HOOF PRINTS the Quarterly Newsletter of the Eastern Region Andalusian Horse Club ERAHC Fall 2010

HOOF PRINTS the Quarterly Newsletter of the Eastern Region Andalusian Horse Club ERAHC Fall 2010

HOOF PRINTS The Quarterly Newsletter of the Eastern Region Andalusian Horse Club ERAHC Fall 2010 2010 ERAHC Classic Shows ERAHC’s 2010 Classic shows in Lexington, Virginia, were— well—classic. All three shows were smaller than they have been in past years, but that just seemed to leave more time to visit with old friends and make new ones. There were still many who have been involved with the show since the beginning of ERAHC in 1992—18 years ago! Thursday’s open dressage show went like clockwork, which is what one comes to expect from any dressage show. Classes ran the gamut from Intro A to Grand Prix, with 30 horse-and-rider teams participating. The Classic breed show presented 70 classes over two days, with 206 entries. Not bad for a “slow” year. The classes mostly were smaller than they have been in the past, with one to eight entries in each. What was distinctly different was the preponderance of pleasure owners rather than breeders. Also notable was the larger number of IN THIS ISSUE: Page Classic Show Report 1 Lusitanos than in the past. In any case, the quality of horses Breed Show Results 5 was no less than in years past. And our judge—Wayne Dressage Show Results 21 Hipsley—was complimentary of the turnout of horses, Region 6 Breed Show Errata 26 handlers, and riders. So the show was classy, too. Classified Ads 26 Those participants with whom I spoke (and there were Member Directory in the works 26 many) expressed their pleasure with the show, and Kudos and Congratulations 27 everyone said they had fun. The general consensus on the Spanish Triumph at the WEG 27 Anderson Coliseum (which some had feared might change the show atmosphere) was that it was a terrific venue. One ground movement,” a once-popular high school trick. For person even said it was like being at Nationals. Of special modern dressage, however, the back legs need to be note was the presence of a younger generation, including strengthened separately, which can be accomplished with third-generation Crystal Majewski, whose family is lots of lateral work and flexion. celebrating it’s 50th year of involvement with Andalusian It became clear that Working Equitation is rapidly horses. There were observers, too, some of whom were growing in popularity. All three phases were completed on visiting an ERAHC show for the first time. Some were Saturday. It was my first opportunity to watch this scouting with plans for next year’s shows; others were just discipline, and I was impressed with the quality of the curious. Old hands in the audience, like myself, managed competitors. One thing I found interesting was seeing which to make a lot of noise in support of the exhibitors. After all, obstacle presented the greatest difficulty: not the bridge, nor we had a shared vision. the gate, nor the lance, but a simple table with a pitcher. Friday afternoon featured a clinic with Tina Veder and Quite a crowd of observers gathered ringside outdoors for Bruno Gonzales of Caballos de los Cristiani in which they the dressage, obstacles, and speed tests. The weather was discussed the training and conditioning of Iberian horses for the finest I have experienced in twelve years at the show, dressage. Horses at different levels of development were but a fairly brisk breeze presented some unexpected used to illustrate how to warm up to reduce the tension in a glitches: balls that were perched on pedestals in order to be horse’s back that can lead to lameness, how to use lateral knocked down with the lance took on a life of their own. work to supple a horse, how to reward a horse by relaxing Added to the experience at the Region 6 show, it suggests your hands after collection, and how to help a horse that we should consider holding this indoors next year. achieve self-balance in order to take its weight off the Saturday evening’s festivities kicked off with a display forehand. Bruno also described how Iberian horses often of Doma Clásica by dressage rider and trainer Felicitas von canter with their back legs close together, a feature that was Neumann-Cosel and chestnut Lusitano stallion Tonico do encouraged at one time because it facilitated “ground-to- Top of Cedar Rowe Lusitanos. (continued on page 3) Hoof Prints is published four times a year by ERAHC—The Eastern Region Andalusian Horse Club ERAHC OFFICERS, and is mailed to all current members. BOARD of DIRECTORS, COMMITTEES Articles and ads may be submitted for Hoof Prints at: Linda Denniston, President 301-447-6240 [email protected] [email protected] Or they may be mailed to: Carol M. Stockton Brenda Hammar, Vice President 603-635-3868 Editor, Hoof Prints [email protected] 