Conservators Usually Work Behind the Scenes, but Southeast Michigan Is Home to Many Conservation Professionals

Conservators Usually Work Behind the Scenes, but Southeast Michigan Is Home to Many Conservation Professionals

who are the conservators in your neighborhood? Conservators usually work behind the scenes, but southeast Michigan is home to many conservation professionals. Here are just a few. John Steele, Conservator of Sculpture and in moving an 18th-century French room from one Decorative Arts, Detroit Institute of Arts location to another within the museum. The paneling, What kind of objects do you work on? I work on floor, ceiling, and fireplace consisted of more than everything three-dimensional in the DIA’s collection, 1,000 pieces that had to be taken apart, numbered, so the scope of materials I treat is quite large. It and then reassembled. includes sculpture and decorative arts made of stone, What object is on your bench at the moment? wood, metal, ceramic, glass, plastic, and more. A German Expressionist terracotta sculpture by What is the most difficult object you’ve ever Wilhelm Lehmbruck that I’m cleaning. The DIA worked on? When the DIA was renovated about is sending an exhibition of German Expressionist five years ago, one of my responsibilities was to paintings and sculpture to the Frist Museum in lead a team of museum colleagues and specialists Nashville, Tennessee. Leyla Lau-Lamb, Senior Conservator for conservators in other fields and other institutions. I Books and Papyrus, University of Michigan Library enjoy teaching papyrus conservation to conservators, What kind of objects do you work on? I work scholars, papyrologists, and Egyptologists. on the largest papyrus collection in the Western What is the most interesting project you’ve worked hemisphere, over 10,000 papyri, and on rare books. on? The most interesting object was a fragmentary These include Western and Islamic manuscripts and papyrus which was a manifest for a merchant ship. I printed works bound in leather, vellum, and paper. had to do conservation on many small fragments and, What do you enjoy most about your job? The with the papyrologist Paul Heilporn, align the small Library has diverse holdings, and I like the enormous fragments so that the text could be deciphered. For variety of material that goes through my hands. I me, it was one of the most interesting collaborations also like the collaboration with my coworkers and between a papyrologist and a conservator. Suzanne Davis, Associate Curator and Head of problems to solve. Conservation, Kelsey Museum of Archaeology What is the most interesting project that you have What kind of objects do you work on? I work on worked on? Wow, this is a tough question. In my archaeological objects, both at the Kelsey Museum previous job, for the U.S. Navy, I worked on Antarctic and on the Kelsey’s excavations in Egypt and Israel. explorer Admiral Byrd’s hut, including the hut itself What do you enjoy most about your job? I like a and all of its contents. His sleeping bag and a lot of lot of things about my job. I like working with my his fur-lined clothes and boots had been eaten by hands, I like working in teams with other people bugs. They were totally disgusting, but it was satisfying and with students. I love conservation fieldwork to work on a complete collection like that, and I had on excavations, and I really like the fact each day to treat a lot of different materials, including skin, fur, is different. In conservation, you always have new metal, wood, etc. Clara Deck, Senior Conservator, The Henry Ford condition and also preserve them for posterity. An What kind of objects do you work on? At The example of this is a rare tin-foil phonograph designed Henry Ford, I have worked on all kinds of objects by Thomas Edison in 1878 and used in our daily from mechanical musical instruments, to furniture and program in Greenfield Village. toys, to stoves, automobiles, a horse-drawn street car, What object is on your bench at the moment? We and steam engines. are working on our historic typewriter collection, What is the most difficult object you’ve ever as well as Edison patent models. The most exciting worked on? The most difficult objects at The Henry project in my lab right now is a plaster bust of Ford are the ones that have to operate; it is an ethical George Washington made by the great French and practical challenge to maintain them in working sculptor Jean Antoine Houdon in 1785–1790. Thomas Hogarth, Senior Conservator, Pan in Kensington Gardens. Arthur Rackham is one University of Michigan Library of my favorite artists, so I had a personal interest in What kind of objects do you work on? Mostly the treatment of this volume. The vellum case was bound volumes from the rare book collections. This in terrible condition and the matted prints were may include volumes bound in paper, cloth, leather, in pretty rough shape. I put many hours into that or vellum. I also work on single