Index I: Collections

Index I: Collections

<p>Index I: Collections </p><p>T his&nbsp;index lists ail extan&nbsp;t paintings, oil sketches and draw&nbsp;ings catalogued in the present v&nbsp;o lu m e&nbsp;. Copies have also been included. T h e&nbsp;w o rks&nbsp;are listed alphabetically according to place. References to the n&nbsp;u m b er&nbsp;o f&nbsp;the catalogue entries are given in bold, follo w ed&nbsp;b y&nbsp;copy n&nbsp;u m bers&nbsp;w h ere&nbsp;relevan t,&nbsp;then by page references and finally b&nbsp;y figure n&nbsp;u m bers&nbsp;in italics. </p><p>A M S T E R D A M ,&nbsp;R I J K S M U S E U M <br>B R U G E S ,&nbsp;S T E D E E Ï J K E&nbsp;M U S E A ,&nbsp;S T E I N M E T Z - </p><p>C A B I N E T </p><p>A nonym ous,&nbsp;p ain tin g&nbsp;after Rubens&nbsp;: </p><p><em>The Calydonian Boar Hunt, </em>N o .20,&nbsp;copy 6; </p><p>A nonym ous,&nbsp;draw ings&nbsp;after Rubens: </p><p><em>Hippopotamus and Crocodile Hunt, </em>N o .5, </p><p>copy 12; 120 </p><p>2 35 , 237 </p><p><em>Diana and Nymphs hanting Fallow Deer, </em></p><p>N o .21,&nbsp;copy 5; 239 </p><p><em>Hippopotamus and Crocodile Hunt, </em>N o .5, </p><p>copy 13; 120 </p><p>A N T W E R P ,&nbsp;A C A D E M Y </p><p><em>Lion Hunt, </em>N o .&nbsp;n e ,&nbsp;copy 6;&nbsp;177 <br>A nonym ous,&nbsp;painting after Rubens: </p><p><em>Lion Hunt, </em>N o .11,&nbsp;copy 2;&nbsp;162 </p><p>B R U S S E L S ,&nbsp;M U S É E S&nbsp;R O Y A U X&nbsp;D E S&nbsp;B E A U X - A R T S D E&nbsp;B E L G I Q U E <br>A N T W E R P ,&nbsp;M U S E U M&nbsp;M A Y E R&nbsp;V A N&nbsp;D E N&nbsp;B E R G H </p><p>A nonym ous,&nbsp;d raw in g&nbsp;after Rubens: </p><p><em>W o lf and &nbsp; Fox Hunt, </em>N o .2,&nbsp;copy 7; 96 </p><p>H .F rancken&nbsp;II, painting after Rubens: </p><p><em>Hippopotamus and Crocodile Hunt: Fragment o f </em></p><p><em>a Kunstkammer, </em>N o .5,&nbsp;copy 10; 119-120, </p><p>123 <em>; fig.</em>4 <em>S </em></p><p>A N T W E R P ,&nbsp;M U S E U M&nbsp;P L A N T I N - M O&nbsp;R E T U S </p><p>A nonym ous,&nbsp;p aintin g&nbsp;after Rubens: <em>Lion Hunt, </em>N o .&nbsp;n ,&nbsp;copy 1; 162, 171, 178 </p><p>B Ü R G E N S T O C K ,&nbsp;F. F&nbsp;R E Y </p><p>Studio o&nbsp;f Rubens, painting after Rubens: </p><p><em>Diana and Nymphs hunting Deer, </em>N o .13, </p><p>copy 2; 46, 181, 182, 186, 188, 189, 190, 191, </p><p>208; <em>fig.S6 </em></p><p>A N T W E R P ,&nbsp;R U B E N S H U I S </p><p>A n on ym ous,&nbsp;p ain ting&nbsp;after Rubens&nbsp;: </p><p><em>The Calydonian Boar Hunt, </em>N o .12,&nbsp;copy 7; 185 </p><p>A N T W E R P ,&nbsp;S T E D E L I J K&nbsp;P R E N T E N K A B I N E T </p><p>A nonym ous,&nbsp;d raw in g&nbsp;after Rubens: </p><p><em>The Calydonian Boar Hunt, </em>N o .20,&nbsp;copy 9; </p><p>235, 236 </p><p>C A M B R I D G E ,&nbsp;F I T Z&nbsp;W I L L I A M&nbsp;M U S E U M </p><p>A n on ym ous,&nbsp;draw ing&nbsp;after