Creative Media: Photography - P4076 - Melanie Friend | Sussex University

Creative Media: Photography - P4076 - Melanie Friend | Sussex University

09/26/21 Creative Media: Photography - P4076 - Melanie Friend | Sussex University Creative Media: Photography - P4076 - View Online Melanie Friend Abrahams, Fred, Eric Stover, and Gilles Peress. 2001. A Village Destroyed, May 14, 1999: War Crimes in Kosovo. Berkeley, Calif: University of California Press. Ackroyd, Peter. 2000. London: The Biography. London: Chatto & Windus. Adams, Robert. 2001. Summer Nights. New York: Aperture. ———. 2008. The New West: Landscapes along the Colorado Front Range. New York: Aperture. Adams, Robert, and Fondation Cartier. 2007. Time Passes. Paris: Fondation Cartier pour l’Art Contemporain. ‘Aesthetica: The Art and Culture Magazine.’ n.d. http://www.aestheticamagazine.com/. America & Lewis Hine: Photographs 1904-1940. 1997. New York, N.Y.: Aperture Foundation. Andrews, Philip. 2003. Adobe Photoshop Elements 2.0: A Visual Introduction to Digital Imaging. Oxford: Focal. Appleton, Jay. 1996. The Experience of Landscape. Rev. ed. London: Wiley. Arbus, Diane. 1985. Diane Arbus: Magazine Work. Phaidon. ———. 1995. Untitled. London: Thames & Hudson. Arbus, Diane, Doon Arbus, and Marvin Israel. 1997. Diane Arbus. 25th anniversary ed. New York, N.Y.: Aperture Foundation. Arnatt, Keith, David Hurn, Clare Grafik, and Photographers’ Gallery. 2007. I’m a Real Photographer: Keith Arnatt, Photographs 1974-2002. London: Chris Boot. ‘Art and Design, Photography and Architecture. The Guardian.’ n.d. http://www.theguardian.com/artanddesign. Auge ́ , Marc. 1995. Non-Places: Introduction to the Anthropology of Supermodernity. London: Verso. 1/22 09/26/21 Creative Media: Photography - P4076 - Melanie Friend | Sussex University Avedon, Richard, Michael Juul Holm, and Helle Crenzien. n.d. Richard Avedon Photographs, 1946-2004. Humlebæk, Denmark: Louisiana Museum of Modern Art. Bachelard, Gaston, and M. Jolas. 1994. The Poetics of Space. Boston, Mass: Beacon Press. Badger, Gerry. 2009. The Genius of Photography: How Photography Has Changed Our Lives . London: Quadrille. Barnard, Lisa, Julian Stallabrass, and Euge ́ nie Shinkle. 2014. Hyenas of the Battlefield, Machines in the Garden. London: Gost Books. Barney, Tina. 1991. Friends and Relations. Vol. Photographers at work. Washington, D.C.: Smithsonian Institution Press in association with Constance Sullivan Editions. Barney, Tina, and Andy Grundberg. 1997. Photographs: Theater of Manners. Zurich: Scalo. Barthes, Roland. 2000. Camera Lucida: Reflections on Photography. London: Vintage. Basilico, Gabriele. 2006. Gabriele Basilico: Workbook, 1969-2006. [Stockport]: Dewi Lewis. Bate, David. 2009a. Photography: The Key Concepts. English edition. Vol. The key concepts. Oxford: Berg. http://ezproxy.sussex.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true &scope=site&db=nlebk&db=nlabk&AN=288231. ———. 2009b. Photography: The Key Concepts. English ed. Vol. The key concepts. Oxford: Berg. Bell, Clare, and Solomon R. Guggenheim Museum. 1996. In/sight: African Photographers, 1940 to the Present. New York, N.Y.: Guggenheim Museum Publications. Bell, Jason, and Guy Harrington. 2000. Gold Rush: Athletes. Stockport: Dewi Lewis. Benjamin, Walter. 