
<p>Index I: Collections </p><p>T his index lists ail extan t paintings, oil sketches and draw ings catalogued in the present v o lu m e . Copies have also been included. T h e w o rks are listed alphabetically according to place. References to the n u m b er o f the catalogue entries are given in bold, follo w ed b y copy n u m bers w h ere relevan t, then by page references and finally b y figure n u m bers in italics. </p><p>A M S T E R D A M , R I J K S M U S E U M <br>B R U G E S , S T E D E E Ï J K E M U S E A , S T E I N M E T Z - </p><p>C A B I N E T </p><p>A nonym ous, p ain tin g after Rubens : </p><p><em>The Calydonian Boar Hunt, </em>N o .20, copy 6; </p><p>A nonym ous, draw ings after Rubens: </p><p><em>Hippopotamus and Crocodile Hunt, </em>N o .5, </p><p>copy 12; 120 </p><p>2 35 , 237 </p><p><em>Diana and Nymphs hanting Fallow Deer, </em></p><p>N o .21, copy 5; 239 </p><p><em>Hippopotamus and Crocodile Hunt, </em>N o .5, </p><p>copy 13; 120 </p><p>A N T W E R P , A C A D E M Y </p><p><em>Lion Hunt, </em>N o . n e , copy 6; 177 <br>A nonym ous, painting after Rubens: </p><p><em>Lion Hunt, </em>N o .11, copy 2; 162 </p><p>B R U S S E L S , M U S É E S R O Y A U X D E S B E A U X - A R T S D E B E L G I Q U E <br>A N T W E R P , M U S E U M M A Y E R V A N D E N B E R G H </p><p>A nonym ous, d raw in g after Rubens: </p><p><em>W o lf and Fox Hunt, </em>N o .2, copy 7; 96 </p><p>H .F rancken II, painting after Rubens: </p><p><em>Hippopotamus and Crocodile Hunt: Fragment o f </em></p><p><em>a Kunstkammer, </em>N o .5, copy 10; 119-120, </p><p>123 <em>; fig.</em>4 <em>S </em></p><p>A N T W E R P , M U S E U M P L A N T I N - M O R E T U S </p><p>A nonym ous, p aintin g after Rubens: <em>Lion Hunt, </em>N o . n , copy 1; 162, 171, 178 </p><p>B Ü R G E N S T O C K , F. F R E Y </p><p>Studio o f Rubens, painting after Rubens: </p><p><em>Diana and Nymphs hunting Deer, </em>N o .13, </p><p>copy 2; 46, 181, 182, 186, 188, 189, 190, 191, </p><p>208; <em>fig.S6 </em></p><p>A N T W E R P , R U B E N S H U I S </p><p>A n on ym ous, p ain ting after Rubens : </p><p><em>The Calydonian Boar Hunt, </em>N o .12, copy 7; 185 </p><p>A N T W E R P , S T E D E L I J K P R E N T E N K A B I N E T </p><p>A nonym ous, d raw in g after Rubens: </p><p><em>The Calydonian Boar Hunt, </em>N o .20, copy 9; </p><p>235, 236 </p><p>C A M B R I D G E , F I T Z W I L L I A M M U S E U M </p><p>A n on ym ous, draw ing after Rubens : </p><p><em>Head o f an Oriental, </em>N o .16, copy 6; 199, 204 </p><p>C H A R L O T T E N L U N D , M U S E U M O R D R U P G A A R D </p><p>T .G érica u lt, painting after Rubens: </p><p>B A Y O N N E , M U S É E B O N N A T </p><p>Rubens, d raw in g : </p><p><em>W o lf and Fox Hunt, </em>N o .2, copy 4; 96 <br><em>An Eagle with the Thunderbolt in its Claws, </em></p><p>N o .i6 c ; 202, 20<em>y ;fig.