Innocenti, P., (Ed.) (2014) Migrating Heritage: Experiences of Cultural Networks and Cultural Dialogue in Europe. Ashgate, Farnham. ISBN 9781472422811 Copyright © 2014 Ashgate A copy can be downloaded for personal non-commercial research or study, without prior permission or charge Content must not be changed in any way or reproduced in any format or medium without the formal permission of the copyright holder(s) When referring to this work, full bibliographic details must be given http://eprints.gla.ac.uk/80836/ Deposited on: 12 December 2014 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk PREPRINT DRAFT – DO NOT CITE © Copyrighted Material Pre-press version (i.e. the final version of the text before any editorial input or formatting by the publishers) of the book chapters from: Innocenti, P. Ed. 2014. Migrating Heritage: Experiences of Cultural Networks and Cultural Dialogue in Europe. Ashgate, Aldershot, UK. ISBN 9781472422811, http://www.ashgate.com/isbn/9781472422811 The introduction of the book by Perla Innocenti is the post-press version already publicly available on Ashgate website. This pre-press version is made publicly available by the University of Glasgow in accordance to Special Clause 39 regarding Open Access agreed by the University of Glasgow as partner of the EU-funded FP7 collaborative research project European Museums in an Age of Migrations (MeLa) 2011-2014, SSH-2010-5.2-2, Grant Agreement No. 266757, and by the publisher. DO NOT CITE PREPRINT DRAFT – DO NOT CITE © Copyrighted Material PREPRINT DRAFT – DO NOT CITE © Copyrighted Material Migrating Heritage: Experiences of Cultural Networks and Cultural Dialogue in Europe Edited by PERLA INNOCENTI University of Glasgow, UK PREPRINT DRAFT – DO NOT CITE © Copyrighted Material PREPRINT DRAFT – DO NOT CITE © Copyrighted Material Contents List of figures List of tables Notes on Contributors Acknowledgements Introduction: Migrating Heritage Perla Innocenti 1 Remapping Europe - a Remix: a case study in international and inter-institutional collaboration and networking Katherine Watson and Vivian Paulissen 2 Translating Objects, Transnationalising Collections: Inventing Europe between Museums and Researchers Alexander Badenoch 3 Migrating Heritage, Networks and Networking: Europe and Islamic Heritage Sharon Macdonald 4 Migrations and Multiculturalism: a Design Approach for Cultural Institutions Eleonora Lupo, Lucia Parrino, Sara Radice, Davide Spallazzo and Raffaella Trocchianesi 5 Visualising Interdisciplinary Research: Algorithmic Treatment of Museum Case- Study Information Sets David Gauthier, Jakob Bak and Jamie Allen 6 Europeana: Cultural Heritage in the Digital Age Eleanor Kenny 7 Moving Through Time and Culture with the Biodiversity Heritage Library Constance Rinaldo and Jane Smith 8 La Cité Nationale de l’Histoire de l’Immigration: a Central Venue and National Network - an On-going Challenge Agnès Arquez Roth 9 On Their Own: Telling Child Migrant Stories in a Transnational Context Kim Tao 10 Roma Routes: Heritage as a Path to Dialogue Patricia Reynolds 11 City Museums Beyond the Museum: Networking as a Strategy for Twenty-First Century European City Museums PREPRINT DRAFT – DO NOT CITE © Copyrighted Material PREPRINT DRAFT – DO NOT CITE © Copyrighted Material Francesca Lanz 12 Turin – Earth: City and New Migrations. From Historical Reflection to Civil Consciousness in the Present Day Guido Vaglio 13 Inclusive Collecting Strategies of City Museums in a Diverse Society: Thoughts on the Implementation of Multi-perspectivity beyond Group Categories Frauke Miera and Lorraine Bluche 14 Post-Critical Museology: The Distributed Museum and the Crisis of European Representation Andrew Dewdney and Victoria Walsh 15 The Issue of Repatriation for Natural History Museums in Europe: Attempts at the Sharing of Heritage between Science and Traditional Societies Laurence Isnard and Fabienne Galangau-Quérat 16 ‘Critical Objects’: Museums, Refugees and Intercultural Dialogue. Domenico Sergi 17 A Curious Case Study: Creating Inter-cultural Dialogue through Objects Aileen Strachan 18 Project Blickwinkel: Rediscovering, Reinventing and Reinterpreting Collections at the Kölnisches Stadtmuseum, Cologne Sandra Vacca 19 The Reggiane Factory and New Immigrants: Memory and Local History to Strengthen Integration Michele Bellelli and Federico Zannoni 20 Separate Workings: Exploring Hidden Histories by Examining the Racially Biased Policies in the Transport Systems of South Africa and the Display of a South African Railways Locomotive at the Riverside Museum, Glasgow John Messner 21 Intercultural Dialogue as the Mission of a Museum: the Officina Multimediale di Papa Giovanni XXIII in Sotto il Monte, Bergamo, Italy Rita Capurro 22 Self-promotion