THE TM 911 Franklin Street Weekly Newspaper Michigan City, IN 46360 Volume 36, Number 33 Thursday, August 20, 2020 An Artist’s Voice Takes Flight by Linda Weigel Editor’s note — This is the latest in an ongoing series that profi les women artists in the region. “In order to see birds it is necessary to become a part of the silence.” Robert Lynd Kristina Knowski knows how to be- come a part of the silence. As an avid birdwatcher and stunning illustrator of birds, she exudes a special joy when dis- cussing her love of being in the fi eld and the challenge of identifying species, es- pecially in the Michiana region. Born in Justice, Ill., she spent most of her childhood in Joliet. She was always interested in art, a sketchbook by her side. Interested in attending art school, she took summer classes at various col- leges while still in middle and high school. “I would always ask for new sketch- books for my birthday,” she said, “as I went from going through one book a year to two, to three, etc.” She didn’t start painting until high school. “Completed works” during her childhood primarily consisted of colored pencil or rendered graphite. “I had a lot of trouble completing a project,” she said, “as I tend to be a per- fectionist, and I feel like I needed to redo a halfway completed work. I had to get over that barrier in college.” She attended Joliet Junior College, Western Illinois University and the American Academy of Art during sum- mers off from school. Luckily, she re- ceived a scholarship to attend AAA her junior year of high school and began classes there with the intention of pursu- ing a degree in illustration. It was a good experience, her classes “challenging, but valuable.” During her second year, Kristina Knowski, photographed out in the fi eld. Continued on Page 2 THE Page 2 August 20, 2020 THE 911 Franklin Street • Michigan City, IN 46360 219/879-0088 Beacher Company Directory e-mail: News/Articles - [email protected] Don and Tom Montgomery Owners email: Classifieds - [email protected] Andrew Tallackson Editor http://www.thebeacher.com/ Drew White Print Salesman PRINTE ITH Published and Printed by Janet Baines Inside Sales/Customer Service T Becky Wirebaugh Typesetter/Designer T A S A THE BEACHER BUSINESS PRINTERS Randy Kayser Pressman Dora Kayser Bindery Delivered weekly, free of charge to Birch Tree Farms, Duneland Beach, Grand Beach, Hidden Shores, Long Beach, Michiana Shores, Michiana MI and Shoreland Hills. The Beacher is Hope Costello, Jacquie Quinlan Production also delivered to public places in Michigan City, New Buffalo, LaPorte and Sheridan Beach. John Baines, Karen Gehr, Dennis Mayberry Delivery be the cue to future success once we conquer our An Artist’s Voice Continued from Page 1 fear and move forward. ❑ she took a watercolor class, “thinking the medium Knowski is highly knowledgeable when it comes would be cheaper and easier to transport for future to identifying many bird species; however, she is not work,” which she now acknowledges is not true. an ornithologist, but rather an artist/birdwatcher Like other artists before her, Knowski discovered with a keen eye, and the skill to render what she certain media can be discouraging and diffi cult...at sees in the fi eld or through extant research. I won- least at fi rst. That “cheaper, easier” watercolor class dered how such a specifi c interest could develop. was pure frustration. She had disliked watercolor Her family, she states, is not what would be de- since high school, calling the very nature of the me- scribed as artistic. dium “unruly and uncontrollable.” “My family is very blue collar, and I never vis- “The perfectionist in me loathed its unpredict- ited an art museum until I was in college,” she said. ability,” she said. “However, with the help of my wa- “To be fair, both my parents were very encouraging tercolor instructor, I was able to value the medium’s to my passion. Although I think they were disap- qualities after one semester, enough to make me re- pointed that I didn’t go in a different fi eld with more consider the future of my illustration degree.” ‘security,’ I was a great student academically. That summer, she switched majors to Fine Art “I did grow up with my father’s infl uence on at- with a specialization in watercolor painting. That’s tention to detail and research in working on a proj- quite a turnover from one major to another, espe- ect, as he builds miniature military models (planes, cially within a relative short timespan. It happens, tanks, fi gures, cavalry) as a hobby. While we work though, that something we least enjoy can, in fact, in different subject matter, our processes are very similar in how we ap- proach