1997. Charles Baudelaire: A Lyric Poet in the Era of High Capitalism. Vol. Verso classics. London: Verso. Benjamin, Walter, and Hannah Arendt. 1999. Illuminations. London: Pimlico. Berger, John. 2008. Ways of Seeing. Vol. Penguin modern classics. London: Penguin. Berger, John, J. Mohr, and N. Philibert. 1982. Another Way of Telling. Writers and Readers. Berman, Nina. 2004. Purple Hearts: Back from Iraq ; Photographs and Interviews. London: Trolley. ———. 2008. Homeland. London: Trolley. 2/22 09/26/21 Creative Media: Photography - P4076 - Melanie Friend | Sussex University Bieber, Jodi. 2006. Between Dogs and Wolves: Growing up with South Africa. Stockport: Dewi Lewis. Billingham, Richard, Michael Collins, and Julian Germain. 2000. Ray’s a Laugh. Zurich: Scalo. Bittencourt, Julio. 2008. In a Window of Prestes Maia 911 Building. Stockport: Dewi Lewis Publishing. Bolton, Richard. 1989a. The Contest of Meaning: Critical Histories of Photography. Cambridge, Mass: MIT P. ———. 1989b. The Contest of Meaning: Critical Histories of Photography. Cambridge, Mass: MIT P. Boomkens, Rene ́ , Hripsime ́ Visser, and Amsterdam (Netherlands). 2000. Beat Streuli, Gabriele Basilico: Urban Views. Rotterdam: NAi Publishers. Brandt, Bill, Ian Jeffrey, and Barbican Art Gallery. 1994. Bill Brandt: Photographs, 1928-1983. New York, N.Y.: Thames and Hudson. Brighton and Hove. 1999. Brighton and Hove: A Different Kind of City. The Council. Brighton and Hove: Britain’s Elegant Seaside Resort. n.d. Brighton and Hove, and Sussex Careers Services. 2001. Setting the Scene: A Review of the Brighton and Hove Economy. Hove: Brighton and Hove Council. ‘Brighton Photo Fringe.’ n.d. http://www.photofringe.org/. ‘British Journal of Photography.’ n.d. Broomberg, Adam, and Oliver Chanarin. 2013. Scarti. [London, England]: Trolley Ltd. Brothers, Caroline. 1997. War and Photography: A Cultural History. London: Routledge. Burgin, Victor. 1982a. Thinking Photography. Vol. Communications and culture. Basingstoke: Palgrave Macmillan. ———. 1982b. Thinking Photography. Vol. Communications and culture. Basingstoke: Palgrave Macmillan. Burke, John, and Simon Norfolk. 2011. Burke + Norfolk: Photographs from the War in Afghanistan. Stockport: Dewi Lewis. Burtynsky, Edward, Marc Mayer, Ted C. Fishman, and Mark Kingwell. 2005. China : The 3/22 09/26/21 Creative Media: Photography - P4076 - Melanie Friend | Sussex University Photographs of Edward Burtynsky. Göttingen: Steidl. Bustamante, Jean-Marc, Jean-Pierre Criqui, and Centre national de la photographie. 1999. Jean-Marc Bustamante: Oeuvres Photographiques 1978-1999. Paris: Centre national de la photographie. Campany, David. 2003. Art and Photography. London: Phaidon. Capa, Robert, and Richard Whelan. 1996. Robert Capa: Photographs. New York: Aperture Foundation. Chambers, Iain. 1988. Popular Culture: The Metropolitan Experience. Vol. Studies in communication. London: Routledge. Chapman, Stephanie, Nick Johnstone, Simon Watney, Janine Antoni, Photographers’ Gallery, Foundling Museum, and Columbia College (Chicago, Ill.). 2013. Home Truths: Photography and Motherhood. Edited by Susan Bright. London: Art/Books. Chelbin, Michal. 2008. Strangely Familiar: Acrobats, Athletes, and Other Traveling Troupes. New York: Aperture. Chevalier, Tracy, Colin Wiggins, and Tom Hunter. 