MACBETHVoodoo PRESS KIT INQUIRIES Miles Alva, Xiaoyuan Xiao, and Jason Phillips [email protected] TABLE OF CONTENTS LOGLINE & SYNOPSIS ................................................................. 04 CAST ..................................................................................................... 05 DIRECTORS ........................................................................................ 08 WRITERS .............................................................................................. 11 PRODUCERS ...................................................................................... 15 EXECUTIVE PRODUCERS ............................................................ 16 PRODUCTION SUPERVISOR ...................................................... 17 KEY CREW .......................................................................................... 19 LINKS ..................................................................................................... 21 BTS ......................................................................................................... 22 TECHNICAL / DISTRIBUTION & PUBLICITY ...................... 24 LOGLINE In 1936 Harlem, the first all-Black cast production of ‘Macbeth’ struggles to make it to opening night amid the downward spiral of their young and untested director — Orson Welles. SYNOPSIS 1936 Harlem is a neighborhood battered by economic strife and hardship. With FDR’s New Deal providing funding for the Federal Theatre Project’s Negro Unit, director Rose McClendon convinces co-director John Houseman to help her bring Shakespeare’s “Macbeth” to the Harlem community at the Lafayette Theater — with an all-Black cast. They choose for their groundbreaking production a gifted but untested 20-year-old director by the name of Orson Welles, whose reimagined Haitian vision for the Scottish play is as daring and fresh as the cast and crew themselves. However, it quickly becomes clear that the road to opening night will not be a smooth one. Orson and Rose — who’s playing Lady Macbeth — clash over everything from scene blocking to crew hires, while Houseman contends with a congressman hell-bent on shutting down what he deems “communist propaganda.” With funding in jeopardy and protestors of the production labelling it a mockery, Orson’s drug habit and alcoholism surface, creating a deeper divide not only between him and Rose, but also with his wife Virginia. To make matters worse, the show’s lead actor goes missing just weeks before the opening, and Rose’s secret illness rears its head during a preview performance, landing her in the hospital. After reading a scathing review in the newspaper, a dejected Orson visits Rose in the hospital, where she finally convinces him it’s time to forego his own pride and ego for the sake of the show — this story belongs to his cast and crew, not just to him. He returns to the theater and rallies everyone together to make their vision a reality. Determined to keep Rose’s dream alive and make their community proud, the team re-casts the lead roles and rehearses with renewed purpose, bringing down the house on opening night and providing some much-needed catharsis for the people of Harlem. The show ultimately goes on to run for ten sold-out weeks before touring the country, to great acclaim. Based on true events surrounding the Negro Theatre Unit’s revolutionary 1936 production of “Macbeth,” this is the story of a group of committed artists as they set out to create what is now considered a landmark event in African-American theatrical history. Cast JEWELL WILSON BRIDGES Jewell is a fresh face in LA pursuing television and film roles, after working as a dramatic and musical theater actor in New York. He won Best Actor in the IndieX Film Fest for his short OUTSIDE THE ANGEL CITY. Recent theater credits include: Geoffrey in LION IN WINTER (St. Louis Rep), Perchik in FIDDLER ON THE ROOF (Pioneer Theater), and historical figure Carlo Gesualdo in DEATH FOR FIVE VOICES (Prospect Theater Co). He is a proud Kentucky native and graduate of Baldwin Wallace University. INGER TUDOR Inger Tudor studied classical theatre at London Academy of Music and Dramatic Art. A graduate of Harvard, she gave up law to pursue her passion. Her favorite credits include: Theatre - Steel Magnolias (LA Theatre Works), Silent Sky (Arizona Theatre Company), The Exorcist (Geffen Playhouse), Stuff Happens (Mark Taper Forum), Bailey’s Café (Hartford Stage), Antigone (A Noise Within), Going to St. Ives (Actors Co-op), Romeo and Juliet (Boston Court), The Suppliant Women, Honky, (Rogue Machine); Television - The Trial of Tim Heidecker, Goliath, Leverage, House, The Young & The Restless; Film - On Time, Elizabeth Blue, The Lost One, Stairways, The Social