paper items such volume: repaired all of the vellum, disassembled as documents and photographs. I specialize in the all twelve mats, removed, deacidified, and repaired conservation of 19th-century photographs. the plates, and hinged them into the original mats. What is the most interesting project you’ve Extreme caution had to be used at all times in order worked on? One project that sticks in my mind is not to alter Rackham’s signatures on the prints. the treatment of the Peter Pan Portfolio, by Arthur Whenever I see this volume, it always brings a smile Rackham, containing twelve signed prints from Peter to my face. For me it was a labor of love. conservators in your neighborhood Claudia Chemello, Senior Conservator, until after they’ve been stabilized and cleaned. I Kelsey Museum of Archaeology really like looking closely at the surface and trying to What kind of objects do you work on? I work on understand how an artifact was made. I also like being archaeological objects, both freshly excavated objects part of a team that prepares artifacts for exhibition, and those from the Kelsey Museum’s collection. This often items that have never been seen before. includes everything from coins to mummies. What is the most difficult object you’ve ever What do you enjoy most about your job? I like worked on? One of the most challenging projects the challenge of dealing with archaeological artifacts I’ve worked on was to excavate and lift a deposit because they can be made from all kinds of materials of extremely fragile wood and textile artifacts at and have added problems from being buried in the the site of Abydos in Egypt. These artifacts had ground. I especially like treating freshly excavated been extensively eaten by bugs and could hardly be objects, which sometimes don’t look like real artifacts touched without breaking apart. Cathy Selvius DeRoo, Research Scientist, fibers, photographic processes, glasses, and ceramic Detroit Institute of Arts glazes. This information supports the art historical What kind of objects do you work on? The understanding, care, and exhibition of objects in the objects I study include paintings, drawings, sculpture, DIA’s collection. Analysis of materials and techniques ethnographic objects, photographs, manuscripts, also informs our attribution of a work of art. ceramics, jewelry, textiles and more. What object is on your bench at the moment? I’m What do you do as a research scientist for the currently working on a large study project of the DIA? In order to analyze the materials used to create DIA’s collection of Renaissance majolica ceramics, on objects in the collection, I use a variety of analytical pigment analysis of German Expressionist paintings, tools. These analytical tools help to identify a broad and on a collaborative project to determine whether range of artists’ materials, including mineral-based a painting in the collection is truly a 12th-century and synthetic pigments, metal alloys, binding media, Spanish wall painting or a fake. Howard Sutcliffe, Textile Conservator, of the curtain challenging, but I was also overseeing Detroit Institute of Arts a team of ten local volunteers who worked with What kind of objects do you work on? All kinds me to complete it. It definitely took me out of my of textiles from flat ones like flags and tapestries comfort zone but was a lot of fun and ultimately very to three-dimensional textiles like costume and successful (see photo). upholstery. I also work on materials that are used What do you enjoy most about your job? Working to decorate and functionalize textiles, which can be in a museum, I like the variety and quality of the anything from glass beads and feathers to plastic objects. In private practice, I like working with zippers and metal buttons. people who bring in objects that they have a What is the most interesting project that you personal connection with. I have always really liked have worked on? I just finished a challenging project transforming an object that could not be exhibited working on a 52 ft. x 17 ft. painted theater curtain in into something that can be displayed and enjoyed by Bay View, MI. Not only was the size and condition an owner or museum visitor. Caroline Roberts, 2011–12 Samuel H. Kress problems the stelae face has been challenging and Conservation Fellow, Kelsey Museum of Archaeology rewarding. Plus I love stone as a material category. What kind of objects do you work on? Lately I have What is the most difficult object you’ve ever worked focused on the conservation of ancient artifacts, on? The most difficult object I have treated is a model including glass and ceramic vessels and figurines, metal boat from the ancient city of Ur belonging to the jewelry, basketry, and objects made of a combination University of Pennsylvania Museum of Archaeology of materials like textile and paint.

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    2 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us