Craig CLUNAS – BIBLIOGRAPHY Books (sole author) Screen of Kings: Royal Art and Power in Ming China, Reaktion Books (London, 2013), pp. 248 Chinese translation: Fan ping: Mingdai Zhongguo de huangjia yishu yu quanli 藩屏: 明代中国的皇家艺术与权力, translated by Huang Shaojuan], Henan daxue chubanshe (Zhengzhou, 2016) Art in China, Second edition, Oxford History of Art (Oxford, 2009), pp. 276 Empire of Great Brightness: Visual and Material Cultures in Ming China, 1368-1644 (London, 2007) [American edn. University of Hawai’i Press] pp. 288 Superfluous Things: Material Culture and Social Status in Early Modern China, Second edition, University of Hawai’i Press (Honolulu, 2004) Chinese translation: Zhang wu: Zaoqi xiandai Zhongguo de wuzhi wenhua yu shehui zhuangkuang 长物：早期现代中国的物质文化与社会状况, translated by Gao Xindan & Chen Heng , Sanlian shudian (Beijing, 2015) Elegant Debts: The Social Art of Wen Zhengming 1470-1559 (London, 2004) [American edn. University of Hawai’i Press] pp. 223 Chinese translation: Ya zhai – Wen Zhengming de shejiaoxing yishu 雅債——文徵明 的社交性藝術, translated by Liu Yuzhen, Qiu Shihua and Hu Jun, Rock Publishing (Taipei, 2009), also jiantizi edition, Sanlian shudian (Beijing, 2012) Pictures and Visuality in Early Modern China (London, 1997) [American edn Princeton University Press], pp. 221 Chinese translation: Mingdai de tuxiang yu shijuexing 明代的图像与视觉性, translated by Huang Xiaojuan, Peking University Press (Beijing, 2011) Art in China, Oxford History of Art (Oxford, 1997), pp. 255 Korean translation: Saeropge Yigneun Junggukeui Misul, translated by Young-ae Lim, (Seoul, 2008) Chinese translation: Zhongguo meishu 中国美术, translated by Liu Ying, Shanghai renmin chubanshe (Shanghai, 2012) Chinese Carving, V&A Far Eastern Series (Singapore, 1996), pp. 103 Fruitful Sites: Garden Culture in Ming Dynasty China , Reaktion Books (London, 1996) [American edn Duke University Press ], pp. 240 Japanese translation: Mindai Chūgoku teien no bunka, translated by Miyoko Nakano, (Tokyo, 2008) Superfluous Things: Social Status and Material Culture in Early Modern China (Cambridge, 1991) [American edn, Illinois University Press, Urbana and Chicago], pp. 219 1 Chinese Furniture, Victoria and Albert Museum Far Eastern Series/Bamboo Publishing (London, 1989), pp. 119 Chinese Export Watercolours, Victoria and Albert Museum Far Eastern Series (London, 1984), pp. 111 Books (editor/joint author) Ming: 50 Years that Changed China (ed., with Jessica Harrison-Hall) (London, 2014) [CC authored, ‘Chapter 1, A Second Founding: Ming China 1400-1450, pp. 19-43’ and ‘Chapter 4, Wen: The Arts of Peace, pp. 157-203’], pp. 312 The Barlow Collection of Chinese Ceramics, Bronzes and Jades: an Introduction, (Editor and contributor) University of Sussex (Falmer, 1998), pp. 64 Chinese Art and Design: the T. T. Tsui Gallery of Chinese Art, (with Rose Kerr and Verity Wilson), edited by Rose Kerr, Victoria and Albert Museum (London, 1991), pp. 255 Chinese Export Art and Design, (Editor and contributor), Victoria and Albert Museum (London, 1987), pp. 127 Contributions to edited volumes ‘Introduction’ (pp. 1-8) and ‘Precious Stones and Ming Culture, 1400-1450’ (pp. 236- 44) in Craig Clunas, Jessica Harrison-Hall and Luk Yu-ping, eds, Ming China: Courts and Contacts 1400-1450, British Museum Research Publications 205 (London, 2016) ‘Art as Lineage in