or Cultural and Ideological Infiltration? Foreign Donations and Acquisition Suggestions in the British Library: a Russian Case Study Ekaterina Rogatchevskaia 23 Library and Museum Hybridisation: Ultimate Spatial Forms of Institutional Collaboration in the Process of Identity Representation Jacopo Leveratto PREPRINT DRAFT – DO NOT CITE © Copyrighted Material PREPRINT DRAFT – DO NOT CITE © Copyrighted Material 24 Re-collecting and Connecting: Public Art, Migrating Heritage and the Relocation of Cultural Memory Celeste Ianniciello PREPRINT DRAFT – DO NOT CITE © Copyrighted Material PREPRINT DRAFT – DO NOT CITE © Copyrighted Material List of figures 1.1 The artists of European Souvenirs 1.2 Digital media storytelling at the heart of the Doc Next 1.3 Exploring in media what it means to live and travel in Europe 1.4 The artists worked with found footage found at flea markets for European Souvenirs 1.5 Using different archival materials 1.6 An interdisciplinary project 1.7 The digital shift creates opportunities for Do-It-Yourself and Do It With Others 2.1 A seller of Singer sewing machines in the house of the Youth Association in Murole 3.1 Case of guns, National Museum of Antiquities and Islamic Art 3.2 Spur, Burrell Collection, Glasgow Museums 5.1 World Map of Cases and Fields of Activity 5.2 Topical Triangle 6.1 Emigrants at Ellis Island awaiting examination 7.1 BHL Europe: an example of a portal for a regional hub 7.2 BHL Global satellite map, 2011 PREPRINT DRAFT – DO NOT CITE © Copyrighted Material PREPRINT DRAFT – DO NOT CITE © Copyrighted Material 7. 3 An example of the BHL image collections on Flickr 7.4 Connecting content in BHL 7.5 Portrait of Charles Darwin (1868) 7.6 Coriander, Spices exhibition, Biodiversity Library Exhibition 8.1 Opening of the Cité nationale de l’histoire de l’immigration in 2007 8.2 Panels with the history of migration at the Cité nationale de l’histoire de l’immigration 8.3 Collaboration with FACEEF 8.4 Collaboration with Elele 8.5 Collaboration with Rahmi 8.6 Temporary exhibition Etranger- Fremde in France and Germany de 1870 à nos jours 8.7 Temporary exhibition Allez la France - Football et Immigration 9.1 On Their Own at ANMM, 2011 9.2 Exhibition identity featuring Stewart Lee 9.3 Case study of Yvonne Radzevicius 9.4 Visitor comment from Cory Carey, 2010 10.1 A family at the Derby, posed with their possessions 11.1 The online exhibition “Explore poverty” 11.2 The WALL located in Copenhagen, at Frederiksberg Runddel, June 2012 11.3 Networking, cross-references and place references at the Bologna city museum PREPRINT DRAFT – DO NOT CITE © Copyrighted Material PREPRINT DRAFT – DO NOT CITE © Copyrighted Material 12.1 The permanent display of the Museo Diffuso della Resistenza, della Deportazione, della Guerra, dei Diritti e della Libertà 12.2 The opening of Turin - Earth at the museum 12.3 Timeline 1980 – 2011 12.4 Turin, Porta Nuova railway station, 1971 12.5 Turin - Earth. The exhibition 12.6 Turin - Earth. The exhibition 12.7 The permanent display of the museum 14.1 Organisational development of the Art Museum 15.1 External view of the Musée de l’Homme 15.2 Musée de l’Homme under renovation 15.3 Cast of the Hottentot Venus, Museum National d’Histoire Naturelle, Paris 15.4 Head of Maori warrior repatriated, Museum National d’Histoire Naturelle, Paris 16.1 Sainsbury Centre’s Living Area. Fosters + Partners 16.2 Male figure ('Fishermen's god'), Polynesia. UEA 189. Robert and Lisa Sainsbury Collection, University of East Anglia 17.1 Door, Curious exhibition 17.2 Scottish Tinga Tinga painting created within the Curious Project 17.3 Veil discussion PREPRINT DRAFT – DO NOT CITE © Copyrighted Material PREPRINT DRAFT – DO NOT CITE © Copyrighted Material 20.1 Locomotive 3007 in use in South Africa in 1970 20.2 Apartheid era signs on display at Roodepoort station, located west of Johannesburg 20.3 A single image conveys the separation of the races on the railways in South Africa 23.1 Contemporary musealised libraries 24.1 Tarek Zaki, Monument X, installation, 2007 24.2 Ebadur Rahman, Ronni Ahmed, Tomb of Qara Koz, sculpture, 2011 24.3 Ebadur Rahman, Ronni Ahmed, detail of Tomb of Qara Koz, sculpture, 2011 PREPRINT DRAFT – DO NOT CITE © Copyrighted Material PREPRINT DRAFT – DO NOT CITE © Copyrighted Material Notes on contributors Agnès Arquez Roth is Director of Network and Partnership at the Cité nationale de l’histoire de l’immigration, in Paris, France. After having successfully completed her diploma in Comparative History of Religions and Religious Anthropology (Master 2 at La Sorbonne-Paris IV), Arquez-Roth pursued studies at the Ecole du Louvre (History of Art). Her first professional experience led her to take part in the creation of the Musee d’Orsay in Paris and