (also see Symphonia: sum fluxae pretium spei) Pocahontas (1939) ........................................................................ 22’ (AMP) 3.2.2.2-4.3.3.1-4timp.perc-harp-pft-strings Pocahontas, Suite from the Ballet (1939, rev. 61) .................. 20’ (AMP) 3.2.2.2-4.3.3.1-4timp.perc-harp-pft-strings Remembrance (1988) ................................................................... 7’ (H) In memory of Paul Fromm 1.2picc.2.corA.2.bcl.2.dbn-4.3.3.1-timp.perc:BD/glsp/vib-cel(=pft)- strings(min:16.14.12.10.8) (also see Three Occasions for Orchestra) Soundings (2005) ......................................................................... 10’ (H) 2(=picc).picc.2.corA.2 (I=Ebcl,II=bcl).dbcl.2.dbn-4.3.3.1- timp.perc(2):I=xyl/tpl.bl/bongos/2susp.cym/cowbell/low conga drums/2 tom-t/BD; II=claves/4wdbl/2SD/2susp.cym/log dr/2 low tom- t-pft-strings Symphonia: sum fluxae pretium spei (1993-96) ................... 47’ (H) I. Partita II. Adagio tenebroso III. Allegro scorrevole (may be performed separately) 3(II,III=picc).2.corA.2(II=Ebcl).bcl.2.dbn-4.3.3.1-timp.perc(4):I=xyl/ glsp/SC/2tom-t/susp.cym/timp/2wdbl/4bongos/cowbell; II=2metal blocks (very high & med high)/4tpl.bl/3susp.cym(high,med,low)/tom- t/2cowbells; III=vib/BD/4bongos/2tom-t(med & low)/2wood blocks/ SD/2susp.cym(med & low); IV=vib/glsp/marimba/tam-t/SD/ susp.cym/BD/2bongos/wood dr (log dr)/gavel/2tom-t-harp-pft-strings Symphony No. 1 (1942, rev. 54) ................................................ 25’ (AMP) 2.2.2(Ebcl).2-2.2.1.0-timp-strings A Symphony of Three Orchestras (1976) ............................... 17’ (AMP) Orch I: 0.0.0.0/3.2.2(II=btrbn).1-timp-strings(8.0.4.3.2); Orch II:0.0.2(II=bcl).Ebcl.0-0.0.0.0-perc:t.bells/vib/xyl/marimba/long drum with snares/low tom-t-strings(2.0.0.3.1); Orch III: 2(I, II=picc).picc.3(III=corA).0.3(III=dbn)-2.0.0.0-perc:anvil/ bell tree/2susp.cym/2SD/tamb/2tam-t-strings(8.0.4.0.2) Three Illusions for Orchestra (2002-04) ................................... 9’ (H) I. Micomicón II. Fons Juventatis III. More’s Utopia (may be performed separately) 3(II,III=picc).2.corA.2(II=bcl).bcl.dbcl.3(III=dbn)-4.3.3.1-timp- perc(3):I=susp.cym/4tom-t/BD/marimba/xylorimba/log dr/4 tpl.bl/ 4wdbl/lg slapstick; II=cyms/xyl/vibr/guiro/tam-t/nipple gong/ 4susp.cym/vib; III=cyms/xyl/vib/BD/4tom-t-harp-pft-strings Three Occasions for Orchestra (1986-1989) ............................ 16’ (H) I. A Celebration of Some 100x150 Notes II. Remembrance III. Anniversary (may be performed separately) 3(II,III=picc).2.corA.2.bcl.2.dbn-4.3.3.1-timp.perc(2):vib/marimba/xyl/ 3susp.cym/BD/glsp-pft(=cel)-strings(16.14.12.10.8) Variations for Orchestra (1955) ................................................. 24’ (AMP) 2(=picc).2.2.2-4.2.3.1-timp.perc-harp-strings SOLO INSTRUMENT(S) AND ORCHESTRA Cello Concerto (2000) ................................................................. 