the Ming and Qing’, in Jerome Silbergeld and Dora C. Y. Ching eds., The Family Model in Chinese Art and Culture, P.Y. and Kinmay Tang Center for East Asian Art, (Princeton NJ, 2013), pp. 459-474 ‘The Art of Global Comparisons’ in Maxine Berg ed., Writing the History of the Global: Challenges for the 21st Century (Oxford, 2013), pp. 165-176 ‘Things in Between: Splendour and Excess in Ming China’, in Frank Trentmann ed., The Oxford Handbook of the History of Consumption (Oxford, 2012), pp. 47-63 ‘Between Heaven and Earth’, in Christopher Dell ed., What Makes a Masterpiece? Encounters with Great Works of Art (London, 2010), pp. 186-7 ‘Antiquarian Politics and the Politics of Antiquarianism in Ming Regional Courts’, in Wu Hung ed., Reinventing the Past: Antiquarianism in Chinese Art and Visual Culture (Chicago, 2010), pp. 229-54 ‘Commodity and Context: Wen Zhengming in the Late Ming Art Market’ in Naomi Noble Richard and Donald E. Brix eds., The History of Painting in East Asia: Essays on Scholarly Method, Papers presented for an International Conference at National Taiwan University October 4-7, 2002 (Taipei, 2008), pp. 315-30 ‘The Toolkit and the Textbook’, in James Elkins ed., Is Art History Global? The Art Seminar (New York and Abingdon, 2007), pp. 279-85 2 ‘’Not One Hair Different…’ Wen Zhengming on Imaging the Dead in Ming Funerary Portraiture’, in Rupert Shepherd and Robert Maniura eds., Presence: The Inherence of the Prototype within Images and Other Objects (Aldershot, 2006), pp. 31-45 'Text, Representation and Technique in Early Modern China', in Karine Chemla ed., History of Science, History of Text, Boston Studies in the Philosophy of Science 238 (Dordrecht, 2005), pp. 107-21 The ‘Admonitions Scroll’ in the 18th, 19th and 20th centuries: Discussant’s Remarks’, in Shane McCausland ed., Gu Kaizhi and the Admonitions Scroll (London, 2003), pp. 295-8 ‘Social History of Art’, in Robert S. Nelson and Richard Shiff eds, Critical Terms for Art History, 2nd edition (Chicago, 2003), pp. 465-77 ‘Images of High Antiquity: The Prehistory of Art in Ming Dynasty China’, in Dieter Kuhn & Helga Stahl eds., Die Gegenwart des Altertums: Formen und Funktionen des Altertumsbezugs in den Hochkulturen der Alten Welt (Heidelberg, 2001), pp. 481-91 'What about Chinese art?' in Catherine King ed., Views of Difference, Different Views of Art, Art and its Histories (New Haven and London, 1999), pp. 121-41. `Nature and Ideology in Western Descriptions of the Chinese Garden', in Joachim Wolschke-Bulmahn ed., Nature and Ideology: Natural Garden Design in the Twentieth Century, Dumbarton Oaks Landscape Colloquium (Washington, 1997), pp. 21-33 `The Idea of Gu yu (`Archaic Jades') in Ming and Qing Texts', in Rosemary Scott ed., Chinese Jades, Colloquies on Art and Archaeology in Asia no 18, Percival David Foundation of Chinese Art (London, 1997), pp. 205-14. 