Network. Cast pg. 06 JEREMY TARDY Jeremy Tardy is an actor/director born and raised in Milwaukee, WI. Growing up Jeremy got his start working with First Stage where he performed in several plays making a name for himself in Milwaukee. Jeremy went on to study in Oxford, England at the British American Dramatic Academy. He received his BFA in Drama at The Juilliard School. Now residing in Los Angeles, he enjoys a career with TV/Film credits including: Paramount Network’s “68 Whiskey”, HBO’s “Ballers”, Netflix’s “Dear White People”, “The Mindy Project”, “10 Days in the Valley”, “Castle”; TRACES, WAR DOGS, and BONE TOMAHAWK. JUNE SCHREINER June Schreiner is from Northern Virginia. She went to school in New Orleans and now lives in North East Los Angeles. Credits include NCIS, NCIS: Los Angeles, Chicago Med, and Criminal Minds. She comes from the theater scene in DC and is happy to continue to work onstage as a proud member of Theatre West. Favorite things: blueberries, backpacking, learning sign language, and the beautiful costumes in VOODOO MACBETH :) June sends love and gratitude to her reps at A3 Artist Agency, Ad-Astra, her pals and, of course, her awesome family. Directors AGAZI DESTA Agazi is a first generation Ethiopian-American writer and director from the city of Boston. As a published writer (Thought Catalog) and award winning director (THE BREAD WINNER, 2017 Global Film Festival Selection, & Side Effects, The Caucus Foundation, Best T.V. Drama) he derives his passion in filmmaking from a literary discipline, gaining inspiration in the genres of drama, dark fantasy, and mystery. CHRISTOPHER BEATON Christopher is a filmmaker from the seaside suburb of Del Mar, CA. He attributes his love for storytelling to years of adolescent sunburns which forced him to play inside with sprawling amalgamations of toy soldiers, dinosaurs, and robots. An alumnus of USC’s School of Dramatic Arts, his career started with the leading role in the feature film Pretty Perfect. He began splitting time behind the camera and developed a knack for directing. He’s written, directed, and produced a number of short films. DAGMAWI ABEBE Dag is an Ethiopian born-American Writer, Director, and Editor who immigrated to the United States at the age of 10 and grew up in Virginia. There, he attended the University of Virginia where he majored in physics and minored in film studies. He graduated from the University of Southern California Film and TV Production MFA Program in May 2019. Dag currently resides in Los Angeles and is represented by David Baggelaar at GoodFear Film + Management. ERNESTO SANDOVAL Ernesto is a Mexican-American film director from the San Fernando Valley. He graduated from UCLA with a BA in Theater with an emphasis in Playwriting in 2010 and from USC’s School of Cinematic Arts in 2019 with an MFA in Film Production. His USC thesis film, THE DEVIL’S SON, was an Official Selection at the Austin Film Festival 2019 and is currently, airing on ShortsTV. Ernesto’s professional credits include Warner Bros’ YOUNG SHELDON, Blumhouse’s THE FOREVER PURGE, and Showtimes’ PENNY DREADFUL: CITY OF ANGELS. HANNAH BANG Hannah is a South Korean writer/director with a love of mixing the beautiful and macabre in her storytelling. After working in the fine art photography world in New York, Hannah moved to LA and received her M.F.A. from USC’s film & tv production program. Hannah’s most recent projects include an ensemble theater play for the Hollywood Fringe Fest, her thesis film, and a short film that was shot during the pandemic shutdown using virtual production technology and LED screens. Hannah is a Jon Chu scholar, as well as a recipient of the Bridges and Larson Directing Scholarship. ROY ARWAS Roy Arwas is a British-Israeli filmmaker who has been acknowledged for his work in over twenty festivals, including LA Shorts and Short of the Week. As an undergrad, he co-founded an independent production company which focused on new-media content. One of his most notable videos, GYM WILDLIFE received over 2 million views within the first two days of release. Since attending USC, Roy has focused on screenwriting and directing, while working to create inspiring, raw, and engaging stories. Directors pg. 09 SABINA VAJRAČA Born in Bosnia, Sabina immigrated to the U.S. as a war refugee, and started her career in NYC theatre. Her feature documentary BACK TO BOSNIA (2005 AFI Fest / Director’s Choice, 2006 Crossroads) is featured in the top 100 of the greatest films directed by women by BBC. Most recently her short VARIABLES won the DGA Student Film Awards Grand Prize and Alfred P. Sloan grant, and was nominated for the Student Oscars, Student BAFTA, and HUMANITAS Prize. website TIFFANY KONTOYANNIS Tiffany is a Latina writer, director, and producer. She