ç6 </em></p><p>C H A T S W O R T H , T H E T R U S T E E S O F T H E C H A T S W O R T H S E T T L E M E N T <br>B E R L I N - D A H L E M , S T A A T L I C H E M U S E E N P R E U S S I S C H E R K U L T U R B E S I T Z , K U P F E R S T I C H K A B I N E T T </p><p>(?) A . van D yck , draw ing after Rubens: </p><p><em>W o lf and Fox Hunt, </em>N o .2, copy 6; 96, 103; </p><p>Rubens, d raw in g: </p><p><em>fig </em>-3 6 <br><em>Oriental Huntsman with a Lance, </em>N o . n c ; 168, </p><p>170, 175-176; <em>fig.77 </em></p><p>C L E V E L A N D , O H I O , T H E C L E V E L A N D M U S E U M O F A R T </p><p>A n on ym ous, d raw in g after Rubens: <em>Bull Hunt, </em>N o .26, copy 15; 246, 256, 257, 258, <br>Rubens, oil sketch: </p><p><em>Bear Hunt, </em>N o .2 7 a ; 229, 263-264; <em>fig. 133 </em></p><p>259;fig<em>-129 </em></p><p>B R I G H T O N , B R I G H T O N A R T G A L L E R Y </p><p>(?) J.T h o m as van Y peren , painting after Rubens : </p><p>C O L O G N E , W A L L R A F - R I C H A R T Z - M U S E U M </p><p>A n on ym ous, draw ings after Rubens: </p><p><em>The Calydonian Boar Hunt, </em>N o .i, copy 4; 91 <em>The Calydonian Boar Hunt, </em>N o .12 a , copy; 187 <em>Kicking Horse and Rider, </em>N o .6, copy 7; 124 <br><em>Diana and Nymphs hunting Fallow Deer, </em>N o .21, copy 6; 222, 239-240, <em>2 4 i ; fig .m </em></p><p>379 </p><p>I N D E X i : C O L L E C T I O N S </p><p>C O P E N H A G E N , S T A T E N S M U S E U M F O R K U N S T , K O N G E L I G E K O B B E R S T I K S A M L I N G , ‘ R U B E N S C A N T O O R ' <br>G E R O N A , . MUS EO A R Q U E O L Ó G I C O P R O V I N C I A L </p><p>(?) Rubens and Snyders, paintings: </p><p><em>The Death o f Silvia's Stag, </em>N o .25; 17, 35, 41, </p><p>218, 220, 230, 246, 250-253, 258, 259; <em>fig.124 Bull Hunt, </em>N 0.26; 35, 41, 218, 220, 230, 251- </p><p>252, <em>2.54-260; f ig .i 2 6 </em></p><p>A nonym ous, draw ings after Rubens : </p><p><em>Atalanta’s right Leg, </em>N o .12, copy 9; 185 <em>Diana and a Nymph, </em>N o .13, copy 12; 189 <em>Head o f a Baar, </em>N o .12, copy 10; 185 <em>Head o f a D oe, </em>N o .13, copy 15; 189 <em>Head o f a Stag, </em>N o .13, copy 14; 189 <em>Leg o f Diana and Leg o f a Nymph, </em>N o . 13, </p><p>copy 13; 189 </p><p>G H E N T , M U S E U M V O O R S C H O N E K U N S T E N </p><p>A n on ym ous, painting after R ubens : </p><p><em>The Calydonian Boar Hunt, </em>N o.20 a, copy 1; </p><p>229, 237, 238, 250 </p><p></p><ul style="display: flex;"><li style="flex:1"><em>A</em></li><li style="flex:1"><em>Man restraining a Honnd, </em>N o .10, copy 13; </li></ul><p></p><p>A n on ym ous, draw ing after R ubens: </p><p><em>Diana and Nymphs hunting Deer, </em>N o . 