Creating Fashion

Creating Fashion

Creating Fashion An Interview with Diane von Furstenberg, DVF Studio EDITORS’ NOTE Diane von Furstenberg fi rst What makes the brand so spe- arrived in the fashion world in 1972, and by cial and what have been the key driv- 1976, had sold millions of her iconic wrap dress. ers behind your success? Following a hiatus, she reemerged in 1997 on the Women inspire me and I have always New York fashion scene with the relaunch of the designed to inspire them. I have always tried dress that started it all. In 2005, von Furstenberg to listen to what women want and then to give was awarded the Lifetime Achievement Award them that; it has been a dialogue and I think from the Council of Fashion Designers of that is what has made the brand successful. It is America (CFDA) and, one year later, was not as much about the dress as it is about the elected the CFDA’s new President. She sits on the woman – it is always about the woman. board of Vital Voices and is also a board mem- You have broadened your prod- ber of the Housatonic Valley Association (HVA). uct offerings over the years. Would you highlight some of these areas COMPANY BRIEF Headquartered in New York and your plans for additional brand City, Diane von Furstenberg (www.dvf.com) extensions? was founded in 1972 by the designer and is re- I have decorated some suites nowned for its iconic wrap dress and signature in my favorite hotel, Claridge’s in prints. A global luxury lifestyle brand, it has ex- London, and I have designed some Diane von Furstenberg panded to include ready-to-wear, swimwear, home products. I have also designed handbags, footwear, eyewear, luggage, accesso- some beautiful fi ne jewelry for H. Stern, as well In 2010, I created The DVF Awards, which sup- ries, DVF by H. Stern fi ne jewelry watches, fra- as eyewear, and I have collaborated with Gap ports and honors extraordinary women who are grance, and rugs. Its collections are sold in over to create a line for kids. But my newest en- working to make a difference in their communi- 71 countries and in 33 namesake retail bou- deavor has been designing accessories, like ties and beyond. I have learned that generos- tiques worldwide. small leather goods that are elegant and practical, ity is the best investment. I have met so as well as handbags that let you carry your iPad many remarkable people and I have never met What was your vision for the company in and use it with just the pull of a zipper. a woman who is not strong. the early days and did you ever imagine Would you highlight the global footprint What advice do you give to young peo- that it would become the global leader it is for the business and which international ple today that hope to build a design career? today? markets offer the greatest opportunities for I always tell young designers to be true I had no idea it would become such a growth? to themselves as well as to apply for design phenomenon. I was young and working in We are in over 70 countries now and that awards, because the application process is a factory in Italy learning about prints and has been very exciting. We have really grown in designed for you to articulate who you are, colors. Before I knew it, I was pregnant and China over the past few years and I have spent to get your vision down on paper – and it is getting married and moving to America. I a lot of time there, learning about their culture always easier to execute against something thought it was all very exciting, but also I and introducing myself and my brand, as it’s an when it is down on paper. So fi gure out who knew that I had to have a career of my own. important market for us. We have also grown you are and what your work is about and go So I convinced the factory owner to let me our presence in South America and I look for- for it. make a few little dresses and take them with ward to focusing there as well. You have achieved so much success in me to sell in America. I was a European prin- How much has technology impacted your business. Do you take time to refl ect cess, so people were quite nice, and I was your business and is the Internet driving and celebrate what you have accomplished able to get a meeting with Diana Vreeland, sales or is it primarily informational? or are you always looking to the future? the editor of Vogue. She loved the dresses DVF.com is an important part of our busi- There is always more to do, but I also take and she helped me. Two years later, I invented ness that we continue to grow. It is defi nitely time to refl ect and to fi nd clarity because that is the wrap dress, which turned out to be ex- driving sales and we are constantly working to important. I am very lucky to have a wonderful actly what women wanted at the time, and make it a home base for the brand and also a family and a wonderful career. I am the woman they put me on the cover of Newsweek. It fantastic place to shop. I wanted to be. So I try to take time to enjoy it was an exciting time; I guess you could say I You have been a leader in philanthropy and to love it – love is life. was living the American dream. In the ’80s, I throughout your career. Which key charita- What are the key priorities for Diane took a break from fashion and moved to Paris, ble areas are you most focused on? von Furstenberg to continue growing the so the second time around, I was more of a It is my mission in life to empower women. brand and to remain an industry leader? Comeback Kid. But all of the young models I do this through fashion, mentoring, and phi- I just want to keep doing what I am doing, were buying my dresses in the vintage shops lanthropy. I am on the board of Vital Voices, to continue being true to myself, and to keep cre- and I thought, why not? So I relaunched and an amazing NGO that is working to empower ating fashion that will become a woman’s best from there it became a global brand. women all over the world and give them a voice. friend.• 134 LEADERS POSTED WITH PERMISSION. COPYRIGHT © 2012 LEADERS MAGAZINE, INC. VOLUME 35, NUMBER 4.

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