1 University of Brasília, Brazil Institute of International

1 University of Brasília, Brazil Institute of International

This version is a draft. Please do not cite or distribute. UNIVERSITY OF BRASÍLIA, BRAZIL INSTITUTE OF INTERNATIONAL RELATIONS Solène Marié Cultural paradiplomacy: a study of the cultural components of Rio Grande do Sul’s paradiplomacy Abstract The purpose of this article is to make a contribution to the Brazilian paradiplomacy literature, focusing specifically on its cultural aspects through the case of Rio Grande do Sul, Brazilian State with a strong and distinctive cultural identity. Specifically, it aims to evaluate to which extent Rio Grande do Sul projects this cultural identity internationally. It does so by identifying the cultural elements in the State’s paradiplomacy from 1987 (creation of the first paradiplomatic institution in Rio Grande do Sul) to 2015 (end of the last State governor mandate) through a sequence analysis of two elements: the evolution of the State’s paradiplomatic and cultural institutions on the one hand; and of the State’s paradiplomatic agenda on the other hand. It identifies three phases in terms of space given to culture in the paradiplomacy institutional framework: a phase of expansion (1987-1996), followed by a phase of retraction (1996-2011) and another phase of expansion (2011-2015). The phases are slightly different in terms of agenda: a phase of will tampered by a lack of means (1987-1991), followed by a phase of focus on issues other than culture (1991-2011) and a phase of construction of an incipient cultural paradiplomatic agenda (2011-2015). The effort made in 2012 to structure cultural policy at federal and State level can be seen as a factor for the expansion of cultural paradiplomacy in Rio Grande do Sul in the last phase. However, despite the discourse around the gaúcha identity being present within the State and in the rest of Brazil, the projection further afield remains weak. Generally, the multiple changes in institutional framework and agenda show that a long-term project and formula have not been decided on, meaning that the resulting policies are highly dependent on the vision of each governor. 1 This version is a draft. Please do not cite or distribute. Global order seeks to impose a sole rationality to all places. And the places answer to the world according to their own diverse modes of rationality […] Global order establishes layers which are superior and external to everyday life. Its parameters are technical and operational rationality, function calculation, mathematic language. Local order establishes the layer of everyday life and its parameters are co-presence, neighbourhood, intimacy, emotion, cooperation and socialisation based on proximity (SANTOS, 2002, p. 338-339, own translation).1 1- Introduction Both culture and paradiplomacy are themes which have entered the International Relations debate quite late: in the 1990s. Perhaps for this reason, they retain a rather peripheral position in this area of study, though their role in international relations has been increasingly studied over the past years. The literature on paradiplomacy, though, remains predominantly European, generally focusing on western cases and drawing theories from these specific contexts. Based on the acknowledgement of this scarcity of studies originating from other parts of the world and on a desire to go beyond the most clear cut empirical cases (Québec, the Basque Country, Flandres…), our aim is to make a contribution to the emerging Brazilian literature on the subject (VIGEVANI et al., 2004a; MILANI, RIBEIRO, 2011; BUENO, 2012; SALOMÓN; NUNES, 2007) studying a Brazilian empirical case. Focusing specifically on the intersection between paradiplomacy and culture -another emerging field of study in the country- this article aims to analyse the international cultural projection of the Brazilian state of Rio Grande do Sul. Specifically, the question around which this article will be articulated is the following: Which cultural elements can be identified in Rio Grande do Sul's paradiplomacy? To which extent can we say that this sub-national actor has developed a cultural identity which is projected internationally? To answer this question, we will conduct an in-depth sequence analysis (PIERSON, 2004) of the evolution of the state's cultural paradiplomatic apparatus and agenda. The period chosen to conduct this analysis is 1987-2015, starting on the year of creation of the first paradiplomatic apparatus in Rio Grande do Sul and ending in 2015, which corresponds to the end of the last State governor mandate. The choice of Rio Grande do Sul stems from the strong cultural identity which exists in this State, which makes it an interesting case study in terms of political strategy and desire to project this identity internationally. 