Rubens&nbsp;: </p><p><em>Head o &nbsp; f an &nbsp; Oriental, </em>N o .16,&nbsp;copy 6; 199, 204 </p><p>C H A R L O T T E N L U N D ,&nbsp;M U S E U M&nbsp;O R D R U P G A A R D </p><p>T .G érica u lt,&nbsp;painting after Rubens: </p><p>B A Y O N N E ,&nbsp;M U S É E&nbsp;B O N N A T </p><p>Rubens, d&nbsp;raw in g&nbsp;: </p><p><em>W o lf and &nbsp; Fox Hunt, </em>N o .2,&nbsp;copy 4; 96 <br><em>An Eagle with the Thunderbolt in its Claws, </em></p><p>N o .i6 c ;&nbsp;202, 20<em>y ;fig.ç6 </em></p><p>C H A T S W O R T H ,&nbsp;T H E&nbsp;T R U S T E E S&nbsp;O F&nbsp;T H E C H A T S W O R T H&nbsp;S E T T L E M E N T <br>B E R L I N - D A H L E M ,&nbsp;S T A A T L I C H E&nbsp;M U S E E N P R E U S S I S C H E R&nbsp;K U L T U R B E S I T Z , K U P F E R S T I C H K A B I N E T T </p><p>(?) A&nbsp;. van D&nbsp;yck ,&nbsp;draw ing&nbsp;after Rubens: </p><p><em>W o lf and &nbsp; Fox Hunt, </em>N o .2,&nbsp;copy 6; 96, 103; </p><p>Rubens, d&nbsp;raw in g: </p><p><em>fig </em>-3 6 <br><em>Oriental Huntsman with a Lance, </em>N o .&nbsp;n c ;&nbsp;168, </p><p>170, 175-176;&nbsp;<em>fig.77 </em></p><p>C L E V E L A N D ,&nbsp;O H I O ,&nbsp;T H E&nbsp;C L E V E L A N D&nbsp;M U S E U M O F&nbsp;A R T </p><p>A n on ym ous,&nbsp;d raw in g&nbsp;after Rubens: <em>Bull Hunt, </em>N o .26,&nbsp;copy 15; 246, 256, 257, 258, <br>Rubens, oil sketch: </p><p><em>Bear Hunt, </em>N o .2 7 a ;&nbsp;229, 263-264;&nbsp;<em>fig. 133 </em></p><p>259;fig<em>-129 </em></p><p>B R I G H T O N ,&nbsp;B R I G H T O N&nbsp;A R T&nbsp;G A L L E R Y </p><p>(?) J.T&nbsp;h o m as&nbsp;van Y&nbsp;peren ,&nbsp;painting after Rubens : </p><p>C O L O G N E ,&nbsp;W A L L R A F - R I C H A R T Z - M U S E U M </p><p>A n on ym ous,&nbsp;draw ings&nbsp;after Rubens: </p><p><em>The Calydonian Boar Hunt, </em>N o .i,&nbsp;copy 4; 91 <em>The Calydonian Boar Hunt, </em>N o .12 a ,&nbsp;copy; 187 <em>Kicking Horse and Rider, </em>N o .6,&nbsp;copy 7;&nbsp;124 <br><em>Diana and Nymphs hunting Fallow Deer, </em>N o .21, copy 6; 222, 239-240, <em>2 4 i ; fig .m </em></p><p>379 </p><p>I N D E X i :&nbsp;C O L L E C T I O N S </p><p>C O P E N H A G E N ,&nbsp;S T A T E N S&nbsp;M U S E U M&nbsp;F O R&nbsp;K U N S T , K O N G E L I G E&nbsp;K O&nbsp;B B E R S T I K S A M L I N G , ‘ R U B E N S&nbsp;C A N T O O R ' <br>G E R O N A ,&nbsp;. MUS EO&nbsp;A R Q U E O L Ó G I C O P R O V I N C I A L </p><p>(?) Rubens and Snyders, paintings: </p><p><em>The Death o &nbsp; f Silvia's &nbsp; Stag, </em>N o .25;&nbsp;17, 35, 41, </p><p>218, 220, 230, 246, 250-253, 258, 259; <em>fig.124 Bull Hunt, </em>N 0.26;&nbsp;35, 41, 218, 220, 230, 251- </p><p>252, <em>2.54-260; f ig .i 2 6 </em></p><p>A nonym ous,&nbsp;draw ings&nbsp;after Rubens&nbsp;: </p><p><em>Atalanta’s right Leg, </em>N o .12,&nbsp;copy 9;&nbsp;185 <em>Diana and a Nymph, </em>N o .13,&nbsp;copy 12; 189 <em>Head o &nbsp; f a Baar, </em>N o .12,&nbsp;copy 10; 185 <em>Head o f &nbsp; a D oe, </em>N o .13,&nbsp;copy 15; 189 <em>Head o &nbsp; f a Stag, </em>N o .13,&nbsp;copy 14; 189 <em>Leg o f Diana and Leg o f a Nymph, </em>N o .