THE NATIONAL FLUTE ASSOCIATION RESEARCH TABLE HOLDINGS August 2010 Adams, Carl. “The Flute Works of Joachim Andersen, A Pedagogical Study.” Thesis, Catholic University, 1982. Aitchison, Anne. “The Flute Family in Contemporary Practice: An Essay-Demonstration.” Master’s thesis, University of Michigan, 1965. Arnone, Francesca Marie. “A Performance Edition of Charles Koechlin’s Les Chants de Nectaire, opus 198.” DMA essay, University of Miami, 2000. Artaud, Pierre-Yves. La Flûte. J. C. Lattès, 1986. Averitt, Frances Lapp. “An Intonation Method for Flutists (Non-Exclusive of Other Instrumentalists and Singers) Based on the Use of Difference Tones as a Practical Guide to the Achievement of Perfectly Tuned Intervals.” DM thesis, Florida State University, 1973. Bailey, John Robert. “Maximilian Schwedler’s ‘Flute and Flute-Playing’: Translation and Study of Late Nineteenth-Century German Performance Practice.” DM thesis, Northwestern University, 1987. Ballatori, Cristina. “A Performer’s Guide: Suite Paysanne Hongroise for Flute and Piano by Béla Bartók/Arranged Paul Arma.” DMA major document, University of Colorado, 2006. Beard, Christine Elizabeth. “Excerpts for Flute from the Wind Band Literature: An Annotated Guide for Practice, Performance, and Audition Preparation, Presented as a Progressive Supplementary Teaching Method.” DMA treatise, The University of Texas at Austin, 2003. Becker, Janet Sue. “The Eighteenth Century Flute Concerto: A Study and Edition of Two Manuscripts from the Fuerst Thurn und Taxis HofBibliothek Regensburg with reference to Contemporary Treatises.” DM thesis, Northwestern University, 1993. Bent, Jane. “The Arranging of Flute Concerto Accompaniments for Band.” DMA thesis, University of Wisconsin-Madison, 1988. Billington, Robert David. “A Description and Application of Robert Aitken’s Concept of the Physical Flute.” DMA essay, University of Miami, Florida, 2000. Borde, A.M. de la. Diapason General de Tous les Instrumens a Vent. 1782. Facsimile. Borkowski, Jennifer Anne. “From Simple to Complex: Extended Techniques in Flute Literature; Incentive to Integrate Cognitive and Kinesthetic Awareness in University Programs.” Ph.D. dissertation, University of Music and Performing Arts Graz, 2008. Boulton, John B. “A Performance Test of Flute Tone Production, Intonation and Dexterity.” Ph.D. dissertation, University of Kansas, 1974. Brightbill, Elizabeth M. “The Flute Music of Shulamit Ran.” DM dissertation, Indiana University, 2006. Butterfield, Emily J. “The Professional Life and Pedagogy of Clement Barone.” DMA document, The Ohio State University, 2003. Cameron, Kathleen A. “The Evolving Mission and Purpose of the Pittsburgh Flute Club in the Twentieth Century.” DMA thesis, the Ohio State University, 2009. Cannon, Angela Renee. “A Preliminary Study of the Effectiveness of Two Breath Management Exercises on Three Aspects of Flutists’ Performance: Duration, Breath Control and Tone Quality.” DMA dissertation, University of Missouri-Kansas City, 2005. Chandler, Beth E. “The ‘Arcadian’ Flute: Late Style in Carl Nielsen’s Works for Flute.” DMA thesis, University of Cincinnati-College Conservatory of Music, 2004. Cheramy, Michelle A. “Dwelling in the Secret: André Jolivet’s Ascèses in the Context of his Life and Philosophy.” DMA thesis, Rice University, 2005. Councell-Vargas, Martha Anne. “La Flauta Cubana: A stylistic Anaalysis of the Flute’s Role in Cuban Dance Music, with Particular Reference to Paquito D’Rivera’s Gran Danzon.” DMA thesis, University of Iowa, 2009. Clardy, Mary Karen. Flute Fundamentals, the Building Blocks of Technique. London: European American Music Corporation, 1993. Clayton, April. “The French Flute Sonata and Sonatine from Debussy (1915) to Boulez (1946).” DMA thesis, The Juilliard School, 2001. Clements, Gretchen Rowe. “Situating Schubert: Early Nineteenth-Century Flute Culture and the ‘Trockne Blumen’ Variations, D. 802. Ph.D. dissertation, SUNY Buffalo, 2007. Cooper, Albert. The Flute. London: E.B. Reproductions, 1980. (Gift of Eleanor Lawrence) Cox, Sandra Elaine. “Recognition, Evaluation, and Treatment Options of Performance-Related Injuries in Woodwind Musicians.” DMA dissertation, University of Memphis, 2009. Dobbs, Wendell Bruce. “The Career and Musical Contributions of the English Flutist, Charles Nicholson (1795-1837).” DMA thesis, Catholic University, 1982. -----. “Dobbs Study Guide to Selected Studies for Flute.” 