17, </p><p>copy 8 ; 209 </p><p>157 </p><p>M <em>eleager ’ s L egs, </em>N o .12, copy 11; 185 <em>Nymph with a Dog and two other Nymphs, </em></p><p>N o .13, copy 10; 188, 189-190, 193; <em>fig-SS </em></p><p><em>Nymph shooting an Arrow, </em>N o .13, copy 11 ; </p><p>188-189 </p><p>H O U G H T O N H A L L , N O R F O L K , T H E M A R Q U E S S O F C H O LiM O N D E L E Y </p><p>Rubens, oil sketch: <em>Lion Hunt, </em>N o . n b ; 27, 28, 164-165, 168, 169, </p><p><em>The upper part o f Atalanta's Body, </em>N o .12, </p><p>copy 8; 185 </p><p>173, 174- 175, <em>Ï 7 7 ;fg -l6 </em></p><p>G Ö T T I N G E N , K U N S T S A M M L U N G E N D E R U N I V E R S I T A T <br>C O R S H A M C O U R T , W I L T S H I R E , L O R D M E T H U E N </p><p>A nonym ous, painting after R ubens : </p><p><em>The Calydonian Boar Hunt, </em>N 0 .12 , copy 2; 185 </p><p>Studio o f Rubens, painting retouched b y Rubens: </p><p><em>W o lf and Fox Lhmt, </em>N o .2 b ; 44, 78, 95, 99, 100, </p><p>H A R T F O R D , C O N N . , W A D S W O R T H A T H E N E U M </p><p>(?) Rubens, m odello: </p><p>105-107; <em>fig-34 </em><br><em>Tiger, Lion and Léopard Hunt, </em>N o .7 a ; 110, 123, </p><p>D R E S D E N , G E M Â L D E G A L E R I E </p><p></p><ul style="display: flex;"><li style="flex:1">Rubens, painting: </li><li style="flex:1">133, 140-141, 142., 145, 146-148, 155 <em>ifig-ys </em></li></ul><p></p><p><em>Lion and Léopard Hunt, </em>N o .8; 27, 46, 60, 71, </p><p>72, 80, 109, 110, 130, 140, 141, 147, 149-153, 154, 155, 169, 172, 204, 205; <em>ftg.63 </em></p><p>I P S W I C I T , M U S E U M </p><p>A nonym ous, painting after R ubens : </p><p><em>The Calydonian Boar Hunt, </em>N o . 10, copy 8; </p><p>157, 161 </p><p>D U B L I N , N A T I O N A L G A L L E R Y O F I R E L A N D </p><p>A nonym ous, painting after R ubens : </p><p><em>Hippopotamus and Crocodile Hunt, </em>N o .5, </p><p>copy 2; 119 </p><p>J E R S E Y , S I R F R A N C I S C O O K </p><p>Rubens, oil sketch: </p><p><em>The Calydonian Boar Hunt, </em>N o .2 0 a; 34, 56, </p><p>162, 186, 229, 236, 237-239; <em>fig.ioy </em></p><p>B A S T O N N E S T O N , T O W C E S T E R , N O R T H A N T S , L O R D H E S K E T H <br>L E N I N G R A D , H E R M I T A G E </p><p>Studio o f Rubens, painting after R ubens : </p><p><em>The Calydonian Boar Hunt, </em>N o .12, copy 1 ; 46, </p><p>181, 182, 185, 186, 187, 190, 208; <em>fig.Si </em><br>Rubens, oil sketch: <em>Lion Hunt, </em>N o .n a ; 27, 61, 155, 168, 169, 173- </p><p>174, 175, 257; <em>fig.yy </em></p><p>F L O R E N C E , P A L A Z Z O P I T T I </p><p>(?) J.Fyt, draw ing after R ubens: </p><p><em>Head o f a Wolf, </em>N o .2, copy? 10; 97 </p><p>A n on ym ous, painting after R ubens : </p><p><em>W o lf and Fox Hunt, </em>N o .2, copy 2; 95-96, 99 </p><p>A n on ym ous, cartoon after R ubens: </p><p><em>The Calydonian Boar Hunt, </em>N o .20, copy 1 ; 221, </p><p>234, 236 <br>(?) Studio o f Rubens, painting after R ubens: </p><p><em>Diana and Nymphs attacked by