&nbsp;13, </p><p>copy 13; 189 </p><p>G H E N T ,&nbsp;M U S E U M&nbsp;V O O R&nbsp;S C H O N E&nbsp;K U N S T E N </p><p>A n on ym ous,&nbsp;painting after R&nbsp;ubens : </p><p><em>The Calydonian Boar Hunt, </em>N o.20 a,&nbsp;copy 1; </p><p>229, 237, 238, 250 </p><p></p><ul style="display: flex;"><li style="flex:1"><em>A</em></li><li style="flex:1"><em>Man restraining a Honnd, </em>N o .10,&nbsp;copy 13; </li></ul><p></p><p>A n on ym ous,&nbsp;draw ing&nbsp;after R&nbsp;ubens: </p><p><em>Diana and Nymphs hunting Deer, </em>N o .&nbsp;17, </p><p>copy 8&nbsp;; 209 </p><p>157 </p><p>M <em>eleager ’ s L egs, </em>N o .12,&nbsp;copy 11; 185 <em>Nymph with a Dog and two other Nymphs, </em></p><p>N o .13,&nbsp;copy 10; 188, 189-190, 193;&nbsp;<em>fig-SS </em></p><p><em>Nymph shooting an Arrow, </em>N o .13,&nbsp;copy 11&nbsp;; </p><p>188-189 </p><p>H O U G H T O N&nbsp;H A L L ,&nbsp;N O R F O L K , T H E&nbsp;M A R Q U E S S&nbsp;O F&nbsp;C H&nbsp;O LiM&nbsp;O N&nbsp;D E&nbsp;L E&nbsp;Y </p><p>Rubens, oil sketch: <em>Lion Hunt, </em>N o .&nbsp;n b ;&nbsp;27, 28, 164-165, 168, 169, </p><p><em>The upper part o &nbsp; f Atalanta's &nbsp; Body, </em>N o .12, </p><p>copy 8; 185 </p><p>173, 174- 175, <em>Ï 7 7 ;fg -l6 </em></p><p>G Ö T T I N G E N ,&nbsp;K U N S T S A M M L U N G E N&nbsp;D E R U N I V E R S I T A T <br>C O R S H A M&nbsp;C O U R T ,&nbsp;W I L T S H I R E , L O R D&nbsp;M E T H U E N </p><p>A nonym ous,&nbsp;painting after R&nbsp;ubens : </p><p><em>The Calydonian Boar Hunt, </em>N 0 .12 ,&nbsp;copy 2; 185 </p><p>Studio o&nbsp;f Rubens, painting retouched b&nbsp;y Rubens: </p><p><em>W o lf and &nbsp; Fox Lhmt, </em>N o .2 b ;&nbsp;44, 78, 95, 99, 100, </p><p>H A R T F O R D ,&nbsp;C O N N . ,&nbsp;W A D S W O R T H&nbsp;A T H E N E U M </p><p>(?) Rubens, m&nbsp;odello: </p><p>105-107; <em>fig-34 </em><br><em>Tiger, Lion and Léopard Hunt, </em>N o .7 a ;&nbsp;110, 123, </p><p>D R E S D E N ,&nbsp;G E M Â L D E G A L E R I E </p><p></p><ul style="display: flex;"><li style="flex:1">Rubens, painting: </li><li style="flex:1">133, 140-141, 142., 145, 146-148, 155&nbsp;<em>ifig-ys </em></li></ul><p></p><p><em>Lion and Léopard Hunt, </em>N o .8;&nbsp;27, 46, 60, 71, </p><p>72, 80, 109, 110, 130, 140, 141, 147, 149-153, 154, 155, 169, 172, 204, 205;&nbsp;<em>ftg.63 </em></p><p>I P S W I C I T ,&nbsp;M U S E U M </p><p>A nonym ous,&nbsp;painting after R&nbsp;ubens : </p><p><em>The Calydonian Boar Hunt, </em>N o .