Bibliography Altman, Rick (2003), Film/Genre

Bibliography Altman, Rick (2003), Film/Genre

Cover Page The following handle holds various files of this Leiden University dissertation: http://hdl.handle.net/1887/61126 Author: Mes, T.P. Title: V-Cinema: canons of Japanese film and the challenge of video Issue Date: 2018-01-09 Bibliography Altman, Rick (2003), Film/Genre. London: British Film Institute Abe, Kashō (2000), Nihon eiga ga sonzai Alvarado, Manuel (ed.) (1988), Video World- suru (Japanese cinema exists). Tokyo: Wide: An International Study. Paris: United Seidosha Nations Educational, Scientific and Cultural Abel, Richard (ed.) (2005), Encyclopedia of Organisation / London: John Libbery & Early Cinema. New York: Routledge Company Acland, Charles R. (2009), ‘The Last Days of Anderson, Joseph L. and Donald Richie Home Video,’ Flowtv.org, (1982), The Japanese Film: Art and Industry. http://flowtv.org/2009/11/the-last-days-of- Princeton: Princeton University Press videotapecharles-r-acland-concordia- Andrew, Dudley (2000), ‘The ‘Three Ages’ of university/ [accessed: March 12, 2015] Cinema Studies and the Age to Come,’ PMLA, Alexander, Arthur (2008), The Arc of Japan's vol. 115, no. 3 (May 2000), pp. 341-351 Economic Development. London and New Andrew, Dudley (2009), ‘Time Zones and Jet York: Routledge Lag – the Flows and Phases of World Cinema,’ Alilunas, Peter (2010), ‘The Death and Life of in World Cinemas, Transnational Perspectives, the Back Room’, Media Fields Journal, 1 (1) Nataša Durovicová and Kathleen E. Newman 9 Alilunas, Peter (2014), ‘The Necessary Future eds.). New York: Routledge, 74 of Adult Media Industry Studies,’ Creative Industries Journal, 7:1, 62-66 312 ! Arnaud, Diane (2007), Kiyoshi Kurosawa: http://flavorwire.com/535481/netflix-is-losing-a- Mémoire de la disparition. Pertuis: Rouge ton-of-movies-to-hulu [accessed: January 4, Profond 2017] Austin, Thomas (2001), Hollywood, Hype and Bailey, Jason (2015b), ‘The Premature Death Audiences: Selling and Watching Popular Film of Physical Media – and the Cult Home Video in the 1990s. Manchester: Manchester Labels Keeping It Alive’. Flavorwire, University Press September 2, 2015, Azoury, Philippe (2002), ‘La terreur tirée à http://flavorwire.com/535883/the-premature- quatre épingles’, Libération, March 6, 2002 death-of-physical-media-and-the-cult-home- Baecque, Antoine de and Serge Toubiana video-labels-keeping-it-alive [accessed: (2000), Truffaut: A Biography. Berkeley and January 8, 2017] Los Angeles: University of California Press Balmain, Colette (2006), ‘Inside the Well of Bailey, Jason (2013), ‘Netflix’s Loneliness: Toward a Definition of the ‘Streamageddon’: Why Do Streaming Video Japanese Horror Film’. Electronic Journal of Services Still Suck?’, Flavorwire, May 2, 2013, Contemporary Japanese Studies, http://flavorwire.com/388884/netflixs- http://www.japanesestudies.org.uk/discussionp streamageddon-why-do-streaming-video- apers/2006/Balmain.html services-still-suck [accessed; January 4, 2017] Balmain, Colette (2009), Introduction to Bailey, Jason (2015), ‘Netflix Is Losing a Ton of Japanese Horror Film. Edinburgh: Edinburgh Movies to Hulu’, Flavorwire, August 31, 2015, University Press ! 313 Barthes, Roland (1989), The Rustle of Beebe, Roger (2010), ‘Pedagogical Spaces, Language. Berkeley and Los Angeles: or, What We’ve Lost in the Post-Video-Store University of California Press Era’, Media Fields Journal, 1 (1) Barthes, Roland (2005), L’Empire des signes, Benjamin, Walter (1992), ‘The Work of Art in Paris: Éditions du Seuil the Age of Mechanical Reproduction’, in: Barthes, Roland (2013), Mythologies. New Arendt, Hannah (ed.) Illuminations. London: York: Hill and Wang Fontana, pp. 214–218 Barzilai-Nahon, Karine (2008), ‘Toward a Benson-Allott, Caetlin (2013), Killer Tapes and Theory of Network Gatekeeping: A Framework Shattered Screens: Video Spectatorship from for Exploring Information Control’. Journal of VHS to File Sharing. Berkeley: University of the American Society for Information Science California Press and Technology 59 (9) (2008): 1493-1512 Benson-Allott, Caetlin (2015), Remote Control. Baskett, Michael (2008), The Attractive New York: Bloomsbury Academic, 2015 Empire: Transnational Film Culture in Imperial Berry, Chris (1990), ‘Our Problem Cinema: The Japan. Honolulu: University of Hawai’i Press Challenge of Japanese Cinema’, Continuum: Baskett, Michael (2014), ‘Japan’s Film Festival The Australian Journal of Media & Culture, Diplomacy in Cold War Asia’, Velvet Light Trap Vol.4, No. 1, 1990, pp. 193-198 73, pp. 4-18 Bideopia. Kinema Junpō Bessatsu. Tokyo: Kinema Junpōsha, August 1971 314 ! Bishop, Bryan, ‘Netflix losing almost 1,800 Bordwell, David and Kristin Thompson (1990), titles from its streaming library’, The Verge, Film Art: An Introduction, third edition. New April 30, 2013, York: McGraw-Hill