Satyrs, </em>N o .22, copy 2; 242-243, 24<em>4 ; fig .ii4 </em></p><p>F L O R E N C E , P R I V A T E C O L L E C T I O N </p><p>A nonym ous, painting after Rubens : <em>Diana and a Nymph, </em>N o .19, copy 5; 214, 216 <br>A nonym ous, draw ing after R ubens: <br><em>Buil Hunt, </em>N o .26, copvy n ; 255-256 </p><p>F R A N K F U R T , S T A D E L S C H E S K U N S T I N S T I T U T </p><p>A nonym ous, painting after Rubens: </p><p><em>Diana and Nymphs hunting Fallow Deer, </em></p><p>N o .2 ia , copy 1; 241 </p><p>L O N D O N , B R I T I S H M U S E U M </p><p>Rubens, draw ings: </p><p>380 </p><p>I N D E X i : C O L L E C T I O N S </p><p><em>Studies f o r a L ion Hunt and for fighting Wild Animais and Monsters, </em>N o .6 a ; 40, 101, 128, 130-132, <em>i 6 8 ;fg s .j2 , </em>L3 </p><p>M U N I C H , A L T E P I N A K O T H E K </p><p>Rubens, paintings: </p><p><em>Hippopotamus and Crocodile Hunt, </em>N o .5; 26, </p><p>27. 39> 62, 64, 72-74, 84, n i , 118-123, 132; </p><p><em>figs.46, 4 8 </em><br><em>Falling M ail, </em>N o . n d ; 168, 170, 176-177; <em>fig.78 </em></p><p>(?) F.Snyders, draw ing after Rubens: </p><p><em>The Calydonian Boar Hunt, </em>N o .18, copy 5; 208, <br>211-212; <em>fig.101 </em></p><p><em>Lion Hunt, </em>N o .11 ; 18 ,19, 20, 21, 27, 28, 38, 41, <br>48, 62, 64, 66, 69, 84, 126, 127, 131, 132, 138, 155, 162-173, 174, 175, 176, 177, 178, 179, </p><p>212; <em>fig.74 </em></p><p>(?) P.S ou tm an , draw ing after Rubens: </p><p><em>Hippopotamus and Crocodile Hunt, </em>N o .5, </p><p>copy 11; 120, 121-122, <em>127; fig.yo </em></p><p>M U N I C H , B A Y E R I S C H E S T A A T S G E M A L D E- S A M M L U N G E N <br>L O N D O N , N A T I O N A L G A L L E R Y </p><p>R ubens, oil sketch: <br>A n on ym ous, draw ing after Rubens: <em>Lion Hunt, </em>N o .1 1 , copy 7; 163 <br><em>Lion Hunt, </em>N o .3; 27, 60, 62, 72, 80, 107-110, </p><p>128, 130, 141, 153, 154, 155, 169, 200, 202, </p><p>203, 205, <em>262; fig.39 </em></p><p>M U N I C H , D E U T S C H E S J A G D M U S E U M </p><p>A n on ym ous, paintings after Rubens: <em>Boar Hunt, </em>N o .4, copy 5; 113 </p><p>M A D R I D , D U Q U E S A D E S A N T A M A R C A </p><p>A n on ym ous, painting after Rubens : </p><p><em>The Calydonian Boar Hunt, </em>N o .10, copy 9; 157 <br><em>Hippopotamus and Crocodile Hunt, </em>N o .5, </p><p>copy 7; 119 <em>Lion Hunt, </em>N o .6, copy 5; 124, 127 </p><p><em>Tiger, Lion and Léopard Hunt, </em>N o .7, copy 10; </p><p>M A D R I D , M A N U E L G O N Z A L E Z </p><p>Studio o f R ubens, painting after Rubens: </p><p><em>Boar Hunt, </em>N 0 .4 , copy 1; 113, <em>1 15-116; fig.41 </em></p><p>1 3 4 .1 3 9 </p><p>N E W Y O R K , M E T R O P O L I T A N M U S E U M O F A R T </p><p>Rubens, painting: </p><p>M A D R I D , M U S E O L A Z A R O G A L D I A N O </p><p>A n on ym ous, paintings after Rubens : </p><p><em>Diana and Nymphs hunting Deer, </em>N o .13, </p><p>copy 5; 184, 188, 190 </p><p><em>W o lf and Fox Hunt, </em>N o .2; 19, 20, 22, 24-25, </p><p>26, 39, 41, 44, 54, 55, 56, 64, 68, 81, 83, 84,93, 95-104, 105, 106, 116, 126, 130, 137, 154, 179, </p><p>191, <em>i </em>9 5 <em>',figs-</em>3 3 <em>, </em>35 <br><em>Diana and Nymphs attacked by Satyrs, </em>N o .22, </p><p>copy 4; 243 </p><p>N Î M E S , M U S É E D E S B E A U X - A R T S </p><p>A n on ym ous, paintings after Rubens: <em>Bear Hunt, </em>N o .27, copy 1; 220, 261, 262, 263; </p><p>M A D R I D , M U S E O D E L P R A D O </p><p>R ubens and F.Snyders, painting: </p><p><em>Diana and Nymphs attacked by Satyrs, </em>N o .22; </p><p>17, 41, 43, 218, 219, 220, 226, 229, 242-245, 252, 258, 262; <em>fig.112 </em></p><p><em>fi</em>&A 3 4 <em>The Death o f Actaeon, </em>N o .23, copy 1 ; 220, 245, </p><p>246; Jïg.115 </p><p><em>Diana and Nymphs attacked by Satyrs, </em>N o .22, </p><p>copy 1; 220, 242, 244; <em>fig. 113 </em></p><p>M A D R I D , P R I V A T E C O L L E C T I O N </p><p>Studio o f Rubens, painting after Rubens: <em>Lion Hunt, </em>N o .6, copy 1 ; 44,123-124,126-127, </p><p>128, 129, 165-166, <em>171; fig.j i </em><br><em>Diana and Nymphs hunting Fallow Deer, </em>N o .21, </p><p>copy 1; 220, 239, 240; <em>fig. 108 </em></p><p>O S L O , N A S J O N A L G A L L E R I E T </p><p>(?) R ubens or E .Q u ellin , oil sketch: </p><p><em>Alexander's Lion Hunt, </em>N o .iô a ; 202, 205-206; <em>fiS </em>-95 </p><p>M A R S E I L L E S , M U S É E D E S B E A U X - A R T S </p><p>R ubens, painting: <em>Boar Hunt, </em>N o .4; 26, 28, 33, 39, 42, 54, 55, 60, <br>62, 64, 68, 78, 79, 84-85, 93, 94, 101, n i , 112 -118 , 158, 160, 195, 236, 262; <em>fig.40 </em></p><p>O S L O , P R I V A T E C O L L E C T I O N </p><p>A n on ym ous, painting after Rubens : </p><p><em>The Calydonian Boar Hunt, </em>N o .2 oa, copy 4; </p><p>229, 237, 238, 239 </p><p>M E T Z , P R I V A T E C O L L E C T I O N </p><p>A n on ym o u s, painting after Rubens: </p><p><em>The Calydonian Boar Hunt, </em>N o .10, copy 5; </p><p>156-157, 161 </p><p>P A R I S , I N S T I T U T N E E R L A N D A I S , F O N D A T I O N C U S T O D I A </p><p>A n on ym ous, draw ings after Rubens : <em>Bull Hunt, </em>N o .26, copy 8; 255, 258 <em>Two Huntsmen, </em>N o .26, copy 12; 246, 256, 257, </p><p>25<em>9;fig-t2& </em></p><p>M O N T P E L L I E R , M U S É E F A B R E </p><p>E .D elacro ix, w ater-colou r after Rubens: </p><p><em>W o lf and Fox Hunt, </em>N o .2, copy 8; 96-97 </p><p>381 </p><p>I N D E X i : C O L L E C T I O N S </p><p>P A R I S , M U S É E D U L O U V R E , </p><p><em>Tiger, Lion and Léopard Hunt, </em>N o .7; 20, 21, 26, </p><p>27, 28, 39, 45, 46, 60, 64, 66, 68, 71, 72, 80, 84, 99, 109, 110, n i , 126-127, 12.8, 129, 130, </p><p>C A B I N E T D E S D E S S I N S </p><p>Assistant o f Rubens, draw ing retouched by Rubens : <br>133-146, 147, 148, 151-152., 153, 1 54 , 155, </p><p><em>LionHunt, </em>N o . n e ; 177-179; <em>fig.yg </em></p><p>E .D elacroix, draw ings after R ubens: </p><p><em>The Head o f a biting Lion and the ITead o f a pro- strate M an, </em>N o .8, copy 2; 149 </p><p>160, 165, 169, 204, 205; <em>fig.y y </em></p><p>RI O F R I O , P A L A C I O </p><p>Studio o f Rubens, painting after Rubens: </p><p><em>The Calydonian Boar Hunt, </em>N o . 10, copy 2; 31, <br>156, <em>i6o;fig.73 </em><br><em>Head o f a Lion, </em>N o . n e , copy 7; 177 <em>The Head o f a Lion and the Face o f afalling Man, </em></p><p>N 0.6, copy 8; 124 <br>T apestry after Rubens: </p><p><em>The Calydonian Boar Hunt, </em>N o .10, copy 16; </p><p>157, 161 </p><p><em>The Head o f a prostrate Man, </em>N o .8, copy 3 ; 149 <em>The Head o f a W o lf and o f a Fox, </em>N 0 .2 , copy 9; </p><p>R O H R A U , S C H L O S S R O H R A U , C O U N T H A R R A C H </p><p>97 </p><p>A nonym ous, draw ings after Rubens : <em>Boar Hunt, </em>N o .4, copy 12; 114, 116 <em>Two Horsemen, </em>N o .16, copy 5; 199 </p><p><em>Group ofHunters and Huntresses, </em>N o .19, </p><p>copy 6; 214, 216; <em>fig.i03 </em><br>A nonym ous, painting after R ubens: </p><p><em>Diana with Attendants hunting Deer, </em>N o .19, </p><p>copy 2; 214, 216 </p><p>R O M E , G A L L E R I A N A Z I O N A L E A N T I C A , P A L A Z Z O C O R S I N I </p><p>d</p><p>’ a R T E </p><p>P A S A D E N A , C A L I F . , N O R T O N S I M O N M U S E U M O F A R T </p><p>Studio o f Rubens, painting retouched by Rubens: <br>Rubens, oil sketch : </p><p><em>Tiger, Lion and Léopard Hunt, </em>N o .y b ; 133, 136, </p><p>138, 141, 142, 145, 148-1<em>49; fig.y9 </em><br>A nonym ous, painting after R ubens: <em>Bull Hunt, </em>N 0.26, copy 2; 254-255, 258; <em>fig.130 </em></p><p><em>The Calydonian Boar Hunt, </em>N o .io a ; 158, 160, </p><p>161-162, 239; <em>fig.70 </em></p><p>P E R P I G N A N , M U S É E H Y A C I N T E R I G A U D </p><p>(?) W . van H erp, paintings after R ubens: </p><p><em>The Calydonian Boar Hunt, </em>N o .20, copy 2; 222, </p><p>2 3 4 . 237 </p><p>R O M E , P R I V A T E C O L L E C T I O N </p><p>A nonym ous, paintings after R ubens: <em>Boar Hunt, </em>N o .4, copy 3; 113 </p><p><em>Diana and Nymphs hunting Fallow Deer, </em>N o .21, </p><p>copy 3 ; 222, 239, 241 </p><p><em>Hippopotamus and Crocodile Hunt, </em>N o .5, </p><p>copy 5; 119 </p><p>P H I L A D E L P H I A , P A . , P H I L A D E L P H I A M U S E U M O F A R T , J O H N G. J O H N S O N C O L L E C T I O N </p><p>Rubens, oil sketch: <br><em>Lion Hunt, </em>N o .6, copy 3 ; 124, 127 </p><p><em>Tiger, Lion and Léopard Hunt, </em>N o .7, copy 10; </p><p>1 34, 139 </p><p><em>The Death o f Silvia’s Stag, </em>N o .2 5 a ; 222, 229, <br>252, 253-254; <em>figs. 