2005. Tom Hunter: Living in Hell and Other Stories. London: National Gallery. Chrystel Lebas. 1AD. Chrystel Lebas: Between Dog and Wolf. Azure Publishing. http://www.amazon.co.uk/Chrystel-Lebas-Between-Dog-Wolf/dp/0954647815/ref=sr_1_1?s =books&ie=UTF8&qid=1426003326&sr=1-1&keywords=Chrystel+Lebas%3A+Between+ Dog+and+Wolf. Clarke, David J. 2007a. Hong Kong X 24 X 365: A Year in the Life of a City. Hong Kong: Hong Kong University Press. ———. 2007b. Hong Kong X 24 X 365: A Year in the Life of a City. Hong Kong: Hong Kong University Press. https://ebookcentral.proquest.com/lib/suss/detail.action?docID=677367. Clark, Edmund. 2010. Guantanamo: If the Lights Go out. Stockport: Dewi Lewis. Clarke, Graham. 1992. The Portrait in Photography. Vol. Critical views. London: Reaktion Books. ———. 1997. The Photograph. Vol. Oxford history of art. Oxford: Oxford University Press. Clements, John. 2005. A Comprehensive Guide to Digital Black & White Photography. Lausanne: AVA. Coekin, Chris. 2006. Knock Three Times. Stockport: Dewi Lewis. Cooper, Clement. 1988. Presence. Manchester: Cornerhouse. Coplan, John, and Weegee. n.d. Weegee’s New York: Photographs 1935-1960. London: Schirmer Art Books. 4/22 09/26/21 Creative Media: Photography - P4076 - Melanie Friend | Sussex University Coppock, Christopher, Paul Seawright, David Campany, Martha Langford, and Jan-Erik Lundstro ̈ m. 2006. So Now Then. Cardiff: Ffotogallery. Crewdson, Gregory, and Russell Banks. 2008. Beneath the Roses. New York: Abrams. Crewdson, Gregory, Rick Moody, White Cube (Gallery), Luhring Augustine (Gallery), and Gagosian Gallery (Los Angeles, Calif.). 2002. Twilight. New York, N.Y.: Harry N. Abrams. Cross, Andrew. 2002. Some Trains in America. Munich: Prestel. Davidson, Bruce. 1970. East 100th Street. Harvard U.P. Davies, John. 2006. The British Landscape. London: Chris Boot. Davies, John, and Rob Powell. 1987. A Green & Pleasant Land. Manchester: Cornerhouse Publications. Davies, John, Ian Walker, and Ffotogallery. 1992. Cross Currents. Cardiff: Ffotogallery. DeCarava, Roy, Peter Galassi, Sherry Turner DeCarava, and Museum of Modern Art (New York, N.Y.). 1996. Roy DeCarava: A Retrospective. New York, N.Y.: Museum of Modern Art. Delahaye, Luc. 2003. Winterreise. London: Phaidon. Delahaye, Luc, and Jean Baudrillard. 1999. L’autre. London: Phaidon. Derges, Susan, and Stour Valley Arts. 2003. Kingswood. Challock, Kent: Stour Valley Arts. Deriu, Davide, Krystallia Kamvasinou, and Euge ́ nie Shinkle, eds. 2014. Emerging Landscapes: Between Production and Representation. Farnham: Ashgate Publishing Ltd. https://ebookcentral.proquest.com/lib/suss/detail.action?docID=1589703. ‘Dewi Lewis.’ n.d. http://www.dewilewispublishing.com/. Dexter, Emma, and Thomas Weski. 2003. Cruel and Tender: The Real in the Twentieth-Century Photograph. London: Tate. DiCorcia, Philip-Lorca, Peter Galassi, and Museum of Modern Art (New York, N.Y.). 1995. Philip-Lorca DiCorcia. New York, N.Y.: Museum of Modern Art. Dijkstra, Rineke, Carol Ehlers, and James Rondeau. 2002. Rineke Dijkstra: Beach Portraits. Chicago. Ill: LaSalle. Diprose, Graham, Charles

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    22 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us