1 A ordem global busca impor, a todos os lugares, uma única racionalidade. E os lugares respondem ao Mundo segundo os diversos modos de sua própria racionalidade [...]. A ordem global funda as escalas superiores ou externas à escala do cotidiano. Seus parâmetros são a razão técnica e operacional, o cálculo de função, a linguagem matemática. A ordem local funda a escala do cotidiano, e seus parâmetros são a co-presença, a vizinhança, a intimidade, a emoção, a cooperação e a socialização com base na contigüidade. 2 This version is a draft. Please do not cite or distribute. The author’s hypothesis is that despite the existence of a strong cultural identity in the State, the lack of continuity in terms of paradiplomatic strategy and the lack of effective mechanisms in support of international cultural circulation have been an impediment to Rio Grande do Sul’s international projection in this field. 2- The study of paradiplomacy and its cultural aspects 2.1 The rise of paradiplomacy Having emerged in the 1980s, the phenomenon of the transfer of jurisdiction from central governments to sub-national governments and of the growing independence and international activity of the latter solidified as a field of academic study in the 1990s. As a practice and as a field of study, this phenomenon is based on the idea that the ideal decision making entity is the city, or as locally as possible (MORENO, 2007, p. 37). First labeled as "paradiplomacy" by Panayotis Soldatos (1990; 1993 apud MÈRCHER, 2013) as an abbreviation of "parallel diplomacy", the phenomenon was later given various other denominations. The most well-known are "micro-diplomacy" (DUCHACEK et. al., 1998; DUCHACEK, 1990 apud MÈRCHER, 2013) and ''foreign policy of non-central governments'' (ALDECOA; KEATING, 1999), but others such as multi-level diplomacy, diplomacy of cities, internationalisation of cities, decentralised cooperation, international actions of local governments have also been used (GELY, 2016). These multiple denominations shows that the field is multiple and suffers from a certain lack of unity. This is the result of two factors. Firstly, the field of paradiplomacy is profoundly multidisciplinary. Furthermore, most publications on the subject are based on empirical studies and the heterogeneity of the cases makes it difficult to establish a general theory (GELY, 2016). The most accepted and all-encompassing definition is certainly the one given by Prieto (2004, p. 251): Paradiplomacy can be defined as the involvement of subnational governments in international relations, through the establishment of contacts with foreign entities, which can be formal and informal, permanent or temporary ('ad hoc’), with public or private entities, with the aim of reaching socio-economic results, as well as any external aspect within their jurisdiction. (own translation)2 2 "A paradiplomacia pode ser definida como o envolvimento de governo subnacional nas relações internacionais, por meio do estabelecimento de contatos, formais e informais, permanentes ou provisórios (‘ad hoc’), com entidades estrangeiras públicas ou privadas, objetivando promover resultados socioeconômicos ou políticos, bem como qualquer outra dimensão externa de sua própria competência constitucional.” 3 This version is a draft. Please do not cite or distribute. Lecours and Moreno (2001, p. 18), in defining paradiplomacy, establish an interesting analogy in stating that paradiplomacy: represents another type of internal-external connection which shares characteristics with traditional state foreign policy and transnationalism without being one or the other. […] Regional governments as international actors have the fluidity of transnational movements yet remain intelligible to states as the result of their territorial institutional nature. Based on this general understanding of paradiplomacy, we will define our specific object of study: cultural paradiplomacy. 2.2 Cultural diplomacy: conceptual dimensions Cultural activities, goods and services, as recognised in the UNESCO’s 2005 Convention on the Protection and Promotion of the Diversity of Cultural Expressions, have a double nature: economic, by their commercial value; and cultural, by the identitarian aspects which they bear (UNESCO, 2005). Because of this double nature, they are powerful foreign policy and diplomacy tools in a globalised world (STOICA; HORGA, 2016). Generally speaking, cultural diplomacy can be defined “in its most basic terms as an international actor’s attempt to manage the international environment by facilitating cultural transmission across an international boundary” (CULL 2009, p. 53). However, it is useful to dig further and make a certain number of additions to this general definition. Firstly, based on the multidimensional definition of culture mentioned above, cultural

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    26 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us