18’ (H) for cello and orchestra 3(III=picc).2.corA.2(II=bcl).bcl(=dbcl).2.dbn-4.3.3.1-timp.perc(3):I=xyl/ glsp/marimba/4tpl.bl/2cowbells/4wdbl/2log dr; II=vib/2SD/BD/3tom- t/4bongos; III=guiro/2SD/3susp.cym-harp-strings Clarinet Concerto (1996) ............................................................ 18’ (H) for clarinet and small orchestra 1.2(II=corA).0.1-1.1.1.1-perc(3):I=glsp/high gavel/4bongos/sm tom-t/lg tom-t/med susp.cym/lg wood dr/tam-t/med SD/low gavel; II=xyl/ 2metal bl/tpl.bl/lg wdbl/lg SD/lg susp.cym; III=vib/sm wdbl/ 2cencerros/sm susp.cym/sm SD/tom-t/BD/whip-harp-pft- strings(1.1.1.1.1) Concertino for Bass Clarinet and Chamber Orchestra (2009) .... 9’ (H) 2(I=picc, II=afl).afl(=bfl).0.0.dbn-0.0.0.0-perc(2):I=xyl/vib/log dr/tam-t/ tom-t/SD/sus.cym/flat gong/conga/bongos; II=glsp/marimba/BD/tom- t/totos/SD/sus.cym/tpl.bl/pipe-pft-strings(min:2.2.2.2.2) string parts may be expanded proportionally Conversations (2010) ................................................................... 7’ (H) for piano, percussion and chamber orchestra or full orchestra perc for soloist:2tom-t/2congas/4bongos/SD/tam-t/2gongs/marimba/ vib/xyl/glsp/crot1(=picc).2.2(I=Ebcl, II=bcl).1-1.2.1.0- strings(min:2.2.2.2.2) (also see Two Controversies and a Conversation) Dialogues (2003) .......................................................................... 14’ (H) for piano and large ensemble 1(=picc).1(=corA).1.1(=dbn)-2.1.1.0-strings(min:2.2.2.2.2 max:12.10.8.6.4) Dialogues II (2012) ....................................................................... 5’ (H) for piano and chamber orchestra 1.1.1.1-2.1.1.0-strings Double Concerto (1961) ............................................................. 23’ (AMP) for harpsichord and piano with two chamber orchestras 1(=picc).1.1(=Ebcl).1-2.1.1.0-perc(4)-strings(1.0.1.1.1) IGOR STRAVINSKY AND ELLIOTT CARTER (1964) Photo: Don Hunstein Flute Concerto (2008) .................................................................. 13’ (H) for flute and ensemble 1(=picc).1(=corA).2(II=bcl).1(=dbn)-2.1.1.0-perc(1):marimba/xyl/vib/ log dr/5tmpl.bl/2wdbl/SD/4bongos/4tom-t/2cyms/tam-t/shaker/ almglocke/BD/pipe-harp-pft-strings(min:2.2.2.2.2) Horn Concerto (2006) ................................................................. 12’ (H) for horn and orchestra 1.2picc.2.corA.2.bcl.dbcl.2.dbn-0.2.2.1-perc(3):I=vib/lg gong/bongos/ cowbell/high SD/lg almglocke/tgl/sm maracas/high SD/tpl.bl; II=marimba/2tom-t/lg susp.cym/4wdbl/sm susp.cym/2very high pipes/tamb/lg maracas/med SD; III=glsp/BD/low SD/log dr/med susp.cym/wind gong/guiro/lg pipe/med SD-pft-strings Interventions (2007) .................................................................... 15’ (H) for piano and orchestra 3(1,3=picc, 2=afl).3(II=corA).2(II=bcl).dbcl(=bcl).2.dbn-4.3C tpt(=Bb tpt).3.1-perc(4):I=xyl/marimba/4bongos/low cym/high SD/cowbell/lg almglocke/tam-t; II=4tmpl.bl/high cym/med SD/med tom-t/slapstick/ BD; III=4wdbl/med cym/low SD/low tom-t/guiro/wood drum/claves; IV=2metal pipes.2timbales/wind gong/nipple gong/maraca/sizzle cym-strings Oboe Concerto (1986-87) ...........................................................