&nbsp;10, copy 8; </p><p>157, 161 </p><p>D U B L I N ,&nbsp;N A T I O N A L&nbsp;G A L L E R Y&nbsp;O F&nbsp;I R E L A N D </p><p>A nonym ous,&nbsp;painting after R&nbsp;ubens : </p><p><em>Hippopotamus and Crocodile Hunt, </em>N o .5, </p><p>copy 2;&nbsp;119 </p><p>J E R S E Y ,&nbsp;S I R&nbsp;F R A N C I S&nbsp;C O O K </p><p>Rubens, oil sketch: </p><p><em>The Calydonian Boar Hunt, </em>N o .2 0 a;&nbsp;34, 56, </p><p>162, 186, 229, 236, 237-239;&nbsp;<em>fig.ioy </em></p><p>B A S T O N&nbsp;N E S T O N ,&nbsp;T O W&nbsp;C E S T E R ,&nbsp;N O R T H A N T S , L O R D&nbsp;H E S K E T H <br>L E N I N G R A D , H E R M I T A G E </p><p>Studio o&nbsp;f Rubens, painting after R&nbsp;ubens : </p><p><em>The Calydonian Boar Hunt, </em>N o .12,&nbsp;copy 1&nbsp;; 46, </p><p>181, 182, 185, 186, 187, 190, 208;&nbsp;<em>fig.Si </em><br>Rubens, oil sketch: <em>Lion Hunt, </em>N o .n a ;&nbsp;27, 61, 155, 168, 169, 173- </p><p>174, 175, 257; <em>fig.yy </em></p><p>F L O R E N C E ,&nbsp;P A L A Z Z O&nbsp;P I T T I </p><p>(?) J.Fyt, draw&nbsp;ing after R&nbsp;ubens: </p><p><em>Head o &nbsp; f a Wolf, &nbsp;</em>N o .2,&nbsp;copy? 10; 97 </p><p>A n on ym ous,&nbsp;painting after R&nbsp;ubens : </p><p><em>W o lf and &nbsp; Fox Hunt, </em>N o .2,&nbsp;copy 2; 95-96, 99 </p><p>A n on ym ous,&nbsp;cartoon after R&nbsp;ubens: </p><p><em>The Calydonian Boar Hunt, </em>N o .20, copy 1 ; 221, </p><p>234, 236 <br>(?) Studio o&nbsp;f Rubens, painting after R&nbsp;ubens: </p><p><em>Diana and Nymphs attacked by Satyrs, </em>N o .22, copy 2; 242-243, 24<em>4 ; fig .ii4 </em></p><p>F L O R E N C E ,&nbsp;P R I V A T E&nbsp;C O L L E C T I O N </p><p>A nonym ous,&nbsp;painting after Rubens&nbsp;: <em>Diana and a Nymph, </em>N o .19,&nbsp;copy 5; 214, 216 <br>A nonym ous,&nbsp;draw ing&nbsp;after R&nbsp;ubens: <br><em>Buil Hunt, </em>N o .26,&nbsp;copvy n ;&nbsp;255-256 </p><p>F R A N K F U R T ,&nbsp;S T A D E L S C H E S&nbsp;K U N S T I N S T I T U T </p><p>A nonym ous,&nbsp;painting after Rubens: </p><p><em>Diana and Nymphs hunting Fallow Deer, </em></p><p>N o .2 ia ,&nbsp;copy 1; 241 </p><p>L O N D O N ,&nbsp;B R I T I S H&nbsp;M U S E U M </p><p>Rubens, draw&nbsp;ings: </p><p>380 </p><p>I N D E X i :&nbsp;C O L L E C T I O N S </p><p><em>Studies f o r &nbsp; a L ion Hunt and &nbsp; for fighting &nbsp; Wild Animais and Monsters, </em>N o .6 a ;&nbsp;40, 101, 128, 130-132, <em>i 6 8 ;fg s .j2 , &nbsp;</em>L3 </p><p>M U N I C H ,&nbsp;A L T E&nbsp;P I N A K O T H E K </p><p>Rubens, paintings: </p><p><em>Hippopotamus and Crocodile Hunt, </em>N o .5;&nbsp;26, </p><p>27. 39&gt;&nbsp;62, 64, 72-74, 84, n i&nbsp;, 118-123, 132; </p><p><em>figs.46, 4 8 </em><br><em>Falling M &nbsp; ail, </em>N o .