'Furnishing the Self in Early Modern China', in Nancy Berliner ed., Behind the Screen: Chinese Furniture of the 16th and 17th Centuries, Boston Museum of Fine Arts (Boston, 1996), pp. 21-35 'China in Britain: the Imperial Collections', in Belief in China: Art and Politics; Deities and Mortality, edited by Robert Benewick and Stephanie Donald, Green Centre for Non- Western Art and Culture at the Royal Pavilion, Art Gallery and Museums (Brighton, 1996), pp. 10-17 [abbreviated version of 'Oriental Antiquities/Far Eastern Art' positions: east asia cultures critique, 2.2 (Fall 1994), pp. 318-57] 'The Forgetting Machine: reflections on the museum and the collection', in Elizabeth Hallam and Nicky Levell eds, Communicating Otherness: Cultural Encounters (Falmer, 1996), pp. 28-32 'Trade Goods, Commodities and Collectables: Some Ways of Categorising Material Culture in Sung-Yüan Texts', in Maxwell K. Hearn and Judith G. Smith eds., Arts of the Sung and Yüan, Metropolitan Museum of Art (New York, 1996), pp. 45-56 'The Regulation of Consumption and The Institution of Correct Morality by the Ming State', in Chun-chieh Huang and Erik Zürcher eds., Norms and the State in China, Sinica Leidensia 28 (Leiden, 1993), pp. 39-49 3 'Connoisseurs and aficionados: the real and the fake in Ming China (1368-1644)', in Mark Jones ed., Why Fakes Matter: Essays on Problems of Authenticity, (London, 1992), pp. 151-6 'Jade Tableware of the Ming Dynasty (1368-1644), in Proceedings of the International Colloquium on Chinese Art History, 1991: Antiquities, 2 vols., National Palace Museum, Taipei (Taipei, 1992) II, pp. 727-740 'Ideal and Reality in the Ming Garden', in L. Tjon Sie Fat and E. de Jong eds, The Authentic Garden: A Symposium on Gardens (Leiden, 1991), pp. 197-25 'Books and Things: Ming Literary Culture and Material Culture', in Frances Wood ed., Chinese Studies, British Library Occasional Papers 10 (London, 1988), pp. 136-43 'Some Literary Evidence for Gold and Silver Vessels in the Ming Dynasty (1368- 1644)', in Pots and Pans; a Colloquium on Precious Metals and Ceramics, edited by Michael Vickers and Julian Raby eds., Oxford Studies in Islamic Art, 3 (1986), pp. 83-7 Journal articles (refereed) ‘Reading a Painter’s Price List in Republican Shanghai’, Source: Notes in the History of Art (Fall/Winter 2016), pp. 22-31 ‘Connected Material Histories: A response’, Modern Asian Studies, 50 (2016), pp. 61- 74 ‘Regarding Art and Art History, Art Bulletin, 95.1 (March 2013), pp. 8-9 ‘Reading Wen Zhengming: Metaphor and Chinese Art’, Word and Image, 25.1 (2009), pp. 96-102 ‘Unframing Chinese Art’, Meishushi yu guannianshi/ History of Art and History of Ideas, 6 (2007), pp. 1-29 ‘Wuzhi wenhua – zai dong xi eryuanlun zhiwai’ 物質文化—在東西二元論之外 (‘Material Culture Beyond the East/West Binary’), Xin Shixue 新史學 17.4 (2006), pp. 195-215 ‘The Art Market in 17th Century China: the Evidence of the Li Rihua Diary’, Meishushi yu guannianshi/ History of Art and History of Ideas, 1 (2003), pp. 201-24 'Artist and Subject in Ming Dynasty China', Proceedings of the British Academy, 105 (2000), pp. 43-72 'Review Essay – Modernity Global and Local: Consumption and the Rise of the West' in American Historical Review, 104.5 (1999), pp. 1497-1511 '"Wine foaming in gold, tea brewing in jade": drinking culture in Ming dynasty China', in Oriental Art, N.S., 44.2 (1998), pp. 8-10 'Luxury Knowledge: The Xiushilu ('Records of Lacquering') of 1625', in Techniques et Cultures, 29 (1997), pp. 27-40 'Oriental Antiquities/Far Eastern Art' positions: east asia cultures critique, 2.2 (Fall 1994), pp. 318-57 4 'The Art of Social Climbing in the Ming Dynasty', V&A/Arts Club Lecture, The Burlington Magazine, 133, no 1059 (1991), pp. 368-377 'Chinese Art and Chinese Artists in France, 1924-1925', Arts asiatiques, 44 (1989), pp.