Durham E-Theses Dances of the Moon Wieck, Robert How to cite: Wieck, Robert (1999) Dances of the Moon, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/9369/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk Robert Wieck Dances of the Moon for three-hole pipe bagpipes shawm tambourine and hurdy-gurdy f I1 . 1 Dances of the Moon I allegro, minim=80 three-hole pipes,hurdy-gurdy II lento, crotchet=52 bagpipes, h urdy-gurdy III allegro, crotchet=160 shawm,hurdy-gurdy IV tempo libre,lento tambourine, hurdy-gurdy V allegro, crotchet=144 bagpipes,hurdy-gurdy Notes Dance I: Two pipes are required, one modified with tape to provide a b-flat drone,the other having a natural scale of d-flat. The hurdy-gurdy must be fully chromatic; the drones are off. Dance II: The bagpipes should have a natural scale ofd-major, drone on. Hurdy-gurdy drones on,trompette tuned to d. Pitches for the drones are indicated on the bass staves; the trompette rhythm is also indicated on this stave. Dance III: The shawm should likewise have a natural scale of d. Trompette remains on d;the retuning of the other drone is an integral part of the piece, occupying the final extended bar of the previous dance. Dance IV: In the Tempo Libre sections estimate durations and speeds from the notation. Hurdy-gurdy should tune one course of chanterelles down a minor third;the score therefore gives only the upper note of a melody in parallel thirds. Tune the trompette to e,other drones as indicated. Except where indicated,the wheel should be jerked rather than turned continuously to produce a staccato effect. 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