&nbsp;n d ;&nbsp;168, 170, 176-177;&nbsp;<em>fig.78 </em></p><p>(?) F.Snyders, draw&nbsp;ing after Rubens: </p><p><em>The Calydonian Boar Hunt, </em>N o .18, copy 5; 208, <br>211-212; <em>fig.101 </em></p><p><em>Lion Hunt, </em>N o .11 ; 18&nbsp;,19, 20, 21, 27, 28, 38, 41, <br>48, 62, 64, 66, 69, 84, 126, 127, 131, 132, 138, 155, 162-173, 174, 175, 176, 177, 178, 179, </p><p>212; <em>fig.74 </em></p><p>(?) P.S&nbsp;ou tm an ,&nbsp;draw ing&nbsp;after Rubens: </p><p><em>Hippopotamus and Crocodile Hunt, </em>N o .5, </p><p>copy 11; 120, 121-122, <em>127; fig.yo </em></p><p>M U N I C H ,&nbsp;B A Y E R I S C H E&nbsp;S T A A T S&nbsp;G E M A L D&nbsp;E- S A M M L U N G E N <br>L O N D O N ,&nbsp;N A T I O N A L&nbsp;G A L L E R Y </p><p>R ubens,&nbsp;oil sketch: <br>A n on ym ous,&nbsp;draw ing&nbsp;after Rubens: <em>Lion Hunt, </em>N o .1 1 ,&nbsp;copy 7;&nbsp;163 <br><em>Lion Hunt, &nbsp;</em>N o .3;&nbsp;27, 60, 62, 72, 80, 107-110, </p><p>128, 130, 141, 153, 154, 155, 169, 200, 202, </p><p>203, 205, <em>262; fig.39 </em></p><p>M U N I C H ,&nbsp;D E U T S C H E S&nbsp;J A G D M U S E U M </p><p>A n on ym ous,&nbsp;paintings after Rubens: <em>Boar Hunt, </em>N o .4,&nbsp;copy 5; 113 </p><p>M A D R I D ,&nbsp;D U Q U E S A&nbsp;D E&nbsp;S A N T A&nbsp;M A R C A </p><p>A n on ym ous,&nbsp;painting after Rubens&nbsp;: </p><p><em>The Calydonian Boar Hunt, </em>N o .10,&nbsp;copy 9; 157 <br><em>Hippopotamus and Crocodile Hunt, </em>N o .5, </p><p>copy 7;&nbsp;119 <em>Lion Hunt, </em>N o .6,&nbsp;copy 5; 124, 127 </p><p><em>Tiger, Lion and Léopard Hunt, </em>N o .7,&nbsp;copy 10; </p><p>M A D R I D ,&nbsp;M A N U E L&nbsp;G O N Z A L E Z </p><p>Studio o&nbsp;f R&nbsp;ubens, painting after Rubens: </p><p><em>Boar Hunt, </em>N 0 .4 ,&nbsp;copy 1;&nbsp;113, <em>1 15-116; fig.41 </em></p><p>1 3 4 .1 3 9 </p><p>N E W&nbsp;Y O R K ,&nbsp;M E T R O P O L I T A N&nbsp;M U S E U M&nbsp;O F&nbsp;A R T </p><p>Rubens, painting: </p><p>M A D R I D ,&nbsp;M U S E O&nbsp;L A Z A R O&nbsp;G A L D I A N O </p><p>A n on ym ous,&nbsp;paintings after Rubens&nbsp;: </p><p><em>Diana and Nymphs hunting Deer, </em>N o .13, </p><p>copy 5; 184, 188, 190 </p><p><em>W o lf &nbsp; and Fox Hunt, </em>N o .2;&nbsp;19, 20, 22, 24-25, </p><p>26, 39, 41, 44, 54, 55, 56, 64, 68, 81, 83, 84,93, 95-104, 105, 106, 116, 126, 130, 137, 154, 179, </p><p>191, <em>i </em>9 5 <em>',figs-</em>3 3 <em>, </em>35 <br><em>Diana and Nymphs attacked by Satyrs, </em>N o .22, </p><p>copy 4; 243 </p><p>N Î M E S ,&nbsp;M U S É E&nbsp;D E S&nbsp;B E A U X - A R T S </p><p>A n on ym ous,&nbsp;paintings after Rubens: <em>Bear Hunt, </em>N o .27,&nbsp;copy 1; 220, 261, 262, 263; </p><p>M A D R I D ,&nbsp;M U S E O&nbsp;D E L&nbsp;P R A D O </p><p>R ubens&nbsp;and F.Snyders, painting: </p><p><em>Diana and Nymphs attacked by Satyrs, </em>N o .22; </p><p>17, 41, 43, 218, 219, 220, 226, 229, 242-245, 252, 258, 262;&nbsp;<em>fig.112 </em></p><p><em>fi</em>&amp;A 3 4 <em>The Death o &nbsp; f Actaeon, &nbsp;</em>N o .23,&nbsp;copy 1&nbsp;; 220,&nbsp;245, </p><p>246; Jïg.115 </p><p><em>Diana and Nymphs attacked by Satyrs, </em>N o .22, </p><p>copy 1; 220, 242, 244;&nbsp;<em>fig. 113 </em></p><p>M A D R I D ,&nbsp;P R I V A T E&nbsp;C O L L E C T I O N </p><p>Studio