122, 123 </em></p><p>R O T T E R D A M , M U S E U M B O Y M A N S - V A N B E U N I N G E N </p><p>A nonym ous, draw ing after R ubens: </p><p><em>The Calydonian Boar Hunt, </em>N o .20, copy 10; </p><p>235, 236, 238 </p><p>P R A G U E , N Â R O D N I G A L E R I E </p><p>A nonym ous, painting after R ubens : </p><p><em>The Calydonian Boar Hunt, </em>N o .10, copy 3; 156, </p><p>161 </p><p>R U G B Y S C H O O L , W A R W I C K S H I R E </p><p>A nonym ous, draw ings after R ubens : </p><p><em>The Calydonian Boar Hunt, </em>N o .2 o a , copy 5; </p><p>192, 237-238, 239 </p><p>P R I N C E T O N , N J , T H E A R T M U S E U M , P R I N C E T O N U N I V E R S I T Y </p><p>Rubens, oil sketch : </p><p><em>The Death o f Adonis, </em>N o .2 4 a; 229, 249-250; <br><em>Diana andNymphs hunting Deer, </em>N o .13 a , copy; </p><p>192, 239 </p><p><em>fis-1 1 9 </em></p><p>R A L E I G H , N C , N O R T H C A R O L I N A M U S E U M O F A R T <br>S A L T R A M P A R K , D E V O N </p><p>A nonym ous, painting after R ubens : </p><p><em>Diana and Nymphs hunting Deer, </em>N o .17, </p><p>copy 3; 209, 210 <br>Rubens and Snyders, painting: <em>Bear Hunt, </em>N o .27; 41, 54, 60, 218, 219, 220, </p><p>228, 258, 261-263, 264; <em>figs. 132, 136 </em></p><p>S A N I L D E F O N S O , L A G R A N J A <br>R E N N E S , M U S É E D E S B E A U X - A R T S </p><p>A nonym ous, painting after R ubens : </p><p><em>The Death o f Adonis, </em>N o .24, copy 6; 248, 249 </p><p>Rubens, painting: </p><p>382 </p><p>I N D E X r. C O L L E C T I O N S </p><p>S A O P A U L O , P R I V A T E C O L L E C T I O N </p><p>A non ym ous, painting after Rubens: </p><p><em>The Calydonian Boar Hunt, </em>N o .io , copy 7; 157, </p><p>161 </p><p>W A R S A W , P R I V A T E C O L L E C T I O N </p><p>A nonym ous, p ainting after Rubens : </p><p><em>The Calydonian Boar Hunt, </em>N o .10, copy 4; 156, </p><p>161 </p><p>W A R W I C K C A S T L E <br>V E R V I E R S , M U S É E C O M M U N A L </p><p>A n on ym ous, painting after Rubens : <em>Lion Hunt, </em>N o .11, copy 6; 163, 171 <br>A non ym ous, painting after Rubens: </p><p><em>The Death o f Adonis, </em>N o .2 4 a, copy 1; 229, </p><p>249, 250 </p><p>V I E N N A , G R A P H I S C H E S A M M L U N G A L B E R T I N A </p><p>A nonym ous, draw ings after Rubens : </p><p><em>Diana and Nymphs hunting Fallow Deer, </em>N o .21, </p><p>copy 7; 240-241 </p><p>W I L L I A M S T O W N , M A S S . , S T E R L I N G A N D P R A N C I N E C L A R K A R T I N S T I T U T E </p><p>A n on ym ous, painting after Rubens: </p><p><em>Alexander's Lion Hunt, </em>N o .iô a , copy; 205, 206 </p><p><em>Lion Hunt, </em>N o . n e , copy 5; 177 <em>Three Hounds, </em>N o .17, copy 7; 209 </p>
Details
-
File Typepdf
-
Upload Time-
-
Content LanguagesEnglish
-
Upload UserAnonymous/Not logged-in
-
File Pages26 Page
-
File Size-