278 Eagle View Lane Bumpass, VA 23024 Jeanne Bond, Secretary 410-275-1858 All articles, photos, and advertising submitted are subject to the approval of ERAHC, [email protected] which may edit, revise, modify, or make other changes to the content submitted for use in the newsletter or in any other publication of ERAHC. Such changes may be made John Day, Treasurer without prior notice. In the event that changes are made to a submitted article, the 240-434-1477 newsletter staff will attempt to contact the original submitter for their comments and [email protected] feedback on the edit. It may not be possible to do this in every instance. The newsletter staff will use their discretion in attributing credit for articles and photos submitted. Rosalie Wenckoski Reasonable efforts are taken to ensure the accuracy and integrity of the 740-676-6271 information provided by ERAHC in this newsletter, but ERAHC is not responsible for [email protected] misprints, out-of-date information, technical or pricing inaccuracies, typographical, or other errors. Janet Tenney By submitting content to ERAHC, the submitter accepts all liability for the content 937-456-1244 and warrants to ERAHC that the content is true, is not libelous or defamatory, violates [email protected] no rights of privacy, does not infringe on any trademark or copyright, and complies with applicable federal, state, and local laws and regulations. By submitting content to Pam Cohen ERAHC, the submitter warrants that he or she owns or otherwise has proper license to 703-945-0370 the intellectual property therein. Manuscripts for articles and copy for classified ads must be submitted in Word or Susan Hart in the body of an email. If mailed, please provide cd or dvd. 919-304-2688 [email protected] Deadlines for Articles and Ads: Dr. Diane Kozwich Issue Articles Ads 603-679-8548 Spring (March/April) February 15th March 1st [email protected] Summer (June/July) May 15th June 1st Fall (September/October) August 15th September 1st Membership Committee th st Brenda Hammar Winter (December/January) Nov.ember 15 December 1 Nominations Committee Advertising in Hoof Prints: Rosalie Wenckoski • Until further notice, Hoof Prints will be printed in greyscale, but Bylaws & Non-Profit Committee please submit color copy, as the pdf version is full color. Janet Tenney • Acceptable graphic formats are .tif, .jpg, .psd, and .pdf and should be Communications Committee at least 300 dpi. The advertiser is responsible for the quality of copy Jeanne Bond and graphics provided. Website Committee • Copy less than 10mb may be emailed, or copy may be sent on cd or Noreen Duffy-Granbery dvd. Payment must be received at the address above before the 603-730-1955 deadline(s) for advertising to be included in the following issue(s). [email protected] • A 10% discount applies to all Business Members. Education/Promotion Committee Pam Cohen Size (approximate w x h) Per Issue Per Year Heather Hayes Full page (7.5” x 9.0”) $35 $125 860-961-1945 Half page horizontal (7.5” x 4.5”) [email protected] or vertical (3.5” x 9.0”) $25 $90 Classic Show Committee Quarter page (3.5” x 4.5”) $10 $50 Linda Denniston Business card (3.5” x 2”) — $40 Region 6 Show Committee Free to Free to Classified – 50-word limit Brenda Hammar – Add $5 per issue for 1” x 1.5” photo members members (approximate size) with ad $5 non- $15 non- members members Fall 2010 — Page 2 Hoof Prints (continued from page 1) Sunday’s ANCCE show was small, but there was no Costume classes doubt (in my mind, anyway) that the horses shown were punctuated represent exquisite examples of the Pure Spanish Horse in by an exhibition the U.S. Moreover, the Spanish method of showing horses of Portuguese ba- in hand is in itself an art that displays the conformation roque horseman- and movement of the PRE in all its glory. Exhibitors of ship and warrior Iberian horses can benefit from learning how to show skills by Bruno horses in this manner, even though IALHA regulations for Gonzales riding halter classes differ somewhat. The advantage comes from Lusitano stallion learning to free up one’s horse for display. Spanish judge Tejo II VA and Ignacio Bravo Garcia, in his first visit to our show, classical riding in delivered the kind of careful consideration and scoring for traditional Portu- which our Iberian judges have become famous, so guese bullfight- competitors came away with valuable information about ing costume by the conformation and morphology of their horses. mainstay exhib- Sunday afternoon featured a question-and-answer itor Janet Tenney session with Sr. Garcia, with Kathy Waldo as translator. on the palomino The discussion ranged through topics such as handling, Lusitano stallion Tambore HM. The evening wrapped up quality of horses in the U.S.

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