o&nbsp;f Rubens, painting after Rubens: <em>Lion Hunt, </em>N o .6, copy&nbsp;1 ; 44,123-124,126-127, </p><p>128, 129, 165-166, <em>171; fig.j i </em><br><em>Diana and Nymphs hunting Fallow Deer, </em>N o .21, </p><p>copy 1; 220, 239, 240;&nbsp;<em>fig. 108 </em></p><p>O S L O ,&nbsp;N A S J&nbsp;O N A L G A L L E R I E T </p><p>(?) R&nbsp;ubens or E&nbsp;.Q u ellin ,&nbsp;oil sketch: </p><p><em>Alexander's Lion Hunt, &nbsp;</em>N o .iô a ;&nbsp;202, 205-206; <em>fiS </em>-95 </p><p>M A R S E I L L E S ,&nbsp;M U S É E&nbsp;D E S&nbsp;B E A U X - A R T S </p><p>R ubens,&nbsp;painting: <em>Boar Hunt, </em>N o .4;&nbsp;26, 28, 33, 39, 42, 54, 55, 60, <br>62, 64, 68, 78, 79, 84-85, 93, 94, 101, n&nbsp;i , 112 -118 ,&nbsp;158, 160, 195, 236, 262;&nbsp;<em>fig.40 </em></p><p>O S L O ,&nbsp;P R I V A T E&nbsp;C O L L E C T I O N </p><p>A n on ym ous,&nbsp;painting after Rubens&nbsp;: </p><p><em>The Calydonian Boar Hunt, </em>N o .2 oa,&nbsp;copy 4; </p><p>229, 237, 238, 239 </p><p>M E T Z ,&nbsp;P R I V A T E&nbsp;C O L L E C T I O N </p><p>A n on ym o u s,&nbsp;painting after Rubens: </p><p><em>The Calydonian Boar Hunt, </em>N o .10,&nbsp;copy 5; </p><p>156-157, 161 </p><p>P A R I S ,&nbsp;I N S T I T U T&nbsp;N E E R L A N D A I S , F O N D A T I O N&nbsp;C U S T O D I A </p><p>A n on ym ous,&nbsp;draw ings&nbsp;after Rubens&nbsp;: <em>Bull Hunt, </em>N o .26,&nbsp;copy 8;&nbsp;255, 258 <em>Two Huntsmen, </em>N o .26,&nbsp;copy 12; 246, 256, 257, </p><p>25<em>9;fig-t2&amp; </em></p><p>M O N T P E L L I E R ,&nbsp;M U S É E&nbsp;F A B R E </p><p>E .D elacro ix,&nbsp;w ater-colou r&nbsp;after Rubens: </p><p><em>W o lf and &nbsp; Fox Hunt, </em>N o .2,&nbsp;copy 8; 96-97 </p><p>381 </p><p>I N D E X i :&nbsp;C O L L E C T I O N S </p><p>P A R I S ,&nbsp;M U S É E&nbsp;D U&nbsp;L O U V R E , </p><p><em>Tiger, Lion and Léopard Hunt, </em>N o .7;&nbsp;20, 21, 26, </p><p>27, 28, 39, 45, 46, 60, 64, 66, 68, 71, 72, 80, 84, 99, 109, 110, n&nbsp;i ,&nbsp;126-127, 12.8, 129, 130, </p><p>C A B I N E T&nbsp;D E S&nbsp;D E S S I N S </p><p>Assistant o&nbsp;f Rubens, draw&nbsp;ing retouched by Rubens : <br>133-146, 147, 148, 151-152., 153, 1 54 , 155, </p><p><em>LionHunt, </em>N o .&nbsp;n e ;&nbsp;177-179; <em>fig.yg </em></p><p>E .D elacroix,&nbsp;draw ings&nbsp;after R&nbsp;ubens: </p><p><em>The Head o &nbsp; f a &nbsp; biting Lion and the ITead o &nbsp; f a pro- strate M an, </em>N o .8,&nbsp;copy 2;&nbsp;149 </p><p>160, 165, 169, 204, 205;&nbsp;<em>fig.y y </em></p><p>RI O F R I O ,&nbsp;P A L A C I O </p><p>Studio o&nbsp;f Rubens, painting after Rubens: </p><p><em>The Calydonian Boar Hunt, </em>N o .&nbsp;10, copy 2; 31, <br>156, <em>i6o;fig.73 </em><br><em>Head o &nbsp; f a Lion, </em>N o .