http://www.theverge.com/2013/4/30/4287902/n Bordwell, David and Kristin Thompson (2013), etflix-losing-almost-1800-titles-from-its- Film Art: An Introduction, tenth edition. New streaming-library-starting-tomorrow [accessed: York: McGraw-Hill January 4, 2017] Bourdieu, Pierre (2010), Distinction: A Social Bordwell, David (1979), ‘Our Dream-Cinema: Critique of the Judgement of Taste. London: Western Historiography of the Japanese Film’, Routledge Film Reader 4 (1979): 45–62 Bourdon, Jérôme (2015), ‘Detextualizing: How Bordwell, David (1988), Ozu and the Poetics of to Write a History of Audiences’, European Cinema. Princeton: Princeton University Press Journal of Communication 2015, Vol. 30 (1), Bordwell, David (2011), Planet Hong Kong: pp. 7-21 Popular Cinema and the Art of Entertainment. Bowser, Rachel A., and Brian Croxall (eds.) Madison: Irvington Way Institute Press (2016), Like Clockwork: Steampunk Pasts, Bordwell, David and Noël Carroll (ed.) (1996), Presents, and Futures. St. Paul: University of Post-Theory: Reconstructing Film Studies. Minnesota Press Madison: The University of Wisconsin Press Bowyer, Justin (ed.) (2004), The Cinema of Japan and Korea. London: Wallflower Press ! 315 Bradshaw, Peter (2001), ‘Audition’, The Calorio, Giacomo (2007), Mondi che cadono, Il Guardian, March 16, 2001 cinema di Kurosawa Kiyoshi, Milano: Editrice Il Broderick, Mick (ed.) (1996), Hibakusha Castoro Cinema: Hiroshima, Nagasaki and the Nuclear Canby, Vincent (1985), ‘Confessions of a VCR Image in Japanese Film. London: Kegan Paul Recruit’, The New York Times, November 24, International 1985 Burch, Noël (1979), To the Distant Observer: Caughie, John (2013), Theories of Authorship. Form and Meaning in the Japanese Cinema. London: Routledge Berkeley: University of California Press Cazdyn, Eric (2006), The Flash of Capital: Film Buruma, Ian (1985), Behind the Mask, On and Geopolitics in Japan. Durham and London: Sexual Demons, Sacred Mothers, Duke University Press Transvestites, Gangsters and Other Japanese Chaplin, Sarah (2007), Japanese Love Hotels: Cultural Heroes, New York: Meridian A Cultural History. London and New York: Buruma, Ian (1995), ‘A case of overkill’, Index Routledge On Censorship (6), 1995, pp. 46-47 Chaudhuri, Shohini (2005), Contemporary Buscombe, Ed (2003), ‘The Idea of Genre in World Cinema. Edinburgh: Edinburgh American Cinema’, in: Barry Keith Grant (ed.), University Press Film Genre Reader 3. Austin: University of Ching, Leo (1994), ‘Imaginings in the Empires Texas Press, pp. 12-26 of the Sun: Japanese Mass Culture in Asia’, 316 ! Boundary 2, Spring 1994, Vol.21 (1), pp. 198- Clements, Jonathan and Helen McCarthy 219 (1998), The Erotic Anime Movie Guide. Choi, Jinhee and Mitsuyo Wada-Marciano London: Titan Books (2009), Horror to the Extreme: Changing Clements, Jonathan and Helen McCarthy Boundaries in Asian Cinema. Hong Kong: (2006), The Anime Encyclopedia. Berkeley: Hong Kong University Press Stone Bridge Press Chung, Hye Seung (2012), Kim Ki-duk. Clover, Carol J. (1992), Men, Women and Champaign: University of Illinois Press Chainsaws, Gender in the Modern Horror Film, Church, David (2014), Retrosploitation: Princeton: Princeton University Press Cultural Memory, Home Video, and Coci, Gianluca (ed.) (2013), Japan Pop: Contemporary Experiences of Exploitation Film Parole, immagini, suoni dal Giappone Fandom. Ph.D. dissertation. Bloomington: contemporaneo. Rome: Aracne editrice Indiana University Cohen, Margaret (1999), The Sentimental Clements, Jonathan (2013), Anime: A History. Education of the Novel, Princeton: Princeton London: British Film Institute University Press Clements, Jonathan (2014), A History of the Comolli, Jean-Louis, and Jean Narboni (1977), Japanese Animation Industry: Developing ‘Cinema/ideology/criticism’, Screen Reader 1: Technologies, Changing Formats and Evolving Cinema/Ideology/Politics, London: Society for Audiences. Dissertation. Swansea: Swansea Education in Film and Television Metropolitan University ! 317 Corman, Roger with Jim Jerome (1998), How I Chinese Film and TV. Berkeley: University of Made a Hundred Movies in Hollywood and California Press Never Lost a Dime. New York: Da Capo Press Dargis, Manola (2005), ‘Sometimes Blood Corse, Sarah M. (2009), ‘Nationalism and Really Isn’t Indelible’, The New York Times, Canon-Formation’, in: Elizabeth Sauer and March 3, 2005 Julia M. Wright (eds.), Reading the Nation in Davis, Darrell William (2003), ‘Compact English Literature: A Critical Reader. London Generation: VCD Markets in Asia’, Historical and New York: Routledge, pp. 211-219 Journal of Film, Radio and Television, Volume Cowan, Ruth Schwartz (1987), ‘The 23, Issue 2 Consumption Junction: A Proposal for Davis, Darrell William and Yeh Yueh-yu Research Strategies in the Sociology of

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