1993. (CD and guide) Dombach, Amy Sue. “The Development of the Flute Concerto in 20th-Century America: A Comprehensive Survey and Database.” DM dissertation, Boston University, 2006. Dombourian-Eby, Zartouhi. “The Piccolo in the Nineteenth Century.” DM thesis, Northwestern University, 1987. Drouët, Louis. Drouët’s Method of Flute Playing. (London, 1830) Facsimile edition with Introduction by Janice Dockendorff Boland. Historical Flute Tutor Series- II, 1992. Dunnavant, Jessica Guinn. “Compositions for Flute by American Students of Nadia Boulanger.” DMA dissertation, University of Maryland, College Park, 2004. Dunnell, Rebecca Cotton. “Mozart’s Concerto for Flute and Harp, K. 299: A Reflection of the Socio-Musical World of 1770s Paris.” DMA dissertation document, University of North Carolina at Greensboro, 1997. Dzapo, Kyle J. Joachim Andersen: A Bio-Bibliography. Westport, CT: Greenwood Press, 1999. * Ewell, Laurel Astrid. “A Symbolist Melodrama: The Confluence of Poem and Music in Debussy’s La Flûte de Pan.” DMA research project, West Virginia University, 2004. Fain, Susan D. “An Application of the Principles of Anatomy, Physiology and Neurology to the Balance and Playing of the Flute.” DMA thesis, University of Oklahoma, 2009. Fairbanks, Ann Kozuch. “Music for Two, Three, and Four Flutes by Friedrich Kuhlau.” DMA thesis, Ohio State University, 1975. Fairley, Andrew. Flutes, Flautists & Makers. London: Pan Educational Music, 1982. Farrar, Carol Reglin. Michel Corrette and Flute-Playing in the Eighteenth Century. New York: Institute of Medieval Music, Ltd., no date. Fischer, Penelope Peterson. “Philippe Gaubert (1879-1941): His Life and Contributions as Flutist, Editor, Teacher, Conductor, and Composer.” DMA thesis, University of Maryland, 1982. Fitzgibbon, H. Macaulay. The Story of the Flute. London, Walter Scott, 1913. (Gift of Eleanor Lawrence) Floyd, Angeleita S. The Gilbert Legacy: Methods, Exercises and Techniques for the Flutist. Cedar Falls, Iowa: Winzer Press, 1990. The Flute from Hotteterre to Barrère. New York: The New York Flute Club, Inc., 1980. (Gift of Eleanor Lawrence) Fonville, John. “Microtonal Fingerings for Flute: A Comprehensive List for Open-Hole Flute with Low B,” Privately published, 1987. Friedman, Eve. “Tone Development on the Baroque Flute.” DMA document, Indiana University, 2006. Garrison, Leonard L. “Three Late Works by Elliott Carter: An Analysis and Flutist’s Performance Guide.” DM thesis, Northwestern University, 1992. Garver, Sasha Gwynne. “The Oral Pedagogy of the Suzuki Flute Method.” DMA major document, University of Colorado, 2006. Giles, Sonja Feig. “An Interpretive Guide to Tone Development through Interpretation by Marcel Moyse.” DMA document, University of Minnesota, 2004. Gill, Sarah M. “A Collection and Study of the Published Cadenzas for Wolfgang Amadeus Mozart’s Concerto in G Major for Flute and Orchestra, K. 313.” DM treatise, The Florida State University, 2002. (2 copies) Gilliam, Laura E. and William Lichtenwanger, comp. The Dayton C. Miller Flute Collection: A Checklist of the Instruments. Washington, Music Division, Library of Congress, 1961. (2 copies – Gift of Eleanor Lawrence) Goodman, Kimberlee. “The Commissioned Works of the National Flute Association for the Young Artist and High School Soloist Competitions.” DMA thesis, The Ohio State University, 2007. González, Ana Laura. “European Cosmopolitanism to Folkloricism: the Development of an Argentine Nationalistic Style as Revealed in Selected Works for Flute by Amancio Alcorta, Alberto Williams and Ángel Lasala.” DMA thesis, University of Arizona, 2007. Gronefeld, Ingo. Flötenkonzerte Bis 1850. 2 vols. Tutzing: Hans Schneider, 1992-3. Grosklos, Hollie Jo. “Form and Lyricism as Elements of Neo-Romanticism in Summer Music Op. 31 by Samuel Barber (1957).” DMA dissertation, University of North Texas, 2001. Guenther, Christina. “Laurence Sherr: Chamber Music for Flute.” DMA treatise, Florida State University, 2005. Guimarães, Antonio Carlos. “Selected Music for Flute of Osvaldo Lacerda.” DMA essay, The University of Iowa, 2003. Gunn, John. The Art of Playing the German Flute. (1793) Facsimile Edition with Introduction by Janice Dockendorff Boland. Historical Flute Tutor Series - I. -----. The School of the German Flute. (1794). Facsimile. Hamilton, Amy Sue. “The Relationship of Flute Construction to the Symphonic Role of the Flute and Orchestral Performance Practice in the Nineteenth Century.” 2 vols. DMA thesis, Northwestern University, 1983. Hand, Judith Elaine Adams. “The Flute Pedagogy and Educational Philosophy of Everett Timm.” DMA monograph, Louisiana State University, 1999. Hayes, Susan Nanette. “Chamber Music in France Featuring Flute and Soprano, 1850-1950, and A Study of the Interactions Among the Leading Flutists, Sopranos, Composers, Artists, and Literary Figures of the Time.” DMA dissertation, University of Maryland: College Park, 2006. Hensley, Betty Austin. Thurlow Lieurance Indian Flutes. Ed. Douglas Spotted Eagle. Vida, Oregon: Oregon Flute Store, 2002. (Gift of Betty Hensley) Heyde, Herbert. Flöten. Leipzig: Deutscher Verlag für Musik, Band 1, 1978.