&nbsp;n e ,&nbsp;copy 7;&nbsp;177 <em>The Head o &nbsp; f a Lion and the Face o f afalling Man, </em></p><p>N 0.6,&nbsp;copy 8; 124 <br>T apestry&nbsp;after Rubens: </p><p><em>The Calydonian Boar Hunt, </em>N o .10,&nbsp;copy 16; </p><p>157, 161 </p><p><em>The Head o f a prostrate Man, </em>N o .8, copy&nbsp;3 ; 149 <em>The Head o &nbsp; f a W o lf and o f a Fox, &nbsp;</em>N 0 .2 ,&nbsp;copy 9; </p><p>R O H R A U ,&nbsp;S C H L O S S&nbsp;R O H R A U , C O U N T&nbsp;H A R R A C H </p><p>97 </p><p>A nonym ous,&nbsp;draw ings&nbsp;after Rubens : <em>Boar Hunt, </em>N o .4,&nbsp;copy 12; 114, 116 <em>Two Horsemen, </em>N o .16,&nbsp;copy 5; 199 </p><p><em>Group ofHunters and Huntresses, </em>N o .19, </p><p>copy 6; 214, 216;&nbsp;<em>fig.i03 </em><br>A nonym ous,&nbsp;painting after R&nbsp;ubens: </p><p><em>Diana with Attendants hunting Deer, </em>N o .19, </p><p>copy 2; 214, 216 </p><p>R O M E ,&nbsp;G A L L E R I A&nbsp;N A Z I O N A L E A N T I C A ,&nbsp;P A L A Z Z O&nbsp;C O R S I N I </p><p>d</p><p>’ a R T E </p><p>P A S A D E N A ,&nbsp;C A L I F . ,&nbsp;N O R T O N&nbsp;S I M O N&nbsp;M U S E U M O F&nbsp;A R T </p><p>Studio o&nbsp;f Rubens,&nbsp;painting retouched by Rubens: <br>Rubens, oil sketch&nbsp;: </p><p><em>Tiger, Lion and Léopard Hunt, </em>N o .y b&nbsp;; 133,&nbsp;136, </p><p>138, 141, 142, 145, 148-1<em>49; fig.y9 </em><br>A nonym ous,&nbsp;painting after R&nbsp;ubens: <em>Bull Hunt, </em>N 0.26,&nbsp;copy 2; 254-255, 258;&nbsp;<em>fig.130 </em></p><p><em>The Calydonian Boar Hunt, </em>N o .io a ;&nbsp;158, 160, </p><p>161-162, 239;&nbsp;<em>fig.70 </em></p><p>P E R P I G N A N ,&nbsp;M U S É E&nbsp;H Y A C I N T E&nbsp;R I G A U D </p><p>(?) W .&nbsp;van H&nbsp;erp, paintings after R&nbsp;ubens: </p><p><em>The Calydonian Boar Hunt, </em>N o .20, copy 2; 222, </p><p>2 3 4 . 237 </p><p>R O M E ,&nbsp;P R I V A T E&nbsp;C O L L E C T I O N </p><p>A nonym ous,&nbsp;paintings after R&nbsp;ubens: <em>Boar Hunt, </em>N o .4,&nbsp;copy 3; 113 </p><p><em>Diana and Nymphs hunting Fallow Deer, </em>N o .21, </p><p>copy 3&nbsp;; 222,&nbsp;239, 241 </p><p><em>Hippopotamus and Crocodile Hunt, </em>N o .5, </p><p>copy 5; 119 </p><p>P H I L A D E L P H I A ,&nbsp;P A . ,&nbsp;P H I L A D E L P H I A&nbsp;M U S E U M O F&nbsp;A R T ,&nbsp;J O H N&nbsp;G. J&nbsp;O H N S O N&nbsp;C O L L E C T I O N </p><p>Rubens, oil sketch: <br><em>Lion Hunt, </em>N o .6,&nbsp;copy 3&nbsp;; 124,&nbsp;127 </p><p><em>Tiger, Lion and Léopard Hunt, </em>N o .7,&nbsp;copy 10; </p><p>1 34, 139 </p><p><em>The Death o &nbsp; f Silvia’s &nbsp; Stag, </em>N o .2 5 a ;&nbsp;222, 229, <br>252, 253-254;&nbsp;<em>figs. 122, &nbsp; 123 </em></p><p>R O T T E R D A M , M U S E U M&nbsp;B O Y M A N S - V A N&nbsp;B E U N I N G E N </p><p>A nonym ous,&nbsp;draw ing&nbsp;after R&nbsp;ubens: </p><p><em>The Calydonian Boar Hunt, </em>N o .20,&nbsp;copy 10; </p><p>235, 236, 238 </p><p>P R A G U E ,&nbsp;N Â R O D N I&nbsp;G A L E R I E </p><p>A nonym ous,&nbsp;painting after R&nbsp;ubens : </p><p><em>The