a painting or model.” She continued. “He can ID planes fl ying overhead in the same way that I can ID birds. We also hoard loads of reference mate- rial, usually in the form of books, and read as much as we can in our interested fi elds.” During Knowski’s last year of college, she needed a central idea for her fi nal portfolio. Birds became her voice, her theme and, eventu- ally, her future artistic direction. While attending AAA, Knowski visited The Field Museum in Chicago, where she Kristina’s “Red Headed Woodpecker.” studied mounted speci- mens of birds in fl ights. THE August 20, 2020 Page 3 bbeacheach bbumum jjewelsewels CCreatingreating AAuthenticuthentic BBeacheach GGlasslass JJewelryewelry fforor 1155 YYearsears 662222 FranklinFranklin St.St. 2219-743-959519-743-9595 MMichiganichigan CCity,ity, IINN wwww.beachbumjewels.comww.beachbumjewels.com HHours:ours: TTues.-Sat.ues.-Sat. 1111 aa.m.-5.m.-5 pp.m..m. • BByy AAppointmentppointment GALLERY AND ART CLASS STUDIO Kristina Knowski appears with her poster design for the 2018 Indiana Dunes Birding Festival. “It was a project originally designed to expose us to different textures in nature, such as the rhino’s shoulders, wolf paws, snake scales, shiny frog legs, giraffe’s eyelashes and, of course, feathers,” she said. I didn’t think much of the project until someone had tfused glass tmosaic art tmixed media workshops asked if I liked birds during our critique session. 622 Franklin ArtAndScienceworks.com Initially, I hadn’t thought much of the question, but I started listing all of the ways birds were a part of my life.” Listing those interactions, such as feeding the birds outside, having pet birds at home (cockatiel, dove and budgies) and a growing interest in birding, which she enjoyed enormously, brought clarity. “That project had led me down the rabbit hole to all sorts of different species, including one I had fallen in love with in particular,” she said. “The Ivory-billed woodpecker had captured my attention in a book, only to quickly discover its conservation status: extinct. Such a beautiful bird gone! I would never see it except in a museum, stuffed like the birds I had just painted.” 622 Franklin Street • 219.552.2419 • Realizing how much she loved birds, nature and the outdoors brought her to a point where she “caught onto birding more obsessively, and realized that I needed to include birds in my fi nal portfolio.” And because of her discovery about the Ivory-billed woodpecker, she made extinct birds the focus of her work. She graduated in 2012 with a body of work “focusing on extinction, nonexistence and our rela- tionship as a species with death. From there, I have Open 701 Washington St Mon - Sat 11-7 learned more about extinct bird species, avian con- Michigan City, IN 46360 Sun 11-3 219-814-4127 servation and our native extant bird species.” Educational mentors, too, are certainly the key Dine In or Outside on the Patio to Knowski’s ongoing success. She feels fortunate to have had a long line of teachers who encouraged her Drive Through & Carryout Available • Catering artistic pursuits. Say you saw us in The Beacher! Continued on Page 4 THE Page 4 August 20, 2020 helps highlight the impact of architecture, especial- An Artist’s Voice Continued from Page 3 ly tall buildings, on bird migrations. “Nature and her struggles are highly present in “A few notable teachers that I am still in touch my work,” she said. “Birds are my main motif to ex- with are my middle-school art teacher Judy Erwin press the pains and struggles of non-human life in and my high-school art teacher Laura Racich,” she our modern world. To respect and appreciate birds said. “I was also heavily infl uenced by my water- is to respect and appreciate nature. color professor Mat Barber Kennedy at the AAA.” “My art has become an act of reconciliation as ❑ I advance my artistic endeavors and spread awareness to these is- sues. I continue to fi nd inspiration from nature through birding, hik- ing and meeting others who share the same love and respect.” Her primary source of inspira- tion comes from a good birding ex- cursion. “I am usually pumped to start creating new pieces, especially af- ter seeing a new bird or ‘lifer,’” she said. “I want to use the fi eld notes and (hopefully) photo references I took to start exploring how the species looks on paper.” Being outside and free to ex- plore isn’t always an option, so having a number of handy refer- ence books to inspire and inform is key, as well as an artist husband who helps her develop new ideas and, when necessary, can push her towards completing a diffi cult Kristina’s “He Prayeth Well, Who Loveth Well, Ivory-Billed Woodepecker.” project.