Calydonian Boar Hunt, </em>N o .10, copy 3; 156, </p><p>161 </p><p>R U G B Y&nbsp;S C H O O L ,&nbsp;W A R W I C K S H I R E </p><p>A nonym ous,&nbsp;draw ings&nbsp;after R&nbsp;ubens : </p><p><em>The Calydonian Boar Hunt, </em>N o .2 o a ,&nbsp;copy 5; </p><p>192, 237-238, 239 </p><p>P R I N C E T O N ,&nbsp;N J ,&nbsp;T H E&nbsp;A R T&nbsp;M U S E U M , P R I N C E T O N&nbsp;U N I V E R S I T Y </p><p>Rubens, oil sketch&nbsp;: </p><p><em>The Death o &nbsp; f Adonis, &nbsp;</em>N o .2 4 a;&nbsp;229, 249-250; <br><em>Diana andNymphs hunting &nbsp; Deer, </em>N o .13 a ,&nbsp;copy; </p><p>192, 239 </p><p><em>fis-1 1 9 </em></p><p>R A L E I G H ,&nbsp;N C ,&nbsp;N O R T H&nbsp;C A R O L I N A&nbsp;M U S E U M O F&nbsp;A R T <br>S A L T R A M&nbsp;P A R K ,&nbsp;D E V O N </p><p>A nonym ous,&nbsp;painting after R&nbsp;ubens : </p><p><em>Diana and Nymphs hunting Deer, </em>N o .17, </p><p>copy 3; 209, 210 <br>Rubens and Snyders, painting: <em>Bear Hunt, </em>N o .27;&nbsp;41, 54, 60, 218, 219, 220, </p><p>228, 258, 261-263, 264;&nbsp;<em>figs. 132, &nbsp; 136 </em></p><p>S A N&nbsp;I L D E F O N S O ,&nbsp;L A&nbsp;G R A N J A <br>R E N N E S ,&nbsp;M U S É E&nbsp;D E S&nbsp;B E A U X - A R T S </p><p>A nonym ous,&nbsp;painting after R&nbsp;ubens : </p><p><em>The Death o &nbsp; f Adonis, &nbsp;</em>N o .24,&nbsp;copy 6; 248, 249 </p><p>Rubens, painting: </p><p>382 </p><p>I N D E X&nbsp;r. C&nbsp;O L L E C T I O N S </p><p>S A O&nbsp;P A U L O ,&nbsp;P R I V A T E&nbsp;C O L L E C T I O N </p><p>A non ym ous,&nbsp;painting after Rubens: </p><p><em>The Calydonian Boar Hunt, </em>N o .io ,&nbsp;copy 7; 157, </p><p>161 </p><p>W A R S A W ,&nbsp;P R I V A T E&nbsp;C O L L E C T I O N </p><p>A nonym ous,&nbsp;p ainting&nbsp;after Rubens&nbsp;: </p><p><em>The Calydonian Boar Hunt, </em>N o .10, copy 4; 156, </p><p>161 </p><p>W A R W I C K&nbsp;C A S T L E <br>V E R V I E R S ,&nbsp;M U S É E&nbsp;C O M M U N A L </p><p>A n on ym ous,&nbsp;painting after Rubens&nbsp;: <em>Lion Hunt, </em>N o .11,&nbsp;copy 6; 163, 171 <br>A non ym ous,&nbsp;painting after Rubens: </p><p><em>The Death o &nbsp; f Adonis, &nbsp;</em>N o .2 4 a,&nbsp;copy 1; 229, </p><p>249, 250 </p><p>V I E N N A ,&nbsp;G R A P H I S C H E&nbsp;S A M M L U N G&nbsp;A L B E&nbsp;R T I N&nbsp;A </p><p>A nonym ous,&nbsp;draw ings&nbsp;after Rubens&nbsp;: </p><p><em>Diana and Nymphs hunting Fallow Deer, </em>N o .21, </p><p>copy 7; 240-241 </p><p>W I L L I A M S T O W N ,&nbsp;M A S S . ,&nbsp;S T E R L I N G&nbsp;A N D P R A N C I N E&nbsp;C L A R K&nbsp;A R T&nbsp;I N S T I T U T E </p><p>A n on ym ous,&nbsp;painting after Rubens: </p><p><em>Alexander's Lion Hunt, </em>N o .iô a ,&nbsp;copy; 205, 206 </p><p><em>Lion Hunt, </em>N o .&nbsp;n e ,&nbsp;copy 5; 177 <em>Three Hounds, </em>N o .17,&nbsp;copy 7; 209 </p>

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